New Releases by Theodore Dreiser

Sister Carrie 1900 is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream, first as a mistress to men that she perceives as superior, and later becoming a famous actress. It has been called the greatest of all American urban novels.

Sister Carrie (1900) is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream, first as a mistress to men that she perceives as superior, and later becoming a famous actress. It has been called the "greatest of all American urban novels"

An American Tragedy is a 1925 novel by American writer Theodore Dreiser. He began the manuscript in the summer of 1920, but a year later abandoned most of that text. It was based on the notorious murder of Grace Brown in 1906 and the trial of her lover. In 1923 Dreiser returned to the project, and with the help of his wife Helen and two editor-secretaries, Louise Campbell and Sally Kusell, he completed the massive novel in 1925Ambitious, handsome, but ill-educated, naïve, and immature, Clyde Griffiths is raised by poor and devoutly religious parents to help in their street missionary work. As a young adult, Clyde must, to help support his family, take menial jobs as a soda jerk, then a bellhop at a prestigious Kansas City hotel. There, his more sophisticated colleagues introduce him to bouts of social drinking and sex with prostitutes.

Sister Carrie (1900) is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream by first becoming a mistress to men that she perceives as superior and later as a famous actress.

Theodore Dreiser heavily invested himself in The Genius, an autobiographical novel first published in 1915. Thoroughly immersed in the turn-of-the-century art scene, The Genius explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. It was not released until 1923, and thereafter the episode confirmed Dreiser's status as a writer ahead of his time. Theodore Herman Albert Dreiser (August 27, 1871 - December 28, 1945) was an American novelist and journalist. He pioneered the naturalist school and is known for portraying characters whose value lies not in their moral code, but in their persistence against all obstacles, and literary situations that more closely resemble studies of nature than tales of choice and agency.

Regarded by many critics as the greatest novel on urban life ever composed, Sister Carrie tells the story of Caroline Meeber, an 18-year-old from rural Wisconsin whose new life in Chicago takes her on an astonishing journey from the despairing depths of industrial labor to the staggering heists of fame and stardom. Representing the transition from the heavy moralizing of the Victorian era to the realism of modern literature, Sister Carrie remains a literary milestone that examines the human condition and all its flaws.

When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.' The tale of Carrie Meeber's rise to stardom in the theatre and George Hurstwood's slow decline captures the twin poles of exuberance and exhaustion in modern city life as never before. The premier example of American naturalism, Dreiser's remarkable first novel has deeply influenced such key writers as William Faulkner, F. Scott Fitzgerald, Saul Bellow, and Joyce Carol Oates. This edition uses the 1900 text, which is regarded as the author's final version Sister Carrie (1900) is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream, first as a mistress to men that she perceives as superior, and later becoming a famous actress. It has been called the "greatest of all American urban novels

This is a new release of the original 1927 edition.

In this sequel to Dreiser's novel The Financier, the author continues his exploration of the social and economic forces at play in the rise of the new class of super-rich capitalists in early twentieth-century America. Protagonist Frank Cowperwood attempts to leave his shameful past behind and settles in Chicago with his new wife. Will this quintessentially American act of self-reinvention succeed?

Eugene Witla, a promising young Midwestern artist created in Dreiser’s own image, moves from Chicago to New York in search of fulfillment. As the “genius” climbs social and financial ladders, he grows a voracious sexual appetite—the exploration of which put this book on the New York Society for the Suppression of Vice’s censure list.

Selected by the Modern Library as one of the 100 best novels of all time "Theodore Dreiser is a man who, with the passage of time, is bound to loom larger and larger in the awakening aesthetic consciousness of America. Among all of our prose writers he is one of the few men of whom it may be said that he has . . . never been a trickster. If there is a modern movement in American prose writing, a movement toward greater courage and fidelity to life in writing, Theodore Dreiser is the pioneer and the hero of the movement."--Sherwood Anderson Long before she was seduced by the cautious and ordinary man whose life she would unravel with no malice and only intermittent interest, the young Carrie Meeber was seduced by the promise of the city--its vitality and reckless possibility, the thrill of material luxury, and the spectacle of power and industry. Banned on publication for its questionable morals, Sister Carrie is the great American novel of seduction, a masterpiece of insight into appetite and innocence. "Such a novel as Sister Carrie stands quite outside the brief traffic of the customary stage. It leaves behind an inescapable impression of bigness, of epic sweep and dignity. It is not a mere story, not a novel in the customary American meaning of the word; it is at once a psalm of life and a criticism of life. . . . [Dreiser's] aim is not merely to tell a tale; his aim is to show the vast ebb and flow of forces which sway and condition human destiny. The thing he seeks to do is to stir, to awaken, to move. One does not arise from such a book as Sister Carrie with a smirk of satisfaction; one leaves it infinitely touched."--H. L. Mencken