New Releases by Stanislaw Lem

Sono ormai passati «i tempi romantici della cosmonautica»: gli uomini hanno colonizzato il sistema solare, stabilito insediamenti su Marte e sulla Luna, e si stanno avventurando oltre. I viaggi spaziali non sono più un evento eroico, ma una questione di routine, con regolari collegamenti commerciali tra pianeti e spedizioni turistiche tra la Terra e il suo satellite. A renderli possibili, uomini come il pilota Pirx, protagonista dei dieci racconti di questa raccolta. Lo seguiamo da quando è cadetto alla scuola di volo fino a quando diventa capitano di una sua nave: disincantato, solidamente piantato "con i piedi per terra", Pirx affronta epidemie, robot impazziti, crociere di lusso e richieste di soccorso tra le stelle, senza mai perdere la sua baldanza, la sua ironia, e soprattutto quello sguardo curioso verso il mondo, e i mondi, che da sempre spinge la specie umana a esplorare l''ignoto.

In un lontano futuro, tra le rovine di una costruzione sepolta dalla lava, viene ritrovato un manoscritto appartenente al Tardo Neogene. Su questa base un anonimo studioso tenta di ricostruire i caratteri di quella civiltà ormai in crisi, scomparsa improvvisamente in seguito a una misteriosa epidemia che distrusse la carta, cancellando quasi ogni memoria scritta dell''umanità, e riporta alla luce il contenuto dell''unico documento miracolosamente scampato alla catastrofe: le Memorie trovate in una vasca da bagno. L''autore di queste ultime e protagonista del romanzo è un agente segreto dell''era Precaotica, giunto in un luogo ermeticamente chiuso e retto da oscuri rituali, detto l''Edificio, dove gli viene affidata una cruciale missione, il cui oggetto egli cerca invano di conoscere, mentre viene coinvolto in un labirintico meccanismo di ossessioni, doppi giochi, paradossi, codici indecifrabili, macabre rivelazioni. Intrecciando abilmente diversi generi, dalla spy story al racconto gotico-fantastico, fino al romanzo distopico, e riecheggiando illustri precedenti, primi tra tutti Potocki e Kafka, in questa originalissima opera Lem affronta i grandi temi a lui cari: il rapporto tra individuo e potere, l''impenetrabilità del mistero, la necessità e l''inutilità assieme della ricerca di senso. Grazie all''inesauribile invenzione linguistica e a un irresistibile effetto straniante, la farsa della fine dell''era Precaotica messa in scena da Lem diventa lo specchio deformante, ricco di mille possibili interpretazioni, in cui riflettere il caos della nostra epoca e delle nostre anime.

Twelve stories by science fiction master Stanisław Lem, nine of them never before published in English. Of these twelve short stories by science fiction master Stanisław Lem, only three have previously appeared in English, making this the first "new" book of fiction by Lem since the late 1980s. The stories display the full range of Lem's intense curiosity about scientific ideas as well as his sardonic approach to human nature, presenting as multifarious a collection of mad scientists as any reader could wish for. Many of these stories feature artificial intelligences or artificial life forms, long a Lem preoccupation; some feature quite insane theories of cosmology or evolution. All are thought provoking and scathingly funny. Written from 1956 to 1993, the stories are arranged in chronological order. In the title story, "The Truth," a scientist in an insane asylum theorizes that the sun is alive; "The Journal" appears to be an account by an omnipotent being describing the creation of infinite universes--until, in a classic Lem twist, it turns out to be no such thing; in "An Enigma," beings debate whether offspring can be created without advanced degrees and design templates. Other stories feature a computer that can predict the future by 137 seconds, matter-destroying spores, a hunt in which the prey is a robot, and an electronic brain eager to go on the lam. These stories are peak Lem, exploring ideas and themes that resonate throughout his writing.

Una fantasía cósmica de altos vuelos, llena de un ácido sentido del humor. Una de las obras más míticas del polaco Stanislaw Lem, absolutamente entretenida y cautivadora. Seres con circuitos, princesas autómatas, ladrones de guante eléctrico, sabios muy sabios, bestias de silicio y reyes del algoritmo. Artefactos mecánicos que se han expandido hasta colonizar el último rincón de la galaxia, y que a pesar de todas sus virtudes y bajezas, y de su proclividad a la locura y a la ambición, son incapaces de errar ni de desviarse de su programación. Fábulas de robots es uno de los títulos más míticos del maestro polaco Stanislaw Lem, una brillante antología de mitos y leyendas cibernéticas, que fluctúan de lo profético a lo surrealista, de lo filosófico a lo humorístico, en las que el hombre es el verdadero rival a batir: seres mitológicos, semilegendarios, con fama de blandos, de pusilánimes y de paliduchos, y con una fatal y peligrosa tendencia al crimen.

"La Voce del Padrone" è il nome in codice di un progetto di ricerca segreto del governo statunitense. Lo scopo: decifrare il presunto messaggio in arrivo dallo spazio rilevato sulla Terra sotto forma di un'onda neutrinica. Il flusso insolito di particelle è puramente casuale, o è invece una lettera inviata da una civiltà superiore? E in questo caso, cosa ci vuole dire? È amichevole? Tra le menti incaricate di scoprirlo - e di farlo prima dei russi - c'è Hogarth, il narratore di questo romanzo: un matematico celeberrimo e geniale, spinto a indagare anche da motivazioni metafisiche e autoconoscitive. Chiuso assieme a decine di scienziati in una base nascosta nel deserto, Hogarth dovrà districarsi tra poteri politici e corse agli armamenti, ingerenze, depistaggi, narcisismi. Ma dovrà anche misurarsi con i propri limiti e fronteggiare brucianti interrogativi morali. La Voce del Padrone (1968) è un appassionante racconto di fantascienza, ma anche un feroce ritratto di scienziati, militari e politici. E soprattutto è un libro di kafkiana potenza sulle miserie, le grandezze e i dilemmi della condizione umana.

Traducida a más de treinta lenguas, la obra de Stanislaw Lem contribuyó poderosamente a situar el género de la ciencia ficción en nuevas y originales coordenadas. Los relatos incluidos en Ciberíada -protagonizados por dos expertos «constructores» dotados de un profundo conocimiento del cosmos- actualizan el cuento filosófico cultivado por Jonathan Swift y por Voltaire mediante su traslación al mundo de la robótica. Esta serie de fábulas alegóricas, en las que la sátira aparece atemperada por el humor y la ironía, superpone las más imaginativas posibilidades tecnológicas a los esquemas tradicionales del cuento fantástico o la leyenda medieval. www.lem.pl

¡El holocausto informativo ha caído sobre el planeta! Ijon Tichy se acurruca delante de una cueva de la que le ha expulsado un gorila, mientras graba sus memorias en tablillas de arcilla, como hacían los babilonios. Su colega, el profesor Affidavit Donda, ha hecho un descubrimiento asombroso: ¡la información almacenada en las computadoras tiene un peso medible! Todos los ordenadores del mundo se han destruido a sí mismos y ello ha provocado la desaparición de la totalidad de los bancos de datos informatizados que hay en la Tierra. Aunque esto ha causado el colapso del Primer Mundo, ha supuesto un enorme alivio para el Tercero. No solo las armas modernas se han quedado obsoletas, sino que el sistema monetario mundial también ha sido abolido de un plumazo, lo que ha obligado a la humanidad a regresar a una suerte de paraíso perdido (que de paradisiaco tiene más bien poco).

Sul pianeta Regis III della costellazione della Lira, ai margini della Galassia, è scomparso l’incrociatore Condor. Vi è atterrato l’anno precedente e da allora nessun messaggio è arrivato sulla terra. Viene perciò inviata l’astronave gemella, l’Invincibile, con il compito di capire cosa sia successo e affrontare eventuali nemici. Si sa però che il pianeta è morto da milioni di anni, quale pericolo potrebbe annidarsi? Un classico della fantascienza, pieno di azione e tensione, un romanzo sull’uomo e sulle macchine intelligenti, sullo sviluppo tecnologico e sui rischi che esso comporta, sulla robotica e sull’intelligenza artificiale e anticipa di fatto domande e dilemmi dei nostri tempi, e i temi di scrittori che vanno da Philip K. Dick a Jeff VanderMeer.

An astronaut returns to Earth after a 10-year mission and finds a society that he barely recognizes in science fiction novel by the Solaris author, whose works “make our weary universe seem pale and undistinguished by comparison” (The Washington Post). Stanisław Lem’s Return from the Stars recounts the experiences of Hal Bregg, an astronaut who returns from an exploratory mission that lasted ten years—although because of time dilation, 127 years have passed on Earth. Bregg finds a society that he hardly recognizes, in which danger has been eradicated. Children are “betrizated” to remove all aggression and violence—a process that also removes all impulse to take risks and explore. The people of Earth view Bregg and his crew as “resuscitated Neanderthals,” and pressure them to undergo betrization. Bregg has serious difficulty in navigating the new social mores. While Lem’s depiction of a risk-free society is bleak, he does not portray Bregg and his fellow astronauts as heroes. Indeed, faced with no opposition to his aggression, Bregg behaves abominably. He is faced with a choice: leave Earth again and hope to return to a different society in several hundred years, or stay on Earth and learn to be content. With Return from the Stars, Lem shows the shifting boundaries between utopia and dystopia.

A playful, witty, reflective memoir of childhood by the science fiction master Stanisław Lem. With Highcastle, Stanisław Lem offers a memoir of his childhood and youth in prewar Lvov. Reflective, artful, witty, playful—“I was a monster,” he observes ruefully—this lively and charming book describes a youth spent reading voraciously (he was especially interested in medical texts and French novels), smashing toys, eating pastries, and being terrorized by insects. Often lonely, the young Lem believed that he could communicate with household objects—perhaps anticipating the sentient machines in the adult Lem's novels. Lem reveals his younger self to be a dreamer, driven by an unbridled imagination and boundless curiosity. In the course of his reminiscing, Lem also ponders the nature of memory, innocence, and the imagination. Highcastle (the title refers to a nearby ruin) offers the portrait of a writer in his formative years.

Scientists must decode a message from intelligent beings in outer space in this classic science fiction tale by the legendary author of Solaris. “The universe is still struggling to catch up with the vast creative force that was Stanisław Lem.” —Washington Post By pure chance, scientists detect a signal from space that may be communication from rational beings. How can people of Earth understand this message, knowing nothing about the senders—including whether or not they even exist? Written as the memoir of a mathematician who participates in the government project (code name: His Master’s Voice) attempting to decode what seems to be a message from outer space, this classic novel shows scientists grappling with fundamental questions about the nature of reality, the confines of knowledge, the limitations of the human mind, and the ethics of military-sponsored scientific research.

Meet Ijon Tichy—a space age adventurer who encounters faulty time machines, intelligent washing machines, and other puzzling phenomena—in this collection from a science fiction legend. Memoirs of a Space Traveler follows the adventures of Ijon Tichy, a Gulliver of the space age, who leads readers through strange experiments involving, among other puzzling phenomena, faulty time machines, intelligent washing machines, and suicidal potatoes. The scientists Tichy encounters make plans that are grandiose, and strike bargains that are Faustian. They pursue humanity’s greatest and most ancient obsessions: immortality, artificial intelligence, and top-of-the-line consumer items. By turns satirical, philosophical, and absurd, these stories express the most starkly original and prescient notions of a master of speculative fiction.

An early realist novel by Stanisław Lem, taking place in a Polish psychiatric hospital during World War II. Taking place within the confines of a psychiatric hospital, Stanisław Lem's The Hospital of the Transfiguration tells the story of a young doctor working in a Polish asylum during World War II. At first the asylum seems like a bucolic refuge, but a series of sinister encounters and incidents reveal an underlying brutality. The doctor begins to seek relief in the strange conversation of the poet Sekulowski, who is posing as a patient in a bid for safety from the occupying German forces. Meanwhile, Resistance fighters stockpile weapons in the surrounding woods. A very early work by Lem, The Hospital of the Transfiguration is partly autobiographical, drawing on the author's experiences as a medical student. Written in 1948, it was suppressed by Polish censors and not published until 1955. The censorship of this realist novel is partly what led Lem to focus on science fiction and nonfiction for the rest of his career.

Kultovní příběh o meziplanetárním kontaktu z pera mistra sci-fi Když raketa se šesti astronauty havaruje na dosud neprobádané planetě, jako zázrakem všichni přežijí. Během několika průzkumných výprav nacházejí známky civilizace, ovšem takové, která rajský Eden nepřipomíná ani zdaleka. Před astronauty tak stojí zásadní otázka – mají zasáhnout ve prospěch utlačovaných, nebo se raději vyhnout otevřenému konfliktu a hledat cestu domů? Všichni členové posádky teď vědí, že mají v rukou osud celé jedné planety...

„I po padesáti šesti letech, které uplynuly od doby, kdy Stanisław Lem napsal první povídku s Pirxem, je pro nás jeho hrdina vzorem, jak se chovat k automatům a robotům, jež právě začínají pronikat do našich životů. Pirxovy příběhy tak paradoxně teprve po půl století od vzniku nabývají toho pravého významu a jejich hrdina je pro nás čím dál tím směrodatnějším rádcem.“ Ve vesmírném pilotu Pirxovi stvořil světoznámý spisovatel Stanisław Lem, autor kultovních románů jako Solaris, Marťan nebo Nepřemožitelný, jednu ze svých nejzajímavějších postav: snílka toužícího po kosmických objevech, který si díky svému nekonvenčnímu myšlení dokáže poradit v konfrontacích se stroji i lidmi. V devíti povídkách se tak Pirx musí vypořádat například s vesmírnou lodí, jejíž havárie by způsobila katastrofu nesmírných rozměrů, nebo s robotem, který se změnil v nelítostného zabijáka. Vždy jej přitom charakterizuje bytostně lidský náhled na svět, pochopení a víra v člověka i ve stroje. Příběhy pilota Pirxe zahajují řadu nově vydávaných Lemových děl v nakladatelství Plus.

"Astronautas", jamás editada antes en castellano, es la primera novela que el maestro de la ciencia ficción, Stanislaw Lem, publicó en forma de libro. Tras haber pasado por múltiples contiendas y luchas sangrientas, en el siglo XXI la humanidad ha dejado atrás toda forma de capitalismo y ha logrado un equilibrio sostenible en el planeta. Colosales trabajos de ingeniería, como la irrigación del Sáhara o el control del clima con soles artificiales, dan cuenta del progreso de la especie. Durante uno de estos proyectos, en la siberiana Tunguska se halla un objeto que es identificado como un archivo extraterrestre. Tras lograr descifrar alguno de los datos que recoge, se descubren ciertos detalles alarmantes del viaje de una nave que debió de estrellarse en la zona. El Gobierno de la Tierra decide enviar la recién construida nave Cosmocrátor al planeta Venus, donde sus tripulantes localizarán los restos de una civilización infinitamente más avanzada que la nuestra. Lem reflexiona sobre la relación entre los humanos y la tecnología, la búsqueda aparentemente infinita de conocimiento y control, y los motivos que se ocultan detrás de estos intereses.

Ein spannender Kriminalroman und ein brillantes philosophisches Verwirrspiel über Zufall und Wahrscheinlichkeit. Ausgezeichnet mit dem Grand prix de littérature policière 1979. Eines von 12 bisher vergriffenen Meisterwerken aus der ZEIT Bibliothek der verschwundenen Bücher.

"Nach einer zehnjährigen Weltraumexpedition kehrt Hal Bregg auf die Erde zurück. Zehn Bordjahre aber bedeuten 123 Erdenjahre. Die Gesellschaft, der er sich nun anpassen muss, hat sich bis zur Unkenntlichkeit verändert. Aber nicht nur der technische Fortschritt hat eine völlig neue, verwirrende Welt geschaffen. Mittels einer Droge wurde eine der folgenreichsten menschlichen Eigenschaften in den Griff bekommen: die Aggressivität. Hal Bregg wehrt sich gegen die ""weiche"" Gesellschaft, bis er sich eines Tages in eines dieser sanften Wesen verliebt ..."

Ijon Tichy encounters bizarre civilizations and creatures in space, satirizing science, the rational mind, theology, and other icons of human pride. A space explorer travels undercover to a robot world, joining an organization to clean up world history through time travel. The universe may never be the same . . . "Tichy bumbles and stumbles around the cosmos running out of gas between stars, sneaking around in cybernetic drag on a planet of mad robots, trying to duplicate himself (in a tail-chasing time loop near a 'gravitational vortex') long enough to do a two-man rudder repair job, botching up the course of human events in a history-salvaging operation. Lem veers between joyous slapstick, freewheeling satire, and insanely involuted logical paradoxes—with surprisingly serious excursions into issues of will and faith. Funny, unexpected, tantalizing." — Kirkus Reviews "Part satire, part imaginative play, and part thought experiment, The Star Diaries is a collection of stories—voyages to be precise—telling of the space man Ijon Tichy's adventures and encounters across the universe and through time. Tongue in cheek throughout, it's only a question of how much the cheek bulges in each . . . hilarious, witty, and philosophical all at once." — Speculiction "Lem's Star Diaries have a special place among his story-cycles, since they span most of his career and reflect his changing concerns. Still, they have a common theme: the presumptuousness of the intellect." — Science Fiction Studies "Tichy's twelve voyages are told as a philosophical satire on technology, theology, intelligence, and human nature." — Inclover Magazine

Essays by the author of Solaris: "Lem's delightful sense of humor accentuates his essential seriousness about humanity's possible fate" ( Publishers Weekly). In One Human Minute, Stanislaw Lem takes a hard look at our world and technology—what it means now and what dire implications it could have for the future—in satirical, wise, and biting prose. With this collection of three essays, Lem targets some of the most pressing issues humanity faces, from our unsettling origins to the cybernetic future of our weaponry. "The Upside-Down Evolution" chronicles the Earth's military evolution from nuclear stockpiles to deadly, robotic microweapons. "The World as Cataclysm" examines how humankind's dominance on Earth is the result of the extermination of another species just as qualified to rule the world. And the title essay presents a disturbing and fascinating snapshot of every single thing happening on the planet in a sixty-second span. Effortlessly blurring the lines between fiction and nonfiction, scientific essay and fantastical short story, cynical reproach and wry humor, Lem's One Human Minute combines the best elements of the renowned science fiction author and Kafka Prize winner's writing into one irreverent and intellectually stimulating package.

Vacío perfecto es un espectacular experimento literario que se ha convertido por méritos propios en un referente mítico entre los lectores de Stanislaw Lem. Heredero de un género que exploraron con singular genio autores como Borges, Swift o Rabelais, se trata de una delirante colección de reseñas de libros inexistentes, que subvierten brillantemente los cánones literarios explorando temas de lo más variopinto, desde la pornografía a la inteligencia artificial, desde el Noveau Roman a las novelas de James Joyce. En palabras de Andrés Ibáñez: "Este exiguo volumen, que se lee en tres tardes, equivale, en información y en tiempo mental, a tres meses de apasionante y dedicada lectura".

Stanislaw Lem (Lvov, 1921) publicó su primer relato, en una revista juvenil, después de la segunda guerra mundial, pero fue sobre todo a partir de la década de 1950 cuando su nombre empezó a sonar con fuerza entre los aficionados a la ciencia ficción, gracias a títulos como Diarios de las estrellas (1957), Edén (1959), Memorias encontradas en una ballena (1961), La voz de su amo (1961), Solaris (1961)... La versión cinematográfica de la última de las novelas mencionadas, dirigida por Tarkovsky y galardonada en Cannes en 1972, le convirtió en una celebridad internacional, y desde 1973 compagina su labor creativa con una brillante carrera docente en la Universidad de Cracovia y como miembro de la Sociedad Polaca de Astronáutica.

Robot armies, an arms race in space, and a brain at war with itself add up to "a futuristic version of Dr. Jekyll and Mr. Hyde" ( The Boston Phoenix). Anxious to avoid a war that would destroy the entire planet, the major powers of Earth have come to an ingenious compromise. Each country sends a force of adaptable, self-programming robots to the surface of the moon to play out the conflict there and, hopefully, reach a mutually agreeable stalemate. But when the robots stop responding, it is up to Ijon Tichy to travel to the lunar war zone and discover what went wrong. Tichy finds what he needs to know, but falls victim to an attack that severs the left and right sides of his brain: one of which knows nothing about the status of the moon, the other of which isn't telling. Now Tichy finds himself at the center of a new sort of war of attrition, with each world power clamoring for his knowledge and each half of his stubborn brain clamoring for control. Wry and action-packed in equal measure, Stanislaw Lem's absurd, insightful sendup of the Cold War is required reading for any fan of science fiction. Here, "humor and a breathless pace create a delightful and thought-provoking read" ( Publishers Weekly).

Trurl and Klaupacius are constructor robots who try to out-invent each other. They travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their employers. The most completely successful of his books ... here Lem comes closest to inventing a real universe (Boston Globe). Translated by Michael Kandel.