New Releases by Simone de Beauvoir

A searing denunciation of French torture in Algeria by a classic feminist intellect In 1960, as the Algerian War for Independence entered its sixth year, 22-year-old Djamila Boupacha was arrested for allegedly planting a bomb in a university cafeteria. While in custody, she was tortured and raped by French soldiers. Her case would have been buried like countless others had it not been for the efforts of her lawyer, Gisèle Halimi, and the philosopher Simone de Beauvoir to transform it into an international cause célèbre. Djamila Boupacha is the culmination of this campaign to expose the systemic violence of colonial rule. “To protest in the name of morality against ‘excesses’ or ‘abuses,’” Beauvoir writes, “is an error which hints at active complicity. There are no ‘abuses’ or ‘excesses’ here, simply an all-pervasive system.” More than a historical document, the book is a profound exploration of morality, complicity and resistance. A classic text of anticolonialism, this is a story that demands to be read—and remembered.

Simone de Beauvoir’s gripping classic of a woman striving for perfection Laurence lives what appears to be an ideal existence. Her life features the trappings of 1960s Parisian bourgeoisie: money, a handsome husband, two daughters, and a lover. She also has a successful career as an advertising copywriter, though she can’t stop thinking about work while she’s at home and she dreams of domesticity while at the office. But Laurence gave up on happiness long ago, choosing instead to manifest the perfect image of wife, mother, daughter, homemaker, and career woman. It is only when she is relentlessly torn by the competing needs of her family and jarred into recognition of her own predicament by the despair of her ten-year-old daughter, Catherine, that Laurence begins to resist the hand she has been dealt. The Image of Her, the 1966 final novel by Simone de Beauvoir, freshly translated here by Lauren Elkin, is rooted in the feminist revolutions of its era, yet it remains a strikingly relevant confrontation with the limits that society places on women and their power.

A Rouen, in quella Normandia asfittica su cui aleggia il fantasma letterario di Emma Bovary, Pierre e Françoise, raffinati intellettuali parigini, conoscono Xavière, una ragazzetta per la quale entrambi provano un morboso attaccamento. Sono gli anni a cavallo tra i Trenta e i Quaranta del Novecento, la Francia è sull'orlo della guerra e dell'occupazione, l'ultimo scampolo di leggerezza, forse, prima che il conflitto segni un'intera generazione. In questo clima sospeso, la giovane è "invitata" a entrare nella coppia, e presto diventa il fulcro di un delicatissimo ménage à trois: inesperta, capricciosissima, malinconica e irascibile, sconvolgerà gli equilibri dei suoi due mentori, trascinandoli in un valzer di ingenuità e cinismo, fino a un tragico finale. Ricchissimo di echi autobiografici, L'invitata (1943) è il primo romanzo di Simone de Beauvoir: il ritratto di un groviglio affettivo fatto di solitudini e ossessioni, ma soprattutto di una ricerca di senso che va ben oltre la riflessione - pur acutissima - sui possibili modelli di coppia e d'amore. Il libro infatti - sostiene Simona Munari nella sua introduzione - «determina nel pensiero di de Beauvoir la scoperta e l'elaborazione della dimensione sociale e politica del destino umano, ed è l'inizio acerbo di un cammino filosofico e di una vita pubblica alla quale invano, ripetutamente, si è cercato di applicare categorie».

Uma das maiores intelectuais francesas da História, Simone de Beauvoir discorre neste livro sobre um período bastante decisivo em sua trajetória. A aproximação com a filosofia, o encontro com Jean-Paul Sartre e a eclosão da guerra em 1939 são acontecimentos que terminam por influenciar a formação literária, filosófica e política da escritora, que, mesmo em um cenário de agitação internacional, soube encontrar força no exercício da própria liberdade. Esta edição de A força da idade, uma das obras dedicadas às memórias de Simone, conta ainda com a apresentação de Mirian Goldenberg, antropóloga e colunista da Folha de S.Paulo.

O fim da Segunda Guerra Mundial, a França liberta do poder hitlerista e o recomeço da Europa são o ponto de partida para o terceiro livro de memórias de Simone de Beauvoir. Em A força das coisas, ela nos relata sua experiência como pensadora consagrada, numa escrita sóbria e madura. A autora remonta belas histórias de viagens (à Espanha e à Áustria, por exemplo) e o cotidiano da intelectualidade francesa, com montagens de peças, publicações de livros, divulgação de manifestos em revistas, enfim, o soerguimento das manifestações culturais no pós-guerra. Simone dedica ainda parte desta obra a suas impressões sobre o Brasil, a partir de sua visita com Sartre, guiada por Jorge Amado. Esta edição conta com a tradução de Maria Helena Franco Martins e traz um prefácio inédito da professora e pesquisadora Magda Guadalupe dos Santos.

Klassikkokirjailijan ennen julkaisematon pienoisromaani tyttöjen välisestä ystävyydestä Sylvie istuu uuden oppilaan Andréen viereen katolisessa tyttökoulussa, ja siitä alkaa vuosien mittainen intiimi ja traaginen ystävyyssuhde. Ensimmäisen maailmansodan aikaiseen Ranskaan sijoittuva pienoisromaani kuvaa paitsi tyttöjen välistä syvää ystävyyttä myös oman paikan löytämistä keskiluokkaisessa ja naisille epäsuotuisan rajoitetussa maailmassa. Erottamattomat pohjautuu Simone de Beauvoirin ja hänen lapsuuden- ja nuoruudenaikaisen ystävänsä Élisabeth Lacoinin eli Zazan suhteeseen. Jo vuonna 1954 kirjoitettu pienoisromaani julkaistaan vasta nyt, sillä Simone de Beauvoir ei halunnut sitä julki elinaikanaan sen henkilökohtaisuuden vuoksi. Kirjailijan kasvattityttären Sylvie Le Bon de Beauvoirin teokseen kirjoittama esipuhe valottaa tekstin elämäkerrallista ainesta, ja mukana on myös vanhoja kuvia ja kirjeitä. Simone de Beauvoir (1908–1986) on yksi maailmankirjallisuuden merkkinimiä ja sotienjälkeisen Ranskan tunnetuimpia ja vaikutusvaltaisimpia naiskirjailijoita ja ajattelijoita. Hänet muistetaan erityisesti feministisestä teoksestaan Toinen sukupuoli (1949), josta on peräisin hänen tunnetuin lauseensa ”naiseksi ei synnytä, naiseksi tullaan”, sekä Goncourt-palkitusta Mandariinit-romaanistaan (1954). De Beauvoir julkaisi elinaikanaan lukuisia romaaneja ja esseitä sekä omaelämäkerrallisia ja filosofisia teoksia.

Simone de Beauvoir, still a teen, began a diary while a philosophy student at the Sorbonne. Written in 1926-27—before Beauvoir met Jean-Paul Sartre—the diaries reveal previously unknown details about her life and times and offer critical insights into her early intellectual interests, philosophy, and literary works. Presented for the first time in translation, this fully annotated first volume of the Diary includes essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. It remains an invaluable resource for tracing the development of Beauvoir’s independent thinking and her influence on philosophy, feminism, and the world.

Una novela inédita, muy íntima, de la gran autora francesa ganadora del Premio Goncourt e icono del feminismo Escrita en 1954, cinco años después de la publicación de El segundo sexo, Las inseparables narra la amistad apasionada que une a Sylvie y a Andrée -alter ego de la propia Simone de Beauvoir y de Élisabeth Lacoin (Zaza)- desde que con nueve años se conocen en la escuela. Andrée es alegre, inteligente y atrevida, y Sylvie, una niña formal que se siente irremediablemente atraída por su personalidad arrolladora. Juntas aprenderán a librarse de las convenciones y las expectativas asfixiantes de su entorno, ignorantes del trágico precio que tienen la libertad y la ambición intelectual y existencial. Una historia catártica para la autora, tal vez demasiado reveladora para publicarla en vida, cuya recuperación -junto con algunas fotografías y cartas que sirven de testimonio- constituye un acontecimiento literario. ENGLISH DESCRIPTION An unpublished, very intimate novel by the great French author, an icon for feminism, and winner of the Prix Goncourt . Written in 1954, five years after the publication of The Second Sex, Las inseparables / The Inseparables narrates the passionate friendship between Sylvie and Andrée -alter egos of Simone de Beauvoir herself and Élisabeth Lacoin (Zaza) -starting when they met at school at nine years old. Andrée is cheerful, intelligent, and daring, and Sylvie, a formal girl who is irremediably attracted by Andrée’s overwhelming personality. Together they will learn to rid themselves of society’s stifling conventions and expectations, naïve about the tragic price that freedom and intellectual and existential ambition have. A cathartic story for the author, perhaps too revealing to publish during her lifetime. The recovery of this manuscript -along with some photographs and letters that serve as testimony- represents a great literary event.

Als Andrée de katholieke meisjesschool komt binnenlopen, is de negenjarige Sylvie – het alter ego van Simone de Beauvoir – direct onder de indruk. Dit meisje, gemodelleerd naar De Beauvoirs vriendin Zaza, heeft een jaar school gemist omdat ze ernstige brandwonden had opgelopen, maar gaat door het leven met een wonderbaarlijke zelfverzekerdheid die Sylvie alleen van volwassenen kent. Al snel wijken de twee niet meer van elkaars zijde. Sylvie en Andrée verdiepen zich in literatuur en filosofie en verkennen Parijs. Samen voeren ze een – vaak innerlijke – strijd tegen de conventionele verwachtingen rondom vrouwelijkheid, seksualiteit en geloof. In deze niet eerder verschenen autobiografische roman blikt Simone de Beauvoir terug op haar bijzondere vriendschap met Zaza. De onafscheidelijken is een wonderschone kennismaking met de jeugd van een van 's werelds invloedrijkste

'It is possible for man to snatch the world from the darkness of absurdity' How should we think and act in the world? These writings on the human condition by one of the twentieth century's great philosophers explore the absurdity of our notions of good and evil, and show instead how we make our own destiny simply by being. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

“Like man, woman is a human being.” When The Second Sex was first published in Paris in 1949—groundbreaking, risqué, brilliantly written and strikingly modern—it provoked both outrage and inspiration. The Independent Woman contains three key chapters of Beauvoir’s masterwork, which illuminate the feminine condition and identify practical social reforms for gender equality. It captures the essence of the spirited manifesto that switched on light bulbs in the heads of a generation of women and continues to exert profound influence on feminists today.

From the groundbreaking author of The Second Sex comes a radical argument for ethical responsibility and freedom. In this classic introduction to existentialist thought, French philosopher Simone de Beauvoir's The Ethics of Ambiguity simultaneously pays homage to and grapples with her French contemporaries, philosophers Jean-Paul Sartre and Maurice Merleau-Ponty, by arguing that the freedoms in existentialism carry with them certain ethical responsibilities. De Beauvoir outlines a series of "ways of being" (the adventurer, the passionate person, the lover, the artist, and the intellectual), each of which overcomes the former's deficiencies, and therefore can live up to the responsibilities of freedom. Ultimately, de Beauvoir argues that in order to achieve true freedom, one must battle against the choices and activities of those who suppress it. The Ethics of Ambiguity is the book that launched Simone de Beauvoir's feminist and existential philosophy. It remains a concise yet thorough examination of existence and what it means to be human. "More than any other single human, [de Beauvior's] responsible for the current international women's movement." —Gloria Steinem "One of de Beauvoir's most intriguing and original philosophical works." — Philosophy Now

El segundo sexo (Le Deuxième Sexe) es un libro escrito en 1949 por Simone de Beauvoir. Se le considera una de las obras más relevantes, a nivel filosófico, del siglo XX. Fue un rotundo éxito de ventas. Su autora comenzó a escribirlo cuando reflexionó sobre lo que había significado para ella el ser mujer. Comenzó a investigar acerca de la situación de las mujeres a lo largo de la historia y escribió este extenso ensayo que aborda cómo se ha concebido a la mujer, qué situaciones viven las mujeres y cómo se puede intentar que mejoren sus vidas y se amplíen sus libertades.Es una de las obras fundacionales del Feminismo y utiliza los conceptos existencialistas para indagar acerca de la vida de la mitad de la humanidad. También es considerada una obra enciclopédica, pues aborda la identidad de las mujeres y la diferencia sexual desde los puntos de vista de la psicología, la historia, la antropología, la biología, la reproducción y la relación afectivo-sexual.La teoría principal que sostiene Beauvoir es que "la mujer", o más exactamente lo que entendemos por mujer (coqueta, cariñosa, etc.) es un producto cultural que se ha construido socialmente. La mujer se ha definido a lo largo de la historia siempre respecto a algo: como madre, esposa, hija, hermana... Así pues, la principal tarea de la mujer es reconquistar su propia identidad específica y desde sus propios criterios. Muchas de las características que presentan las mujeres no les vienen dadas de su genética, sino de cómo han sido educadas y socializadas. La frase que resume esta teoría es muy célebre: "No se nace mujer: llega una a serlo".

From the groundbreaking author of The Second Sex "a book that will leave no one indifferent, and no one affected in quite the same way" ( New York Times ). A superb memoir by one of the great literary figures of the twentieth century, Simone de Beauvoir's Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s. Beauvoir vividly evokes her friendships, love interests, mentors, and the early days of the most important relationship of her life, with fellow student Jean-Paul Sartre, against the backdrop of a turbulent political time. "The graciously written memoirs carry distinct appeal in recording the emotional and intellectual birth pangs of a fascinating woman." — Time "Excellent. . . . the line between the child Simone and the woman of "The Second Sex" and "The Mandarins" is direct and clear." —Joan Brace, Chicago Sunday Times "This is perhaps the best piece of writing Mlle. de Beauvoir has yet done; the translator does it justice." —Germaine Bref, Saturday Review

Vintage Feminism: classic feminist texts in short form WITH AN INTRODUCTION BY NATALIE HAYNES When this book was first published in 1949 it was to outrage and scandal. Never before had the case for female liberty been so forcefully and successfully argued. De Beauvoir’s belief that ‘One is not born, but rather becomes, woman’ switched on light bulbs in the heads of a generation of women and began a fight for greater equality and economic independence. These pages contain the key passages of the book that changed perceptions of women forever. TRANSLATED BY CONSTANCE BORDE AND SHEILA MALOVANY-CHEVALLIER ANNOTATED AND INTRODUCED BY MARTINE REID

«In questo libro mi sono consentita delle omissioni, mai delle menzogne... Io mi limito ad esporre ciò che è stata la mia vita. Non voglio sostenere nulla, se non che la verità può interessare e servire». Simone de Beauvoir

No início do século XX, em uma família da classe média parisiense, nasce Simone. Quando muito pequena, é arredia e tem ataques súbitos de irritação. Depois, quando se entrega à fé religiosa, a menina se acalma e torna-se um exemplo de filha e estudante. Mas ainda jovem vê as incongruências da religião católica, e sua formação intelectual toma outro rumo. Esse rumo culmina na adoção da filosofia existencialista e no envolvimento em causas polêmicas, como a defesa do aborto. Em Memórias de uma moça bem-comportada, conhecemos a infância e a juventude dessa menina que é ninguém menos do que Simone de Beauvoir. Dona de um espírito inconformado e autêntico, Simone de Beauvoir nos mostra neste primeiro relato autobiográfico a sua infância religiosa, a consequente descrença e a posterior devoção à literatura. Pela leitura dessas memórias, acompanhamos a vida dessa leitora voraz desde sempre em paralelo com seus gostos literários e sua dedicação à escrita. E entendemos como foram fundamentais os seus relacionamentos. A doce amizade com Zaza, a proximidade com sua irmã e o amor infantil por Jacques eram a alegria e a pacificação de seu coração. Mais tarde, quando fazia sua formação na Sorbonne, outras amizades lhe foram importantes: André Herbaud, o qual lhe deu o eterno apelido de Castor (pela semelhança de Beauvoir com beaver, em inglês), Stépha e, claro, Jean-Paul Sartre. Memorialista entusiástica, Simone publicou diversas obras autobiográficas sobre tempos determinados de sua vida. Seu estilo próprio e sua constante busca pela verdade não apenas revelam a vida de uma pessoa, mas apresentam uma época vivida por um de seus grandes personagens. Sobre Memórias de uma moça bem-comportada, Simone de Beauvoir diz: “Há uma unidade romanesca que não está presente nos volumes seguintes. Como nos romances de aprendizagem, do início ao fim o tempo transcorre com rigor.” E com rigor lemos uma das memórias mais adoráveis da literatura mundial. “Quando encontrei Simone de Beauvoir, tive a impressão de ter com ela as melhores relações que se possa ter com alguém. As mais completas. Éramos um igual ao outro, não podíamos imaginar outra coisa. Eu tinha encontrado uma mulher igual ao que eu era como homem.” – Jean-Paul Sartre

A Very Easy Death has long been considered one of Simone de Beauvoir’s masterpieces. The profoundly moving, day-by-day recounting of her mother’s death “shows the power of compassion when it is allied with acute intelligence” (The Sunday Telegraph). Powerful, touching, and sometimes shocking, this is an end-of-life account that no reader is likely to forget. Translated by Patrick O'Brian

One of the most influential thinkers of her generation draws us into the lives of three women, all past their first youth, all facing unexpected crises in these three “immensely intelligent stories about the decay of passion” (The Sunday Herald Times). Suffused with de Beauvoir’s remarkable insights into women, The Woman Destroyed gives us a legendary writer at her best. Includes "The Age of Discretion," "The Monologue," and "The Woman Destroyed." "Witty, immensely adroit...These three women are believable individuals presented with a wry mixture of sympathy and exasperation." —The Atlantic

Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy. The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political engagement, from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel. Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization.

Provocative insights into Beauvoir's philosophical and personal development during wartime

Despite growing interest in her philosophy, Simone de Beauvoir remains widely misunderstood. She is typically portrayed as a mere intellectual follower of her companion, Jean-Paul Sartre. In Philosophical Writings, Beauvoir herself shows that nothing could be further from the truth. Beauvoir's philosophical work suffers from a lack of English-language translation or, worse, mistranslation into heavily condensed popular versions. Philosophical Writings provides an unprecedented collection of complete, scholarly editions of philosophical texts that cover the first twenty-three years of Beauvoir's career, including a number of recently discovered works. Ranging from metaphysical literature to existentialist ethics, Philosophical Writings brings together diverse elements of Beauvoir's work while highlighting continuities in the development of her thought. Each of the translations features detailed notes and a scholarly introduction explaining its larger significance. Revelatory and long overdue, Philosophical Writings adds to the ongoing resurgence of interest in Beauvoir's thought and to her growing influence on today's philosophical curriculum.

Laurence piensa en ese rey que transformaba en oro todo lo que tocaba y que había convertido a su hijita en una magnífica muñeca de metal. Todo lo que ella toca se transforma en imagen. La ambientación y los protagonistas de "las bellas imágenes" sirven a Simone de Beauvoir en esta novela para mostrar la hipocresía y las mentiras del modelo burgués.

A portrait of 1940s America by a French writer, eg. "The constipated girl smiles a loving smile at the lemon juice that relieves her intestines. In the subway, in the streets, on magazine pages, these smiles pursue me like obsessions. I read on a sign in a drugstore, 'Not to grin is a sin.' Everyone obeys the order, the system. 'Cheer up! Take it easy.' Optimism is necessary for the country's social peace and economic prosperity."

Das berühmte Standardwerk von Simone de Beauvoir. Die universelle Standortbestimmung der Frau, die aus jahrtausendealter Abhängigkeit von männlicher Vorherrschaft ausgebrochen ist, hat nichts an Gültigkeit eingebüßt. Die Scharfsichtigkeit der grundlegenden Analyse tritt in der Neuübersetzung noch deutlicher hervor.

Set in Paris on the eve of World War II, the novel draws upon Simone de Beauvoir's relationship with Jean-Paul Sartre, and the affair that almost destroyed it.

After a beautiful and accomplished young actress revives a downcast stranger at a French resort, he reveals that he is immortal.

Covering the years 1944 to 1952, this volume of the autobiography of legendary feminist and writer Simone de Beauvoir gives us not only an intimate account of her relationship with Sartre, but also a wonderful portrait of Parisian intellectual life. During this troubled period, French intellectuals grappled with the horrors of the Holocaust, the onset of the Cold War, and the beginning of colonial wars in Vietnam and Algeria. Beauvoir weaves memorable descriptions and anecdotes about leading members of the French postwar scene, including Genet, Camus, Richard Wright, Artaud, and Cocteau, with an account of her travels in Europe, Africa, and the United States. She also gives us an unforgettable chronicle of her romance with novelist Nelson Algren and of her struggle to live as an independent woman and writer.

La más celebrada obra de la escritora, esta historia de un triángulo amoroso entre dos adultos y una jovencita pone al descubierto las más oscuras ambigüedades de la moral al uso.

The classic manifesto of the liberated woman, this book explores every facet of a woman's life.