New Releases by Theodore Dreiser

The Financier is a novel by Theodore Dreiser, based on real-life streetcar tycoon Charles Yerkes. Dreiser started writing his manuscript in 1911, and the following year published the first part of his lengthy work as The Financier.The second part appeared in 1914 as The Titan; the third volume of his Trilogy of Desire was also Dreiser's final novel, The Stoic (1947).

"The Titan is a novel by Theodore Dreiser, completed in 1914 as a sequel to his 1912 novel The Financier.[1] Both books were originally a single manuscript, but the narrative's length required splitting it into two separate novels.[2] Dreiser's manuscript of The Titan was rejected by Harper & Brothers, publisher of The Financier, due to its uncompromising realism; John Lane published the book in 1914.[3] The Titan is the second part of Dreiser's Trilogy of Desire, a saga of ruthless businessman Frank Cowperwood (modeled after real-life streetcar tycoon Charles Yerkes). The third part of the trilogy, The Stoic, was Dreiser's final novel, published in 1947 after his death."

An American Masterpiece Clyde Griffiths finds his social-climbing aspirations and love for a rich and beautiful debutante threatened when his lower-class pregnant girlfriend gives him an ultimatum.An American Tragedy is a 1925 novel by American writer Theodore Dreiser. He began the manuscript in the summer of 1920, but a year later abandoned most of that text. It was based on the notorious murder of Grace Brown in 1906 and the trial of her lover. In 1923 Dreiser returned to the project, and with the help of his wife Helen and two editor-secretaries, Louise Campbell and Sally Kusell, he completed the massive novel in 1925.

Reproduction of the original: The "Genius" by Theodore Dreiser

Sister Carrie (1900) is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream by first becoming a mistress to men that she perceives as superior and later as a famous actress.

Regarded by many critics as the greatest novel on urban life ever composed, Sister Carrie tells the story of Caroline Meeber, an 18-year-old from rural Wisconsin whose new life in Chicago takes her on an astonishing journey from the despairing depths of industrial labor to the staggering heists of fame and stardom. Representing the transition from the heavy moralizing of the Victorian era to the realism of modern literature, Sister Carrie remains a literary milestone that examines the human condition and all its flaws.

When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.' The tale of Carrie Meeber's rise to stardom in the theatre and George Hurstwood's slow decline captures the twin poles of exuberance and exhaustion in modern city life as never before. The premier example of American naturalism, Dreiser's remarkable first novel has deeply influenced such key writers as William Faulkner, F. Scott Fitzgerald, Saul Bellow, and Joyce Carol Oates. This edition uses the 1900 text, which is regarded as the author's final version Sister Carrie (1900) is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream, first as a mistress to men that she perceives as superior, and later becoming a famous actress. It has been called the "greatest of all American urban novels

This epic of class, ambition, and murder in the early twentieth century is "[a] masterpiece... America's Crime and Punishment" ( Kirkus Reviews). Theodore Dreiser's An American Tragedy is the story of a weak-willed young man who is both a villain and a victim of the valueless, materialistic society around him. Inspired by the true story of an early twentieth-century murder and adapted into a classic film under the title A Place in the Sun, An American Tragedy follows Clyde Griffiths as he is drawn into a circle of wealthy friends despite his own poverty-stricken background. Leaving the needs of his family behind as he buys expensive presents to impress a rich girl, Clyde finds that his new life leads him into a tragedy born of recklessness. Yet he continues to yearn ambitiously for money and status—a desire that will be his downfall. "Dreiser is widely regarded as the strongest of the novelists who have written about America as a business civilization. No one else confronted so directly the sheer intractability of American social life and institutions."— The New Yorker

Acclaimed American journalist and fiction writer penned a number of noteworthy classics in his day, including Sister Carrie and An American Tragedy. His 1912 novel The Financier was the first in a trilogy of works following the life and career of Frank Cowperwood, a Philadelphia-born entrepreneur whose rising fortunes and intermittent disasters are emblematic of many of those who populated nineteenth-century America.

“When a girl leaves home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.” With Sister Carrie, first published in 1900, Theodore Dreiser transformed the conventional “fallen woman” story into a genuinely innovative and powerful work of fiction. As he hurled his impressionable midwestern heroine into the throbbing, amoral world of the big city, he revealed, with brilliant insight, the deep and driving forces of American culture: the restless idealism, glamorous materialism, and basic spiritual innocence. Sister Carrie brought American literature into the twentieth century. This volume, which reprints the text Dreiser approved for publication during his lifetime and includes a special appendix discussing his earlier, unedited manuscript, is the original standard edition of one of the great masterpieces of literary realism.

Theodore Dreiser's Russian Diary is an extended record of the American writer's travels throughout the Soviet Union in 1927-28. Dreiser was initially invited to Moscow for a week-long observance of the tenth anniversary of the October Revolution. He asked, and was granted, permission to make an extended tour of the country. This previously unpublished diary is a firsthand record of life in the USSR during the 1920s as seen by a leading American cultural figure. It is a valuable primary source, surely among the last from this period of modern history.

Features an impoverished heroine who, in simply trying to make her way in the world, inadvertently defies a host of social conventions.