New Releases by Sebastian Junger

Durante seus anos como premiado repórter de guerra, Sebastian Junger se viu em risco várias vezes, em conflitos armados e linhas de frente. No entanto, o mais perto que chegou da morte foi no verão de 2020, enquanto passava uma tarde tranquila em casa, com a esposa e as duas filhas pequenas. Sentindo dores fortíssimas, Junger foi levado às pressas para o hospital e, lá, começou a perder a consciência. Conforme a vida lhe escapava, foi visitado pelo pai já falecido, que o convidou a se juntar a ele. "Está tudo bem", disse o pai. "Não há nada a temer. Eu cuido de você." Essa era a última coisa de que Junger se lembrava ao recuperar a consciência no dia seguinte, quando lhe disseram que ele havia sofrido um aneurisma abdominal do qual havia se recuperado por um milagre. Essa experiência estimulou Junger — um ateu convicto cujo pai era físico e respeitava o empírico acima de tudo — a mergulhar em uma investigação científica, filosófica e profundamente pessoal sobre a mortalidade e o que acontece depois da morte. Como aceitar o fato brutal de que qualquer um de nós pode perecer a qualquer momento? Como lidar com fenômenos que a ciência talvez seja incapaz de explicar? E o que acontece com uma pessoa, emocional e espiritualmente, quando é forçada a enfrentar tais questões existenciais? Quando chegar minha hora é parte drama médico, parte autobiografia marcante e parte investigação racional sobre o maior mistério da vida: a morte. "Um clássico instantâneo que me encheu de assombro e gratidão. Junger nos ajuda a imaginar o que — se é que existe algo — nos espera do outro lado." — Will Schwalbe, autor de O clube do livro do fim da vida "Sebastian Junger é famoso por enfrentar lugares e conflitos que deixariam qualquer um aterrorizado. Aqui, ele se volta para a própria mortalidade, a fronteira mais assustadora e fascinante que há." — Caitlin Doughty, autora de Confissões do crematório "Um livro incrível sobre vida, morte e pós-vida. O mais próximo que qualquer um já chegou de explicar o que é ser humano." — James Patterson, autor best-seller do New York Times

A near-fatal health emergency leads to this powerful reflection on death—and what might follow—by the bestselling author of Tribe and The Perfect Storm. For years as an award-winning war reporter, Sebastian Junger traveled to many front lines and frequently put his life at risk. And yet the closest he ever came to death was the summer of 2020 while spending a quiet afternoon at the New England home he shared with his wife and two young children. Crippled by abdominal pain, Junger was rushed to the hospital by ambulance. Once there, he began slipping away. As blackness encroached, he was visited by his dead father, inviting Junger to join him. “It’s okay,” his father said. “There’s nothing to be scared of. I’ll take care of you.” That was the last thing Junger remembered until he came to the next day when he was told he had suffered a ruptured aneurysm that he should not have survived. This experience spurred Junger—a confirmed atheist raised by his physicist father to respect the empirical—to undertake a scientific, philosophical, and deeply personal examination of mortality and what happens after we die. How do we begin to process the brutal fact that any of us might perish unexpectedly on what begins as an ordinary day? How do we grapple with phenomena that science may be unable to explain? And what happens to a person, emotionally and spiritually, when forced to reckon with such existential questions? In My Time of Dying is part medical drama, part searing autobiography, and part rational inquiry into the ultimate unknowable mystery.

Un clásico moderno: la historia de la tormenta del siglo. En octubre de 1991 tuvo lugar lo que los meteorólogos denominaron «la tormenta del siglo», un fenómeno imprevisto que azotó la costa este de Norteamérica fruto de una insólita combinación de factores. Con olas de más de treinta metros de altura y vientos de 180 kilómetros por hora, la tormenta sacudió el mar con una violencia extraordinaria. En La tormenta perfecta, Junger describe las condiciones que dieron lugar a este hecho sin precedentes y reconstruye minuciosamente tres emocionantes historias, la de los seis tripulantes del pesquero Andrea Gail –que desaparecieron a cientos de kilómetros de su hogar en Gloucester, Massachusetts–, la de un velero atrapado en plena tormenta y la del rescate de los tripulantes de un helicóptero de salvamento que cayó al mar. A partir de una extensa serie de fuentes, que van de comunicaciones por radio a relatos de testigos, Junger recrea con impresionante tensión narrativa la lucha de estos hombres por su supervivencia y traza un magnífico retrato de la gente de mar. Convertida en un bestseller desde su aparición en 1997, esta crónica sobrecogedora está considerada ya un clásico del género. «Trepidante. Aunque nunca hayas estado en una tormenta en alta mar, el relato de Junger te hará sentir el mismo terror.» Anthony Bailey (The New York Times Book Review) «Una historia que se lee con enorme interés, inquietud y concentración; y si uno conoce un poco la vida en alta mar, siente la gigantesca fuerza de los vientos huracanados y el volumen inconcebible de las olas de más de treinta metros.» Patrick O’Brian «No hay nada inventado en el libro de Junger. Todo lo que se cuenta es terrorífica y horriblemente real.» Los Angeles Times «Una crónica apasionante, una auténtica historia de aventuras.» Newsweek «Soberbio. Está narrado con autoridad, brío y una profunda simpatía por todos los que se enfrentan a los peligros del mar.» Jonathan Yardley (The Washington Post) «La tormenta perfecta es una descriptiva, pulida y detallada crónica, un reportaje coral que ahonda en las historias, motivaciones y forma de vida de sus protagonistas. Una pieza de innegable valor, tensión y violencia.» Patricio Sánchez-Jáuregui (ACE Prensa)

In de loop van de geschiedenis hebben mensen zich laten leiden door twee essentiële idealen: gemeenschapszin en vrijheid. Die twee grootheden gaan moeilijk samen: we stellen prijs op individualiteit en onafhankelijkheid, maar wat onze basisbehoeften betreft zijn we volkomen afhankelijk van de maatschappij om ons heen. In dit intelligent opgezette en prikkelende boek onderzoekt Sebastian Junger deze spanning, die de kern vormt van ons mens-zijn. Bijna een jaar lang wandelden Junger en drie van zijn vrienden - een oorlogsfotograaf en twee Afghanistan-veteranen - langs de spoorlijnen van de Amerikaanse oostkust. Hun persoonlijke autonomie werd op de proef gesteld, maar ook hun afhankelijkheid van elkaar. De vier mannen verscholen zich voor de spoorwegpolitie, sliepen onder bruggen, kookten hun maaltijden boven een houtvuur, dronken uit beken en rivieren en ontwikkelden een unieke afhankelijkheid van elkaar. In Vrijheid heeft Junger zijn verslag van deze tocht gelardeerd met beschouwingen over primatologie, de geschiedenis van werkstakingen en indiaanse opstandigen, boksstrategieën, de rol van vrouwen in verzetsbewegingen en de rauwe realiteit van het leven aan de frontier in Pennsylvania. Het indrukwekkende resultaat is een in subtiel en vlijmscherp proza geschreven beschouwing over het door ons allen gekoesterde oerverlangen.

A profound rumination on the concept of freedom from the New York Times bestselling author of Tribe. Throughout history, humans have been driven by the quest for two cherished ideals: community and freedom. The two don’t coexist easily. We value individuality and self-reliance, yet are utterly dependent on community for our most basic needs. In this intricately crafted and thought-provoking book, Sebastian Junger examines the tension that lies at the heart of what it means to be human. For much of a year, Junger and three friends—a conflict photographer and two Afghan War vets—walked the railroad lines of the East Coast. It was an experiment in personal autonomy, but also in interdependence. Dodging railroad cops, sleeping under bridges, cooking over fires, and drinking from creeks and rivers, the four men forged a unique reliance on one another. In Freedom, Junger weaves his account of this journey together with primatology and boxing strategy, the history of labor strikes and Apache raiders, the role of women in resistance movements, and the brutal reality of life on the Pennsylvania frontier. Written in exquisite, razor-sharp prose, the result is a powerful examination of the primary desire that defines us.

Moderní člověk žije v komfortu, o kterém se předchozím generacím ani nesnilo. Ale pořád má pocit, že mu něco chybí. Proč? Chybí mu totiž něco, co máme všichni hluboce zakódováno ve genech a bez čeho se nám žije strašně těžko - chybí nám pocit, že někam patříme, že jsme příslušníky nějakého "kmene", který za námi stojí, který se o nás postará a který se postará i o naše blízké.

We have a strong instinct to belong to small groups defined by clear purpose and understanding--"tribes." This tribal connection has been largely lost in modern society, but regaining it may be the key to our psychological survival. Decades before the American Revolution, Benjamin Franklin lamented that English settlers were constantly fleeing over to the Indians-but Indians almost never did the same. Tribal society has been exerting an almost gravitational pull on Westerners for hundreds of years, and the reason lies deep in our evolutionary past as a communal species. The most recent example of that attraction is combat veterans who come home to find themselves missing the incredibly intimate bonds of platoon life. The loss of closeness that comes at the end of deployment may explain the high rates of post-traumatic stress disorder suffered by military veterans today. Combining history, psychology, and anthropology, Tribe explores what we can learn from tribal societies about loyalty, belonging, and the eternal human quest for meaning. It explains the irony that-for many veterans as well as civilians-war feels better than peace, adversity can turn out to be a blessing, and disasters are sometimes remembered more fondly than weddings or tropical vacations. Tribe explains why we are stronger when we come together, and how that can be achieved even in today's divided world.

Over fifteen months, Sebastian Junger followed a singleplatoon based at a remote outpost in eastern Afghanistan.His objective was both simple and ambitious: to conveywhat soldiers experience--what war actually feels like. In these pages, he gives insight into the truths of combat:the fear, the honour and the trust among men. He describesthings that few civilians will ever witness or go through--theendless, body-numbing anticipation of battle; the adrenaline-fueledconfusion of being ambushed; the unquestioned andautomatic risks soldiers take in combat situations to protecttheir brothers. Junger shows what it means to fight, to serveand to face down mortal danger on a constant basis. Throughout, War illuminates the lives of the men whofight for us--how they live; what they see and learn and feel.Junger draws on biology, psychology and military history to explainthe decisions soldiers make and to put their ordeals intocontext. In the vivid prose for which he has become known,he relates the physical toil, the suffocating heat, the sounds ofgunfire and the agony of loss.

Sólo un libro extraordinario podría justificar un título tan ambicioso como el de Guerra –escribió un crítico-, y este lo es. Sebastian Junger compartió durante quince meses la vida de un pelotón en un lugar remoto de Afganistán, con el propósito de averiguar lo que los soldados experimentan. No le interesaba lo que sucedía en aquella guerra, sino captar las experiencias y los sentimientos de unos soldados que se enfrentan al riesgo de la muerte cada día: la brutal violencia del combate, el miedo ante una emboscada, el aburrimiento en los momentos de inactividad, la camaradería que se forja en una situación extrema y la confianza que se establece entre unos hombres cuya supervivencia depende del compromiso total de cada uno. La fuerza extraordinaria de este libro, escrito de manera directa, sin retórica ni artificio, permite entender que se haya mantenido durante muchos meses en las listas de los más vendidos en Estados Unidos, y augura que va a convertirse en un clásico. Porque, como ha dicho Philip Caputo: “No es una historia de guerra, sino un gran libro sobre la guerra”.

These stories rocket readers across the roof of the world on the new high-speed railway in Tibet, describe the tension between Indian farmers and the sacred elephants besieging their villages, and introduce them to a shaman whom some believe can cure the most serious depressions.

What would you write if no one knew who you were? In the spirit of the demolition derby, where drivers take heedless risks with reckless abandon, welcome to the first convocation of the Secret Society of Demolition Writers. Here is a one-of-a-kind collection by famous authors writing anonymously–and dangerously. With the usual concerns about reputations and renown cast aside, these twelve daredevils have each contributed an extreme, no-holds-barred unsigned story, each shining as brightly and urgently as hazard lights. Unconventional and unapologetic, this publishing equivalent of a whodunit features an eclectic group of fictional characters, including a delusional schizophrenic narrator, an egg donor with second thoughts about her decision, a pharmacist who forms a weird crush on a woman who beat both of her parents to death, and a little girl who understands that an old safe is the threshold to another, ghostly, world. Equally diverse and surprising are the authors themselves: Aimee Bender, Benjamin Cheever, Michael Connelly, Sebastian Junger, Elizabeth McCracken, Rosie O’Donnell, Chris Offutt, Anna Quindlen, John Burnham Schwartz, Alice Sebold, Lauren Slater, and Marc Parent, the editor of the collection. Never before has such a wide-ranging and talented group of authors been assembled to such explosive and entertaining effect. The Secret Society of Demolition Writers is an intriguing puzzle in itself, but it’s also an important addition to the careers of some of our finest storytellers–even if we never really know who wrote what. Its boundary-smashing fiction offers exhilarating proof that for an artist, withholding your identity can mean gaining your freedom.

"In 1963, with the city of Boston already terrified by a series of savage crimes known as the Boston Stranglings, a murder occurred in the quiet suburb of Belmont, just a few blocks from the house of Sebastian Junger's family - a murder that seemed to fit exactly the pattern of the Strangler. Roy Smith, a black man who had cleaned the victim's house that day, was arrested, tried, and convicted, but the terror of the Strangler continued." "Two years later, Albert DeSalvo, a handyman who had been working at the Jungers' home on the day of the Belmont murder, and who had often spent time there alone with Sebastian and his mother, confessed in lurid detail to being the Boston Strangler." "This is the point of entry to Junger's book: a narrowly averted tragedy for Junger's family opens out into an electrifying exploration of race and justice in America. By turns exciting and subtle, the narrative chronicles three lives that collide - and are ultimately destroyed - in the vortex of one of the first and most controversial serial murder cases in America."--BOOK JACKET.

Forest fires, terrorism, war: explorations of danger by the author of The Perfect Storm. In Fire, Sebastian Junger brings to bear the same meticulous prose that made A Perfect Storm a modern classic onto the inner workings of a terrifying elemental force—an out-of-control inferno burning in the steep canyons of Idaho—and the cast of characters risking everything to bring that force under control. Few writers have been to so many desperate corners of the globe as has Sebastian Junger; fewer still have provided such starkly memorable evocations of characters and events. From the murderous mechanics of the diamond trade in Sierra Leone to the logic of guerrilla warfare in Afghanistan and the forensics of genocide in Kosovo, this collection of Junger's nonfiction will take you places you wouldn't dream of going to on your own.

Automne 1991. En embarquant sur l'Andrea Gail, Bobby Shatford et ses compagnons se préparent une fois encore à affronter les périls de leur métier : la pêche à l'espadon, dans les eaux de l'Atlantique Nord. Mais la saison est belle, et Bobby fait taire le pressentiment qui l'assaille. Or, à l'insu des experts, un monstrueux dispositif météorologique, capable de broyer une flotte entière, est en train de se mettre en place. Ce qu'un spécialiste appellera the perfect storm, la tempête parfaite. L'Andrea Gail va s'y trouver pris. Durant des jours et des nuits, l'équipage doit affronter des vents de plus de cent nœuds, des vagues de vingt à trente mètres... Sebastian Junger a enquêté pendant deux ans pour reconstituer la tragédie. Best-seller aux Etats-Unis, traduit en trente-neuf langues, son récit a été porté à l'écran par Wolfgang Petersen.

"There is nothing imaginary about Junger's book; it is all terrifyingly, awesomely real." —Los Angeles Times It was the storm of the century, boasting waves over one hundred feet high—a tempest created by so rare a combination of factors that meteorologists deemed it "the perfect storm." In a book that has become a classic, Sebastian Junger explores the history of the fishing industry, the science of storms, and the candid accounts of the people whose lives the storm touched. The Perfect Storm is a real-life thriller that makes us feel like we've been caught, helpless, in the grip of a force of nature beyond our understanding or control. Winner of the American Library Association's 1998 Alex Award.