New Releases by Sofia SAMATAR

Jevick, figlio di un mercante di pepe, è cresciuto ascoltando le storie di Olondria, terra lontana e leggendaria nel profondo nord che sua madre, con un misto di timore e diffidenza, chiama “il paese dei fantasmi”. Quando finalmente Jevick approda in quella terra tanto sognata, tra biblioteche e tradizioni raffinate, tutto sembra rispecchiare le sue aspettative... finché, nel mezzo della goliardica e satirica Festa degli Uccelli, il fantasma di una ragazza comincia a perseguitarlo, deviandolo bruscamente dal suo cammino. Smarrito e in cerca di aiuto, Jevick si ritrova coinvolto nella contesa tra i due culti dominanti di Olondria. E mentre il paese ribolle sull’orlo della guerra, è costretto a confrontarsi con lo spirito della giovane e a scoprirne la storia, se vuole avere almeno una possibilità di salvarsi. Ne nasce un’odissea che sconvolge la sua idea di arte e di vita, di patria e di esilio, e dei confini di quella che è forse la più seducente tra le negromanzie: la lettura.

Au cœur de l’espace, la Flotte vole éternellement, à la recherche des précieuses ressources minières qui lui permettent de survivre. Enchaîné comme des milliers d’autres au plus profond de la Cale d’un de ses Vaisseaux, un garçon dessine et reçoit les enseignements d’un vieil homme. Jusqu’au jour où, son talent ayant été remarqué par les habitants des étages supérieurs du Vaisseau, il est amené auprès d’une femme qui lui annonce qu''il ne fait plus partie des Enchaînés et qu''il a la chance de pouvoir désormais étudier à l''université du Vaisseau aux côtés de l''élite. Ensemble, ils apprendront à comprendre la nature des chaînes qui les entravent tous deux et à libérer les esprits de ce monde. Sofia Samatar est une autrice américano-somalienne née en 1971. Son premier roman, Un étranger en Olondre, a gagné les World Fantasy Award et British Fantasy Award et figure dans les cent meilleurs romans de fantasy selon The Time.

A finales del siglo XIX, un grupo de menonitas germanoparlantes viajó desde Rusia hacia Asia Central, pues, según la predicción de su carismático líder, la segunda venida de Cristo iba a producirse allí. Más de un siglo después, Sofia Samatar se embarca en un viaje organizado que sigue sus pasos, fascinada no solo por las dificultades de la travesía, sino por su resultado: la creación de un pequeño pueblo cristiano en el kanato musulmán de Jiva. Bautizado como Ak Metchet, «la mezquita blanca», por la iglesia encalada de los menonitas, el pueblo sobrevivió cincuenta años. En busca de esta curiosa historia, Samatar descubre una serie de personajes cuyas vidas convergen en torno a la antigua Ruta de la Seda, desde un rey astrónomo del siglo XV hasta una intrépida viajera suiza de la década de 1930 o el primer fotógrafo uzbeko, y explora temas como el cine de Asia Central, los mártires menonitas y el complejo trasfondo de la propia Samatar como hija de una menonita suiza y un musulmán somalí, criada como una menonita de piel oscura en Estados Unidos. Una peregrinación laica a un pueblo perdido y a una historia casi olvidada, La mezquita blanca traza las fronteras de la identidad, porosas y siempre en expansión.

Opacities is a book about writing, publishing, and friendship. Rooted in an epistolary relationship between Sofia Samatar and a friend and fellow writer, this collection of meditations traces Samatar''s attempt to rediscover the intimacy of writing In a series of compressed, dynamic prose pieces, Samatar blends letters from her friend with notes on literature, turning to Édouard Glissant to study the necessary opacity of identity, to Theresa Hak Kyung Cha for a model of literary kinship, and to a variety of others, including Clarice Lispector, Maurice Blanchot, and Rainer Maria Rilke, for insights on the experience and practice of writing. In so doing, Samatar addresses a number of questions about the writing life: Why does publishing feel like the opposite of writing? How can a black woman navigate interviews and writing conferences without being reduced to a symbol? Are writers located in their biographies or in their texts? And above all, how can the next book be written? Blurring the line between author and character and between correspondence and literary criticism, Opacities delivers a personal, contemplative exploration of writing where it lives, among impassioned conversations and the work of beloved writers.

Nebula Award Finalist for Best Novella Named a Best Sci-Fi Book of 2024 by Esquire, The New York Times, SLATE, The Washington Post, and ELLE “I am in love with Sofia Samatar''s lyricism and the haunting beauty of her imagination. Her stories linger, like the memory of a sumptuous feast.”—N. K. Jemisin A Most Anticipated in 2024 Pick for Goodreads | LitHub | Book Riot | She Reads | The Nerd Daily | New Scientist Celebrated author Sofia Samatar presents a mystical, revolutionary space adventure for the exhausted dreamer in this brilliant science fiction novella tackling the carceral state and violence embedded in the ivory tower while embodying the legacy of Ursula K. Le Guin. The boy was raised as one of the Chained, condemned to toil in the bowels of a mining ship out among the stars. His whole world changes—literally—when he is yanked “upstairs” and informed he has been given an opportunity to be educated at the ship’s university alongside the elite. Overwhelmed and alone, the boy forms a bond with the woman he comes to know as “the professor,” a weary idealist and descendent of the Chained who has spent her career striving for validation from her more senior colleagues, only to fall short at every turn. Together, the boy and the woman will embark on a transformative journey to grasp the design of the chains that fetter them both—and are the key to breaking free. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Tone is a collaborative study of literary tone, a notoriously challenging and slippery topic for criticism. Both granular and global, infusing a text with feeling, tone is so difficult to pin down that responses to it often take the vague form of “I know it when I see it.” In Tone, a cooperative authorial voice under the name of the Committee to Investigate Atmosphere begins from the premise that tone is relational, belonging to shared experience rather than a single author, and should be approached through a communal practice. In partnership, the Committee explores the atmospheres emanating from texts by Nella Larsen, W. G. Sebald, Heike Geissler, Hiroko Oyamada, Mieko Kanai, Bhanu Kapil, Franz Kafka, Renee Gladman, and others, attending to the chafing of political irritation, the hunger of precarious and temporary work, and the lonely delights of urban and suburban walks. This study treats a variety of questions: How is tone filtered through translation? Can a text hold the feelings that pass between humans and animals? What can attention to literary tone reveal about shared spaces such as factories, universities, and streets and the clashes and connections that happen there? Searching and conversational, Tone seeks immersion in literary affect to convey the experience of reading—and living—together.

In De gouden weg naar Samarkand onderneemt Sofia Samatar een reis in de voetsporen van een groep Mennonieten – haar voorouders – die uit het toenmalige Rusland richting Samarkand moesten vluchten. Met De gouden weg naar Samarkand beschrijft Samatar op poëtische wijze de pelgrimstocht naar een verloren dorp en een bijna vergeten geschiedenis, én de zoektocht naar zichzelf. Zo ontstaat er in dit prachtige memoir een veelzijdig beeld van de auteur, haar voorouders en het Midden-Aziatische decor.

In the late 1800s, a group of German-speaking Mennonites fled Russia for Muslim Central Asia, to await Christ’s return. Over a century later, Sofia Samatar traces their gruelling journey across desert and mountains, and its improbable fruit: a small Christian settlement inside the Khanate of Khiva. Named ‘The White Mosque’ after the Mennonites’ whitewashed church, the village—a community of peace, prophecy, music and martyrs—lasted fifty years. Within this curious tale, Sofia discovers a tapestry of characters connected by the ancient Silk Road: a fifteenth-century astronomer-king; an intrepid Swiss woman traveller; the first Uzbek photographer; a free spirit of the Harlem Renaissance. Along the way, in a voice both warm and wise, she explores her own complex upbringing as an American Mennonite of colour, the daughter of a Swiss-American Christian and a Somali Muslim. On this pilgrimage to a lost village and a near-forgotten history, Samatar traces the porous borders of identity and narrative. When you leave your tribe, what remains? How do we enter the stories of others? And how, out of life’s buried archives and startling connections, does a person construct a self?

"An uncanny and imaginative autobiography of otherness, it offers the fictional record of a writer in the realms of the fantastic shot through with the memories of a pair of Somali-American children growing up in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday —Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating into a breathless journey and groundbreaking study, these brief fictions and sketches claim the monster as a fragmentary vastness: not the sum but the derangement of its parts."--Amazon.com.

The first collection of short fiction from a rising star whose stories have been anthologized in the first two volumes of the Best American Science Fiction and Fantasy series and nominated for many awards. Some of Samatar’s weird and tender fabulations spring from her life and her literary studies; some spring from the world, some from the void. Praise for Sofia Samatar’s Books: “The excerpt from Sofia Samatar’s compelling novel A Stranger in Olondria should be enough to make you run out and buy the book. Just don’t overlook her short ‘Selkie Stories Are for Losers,’ the best story about loss and love and selkies I’ve read in years.” —K. Tempest Bradford, NPR “An imaginative, poetic, and dark meditation on how history gets made.” —Hello Beautiful “Pleasantly startling and unexpected. Her prose is by turns sharp and sumptuous, and always perfectly controlled. . . . There are strains here too of Jane Austen and something wilder.”—Publishers Weekly (starred review) “Like an alchemist, Sofia Samatar spins golden landscapes and dazzling sentences.” —Shelf Awareness (starred review) “Beauty, wonder, and a soaring paean to the power of story.”—Jason Heller, NPR “Highly recommended.” —N. K. Jemisin, New York Times Book Review Sofia Samatar is the author of the novels A Stranger in Olondria and The Winged Histories. She has written for the Guardian, Strange Horizons, and Clarkesworld, among others, and has won the John W. Campbell Award, the Crawford Award, the British Fantasy Award, and the World Fantasy Award. She lives in Virginia.

Four women — a soldier, a scholar, a poet, and a socialite — are caught up on opposing sides of a violent rebellion. As war erupts and their loyalties and agendas and ideologies come into conflict, the four fear their lives may pass unrecorded. Using the sword and the pen, the body and the voice, they struggle not just to survive, but to make history. Here is the much-anticipated companion novel to Sofia Samatar’s World Fantasy Award-winning debut, A Stranger in Olondria. The Winged Histories is the saga of an empire — and a family: their friendships, their enduring love, their arcane and deadly secrets. Samatar asks who makes history, who endures it, and how the turbulence of historical change sweeps over every aspect of a life and over everyone, no matter whether or not they choose to seek it out. Sofia Samatar is the author of the Crawford, British Fantasy, and World Fantasy award-winning novel A Stranger in Olondria. She also received the John W. Campbell Award. She has written for the Guardian, Strange Horizons, Lightspeed, and many other publications. She is working on a collection of stories. Her website is sofiasamatar.com.

Time Magazine: 100 Best Fantasy Books of All Time · World Fantasy, British Fantasy, & Crawford Award winner Jevick, the pepper merchant''s son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick''s life is as close to perfect as he can imagine. But just as he revels in Olondria''s Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl. In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between the empire''s two most powerful cults. Yet even as the country shimmers on the cusp of war, he must face his ghost and learn her story before he has any chance of becoming free by setting her free: an ordeal that challenges his understanding of art and life, home and exile, and the limits of that seductive necromancy, reading. A Stranger in Olondria is a skillful and immersive debut fantasy novel that pulls the reader in deeper and deeper with twists and turns reminiscent of George R. R. Martin and Joe Hill.

The March/April 2015 issue of u003cemu003eUncanny Magazine.u003c/emu003eu003cbru003eu003cbru003e Featuring new fiction by Sofia Samatar, Rosamund Hodge, Kat Howard, Maria Dahvana Headley, Sarah Pinsker, Emily Devenport, and Fran Wilde, classic fiction by Ellen Klages, essays by Ytasha L. Womack, Amal El-Mohtar, L.M. Myles, and Stephanie Zvan, poetry by C.S.E. Cooney, Jennifer Crow, and M Sereno, interviews with Sofia Samatar, C.S.E. Cooney, and Ellen Klages, by Deborah Stanish, a cover by Carrie Ann Baade, and an editoral by Lynne M. Thomas and Michael Damian Thomas.