Best Selling Books by Stuart M. Kaminsky

This thrilling crime novel features “the best cop to come out of the Soviet Union since Martin Cruz Smith’s Arkady Renko” (San Francisco Examiner). After a lifetime in service to the Soviet Union, police inspector Porfiry Rostnikov may have found a way out. A high-profile homicide leads him to a cache of documents packed full of incriminating Kremlin gossip, which he uses as a bargaining chip to secure exit visas for himself and his Jewish wife. But just before the deal is concluded, Brezhnev’s death sends the nation into turmoil, and makes escape impossible. His career derailed, the veteran cop is reduced to investigating penny-ante murders—one of which may lead somewhere very big indeed. An elderly Jewish man is shot to death in his bathtub by killers who steal nothing but a worthless brass candlestick. And as the brutal Moscow summer wears on, the police find themselves the targets of car thieves and snipers. With the help of his two faithful lieutenants, Karpo and Tkach, Rostnikov needs to find a way to solve these cases and salvage his good name—if it doesn’t cost him his life. The Edgar Award–winning Inspector Porfiry Rostnikov series is one more reason why New York Times–bestselling author Tony Hillerman says, “Never miss a Kaminsky book.”

The final Toby Peters Hollywood whodunit from the Edgar Award–winning author is “a marvelous magic trick of a mystery” featuring Harry Blackstone (Booklist, starred review). When an anonymous rival demands that master illusionist Harry Blackstone reveal his secrets on stage or die, the magician hires Toby Peters and his brother, ex-cop Phil Pevsner, to run security for his show at the famous Pantages Theater in Hollywood. Of course, Peters doesn’t expect the job to include replacing a showgirl for Blackstone’s show-stopping sawing-a-woman-in-half trick after the saboteur has stolen the blade. Peters’s brief career in magic is only the first surprise as a blackmailing con man turns up shot in a dressing room backstage and one of Blackstone’s competitors ends up dead at a testimonial dinner. With “The Great Blackstone” now a murder suspect, the sleuth will need to pull a rabbit out of a hat to solve this mystery . . .

Abe Lieberman is up to his eyeballs in tsurris, the kind of trouble that will drive a man to madness. From tracking a pair of low-rent thieves who stumble into a heist way over their heads to finding out what happened to a man who predicted his own death in a bizarre twist of fate - not to mention planning for a grandson''s bar mitzvah that threatens to send him to the poorhouse....

A 1940s Hollywood gumshoe heads to San Francisco to foil a very real phantom of the opera in this “believable and entertaining” mystery (Publishers Weekly). 1942 is a dangerous year to stage Madama Butterfly. Although Puccini’s masterpiece is a perennial favorite of the San Francisco opera crowd, its sympathetic depiction of a Japanese girl causes tension a year after Pearl Harbor. Newspaper editorialists rage against the production, opera buffs picket the theater, and a note appears nailed to the house door, threatening violence against cast and crew. But someone is doing more than making idle threats—a self-styled phantom of the opera. When a workman on the opera house renovation is killed, the maestro, Leopold Stokowski, the conductor who starred in Disney’s Fantasia, calls Hollywood PI Toby Peters to catch a madman. With two days to go before opening night, the attacks are building to a crescendo. As Peters hunts for the phantom, he falls for one of the company starlets. But they must tread lightly, or face a finale far more tragic than anything dreamed of by Puccini. “Hardly a pause separates the frightful, madly comic and nostalgic incidents made believable and entertaining in Kaminsky’s artful handling” (Publishers Weekly).

With his Chicago cops, Edgar Award winner "Kaminsky is hard to beat for a thoughtful, well-plotted, well-written mystery" ( The Washington Post Book World). Most days, the counters at Maish''s Deli on Chicago''s North Side are crowded with elderly Jewish men who trade stories and crack wise. But today, the mood at Maish''s is grim. Someone has vandalized the local temple—the fifth in a row—and stolen a priceless Torah, and only Abe Lieberman can set things right. A veteran cop whose low-key attitude and sardonic humor conceal an intense commitment to justice, Lieberman is taking the break-in very personally—the synagogue''s president just happens to be his wife. With the help of his lapsed Catholic partner, Bill Hanrahan, Lieberman must straddle the roles of detective and diplomat, tracking down the thugs who defaced the temples while at the same time brokering peace between the North Side''s warring factions before they tear the city apart. Because when it comes to the law, the cop they call "Rabbi" understands that while he may work for the Chicago police department, he also serves a higher authority. Abe Lieberman is "smart, tough, empathetic, and just a tad crazy when circumstances require." And Lieberman''s Law "is a wonderfully rich cop novel" ( Booklist).

Two Chicago cops need to defuse an explosive situation in this "tightly plotted" police procedural ( Chicago Tribune). After killing his wife and her lover, an unhinged and heavily armed Chicago cop named Bernie Shepard barricades himself at the top of a high-rise apartment building and sends a message to the police: meet his demands, or he''ll detonate enough explosives to blow the whole block sky high. If it''s a choice between chewing the fat at his brother Maish''s deli or hunting down armed lunatics, world-weary veteran cop Abe Lieberman knows where he stands. But no one''s giving him a choice. It''s up to Lieberman and his longtime partner, Bill Hanrahan—aka the Rabbi and Father Murphy—to play Bernie''s game, betting their lives on a madman''s whim. With a crazed cop holding "enough explosives to blow the North Side of Chicago to kingdom come . . . Kaminsky mines plenty of suspense" ( The New York Times Book Review).

An Inspector Porfiry Rostnikov novel.

A forties Hollywood PI does not forsake Gary Cooper: "Like all of Toby [Peters''s] adventures, High Midnight is high entertainment" ( The Cincinnati Post). When laconic leading man Gary Cooper needs a detective, he does the smart thing and hires Toby Peters, sleuth to the stars. But the man he finds in Peters''s office isn''t the famously discreet private eye—it''s the dentist who shares his office, who''s always had a fantasy of playing gumshoe, and happily agrees to take care of Cooper''s blackmail problem. Impersonating Peters, the dentist bungles the case disastrously, and setting it right will be like pulling teeth. Cooper is in trouble with a Chicago gangster named Lombardi, who''s come to Los Angeles intending to set himself up as the cold cuts king of California. Thanks to the dentist''s meddling, he wants the actor dead. When Cooper hightails it with his old drinking buddy Ernest Hemingway, it''s up to Peters to avoid a showdown. High Midnight shows once again how Edgar Award winner Stuart M. Kaminsky "has a delightfully original mind enriching—rather than just borrowing from—an old literary form" ( Los Angeles Times).

In this “lively noir mystery,” a 1940s Hollywood private eye tries to clear heavyweight champ Joe Louis and corner a killer (Library Journal). Joe Louis may be the heavyweight champ of the world, but private detective Toby Peters is pretty sure he’s not a cold-blooded killer. Pretty sure, because Peters has just found the boxer standing over a man on the beach who’s clearly been beaten to death. Louis claims he was just out for a run, but it doesn’t look good. Offering his services on the spot, Peters joins the champ’s corner. The corpse isn’t just anyone. He happens to be Peters’s ex-wife’s new husband, the one she just hired him to find. Well, he found him. As the detective begins to investigate, he discovers the victim had lately taken an interest in the boxing world, which only further complicates matters. To clear the Louis, Peters will need to go a few rounds with a killer who won’t be pulling any punches. The Edgar Award winner once again delivers a TKO in the hard-boiled detective genre with a tale Library Journal calls “vintage Kaminsky.”

Abe Lieberman and Bill Hanrahan once again walk the mean streets of Chicago, trying to maintain their normal lives while keeping the bad guys at bay, in this 10th novel in the series.

Someone''s gunning for John Wayne in this "well-plotted" mystery set in 1940s Hollywood featuring a wisecracking private eye ( Publishers Weekly). Something about Lewis Vance''s story doesn''t add up. The guy claims to be John Wayne''s stand-in, and he''s called Det. Toby Peters about a possible job involving the star. But when Peters meets him in a seedy hotel room, Vance slips him a mickey. After Peters comes to, his head pounding, he sees the real John Wayne pointing a .38 at him. Vance was not exactly a dead ringer for the Duke—but he is dead, lying on the hotel bed with a bullet hole drilled in his forehead. And it''s a dead heat as to who''s more confused—the gumshoe or the movie star. On screen no one gets the drop on the Duke, but in real life someone''s trying to kill him. Wayne hires Peters to get to the bottom of things, and soon he''s tangled up in a twisted conspiracy that also involves a dubious desk clerk named Teddy Spaghetti, the Russians, and none other than the Little Tramp himself, Charlie Chaplin. "As in the other entries in this series, Kaminsky''s use of period detail and his appealing renderings of real-life celebrities provide the strongest recommendations for this well-plotted mystery." — Publishers Weekly

“A page-turning romp” from the Edgar Award–winning author featuring a nutty dentist, a killer crossbow, and Joan Crawford in 1940s Hollywood (Booklist, starred review). Mildred Minck is an unremarkable woman—until one tragic night in June 1944 when she becomes the first citizen of Los Angeles to be murdered by crossbow. The prime suspect is her husband, dentist Sheldon Minck, who’s found standing over her body with the weapon in hand, raving that only Joan Crawford can identify the killer. It seems like a natural insanity defense, but Sheldon wants his neighbor, private investigator Toby Peters, to prove his innocence. The dentist is telling the truth about one thing: Joan Crawford was there. The steely silver screen beauty is in the middle of a comeback, about to star in a film noir based on a James M. Cain novel, and insists Peters keep her name out of the papers. In exchange, the glamorous eyewitness points the sleuth toward the Survivors of the Future, a band of crackpot survivalists that the dentist was hoping to join. Sheldon’s new friends want him sprung, but only because they want him dead . . . With its “irresistible” title, Edgar Award winner Stuart M. Kaminsky’s penultimate Toby Peters mystery shines a spotlight on the legendary screen diva as well as one of the favorite supporting characters of the series (The Washington Post).

On the eve of Pearl Harbor, Howard Hughes hires Hollywood gumshoe Toby Peters to find stolen blueprints in the "marvelously entertaining" series ( Newsday). Millionaire Howard Hughes likes his secrets. He likes to keep them—and he definitely doesn''t like having them stolen. Hollywood PI Toby Peters has a rep for being discreet. So when the film tycoon and aviation magnate needs a detective to very privately investigate the theft of top-secret blueprints taken from his home during one of his fabulous parties, he summons Peters. But what starts as counter-espionage intrigue turns into a triple murder, and Peters soon finds himself bait for a killer. As America is pulled into World War II, Peters is just trying to stay alive as a gunman chases him through a deserted television soundstage. With help from some unlikely allies—including Basil Rathbone, the silver screen''s Sherlock Holmes, and gangster/patriot Bugsy Siegel—Peters is determined to dodge the bullets long enough to recover the blueprints before they fall into the wrong hands. The Chicago Sun-Times calls the Toby Peters mysteries "entertainment at its best" as Edgar Award–winning author Stuart Kaminsky takes readers on a rollicking tour of Hollywood in the forties.

Frankly, a killer doesn''t give a damn about offing Clark Gable—or Toby Peters—in this "fast-paced and colorful addition to a very successful series" ( Publishers Weekly). On December 10, 1938, Atlanta burned again. In the back lot at David O. Selznick''s studio, sets from a dozen old pictures were pushed together and set ablaze to provide a backdrop for the climax of what Selznick promised to be the movie of the century: Gone with the Wind. Toby Peters, then just a studio security guard, was on hand to help keep the Confederate extras in line. When the fire was over, he found one of them dead, impaled on his own sword. Five years later, Peters scratches out a living as a private detective for Hollywood''s best known stars. Now it''s Clark Gable who needs his help. He''s been getting death threats. On the back of a cryptic poem, the sleuth finds a list of people on scene the night the extra died. Two are already dead, and the rest are next. Sure enough, one of those marked for death is Gable. The other is Toby Peters . . . "Nostalgic readers with a yen for the good old days . . . will find Kaminsky''s story entertaining, clever, eminently readable, and chock-full of snippets from Hollywood''s Golden Age." — Booklist

A thrilling original novel based on the television series CSI: New York! Detective Mac Taylor is a dedicated and driven crime-scene investigator who believes that everything is connected and everyone has a story. He and his partner, Detective Stella Bonasera, lead a team of experts through the gritty and kinetic world of New York City. These skilled investigators, who see New York in a unique light, follow the evidence as they piece together clues and eliminate doubt to ultimately crack their cases. The body of a middle-aged man is found in the elevator of a ritzy doorman building on the Upper East Side. Mac Taylor and Aiden Burn''s initial investigation yields no bullets, no DNA evidence, and no motive. Could this be the perfect crime? Meanwhile, only a few blocks away, Stella Bonasera and Danny Messer investigate the murder of a witness being held in protective custody. The law enforcement officers on duty swear that the victim spent the night in a locked hotel room—only to be found dead in the morning. From the heart of midtown to the outer boroughs, the New York CSI team must piece together the evidence and solve two puzzling crimes in the city that never sleeps.

Lovable everyman Lew Fonesca, the Man Who Makes Things Work in Sarasota, is once again faced with cases that try his patience and test his sanity. A local curmudgeon who has been campaigning to end state-sponsored school funding is brutally killed. A recent graduate of a public high school for the gifted is arrested for the crime and turns to Lew for help. A semi-retired and much beloved singer of children''s songs is being anonymously pushed to leave Sarasota, threatened with exposure as a sexual predator. It is up to Lew to uncover the blackmailer and determine whether there is any truth to the accusation. Lew has decided that life is worth more than just going through the motions. But will the good life that Lew so richly deserves elude him as he uncovers some very sad truths? His final choice--do the right thing and see his happiness evaporate... or betray a trust and stay happy... At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

A hard-boiled Hollywood PI has to work without a net to save Emmett Kelly from a killer who’s not clowning around: “Nostalgic fun” (Publishers Weekly). In February 1942, Californians may be living in fear of a Japanese attack, but the show must go on. The circus is in town—unfortunately so is a killer saboteur who’s targeting the star attractions. Private detective Toby Peters is no stranger to going undercover, but this is the first time his disguise will include a red nose. The killer has already electrocuted an elephant, and hobo clown Emmett Kelly has had a close brush with death. The second-rate circus in this sleepy coastal town seems like another world from Peters’s usual Hollywood beat, but of all people, Alfred Hitchcock, the director of Suspicion, is under suspicion. With the investigation on the verge of becoming a three-ring circus, it’s up to Toby Peters to cage the killer before anyone else meets a bad end under the big top. Edgar Award winner Stuart M. Kaminsky’s “Toby Peters series [is] a delight . . . Written with more than a dash of humor” and this big-top murder mystery is a “fun, lightweight book for all mystery fans” (Library Journal).

In this “marvelously entertaining” mystery, a hard-boiled Hollywood private eye investigates a murdered Munchkin on the set of The Wizard of Oz (Newsday). A year after The Wizard of Oz’s smash success, the yellow brick road is crumbling. The famous sets have been left standing on a soundstage in the depths of the MGM back lot in case the studio greenlights a sequel. But that doesn’t explain what Judy Garland is doing there—or why she finds a Munchkin in full costume, lying facedown with a knife buried in his back. To avoid even a whiff of scandal and protect Judy’s wholesome image, the studio boss hires Toby Peters, a Hollywood private detective with a reputation for discretion. But as Peters quickly learns, the real threat to Miss Garland isn’t the tabloids—it’s the psychopathic killer who stalks the back lot and plans to kill the young actress next. In addition to the murder mystery swirling around Judy Garland, the second Toby Peters novel features cameos from “Clark Gable and Raymond Chandler [who] give an assist in this imaginative mystery recreated from yesterday’s movie-land” (The Plain Dealer, Cleveland).

From Hollywood''s Golden Age to a rock ''n'' roll tragedy, this pair of detective novels from two award-winning maestros of mystery hits all the right notes. From Edgar Award–winning author Stuart M. Kaminsky, Dancing in the Dark shines a light on the 1940s Los Angeles dancing scene. Paired with Ellery Queen Award–winning author Ed Gorman''s "gripping, amusing, thoughtful and hugely entertaining" The Day the Music Died, these two kooky and delightful mysteries are now available in one volume (Dean Koontz). Dancing in the Dark by Stuart M. Kaminsky: It''s going to take some fancy footwork for hard-boiled Hollywood private detective Toby Peters to get Fred Astaire off the hook. After giving a gangster''s moll dancing lessons, he tires of her making passes at him and hires the famously discreet private investigator to break the news gently. When a killer cuts in and the moll ends up dead, Peters must take the lead in solving the case . . . or face the music himself. The Day the Music Died by Ed Gorman: After his rock ''n'' roll hero, Buddy Holly, dies in a plane crash, young Iowa lawyer and part-time PI Sam McCain just wants to play his records and grieve—until the nephew of an eccentric judge kills himself after his trophy wife is murdered. The police see it as a clear-cut murder-suicide, but Sam wants to know more. But diving into this mystery will get dangerous faster than he can say "bye, bye, Miss American Pie."

Moscow’s gone to the dogs in the “imaginative” Edgar Award–winning crime series about a conscientious Russian cop (The New York Times Book Review). With packs of stray wild canines roaming Moscow, it was inevitable that enterprising criminals would find a way to get rich. As dogfighting became big business, the Mafia got involved, and venues upgraded from alleys and garages to private arenas with padded seats. Police Inspector Porfiry Rostnikov has assigned Sasha Tkach and Elena Timofeyeva to go undercover and bust up a dogfighting ring. But the only ones more vicious than the dogs are the ones who profit from them. Speaking of fighting in the streets, an international drug cartel has chosen Moscow as its next port of call. One man stands in their way—a young Russian mobster whose brutality is matched only by his madness. In a gang war of this magnitude, no civilian is safe. It’s up to Rostnikov and the Office of Special Investigation to prevent a full-scale bloodbath. “As usual, Kaminsky manages to make the postlapsarian fracas strangely engrossing. His major characters are vivid and varied . . . Good storytelling in yet another of a distinguished series.” —Kirkus Reviews