New Releases by Theodore Dreiser

An American Tragedy (1925) is a novel by Theodore Dreiser. Written and rewritten over a number of years, An American Tragedy is a weighty epic with a cleareyed vision of the decay at the heart of industrialized society. Based on the murder of Grace Brown in 1906, the novel proved controversial for its depiction of depravity and violence, but has endured as a classic of naturalist fiction and remains a powerful example of social critique nearly a century after its publication. A young Midwesterner bucks against his puritan upbringing, drinking with acquaintances and frequenting prostitutes when he isn’t busy working any number of thankless jobs. As friends and lovers come and go, he fails to find footing in a society fueled by ambition and cunning. Forced to flee Kansas City after a deadly auto accident, Clyde moves to Chicago before settling in Lycurgus, New York, where he meets a young farmgirl named Roberta Allen. When she becomes pregnant, Clyde begins to feel his dreams of freedom fade, and longs for a way out of marriage. Desperate and confused, he turns to a beautiful socialite named Sondra Finchley, the daughter of a local factory owner. Clyde knows what he should do—marry Roberta, settle down, raise a family—but his reckless ways refuse to remain in the past. With a beautifully designed cover and professionally typeset manuscript, this edition of Theodore Dreiser’s An American Tragedy is a classic of American literature reimagined for modern readers.

The Financier (1912) is a novel by Theodore Dreiser. The first installment of Dreiser’s Trilogy of Desire, The Financier has endured as a classic of naturalist fiction and remains a powerful example of social critique over a century after its publication. Followed by The Titan (1914) and The Stoic (1947), The Financier captures the greed at the heart of the Gilded Age, a time when tycoons rose with total impunity to take over swaths of American industry. Based on the life of Charles Yerkes, an influential businessman who funded the development of railway systems in Chicago and London, The Financier is a masterpiece of twentieth century American literature that continues to resonate today. Born the son of a banker, Frank Cowperhood comes of age in a rapidly changing Philadelphia. Determined to make something at himself, he discovers his talent for purchasing goods at a low price in order to sell them for a profit to local stores. Eventually, he finds work at several local finance companies, gaining the trust of the local elite while enriching himself through dubious deals and schemes. Despite his young age, he marries a wealthy widow, cementing his status as a man of fortune. When he is caught up in an investigation into thefts from the city treasury, he is forced to rely on his hard-earned talent for grifting in order to keep himself out of prison. Through bribery, blackmail, and extortion—the means with which he made his way to the top—he attempts to lift himself from the depths of his own undoing. The Financier is a story of romance, greed, and betrayal that says as much about a single man as it does about the values of an entire society. With a beautifully designed cover and professionally typeset manuscript, this edition of Theodore Dreiser’s The Financier is a classic of American literature reimagined for modern readers.

''An American Tragedy'' is the story of Clyde Griffiths, who spends his life in the desperate pursuit of success. On a deeper, more profound level, it is the masterful portrayal of the society whose values both shape Clyde''s ambitions and seal his fate; it is an unsurpassed depiction of the harsh realities of American life and of the dark side of the American dream. Extraordinary in scope and power, vivid in its sense of wholesale human waste, unceasing in its rich compassion, ''An American Tragedy'' stands as Theodore Dreiser''s supreme achievement.

The Titan by Theodore Dreiser.The Titan is a novel by Theodore Dreiser, completed in 1914 as a sequel to his 1912 novel The Financier. Both books were originally a single manuscript, but the narrative''s length required splitting it into two separate novels. Dreiser''s manuscript of The Titan was rejected by Harper & Brothers, publisher of The Financier, due to its uncompromising realism; John Lane published the book in 1914.[3] The Titan is the second part of Dreiser''s Trilogy of Desire, a saga of ruthless businessman Frank Cowperwood (modeled after real-life streetcar tycoon Charles Yerkes). The third part of the trilogy, The Stoic, was Dreiser''s final novel, published in 1947 after his death.After his release from prison, Frank Cowperwood invests in stocks subsequent to the Panic of 1873, and becomes a millionaire again. He decides to move out of Philadelphia and start a new life in the West. He moves to Chicago with Aileen and his attorney is finally able to persuade Lillian to agree to a divorce. Frank decides to take over the street-railway system. He bankrupts several opponents with the help of John J. McKenty and other political allies. Meanwhile, Chicago society finds out about his past in Philadelphia and the couple are no longer invited to dinner parties; after a while, the press turns on him too. Cowperwood is unfaithful many times. Aileen finds out about a certain Rita and beats her up. She gives up on him and has an affair with Polk Lynde, a man of privilege; she eventually loses faith in him. Meanwhile, Cowperwood meets young Berenice Fleming; by the end of the novel, he tells her he loves her and she consents to live with him. However, the ending is bittersweet as Cowperwood has not managed to obtain the fifty-year franchise for his railway schemes that he wanted.Allusions to other works include Ishmael, Caesar, Euripides, Ralph Waldo Emerson, Henry David Thoreau, John Milton''s Masque of Comus, William Shakespeare''s Romeo and Juliet and Macbeth, Molière''s Les Femmes Savantes, Richard Brinsley Sheridan''s The Rivals, Sophocles''s Electra, Robert Browning''s The Ring and the Book, John Keats''s The Eve of St. Agnes, and Cellini''s autobiography.Cowperwood collects paintings; some painters mentioned include Lord Leighton, Gabriel Rossetti, James Abbott McNeill Whistler, Henry Raeburn, Jean-François Millet, Jan Steen, Jean-Louis-Ernest Meissonier, and Jean-Léon Gérôme.In Chapter XXIX, Florence Cochrane is said to read Christopher Marlowe and Ben Jonson.In Chapter LI, Braxmar says he has read George du Maurier''s Trilby.Music is mentioned with Sarah Bernhardt, Tchaikovsky''s Francesca da Rimini, and Puccini.Greek mythology is also mentioned with Chaldea, Circe, Helen, Troy, and Andromache.Theodore Herman Albert Dreiser (/ˈdraɪsər, -zər/; August 27, 1871 - December 28, 1945) was an American novelist and journalist of the naturalist school. His novels often featured main characters who succeeded at their objectives despite a lack of a firm moral code, and literary situations that more closely resemble studies of nature than tales of choice and agency. Dreiser''s best known novels include Sister Carrie (1900) and An American Tragedy (1925).Dreiser was born in Terre Haute, Indiana to John Paul Dreiser and Sarah Maria (née Schanab). John Dreiser was a German immigrant from Mayen in the Eifel region, and Sarah was from the Mennonite farming community near Dayton, Ohio. Her family disowned her for converting to Roman Catholicism in order to marry John Dreiser. Theodore was the twelfth of thirteen children (the ninth of the ten surviving). Paul Dresser (1857-1906) was one of his older brothers; Paul changed the spelling of his name as he became a popular songwriter. They were raised as Catholics.After graduating from high school in Warsaw, Indiana, Dreiser attended Indiana University in 1889-1890 without taking a degree.

Jennie Gerhardt was Theodore Dreiser''s second novel and his first true commercial success. Today it is generally regarded as one of his three best novels, along with Sister Carrie and An American Tragedy. But the text of Jennie Gerhardt heretofore known to readers is quite different from the text as Dreiser originally wrote it

An American Masterpiece Clyde Griffiths finds his social-climbing aspirations and love for a rich and beautiful debutante threatened when his lower-class pregnant girlfriend gives him an ultimatum.An American Tragedy is a 1925 novel by American writer Theodore Dreiser. He began the manuscript in the summer of 1920, but a year later abandoned most of that text. It was based on the notorious murder of Grace Brown in 1906 and the trial of her lover. In 1923 Dreiser returned to the project, and with the help of his wife Helen and two editor-secretaries, Louise Campbell and Sally Kusell, he completed the massive novel in 1925.

The "Genius" is a semi-autobiographical novel by Theodore Dreiser, first published in 1915. The story concerns Eugene Witla, a talented painter of strong sexual desires who grapples with his commitment to his art and the force of his erotic needs. The book sold 8,000 copies in the months immediately following publication but encountered legal difficulties when it was declared potentially obscene. Dreiser''s publisher was nervous about continuing publication and recalled the book from bookstores, and the novel did not receive broad distribution until 1923. When The "Genius" was reissued by a different publisher, the firm of Horace Liveright, it immediately sold more than 40,000 copies

"The Financier is a novel by Theodore Dreiser, based on real-life streetcar tycoon Charles Yerkes. Dreiser started writing his manuscript in 1911, and the following year published the first part of his lengthy work as The Financier. The second part appeared in 1914 as The Titan; the third volume of his Trilogy of Desire was also Dreiser''s final novel, The Stoic (1947).About Author: Theodore Herman Albert Dreiser (August 27, 1871 - December 28, 1945) was an American novelist and journalist of the naturalist school. His novels often featured main characters who succeeded at their objectives despite a lack of a firm moral code, and literary situations that more closely resemble studies of nature than tales of choice and agency. Dreiser''s best known novels include Sister Carrie (1900) and An American Tragedy (1925)

Sister Carrie (1900) is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream, first as a mistress to men that she perceives as superior, and later becoming a famous actress. It has been called the "greatest of all American urban novels. Dissatisfied with life in her rural Wisconsin home, 18-year-old Caroline "Sister Carrie" Meeber takes the train to Chicago, where her older sister Minnie, and Minnie''s husband, Sven Hanson, have agreed to take her in. On the train, Carrie meets Charles Drouet, a traveling salesman, who is attracted to her because of her simple beauty and unspoiled manner. They exchange contact information, but upon discovering the "steady round of toil" and somber atmosphere at her sister''s flat, she writes to Drouet and discourages him from calling on her there

An American Tragedy by Theodore Dreiser

In voluminous detail, Dreiser tells the bewildering story of Clyde Griffiths, a son of evangelists, who takes a job as a bellhop, is involved in an automobile accident, escapes to another city, finds work in his uncle''s factory, divides his affection between a factory girl and a socialite, entices the pregnant factory girl to a lake, lets her drown, and is himself tried, sentenced, and electrocuted.

Regarded by many critics as the greatest novel on urban life ever composed, Sister Carrie tells the story of Caroline Meeber, an 18-year-old from rural Wisconsin whose new life in Chicago takes her on an astonishing journey from the despairing depths of industrial labor to the staggering heists of fame and stardom. Representing the transition from the heavy moralizing of the Victorian era to the realism of modern literature, Sister Carrie remains a literary milestone that examines the human condition and all its flaws.

Heavily influenced by Dreiser''s own life and experiences, this roman a clef was regarded as shockingly frank in its treatment of sexuality, particularly the sensual nature and intimate conquests of female protagonist Eugene Witla, an up-and-coming artist. As a result of the novel''s titillating subject matter, Dreiser encountered a great deal of difficulty when it came to finding a willing publisher, and the book has been banned often in the ensuing decades since its completion.

Selected by the Modern Library as one of the 100 best novels of all time "Theodore Dreiser is a man who, with the passage of time, is bound to loom larger and larger in the awakening aesthetic consciousness of America. Among all of our prose writers he is one of the few men of whom it may be said that he has . . . never been a trickster. If there is a modern movement in American prose writing, a movement toward greater courage and fidelity to life in writing, Theodore Dreiser is the pioneer and the hero of the movement."--Sherwood Anderson Long before she was seduced by the cautious and ordinary man whose life she would unravel with no malice and only intermittent interest, the young Carrie Meeber was seduced by the promise of the city--its vitality and reckless possibility, the thrill of material luxury, and the spectacle of power and industry. Banned on publication for its questionable morals, Sister Carrie is the great American novel of seduction, a masterpiece of insight into appetite and innocence. "Such a novel as Sister Carrie stands quite outside the brief traffic of the customary stage. It leaves behind an inescapable impression of bigness, of epic sweep and dignity. It is not a mere story, not a novel in the customary American meaning of the word; it is at once a psalm of life and a criticism of life. . . . [Dreiser''s] aim is not merely to tell a tale; his aim is to show the vast ebb and flow of forces which sway and condition human destiny. The thing he seeks to do is to stir, to awaken, to move. One does not arise from such a book as Sister Carrie with a smirk of satisfaction; one leaves it infinitely touched."--H. L. Mencken

Jennie Gerhardt was Theodore Dreiser''s second novel and his first true commercial success. Today it is generally regarded as one of his three best novels, along with Sister Carrie and An American Tragedy. But the text of Jennie Gerhardt heretofore known to readers is quite different from the text as Dreiser originally wrote it. In the tradition of the University of Pennsylvania Dreiser Edition, James L. W. West III has recaptured the text as it was originally written, restoring it to its complete, unexpurgated form. As submitted to Harper and Brothers in 1911, Jennie Gerhardt was a powerful study of a woman tragically compromised by birth and fate. Harpers agreed to publish the book but was nervous about its subject matter and moral stance. Jennie has an illegitimate child by one man and lives out of wedlock with another - but Dreiser does not condemn her for her behavior. As a requirement for publication, Harpers insisted on cutting and revising the text. Although Dreiser fought against many of the cuts and succeeded in restoring some material, Harpers shortened the text by 16,000 words and completely revised its style and tone. These changes ultimately transformed Jennie Gerhardt from a blunt, carefully documented work of social realism to a touching love story merely set against a social background. Passages critical of organized religion and of the institution of marriage were reduced and altered. Perhaps most important, Jennie''s point of view - her innate romantic mysticism - was largely edited out of the text. As a consequence, the central dialectic of the novel was skewed and the narrative thrown out of balance.

"In 1919, having recently accepted the publishing contract of a new publisher, Dreiser proposed to publish a "book of characters" that would collect twelve biographical sketches of individuals who were major influences on Dreiser, both as a man and as a writer. The resulting narratives combine the best attributes of the character sketch, the autobiography, and the short story into miniature masterpieces of prose. The men profiled in Twelve Men are a diverse and colorful group: from Dreiser''s equally famous brother, the song-writer Paul Dreiser''s ("My Brother Paul"), to the entirely obscure railroad foreman Michael Burke ("The Mighty Rourke"), on whose work crew Dreiser had labored in 1903. The twelve narratives are compelling portraits of the men portrayed, but they also reveal many insights into Dreiser''s own life and work."--Goodreads website.

Sister Carrie (1900) is a novel by Theodore Dreiser about a young country girl who moves to the big city where she starts realizing her own American Dream, first as a mistress to men that she perceives as superior, and later becoming a famous actress. It has been called the "greatest of all American urban novels". Late 1889. Dissatisfied with life in her rural Wisconsin home, 18-year-old Caroline "Sister Carrie" Meeber takes the train to Chicago, where her older sister Minnie, and Minnie''s husband, Sven Hanson, have agreed to take her in. On the train, Carrie meets Charles Drouet, a traveling salesman, who is attracted to her because of her simple beauty and unspoiled manner. They exchange contact information, but upon discovering the "steady round of toil" and somber atmosphere at her sister''s flat, she writes to Drouet and discourages him from calling on her there. Carrie soon embarks on a quest for work to pay rent to her sister and her husband, and takes a job running a machine in a shoe factory. Before long, however, she is shocked by the coarse manners of both the male and female factory workers, and the physical demands of the job, as well as the squalid factory conditions, begin to take their toll. She also senses Minnie and Sven''s disapproval of her interest in Chicago''s recreational opportunities, particularly the theater. One day, after an illness that costs her her job, she encounters Drouet on a downtown street. Once again taken by her beauty, and moved by her poverty, he encourages her to dine with him, where, over sirloin and asparagus, he persuades her to leave her sister and move in with him. To press his case, he slips Carrie two ten dollar bills, opening a vista of material possibilities to her. The next day, he rebuffs her feeble attempts to return the money, taking her shopping at a Chicago department store and securing a jacket she covets and some shoes. That night, she writes a good-bye note to Minnie and moves in with Drouet.