New Releases by Stuart M. Kaminsky

As a hard-boiled Hollywood PI enlists Al Capone's help to save the Marx Brothers, Kaminsky "makes the totally wacky possible" (The Washington Post). It's 1941 and the Marx Brothers' first movie for MGM, Go West, has the country in stitches. But now Chico Marx is worried he's going to need stitches when he receives a severed ear in the mail--a simple message from a Chicago bookie who wants $120,000, or else. Chico is baffled because, although he loves to gamble, he's never made a bet in Chicago. Desperate, he turns to the king of Hollywood, Louis B. Mayer, who puts in a call to Toby Peters. A Hollywood private detective who's proven himself adept at keeping scandals out of the tabloids, Peters flies to Florida for an interview with Al Capone, deposed lord of the Chicago underworld. The retired bootlegger's mind has gone soft, and he doesn't know anything about Chico's bookie, but he suggests Peters speak to his brother. With Scarface's good word as an introduction, the PI heads to Chicago. But it will take more than a good sense of humor to keep Groucho, Harpo, and especially Chico from getting axed. Edgar Award-winner Stuart Kaminsky's "Toby Peters series was a delight. They were written with more than a dash of humor and featured a variety of improbable real-life characters, ranging from the Marx Brothers to Judy Garland" (Library Journal).

Inspector Porfiry Rostnikov fights to stop a vendetta against the acrobats of the Moscow circus. A drunk perches atop the statue of Nikolai Gogol in Arbat Square, and police inspector Porfiry Rostnikov sighs. After years fighting to become a top detective, he has suffered a demotion to the minor crimes unit, which means the lunatic on the statue is his responsibility. But the limping policeman fails to talk the distraught man down, and with a perfect somersault, acrobat Valerian Duznetzov makes the last leap of his storied career. Across town, Duznetzov's partner, Oleg, waits for him under.

A Chicago cop is out to avenge his nephew's murder in this "masterly creation" that puts the Edgar Award–winning author in "the Parker/Paretsky league" ( Chicago Tribune). When you're a sixty-two-year-old cop with bad knees, most days feel pretty long. But the longest day of Abe Lieberman's life begins just after midnight when he learns his nephew David has been shot dead and David's pregnant wife has been gravely injured by two gunmen trying to rob the couple. Now Carol is barely clinging to life, and it's up to Lieberman to track down the killers. With the help of his partner, the troubled alcoholic Bill Hanrahan, Lieberman will turn the city upside down to find the men who stole his nephew's bright future. But as they step out into the howling Chicago wind, it's clear both partners will need to fight to survive the day that started out terrible and is about to get a lot worse. This day in the life of two veteran Chicago cops is "beautifully rendered . . . Kaminsky is extraordinarily attuned to the domestic minutiae of his detectives' lives" ( The New York Times Book Review).

A "chilling . . . stunning thriller" from the Edgar Award–winning author of Exercise in Terror ( Booklist). It is 1957, and Jean Kaiser is pretending to sleep. When her parents go to bed, she'll turn her radio on low, and groove to Elvis. But from her parents' room, she hears something strange—her mother calling her name in a choking, terrified voice so chilling that Jean assumes it can't be real, and wills herself to sleep. When she awakens in the morning, the nightmare has come true—a killer has slaughtered her parents in their bed. More than two decades later, Jean has done her best to move past her childhood trauma, parlaying a degree in psychology into a position as the host of a radio call-in show. One night, an anonymous caller shakes her to the core when he brings up details that remind her of her parents' murder. When Jean and her daughter, Angie, get home, they find their pet parakeet crushed to death over Jean's bed. Her parents' killer has reemerged ready to tie up loose ends. The nightmare never ended, and now Jean and Angie must fight—or die.

Two Chicago cops need to defuse an explosive situation in this "tightly plotted" police procedural ( Chicago Tribune). After killing his wife and her lover, an unhinged and heavily armed Chicago cop named Bernie Shepard barricades himself at the top of a high-rise apartment building and sends a message to the police: meet his demands, or he'll detonate enough explosives to blow the whole block sky high. If it's a choice between chewing the fat at his brother Maish's deli or hunting down armed lunatics, world-weary veteran cop Abe Lieberman knows where he stands. But no one's giving him a choice. It's up to Lieberman and his longtime partner, Bill Hanrahan—aka the Rabbi and Father Murphy—to play Bernie's game, betting their lives on a madman's whim. With a crazed cop holding "enough explosives to blow the North Side of Chicago to kingdom come . . . Kaminsky mines plenty of suspense" ( The New York Times Book Review).

The first novel in a crime series about "two Chicago cops, one Jewish, one Irish . . . Told with deceptive simplicity [and] a gentle wit" ( The Boston Globe). Detectives Abe Lieberman and Bill Hanrahan have been partners a long time—long enough to call each other "Rabbi" and "Father Murphy." Lieberman is sixty, a grandfather, and a devout Jew. Hanrahan is a lapsed Catholic who's been hitting the bottle pretty heavily ever since his wife walked out on him. They may be flawed, but they're good cops. But even good cops have bad days. On a hot Chicago afternoon, Lieberman would prefer to be watching his beloved Cubs from the bleachers at Wrigley Field instead of sitting in his brother Maish's deli with Hanrahan, meeting a prostitute and valued informant. But Estralda Valdez needs their protection from a psychotic john, and the partners agree to watch her back on their off-duty time. That Friday night, while Lieberman is in temple, Hanrahan has the first watch, across the street from Estralda's apartment in a Chinese restaurant. But while he passes the time with two doubles and flirts with the waitress, the beautiful prostitute is brutally murdered. Tortured by guilt and chewed out by their chief, Lieberman and Hanrahan race against the clock to find the killer. They owe at least that much to Estralda. Lieberman's Folly is "first-rate work, featuring characters you can almost touch and streets you can almost walk on, and an expertly plotted story" ( The Phildelphia Inquirer).

“Kaminsky gets Russia right, and Cuba right, but best of all he gets his superb cop Rostnikov altogether right yet another time. Bravo!” —Ed McBain The Soviet Union is dead, and Russian society has been fractured into a thousand pieces. Through those cracks seeps the first serial killer in the country’s history, whose exploits send Moscow into a frenzy. As his colleagues hunt for the pipe-wielding maniac who’s killed forty women so far, police inspector Porfiry Rostnikov must depart for Havana to avoid an international incident. First, Rostnikov must confront his fear of flying—or more specifically, flying on Russian airplanes. Assuming he lands safely in Havana, this case will require the utmost diplomacy. A Russian politician is accused of murdering a young Cuban woman. Rostnikov’s superiors want things wrapped up cleanly and quickly. Unfortunately, their man in Havana is about to discover there is nothing simple about this murder. “In a style reminiscent of Martin Cruz Smith in Gorky Park, Kaminsky effectively transplants the police procedural to the fertile ground of ‘democratic’ Russia, where it blossoms anew . . . An excellent novel.” —Booklist

With his Edgar Award–winning series about a Moscow cop, “Kaminsky’s a master of tone, maintaining the edgy excitement of suspense” (The Washington Post). In the 1960s, Russian children wanted to be cosmonauts like Yuri Gagarin, the first human in space. But the Soviet Union is history, and Gagarin’s glory is long gone. For the men and women aboard the decaying Mir space station, life is an unending series of near-disasters. During one such breakdown, cosmonaut Tsimion Vladovka asks ground control to contact Moscow police inspector Porfiry Rostnikov if anything happens to him. The cosmonaut returns to Earth safely, but a year later he goes missing and his former crew members start turning up dead. Vladovka was in possession of state secrets, so there’s also a potential security risk. He must be found, dead or alive. In the days of the USSR, no one could navigate the bureaucratic maze of the Kremlin like Rostnikov—but he’s never encountered anything like the labyrinth that is Star City, home of the Russian space program. Still, the veteran policeman is convinced: The answer to what happened to the cosmonaut on Earth lies in something that happened in space. Bringing to life historic shifts in contemporary Russian history, as seen through the eyes of one hard-boiled Moscow cop, “Kaminsky’s Rostnikov novels are among the best mysteries being written” (The San Diego Union-Tribune).

In the Edgar Award–winning crime series featuring a veteran Moscow cop, “Kaminsky evokes Russian life like a born Muscovite” (The Philadelphia Inquirer). During the widespread corruption of the Yeltsin era, violent crime has risen in Moscow by 200 to 300 percent, keeping Inspector Porfiry Rostnikov and his team at the Office of Special Investigation busier than ever. So it’s fortunate that having his bad leg amputated six months ago and replaced by a prosthetic limb has not slowed down the veteran Moscow cop one bit. Now he’s investigating a hate-fueled crime wave, as a bloodthirsty gunman wages a campaign to systematically exterminate the city’s Jews. At the same time, a knife-wielding rapist is running rampant. Despite the urgent demand to end the mayhem, the inspector finds himself most intrigued by a centuries-old mystery concerning a murdered baroness and a priceless golden wolf statue that has been missing since 1862. Stuart Kaminsky’s long-running, Edgar Award–winning series has seen his intensely moral Moscow police inspector through the turbulence of several regimes, and always “Kaminsky takes care not to rob his beleaguered cops of their human core” (The New York Times).

“Never miss a Kaminsky book, and be especially sure not to miss Death of a Russian Priest.” —Tony Hillerman, New York Times–bestselling author In the darkest hours of communist rule, Father Merhum fought to protect the sanctity of the Orthodox Church. Now the Soviet Union is gone, but the bureaucracy survives, and within it lurk men who would do anything to undermine the fragile new Russian democracy. Father Merhum is on his way to Moscow to denounce those traitors when he is struck with an ax and killed. As police inspectors Porfiry Rostnikov and Emil Karpo dig into the past of this celebrated village priest, they uncover strange church secrets and a conspiracy to carry the vile corruption of the former regime on into the twenty-first century. But if they don’t watch their steps, someone may need to say the last rites for them. With the Edgar Award–winning Inspector Porfiry Rostnikov series, “Stuart Kaminsky evokes Russian life like a born Muscovite. . . . Don’t miss this one. It’s even better than his Edgar-winning A Cold Red Sunrise.” —The Philadelphia Inquirer “Kaminsky moves closer to becoming the Ed McBain of Mother Russia . . . The usual strengths of the series—ingenious plotting, solid police procedure, and Rostnikov’s shrewdly perceptive presence—are joined here by casually effective glimpses of the old Soviet Union in chancy transition. It all adds up to Rostnikov’s best outing since A Cold Red Sunrise.” —Kirkus Reviews

Sheldon Minck, le dentiste miteux qui partage un local avec le détective Toby Peters, est arrêté, accusé du meurtre de sa femme Mildred tuée par un carreau d’arbalète dans Lincoln Park. Une certaine Billie Cassin, qui n’est autre que l’actrice Joan Crawford, est témoin. Minck explique à son ami Toby qu’il s’entraînait au tir dans le parc, après avoir rejoint un groupe survivaliste dont l’inspirateur est John Fenimore Cooper.Joan Crawford charge Toby Peters d’éviter que son nom n’apparaisse dans la presse en lien avec une affaire criminelle. Mais Minck parvient à s’évader. Il est traqué par les survivalistes, tandis que John Crawford, elle, est prise en otage...C’est avec plaisir qu’on retrouve, dans ce divertissement concocté de main de maître par Stuart Kaminsky, tous les protagonistes des deux précédents romans de la série ; le nain bibliophile et polyglotte Gunter, et Mme Plaut la logeuse, aux terrifiantes recettes...

A 1940s Hollywood gumshoe heads to San Francisco to foil a very real phantom of the opera in this “believable and entertaining” mystery (Publishers Weekly). 1942 is a dangerous year to stage Madama Butterfly. Although Puccini’s masterpiece is a perennial favorite of the San Francisco opera crowd, its sympathetic depiction of a Japanese girl causes tension a year after Pearl Harbor. Newspaper editorialists rage against the production, opera buffs picket the theater, and a note appears nailed to the house door, threatening violence against cast and crew. But someone is doing more than making idle threats—a self-styled phantom of the opera. When a workman on the opera house renovation is killed, the maestro, Leopold Stokowski, the conductor who starred in Disney’s Fantasia, calls Hollywood PI Toby Peters to catch a madman. With two days to go before opening night, the attacks are building to a crescendo. As Peters hunts for the phantom, he falls for one of the company starlets. But they must tread lightly, or face a finale far more tragic than anything dreamed of by Puccini. “Hardly a pause separates the frightful, madly comic and nostalgic incidents made believable and entertaining in Kaminsky’s artful handling” (Publishers Weekly).

A PI performs some fancy footwork to protect Fred Astaire as “Edgar winner Kaminsky effortlessly choreographs Hollywood history . . . and dirty doings” (Publishers Weekly). Sometimes fools must step in where Fred Astaire fears to tap. Luna Martin, the moll of a well-known Los Angeles gangster nicknamed “Fingers” (because he likes to cut them off), has demanded dance lessons from Hollywood’s finest hoofer—and whatever Luna wants, Luna gets. To sidestep the flirtations of the lead-footed lady, Astaire hires private investigator Toby Peters to pose as a dance instructor and take over the lessons. But when someone cuts in and cuts Luna’s throat, the grieving gangster makes Peters an offer he can’t refuse: Find the killer—or go from having two left feet to one foot in the grave. Now, instead of punishing the parquet, the silver screen’s most famous song-and-dance man is pounding the pavement with his new partner—a rumpled, middle-aged gumshoe who just wants to live to shuffle through another day . . .

The final Toby Peters Hollywood whodunit from the Edgar Award–winning author is “a marvelous magic trick of a mystery” featuring Harry Blackstone (Booklist, starred review). When an anonymous rival demands that master illusionist Harry Blackstone reveal his secrets on stage or die, the magician hires Toby Peters and his brother, ex-cop Phil Pevsner, to run security for his show at the famous Pantages Theater in Hollywood. Of course, Peters doesn’t expect the job to include replacing a showgirl for Blackstone’s show-stopping sawing-a-woman-in-half trick after the saboteur has stolen the blade. Peters’s brief career in magic is only the first surprise as a blackmailing con man turns up shot in a dressing room backstage and one of Blackstone’s competitors ends up dead at a testimonial dinner. With “The Great Blackstone” now a murder suspect, the sleuth will need to pull a rabbit out of a hat to solve this mystery . . .

“A page-turning romp” from the Edgar Award–winning author featuring a nutty dentist, a killer crossbow, and Joan Crawford in 1940s Hollywood (Booklist, starred review). Mildred Minck is an unremarkable woman—until one tragic night in June 1944 when she becomes the first citizen of Los Angeles to be murdered by crossbow. The prime suspect is her husband, dentist Sheldon Minck, who’s found standing over her body with the weapon in hand, raving that only Joan Crawford can identify the killer. It seems like a natural insanity defense, but Sheldon wants his neighbor, private investigator Toby Peters, to prove his innocence. The dentist is telling the truth about one thing: Joan Crawford was there. The steely silver screen beauty is in the middle of a comeback, about to star in a film noir based on a James M. Cain novel, and insists Peters keep her name out of the papers. In exchange, the glamorous eyewitness points the sleuth toward the Survivors of the Future, a band of crackpot survivalists that the dentist was hoping to join. Sheldon’s new friends want him sprung, but only because they want him dead . . . With its “irresistible” title, Edgar Award winner Stuart M. Kaminsky’s penultimate Toby Peters mystery shines a spotlight on the legendary screen diva as well as one of the favorite supporting characters of the series (The Washington Post).

Goodness has nothing to do with it as a hard-luck private eye in 1940s Hollywood takes a case for legendary silver screen sex symbol Mae West. In the early days of talking pictures, the greatest sex symbol in Hollywood was the platinum-blonde bad girl Mae West. Naughty and gorgeous with a razor-sharp wit, West wrote her own material and controlled her own image—until the censors came in and outlawed the racy repartee that made her famous. By the forties, her star has faded and she's banking everything on a scandalous memoir that she hopes will set the stage for a comeback. When the only copy is stolen, she calls in a favor from an old beau—the brother of wisecracking PI Toby Peters. When Mae West asks, "Why don't you come up sometime and see me?" you don't say no. Peters arrives at a party at West's house, where every guest is a man dressed as the woman herself—and one of them may be the thief who stole the manuscript. But before he can tear off the culprit's wig, Peters finds that this is about more than theft. The crook wants to destroy Mae West, and he has murder on his mind. The star of Edgar Award winner Stuart M. Kaminsky's fun forties private eye series, "Peters is a good guy with a sense of humor, and every appearance he makes is a welcome one" ( Booklist).

It doesn't take a genius to see Albert Einstein's life is in danger, but it will take a hard-headed Hollywood PI to save him. It's all relative. It's April 1942, the world is at war, and LA private detective Toby Peters has been summoned to Princeton, New Jersey, to deal with a situation of the utmost gravity—the world's greatest physicist is being threatened. Blackmailers claim to have evidence that Albert Einstein has been passing nuclear secrets to Russia, and Nazi assassins want to do away with one of the most famous opponents of Hitler's rule. Sounds like a formula for disaster. Peters is used to dealing with Hollywood's elite—not exactly a brain trust—but the East Coast is a new beat for him. Soon he's swept up in some serious Manhattan mayhem, trying to keep Einstein from harm but also trying to stay alive himself. Incorporating cameos from Paul Robeson and Frank Sinatra, Edgar Award–winning author Stuart M. Kaminsky "has such a good time writing, and he so loves the period, that the reader is swept along willy-nilly" ( The New York Times Book Review).

The stakes are life and death when Bela Lugosi is threatened in this “affectionate parody of the hard-boiled private-eye” genre (The New York Times). 1942: In the basement of a crumbling Los Angeles movie palace, five vampires crowd around Bela Lugosi. They should not frighten the fading horror icon, who found worldwide fame as Dracula, for these are only wannabes—diehard fans who get their kicks dressing up as bloodsuckers. But Lugosi is terrified, because he knows that one of these crackpots has been making threats against his life. Their fangs may be plastic, but their lethal intentions are all too real. For protection, Lugosi hires Hollywood private eye Toby Peters, who’s splitting his time between this case and a job for his old employers: the Warner brothers. A Hollywood murder has been linked to one of the studio’s star screenwriters: the brilliant novelist and violent drunk, William Faulkner. To his horror, Peters finds a connection between the two cases. To get Faulkner off the hook, he’ll have to find out who wants to close the coffin lid on Dracula. With “shades of Raymond Chandler and Dashiell Hammett” Edgar Award–winning author Stuart Kaminsky’s 1940s Hollywood PI is once again cracking wise and saving celebrities from psychos (The San Diego Union-Tribune).

Time is running out for surrealist painter Salvador Dalí and a 1940s Hollywood PI: “Fast-paced, well-plotted, consistently funny” (The Philadelphia Inquirer). Talk about surreal! An ax-wielding monk hacks at a door, while on the other side private detective Toby Peters is running as fast as his recently broken leg will allow, alongside Salvador Dalí, dressed in a rabbit suit, repeatedly muttering “grasshoppers” as they try to make their escape. It all started when Dalí hired a gang of burglars to steal three of his own paintings—a publicity stunt that spiraled out of control when the thieves refused to give the missing masterpieces back. Dalí hired Peters to find the artwork, but now it seems the pair may have painted themselves into a corner. “The flamboyant prankster-artist [Dalí] holds his own among the hero’s circle of zany friends in Mr. Kaminsky’s Technicolor fantasy of 1940’s Hollywood.” —The New York Times “Once again Kaminsky mixes the real—in this case the surreal—with the fictional for a quick-paced, clever revisionist Hollywood romp.” —Publishers Weekly

Inspector Porfiry Petrovich Rostnikov, an honest policeman in a very dishonest post-Soviet Union, and his team search for a serial killer who has claimed at least 40 victims while protecting a visiting British journalist who is working on a story about a Moscow prostitution ring that produces leads to a high-level source seemingly beyond Rostnikov's reach.

Abe Lieberman: a strong, sympathetic Chicago cop. His love for his family is matched by his quiet, zealous commitment to do what is right. Sometimes he's faced with some uncomfortable ethical choices in order to see that justice—rather than the letter of the law—is meted out. Lou Fonesca : a world-weary guy who got in a car and just started driving after his wife died and wound up in front of a Dairy Queen in Sarasota. He now makes his way amid bail jumpers and lost wives, solving the little cases and trying to get by. What do these two men have in common? They are both created by one of America's best loved mystery authors, Stuart Kaminsky. Putting two of his most beloved series into one volume gives readers an introduction into Kaminsky's world. Not Quite Kosher and Bright Futures and are two full length novels that Kaminsky fans will cheer at. Double Shot introduces new readers to a national treasure in the mystery field. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A murder and possible theft at a diamond mine leads Rostnikov and his detectives on a merry chase with stunning international complications.

From the Edgar Award–winning author, a novel of danger, despair, and determination with "an incredibly taut plot that keeps twisting back on itself" ( Mystery Scene). Four years ago Lew Fonesca's wife was struck and killed in a hit-and-run within sight of their apartment. He fled Chicago, driving mindlessly until his car gave up the ghost in Sarasota, FL. Working from a cheap office behind the Dairy Queen on Highway 301, he makes a threadbare living as a process server and savors his clinical depression like a fine wine. Life's a sneaky mistress, though, and has a way of suckering you into caring. Lew's found that he's really good at helping people get out of bad situations. That he matters. And Lew's therapist, who alternately acts as his conscience and his sparring partner, tells him that unless he's willing to leave the planet, it's about time that he goes back to Chicago and closes the door to the past so he can finally get on with the rest of his life. Lew hates to admit it, but he's beginning to see her point. So Lew returns to his hometown, to friends and family . . . and to a grief that threatens to engulf him. He's resolved to dig until he finds out who killed his wife. In doing so, he'll uncover both sweet and painful memories of his past. He'll also confront a murderer who'll not hesitate to kill again to make sure secrets stay buried . . . "Will] keep readers hurtling along to the very end." — Publishers Weekly "A psychologically acute and fast-moving crime series." — Booklist

Days and nights of heavy spring rain threaten to cripple New York City. Neighborhoods are experiencing periodic blackouts. People have been reported electrocuted by fallen power lines. Flooding of some subway lines has stopped trains in their tracks. And in the midst of the deluge, the CSI team has three cases to solve. Mac Taylor and Don Flack are on the trail of the perpetrator of a string of grisly murders with one thing in common: initials carved into the victims' bodies. When an unusual connection is found between the victims' lives, Mac realizes the killer isn't finished -- not by a long shot. Lindsay Monroe and Danny Messer investigate the death of a teacher at an exclusive Manhattan private school. The victim seems like everyone's favorite teacher on the surface -- but they soon uncover a darker secret lurking beneath. Stella Bonasera and Sheldon Hawkes are on-site at a suspicious building collapse when shifting rubble traps Hawkes in a deep pit with a mysterious stranger. Tensions rise as their oxygen starts to run out.... The intrepid members of New York's crack forensic team must race against time and the elements to bring three very different criminals to justice.

An original novel based on the critically acclaimed hit CBS series CSI: New York, by one of the most impressive crime writers of the twentieth century. Detective Mac Taylor is a dedicated crime scene investigator who believes that everything is connected and everyone has a story. He and Detective Stella Bonasera lead a team of crack forensic experts through the gritty and kinetic world of New York City as they piece together clues and eliminate doubt to ultimately crack their cases. A modest home in a suburban Queens neighborhood is the unlikely site of a grisly crime scene: a married couple and their daughter are found brutally murdered. Missing from the scene is the couple’s young son, and Mac Taylor and Danny Messer soon uncover signs of a possible kidnapping. Can they find him before it’s too late? In a heavily Orthodox Jewish neighborhood in Brooklyn, the body of a devoutly religious man is found ritually displayed on the floor of his synagogue. Stella Bonasera and Aiden Burn initially suspect a fringe fundamentalist group that has had run-ins with the victim’s congregation, but the group is led by a charismatic and antagonistic man who does everything he can to stonewall the team’s investigation. Two very different crimes, with one thing in common: CSI investigators who won’t stop until they uncover the truth.

A thrilling original novel based on the television series CSI: New York! Detective Mac Taylor is a dedicated and driven crime-scene investigator who believes that everything is connected and everyone has a story. He and his partner, Detective Stella Bonasera, lead a team of experts through the gritty and kinetic world of New York City. These skilled investigators, who see New York in a unique light, follow the evidence as they piece together clues and eliminate doubt to ultimately crack their cases. The body of a middle-aged man is found in the elevator of a ritzy doorman building on the Upper East Side. Mac Taylor and Aiden Burn's initial investigation yields no bullets, no DNA evidence, and no motive. Could this be the perfect crime? Meanwhile, only a few blocks away, Stella Bonasera and Danny Messer investigate the murder of a witness being held in protective custody. The law enforcement officers on duty swear that the victim spent the night in a locked hotel room—only to be found dead in the morning. From the heart of midtown to the outer boroughs, the New York CSI team must piece together the evidence and solve two puzzling crimes in the city that never sleeps.

Stuart Kaminsky takes the readers into the personal lives and homes of well-known contemporary mystery writers.