New Releases by Shirley Jackson

The American writer Shirley Jackson is known primarily for her works of horror and mystery. She attracted significant public attention for the controversial short story ‘The Lottery’, presenting the sinister underside of a bucolic American village. Her 1959 horror masterpiece ‘The Haunting of Hill House’ is widely considered one of the best ghost stories ever written. In spite of her untimely death at the age of 48, her works continue to draw critical acclaim and revaluation, having a major impact on the development of the horror genre. This eBook presents Jackson’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Jackson’s life and works * Concise introductions to the major texts * All 7 novels, with individual contents tables * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare short stories available in no other collection * Special chronological and alphabetical contents tables for the stories * Easily locate the tales you want to read * Jackson’s rare children’s books – available in no other collection * Includes Jackson’s two seminal memoirs * Ordering of texts into chronological order and genres CONTENTS: The Novels The Road through the Wall (1948) Hangsaman (1951) The Bird’s Nest (1954) The Sundial (1958) The Haunting of Hill House (1959) We Have Always Lived in the Castle (1962) Come Along with Me (1968) The Shorter Fiction The Lottery and Other Stories (1949) Stories from ‘Come Along with Me’ (1968) Miscellaneous Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Children’s Books The Bad Children (1958) Nine Magic Wishes (1963) Famous Sally (1966) The Non-Fiction The Witchcraft of Salem Village (1956) Special Delivery (1960) Miscellaneous Essays and Sketches The Memoirs Life among the Savages (1953) Raising Demons (1957)

''''The Road Through the Wall'''' was Jackson''s first novel. Jackson loosely based the novel on her childhood, growing up in an affluent California neighborhood. She also admitted that she wrote the book, in part, to get back at her parents, whom she resented for their narrow-mindedness and greed, stating that a writer''s first novel has to be the one in which they get back at their parents.

Das humorvolle Meisterwerk einer Kultautorin Grandios erzählt Shirley Jackson in diesem Klassiker von 1957 aus dem Leben ihrer liebenswert-durchgeknallten Familie. Nachdem mit der Ankunft des vierten Kindes das alte Haus zu klein geworden und der nervenaufreibende Umzug geschafft ist, könnte etwas Ruhe einkehren. Aber weit gefehlt! Während der Kühlschrank und ein schiefer Torpfosten machen, was sie wollen, und die älteste Tochter Jannie immer nur Little Women liest, besuchen Sally und der kleine Barry ihren geheimnisvollen Freund Pudge und bleiben über Stunden unauffindbar. Laurie, der Erstgeborene, ist seiner eigenen Ansicht nach schon erwachsen und muss seinem Vater ständig Bußgeld für die Verwendung von Schimpfwörtern zahlen. Unter all diesen heiteren Alltagsszenen lauern auch noch die verkrusteten Geschlechterrollen der Fünfzigerjahre. Natürlich hat sich eine Professorengattin wie die Erzählerin für nichts anderes zu interessieren als ihre Kinder – und die Arbeit ihres Ehemanns. Doch bald darauf schmückt die Familie gemeinsam den Weihnachtsbaum und schließlich gilt: Weihnachten gut, alles gut.

»Demonälskaren« är en novell av Shirley Jackson, ursprungligen publicerad 1949. I översättning av Helena Fagertun. SHIRLEY JACKSON [1916-1965] är en av världslitteraturens mest inflytelserika författare i skräckgenren. Hon föddes i San Francisco, men flyttade senare till New York. Shirley Jackson kom att ge ut sex romaner och lika många novellsamlingar. Mest berömda är romanerna Hemsökelsen på Hill House [The Haunting of Hill House, 1959] - som 2018 också adapterades till en hyllad tv-serie av Netflix och Vi har alltid bott på slottet [We Have Always Lived in the Castle, 1962].

»En vanlig dag, med jordnötter« är en novell av Shirley Jackson, ursprungligen publicerad 1955. I översättning av Helena Fagertun. SHIRLEY JACKSON [1916-1965] är en av världslitteraturens mest inflytelserika författare i skräckgenren. Hon föddes i San Francisco, men flyttade senare till New York. Shirley Jackson kom att ge ut sex romaner och lika många novellsamlingar. Mest berömda är romanerna Hemsökelsen på Hill House [The Haunting of Hill House, 1959] - som 2018 också adapterades till en hyllad tv-serie av Netflix och Vi har alltid bott på slottet [We Have Always Lived in the Castle, 1962].

Com uma habilidade ímpar, Shirley Jackson vai do hilário ao horripilante para demonstrar seu poder de contar histórias. Única coletânea publicada enquanto Shirley Jackson ainda era viva, A loteria e outros contos traz histórias que incorporam tanto as características marcantes da escritora quanto seu poder de navegar pelos diversos aspectos da ficção. Publicado pela primeira vez em 1948 na revista The New Yorker, o conto "A loteria" é considerado um dos mais importantes da literatura americana — seu impacto foi tão profundo que, logo após sua publicação, a revista recebeu diversas cartas reclamando da "imoralidade" da narrativa. Esta e outras 24 histórias curtas formam uma coletânea brutal que analisa com maestria os meandros da sociedade norte-americana, a opressão velada, o lugar a que as mulheres são relegadas, o peso do matrimônio e dezenas de outros temas que ainda fazem parte da sociedade atual. Seja esmiuçando a vida nos subúrbios dos Estados Unidos, como em "Estátua de sal", ou retratando a influência da bebida e da juventude na vida de um homem, como em "O embriagado", Jackson constrói histórias com personagens vivazes e impressionantes que acompanharão o leitor mesmo depois de fechar o livro. "Os contos de Shirley Jackson estão entre os mais assustadores já escritos." — Donna Tartt

Quando Shirley Jackson arrivò in ospedale per la nascita del terzo figlio, l’impiegata all’accettazione le chiese quale professione svolgesse. E alla risposta «Scrittrice», replicò imperturbabile: «Io metterei casalinga». Senza volerlo, quell’impiegata aveva toccato un nervo scoperto – e colto nel segno. L’autrice di uno dei più celebri e disturbanti racconti della letteratura americana moderna era anche, come emerge dagli irriverenti aneddoti familiari, un’eccentrica donna di casa e una madre spassosa e piena d’inventiva. Ed è impossibile non riconoscere qualcosa di lei nelle stravaganti Mary Poppins che popolano questa raccolta, accompagnate da gatti parlanti e in grado di confezionare abiti con le coccinelle e i denti di leone del giardino. Quanto al lato più macabro – quello che la spinge ad affrontare tormenti, aberrazioni, crudeltà, a sondare normalità, follia, soprannaturale e sordido, o ancora a rendere sottilmente inquietante la banalità di «un giorno come un altro», appunto –, il lettore non avrà che l’imbarazzo della scelta. Nessuno meglio di Shirley Jackson conosce «il male incontrollato» che si cela sotto la più linda e ordinata delle superfici. E solo lei sa mescolare assurdo, comico e spaventevole – avvelenata mistura –, portandoli alle estreme conseguenze con un’economia del dettato e un’acutezza del dettaglio del tutto inconfondibili.

World-renowned cartoonist Seth returns with three new ghost stories for 2022. Margaret visits the lavish home of her friend Carla Rhodes for the summer holidays. But when Carla''s brother arrives with a mysterious friend, strange occurrences cause tensions to rise within the group, and secrets hidden within the house begin to emerge.

Sepulangnya dari kantor yang nyaman dan ber-AC, dengan hati riang dan berencana makan malam istimewa bersama istri tercinta, Mr. Beresford malahan harus kehilangan “rasa nyaman” yang seharian tadi dinikmatinya sebagaimana halnya dirasakan para pria kantoran di New York pada umumnya, karena kehadiran sebuah gangguan terus-menerus dari seorang pria bertopi yang menguntitnya ke mana pun kakinya melangkah. Celakanya, dia tidak mampu menghilangkan jejak, walaupun jelas-jelas dirinya berada di antara keramaian orang, di tempat umum yang antara satu orang dengan lainnya, sibuk dengan urusan masing-masing. Di pusat bisnis Kota New York. Pria itu selalu bisa menemukannya, menatap setiap pergerakannya. Mr. Beresford merasa mungkin dirinya salah karena menilai aneh pakaian pria asing itu, meskipun tidak mengungkapkannya secara verbal, tapi apa hanya karena alasan itu dirinya dibuat begitu bersalah? Masih dengan kisah-kisah yang kerap membuat kening pembaca berkerut, mau tidak mau mempertanyakan kaitan antara satu hal dengan hal lainnya, Shirley Jackson dalam antologi Paranoia, menghadirkan 7 cerita pendek yang selalu butuh untuk dibaca berulang-ulang agar dipahami maksud tersiratnya.

A bewitchingly brilliant collection of never-before-published letters from the renowned author of “The Lottery” and The Haunting of Hill House NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS • “This biography-through-letters gives an intimate and warm voice to the imagination behind the treasury of uncanny tales that is Shirley Jackson’s legacy.”—Joyce Carol Oates Shirley Jackson is one of the most important American authors of the last hundred years and among our greatest chroniclers of the female experience. This extraordinary compilation of personal correspondence has all the hallmarks of Jackson’s beloved fiction: flashes of the uncanny in the domestic, sparks of horror in the quotidian, and the veins of humor that run through good times and bad. i am having a fine time doing a novel with my left hand and a long story—with as many levels as grand central station—with my right hand, stirring chocolate pudding with a spoon held in my teeth, and tuning the television with both feet. Written over the course of nearly three decades, from Jackson’s college years to six days before her early death at the age of forty-eight, these letters become the autobiography Shirley Jackson never wrote. As well as being a bestselling author, Jackson spent much of her adult life as a mother of four in Vermont, and the landscape here is often the everyday: raucous holidays and trips to the dentist, overdue taxes and frayed lines of Christmas lights, new dogs and new babies. But in recounting these events to family, friends, and colleagues, she turns them into remarkable stories: entertaining, revealing, and wise. At the same time, many of these letters provide fresh insight into the genesis and progress of Jackson’s writing over nearly three decades. The novel is getting sadder. It’s always such a strange feeling—I know something’s going to happen, and those poor people in the book don’t; they just go blithely on their ways. Compiled and edited by her elder son, Laurence Jackson Hyman, in consultation with Jackson scholar Bernice M. Murphy and featuring Jackson’s own witty line drawings, this intimate collection holds the beguiling prism of Shirley Jackson—writer and reader, mother and daughter, neighbor and wife—up to the light.

Shirley Jackson''s beloved gothic tale of a peculiar girl named Merricat and her family''s dark secret, with an afterword by Jonathan Lethem. A Penguin Vitae Edition Merricat Blackwood lives on the family estate with her sister Constance and her uncle Julian. Not long ago there were seven Blackwoods—until a fatal dose of arsenic found its way into the sugar bowl one terrible night. Acquitted of the murders, Constance has returned home, where Merricat protects her from the curiousity and hostility of the villagers. Their days pass in happy isolation until cousin Charles appears. Only Merricat can see the danger, and she must act swiftly to keep Constance from his grasp. Penguin Classics presents Penguin Vitae, loosely translated as “Penguin of one’s life,” a deluxe hardcover series featuring a dynamic landscape of classic fiction and nonfiction that has shaped the course of our readers'' lives. Penguin Vitae invites readers to find themselves in a diverse world of storytellers, with beautifully designed classic editions of personal inspiration, intellectual engagement, and creative originality.

Construite par un riche industril du XIXe siècle, Hill House est à l''image de son créateur: labyrinthique, monstrueuse, ténébreuse à souhait. De plus, on la dit hantée. Fasciné par les phénomènes paranormaux, le docteur Montagu invite des sujets réceptifs au surnaturel à passer l''été à Hill House afin de mener une enquête. Une enquête qui va tourner au cauchemar...

From the author of The Haunting of Hill House and We Have Always Lived in the Castle, four classic novels of subtle psychological horror. Shirley Jackson--the beloved author of The Lottery, The Haunting of Hill House, and We Have Always Lived in the Castle--is more and more being recognized as one of the finest writers of the American gothic tradition, a true heir of Edgar Allan Poe and Henry James. Now, Jackson''s award-winning biographer Ruth Franklin gathers the subtle, chilling, hypnotic novels with which she began her unique career. Her haunting debut tale The Road Through the Wall (1948) explores the secret desires, petty hatreds, and ultimate terrors that lurk beneath the picture-perfect domesticities of a suburban California neighborhood. In Hangsaman (1951)--inspired by the real-life disappearance of a Bennington College sophomore--the precocious but lonely Natalie Waite grows increasingly dependent on an imaginary friend. The Bird''s Nest (1954) has not one but four protagonists: the shy, demure young Elizabeth and, revealed with a series of surprising twists, her other, multiple personalities. At the beginning of The Sundial (1958), the eccentric Halloran clan, gathered at the family manse for a funeral, becomes convinced that the world is about to end and that only those who remain in the house shall be saved. In what is perhaps her most unsettling novel, Jackson follows their crazed, violent preparations for the afterlife. Here is the perfect companion to Shirley Jackson: Novels & Stories, Library of America''s edition of Jackson''s landmark story collection, The Lottery, and her brilliant late novels The Haunting of Hill House and We Have Always Lived in the Castle.

The greatest haunted house story ever written—the inspiration for the hit Netflix horror series! First published in 1959, Shirley Jackson''s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

Dans le monde de Shirley Jackson, rien ne paraît sortir de l''ordinaire. De petites villes, des couples, des maisons, des gens qu''on croise dans le bus ou chez l''épicier. Au premier abord, tout est normal. Puis un détail sème le doute. Un autre fait tout déraper vers des zones noires et troubles, qui suscitent une profonde inquiétude chez le lecteur. Voici une douzaine de nouvelles entièrement inédites, toutes plus déstabilisantes les unes que les autres, ainsi que le chef-d''oeuvre de Jackson, La Loterie (adapté par Miles Hyman sous forme de roman graphique), dans une nouvelle traduction.

Vier Menschen betreten die alte Villa, die als Hill House bekannt ist. Sie wollen die übernatürlichen Phänomene, die sich angeblich darin ereignen, untersuchen. Die vier werden etwas Böses erleben, das sich ihrer Kontrolle und ihrem Verstand entzieht. Sie können unmöglich wissen, dass sie von dem Haus selbst angelockt wurden und welche bösen Pläne es verfolgt ... Das Meisterwerk der ''Queen of Horror'', der wichtigsten Autorin unheimlicher Literatur und Vorbild für Stephen King und viele andere Autoren. Neil Gaiman: ''Was das wirklich Unheimliche betrifft, überragt Shirley Jacksons SPUK IN HILL HOUSE alle anderen Romane. Eine erstaunliche Autorin. Wenn du sie nicht gelesen hast, hast du etwas Wunderbares verpasst.'' Donna Tartt: ''Shirley Jacksons Geschichten gehören zu den schauerlichsten, die je geschrieben wurden.'' Joyce Carol Oates: ''Shirley Jackson ist eine dieser höchst eigenwilligen, unnachahmlichen Schriftstellerinnen, deren Werke einen bleibenden Zauber ausüben.'' Stephen King: ''Einer der wirklich großen unheimlichen Romane der vergangenen hundert Jahre.'' FESTA MUST READ: Große Erzähler ohne Tabus. Muss man gelesen haben. Shirley Jackson ist die ''Queen of Horror'', die wichtigste Autorin unheimlicher Literatur und literarisches Vorbild für Stephen King, Neil Gaiman und viele andere Autoren. Shirley Jackson wurde 1916 in Kalifornien geboren. Als der New Yorker 1948 ihre Kurzgeschichte ?The Lottery? veröffentlichte, waren viele Leser so entsetzt, dass sie ihre Abonnements kündigten und Hassbriefe sendeten. The Union of South Africa verbot die Veröffentlichung dieser Geschichte sogar. Inzwischen gilt sie als eine der berühmtesten Erzählungen Amerikas. Ihre dunklen, brillanten Romane haben viele Autoren beeinflusst. The Haunting of Hill House und We Have Always Lived in the Castle sind ihre Meisterwerke. Shirley Jackson starb 1965. Stephen King: ''The Haunting of Hill House ist einer der wirklich großen, unheimlichen Romane der vergangenen hundert Jahre.''

"Sozinha no mundo, Eleanor fica encantada ao receber uma carta do dr. Montague convidando-a para passar um tempo na Casa da Colina, um local conhecido por suas manifestações fantasmagóricas. O mesmo convite é feito a Theodora, uma alma artística e sensitiva, e a Luke, o herdeiro da mansão. Porém, o que começa como uma exploração bem-humorada de um mito inocente se transforma em uma viagem para os piores pesadelos de seus hóspedes. Com o tempo, fica cada vez mais claro que a sanidade – e a vida – de todos está em risco."--

''De geesten van Hill House'', Shirley Jacksons bekendste roman en een icoon in het horrorgenre, weerspiegelt de kracht van angst op een huiveringwekkende manier. Eleanor Vance, een jonge, getroebleerde vrouw, overnacht in het gezelschap van drie anderen in Hill House, waarvan men zegt dat er paranormale gebeurtenissen plaatsvinden. Langzamerhand krijgt het huis grip op de vier personages, met verregaande consequentie. Jacksons romans worden gekarakteriseerd door een realistische toonzetting met occulte en horrorachtige elementen. ''De geesten van Hill House'' is door Netflix verfilmd.

The greatest haunted house story ever written and the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton. First published in 1959, Shirley Jackson''s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers--and soon it will choose one of them to make its own.

For the first time in one volume, a collection of Shirley Jackson’s scariest stories, with a foreword by PEN/Hemingway Award winner Ottessa Moshfegh After the publication of her short story “The Lottery” in the New Yorker in 1948 received an unprecedented amount of attention, Shirley Jackson was quickly established as a master horror storyteller. This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the “The Possibility of Evil” and “The Summer People.” In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There’s something sinister in suburbia. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • From the renowned author of “The Lottery” and The Haunting of Hill House, a spectacular volume of previously unpublished and uncollected stories, essays, and other writings. Features “Family Treasures,” nominated for the Edgar Award for Best Short Story Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion. Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space. For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist. This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin. Praise for Let Me Tell You “Stunning.”—O: The Oprah Magazine “Let us now—at last—celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson’s heretofore unpublished works—uniquely unsettling stories and ruthlessly barbed essays on domestic life.”—Vanity Fair “Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right.”—NPR “There are . . . times in reading [Jackson’s] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O’Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she’s just incomparable.”—The Washington Post “Offers insights into the vagaries of [Jackson’s] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson.”—The New York Times Book Review “The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness.”—The Boston Globe “[Jackson’s] writing, both fiction and nonfiction, has such enduring power—she brings out the darkness in life, the poltergeists shut into everyone’s basement, and offers them up, bringing wit and even joy to the examination.”—USA Today “The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation.”—The Huffington Post

It begins on a most unusual day, when a blue sun rises in a green sky and dozens of balloons fly from every tree. And when a magician in a long black coat and a starry hat turns up, the sights become even stranger. The magician grants a lucky child nine wishes, each more marvelous than the last ― an orange pony with a purple tail, a garden with candy flowers, a pocket-sized zoo, and other whimsical wonders. Master storyteller Shirley Jackson, author of the short-story classic "The Lottery," collaborated with artist Lorraine Fox to create this winsome picture book. Illustrated with brilliantly colored two-page spreads, this vivid fantasy will transport young readers to a world of enchantment.

Shirley Jackson''s third novel, a chilling descent into multiple personalities Elizabeth is a demure twenty-three-year-old wiling her life away at a dull museum job, living with her neurotic aunt, and subsisting off her dead mother’s inheritance. When Elizabeth begins to suffer terrible migraines and backaches, her aunt takes her to the doctor, then to a psychiatrist. But slowly, and with Jackson’s characteristic chill, we learn that Elizabeth is not just one girl—but four separate, self-destructive personalities. The Bird’s Nest, Jackson’s third novel, develops hallmarks of the horror master’s most unsettling work: tormented heroines, riveting familial mysteries, and a disquieting vision inside the human mind. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Chiunque abbia visto qualche film del terrore con al centro una costruzione abitata da sinistre presenze si sarà trovato a chiedersi almeno una volta perché le vittime di turno (giovani coppie, gruppi di studenti, scrittori alla vana ricerca di ispirazione) non optino, prima che sia troppo tardi, per la soluzione più semplice – e cioè non escano dalla stessa porta dalla quale sono entrati, allontanandosi senza voltarsi indietro. Bene, a tale domanda, meno oziosa di quanto potrebbe parere, questo romanzo di Shirley Jackson – il suo più noto – fornisce una risposta, forse la prima. Non è infatti la fragile, sola, indifesa Eleanor Vance a scegliere la Casa, dilatando l’esperimento paranormale in cui l’ha coinvolta l’inquietante professor Montague molto oltre i suoi presunti limiti. È piuttosto la Casa – con la sua torre buia, le porte che sembrano aprirsi da sole, le improvvise folate di gelo – a scegliere, per sempre, Eleanor Vance. E a imprigionare insieme a lei il lettore, che tenterà invano di fuggire da una costruzione romanzesca senza crepe, in cui – come ha scritto il più celebre discepolo della Jackson, Stephen King – «ogni svolta porta dritta in un vicolo buio». "L’incubo di Hill House" è apparso per la prima volta nel 1959.