New Releases by Thomas McGuane

From the award-winning “master of the short story” (The New York Times Book Review)—nine shattering, hilarious tales of men on the outskirts of America, habituating the motels, hot dog stands, and dive bars time forgot, grappling with a world that is swiftly changing, and dreaming of a return to the wooded shores of their youth In these nine peerless stories, a family boating trip veers into emotional disaster while very narrowly avoiding the physical; a would-be cheater hands over his car—his prized possession—for a shot with a pretty girl; a furniture magnate and his filmmaker daughter visit his impoverished hometown; a doctor’s long-ago affair returns with a bitter pill. Crackling with wry humor, shot through with both wisdom and pain, these are stories of grifters and dreamers, of the lovelorn and the lawless, stories of the ongoing dissonance between the lives we want and the lives this world will allow.

From the acclaimed author of Ninety-two in the Shade: Set in the seedy corners of Key West, the remote shore towns of the Bahamas, and the unforgiving landscape of Big Sky Country, a “uniformly brilliant” collection (The New York Times Book Review) of familial dysfunction, emotional failure, and American loneliness that celebrates the human ability to persist through life's absurdities For more than four decades, Thomas McGuane has been heralded as an unrivaled master of the short story. Now the arc of that achievement appears in one definitive volume—forty-five stories, including two new and six previously uncollected pieces. These are stories of people on the fringes of society, whose twisted pasts meddle with their chances for companionship, moving from the hilarious to the tragic and back again. “A master of the short story... Cloudbursts is clearly the product of a life's worth of thought and feeling and experience; it ought to be savored.” —The New York Times Book Review

Et si le secret du bonheur se trouvait dans quelques échappées solitaires au bord des plus belles rivières du monde ? Si le monde trouvait enfin son sens alors qu'armé de sa canne à pêche, on tente pour la millième fois le lancer parfait ?Avec ce récit autobiographique, Thomas McGuane nous ouvre la porte d'une enfance et d'une vie passées au contact de la nature et nous invite à une parenthèse salvatrice pour mieux savourer la richesse du monde qui nous entoure et "éveiller de plus grandes réverbérations en nous-mêmes". Icône du nature writing américain, enfant terrible de l'Ouest, Thomas McGuane nous berce de sa prose sans égale, nous entraînant dans un monde sauvage dont il sait parfaitement révéler la lumineuse splendeur.

A man sails into the Gulf from Key West in the magisterial, penultimate story from Gallatin Canyon by the acclaimed award-winning author who has been called the “Flannery O’Connor of the New West.” • A Vintage Shorts “Short Story Month” Selection “Errol Healy was going sailing to evade custody in one of the several institutions recommended for his care.” Haunted by memories of his best friend’s death and the witch, Miss Florence Ewing, Errol sets forth from Key West alone aboard the Czarina. Alcohol-drenched and steeped in excruciating loneliness, Errol faces the harshest conditions of climate in the Gulf. An Ebook Short

Tiring of the company of junkies and burn-outs, Thomas Skelton goes home to Key West to take up a more wholesome life. But things fester in America's utter South. And Skelton's plans to become a skiff guide in the shining blue subtropical waters place him on a collision course with Nichol Dance, who has risen to the crest of the profession by dint of infallible instincts and a reputation for homicide. Out of their deadly rivalry, Thomas McGuane has constructed a novel with the impetus of a thriller and the heartbroken humor that is his distinct contribution to American prose. "Full of surprises and rewards and an exhilaration one feels only rarely." Newsweek on Ninety-Two in the Shade.

Set in Big Sky Country, a triumphant collection of stories written with a comic genius in the vein of Twain and Gogol—from from the acclaimed author of Ninety-two in the Shade and Cloudbursts, “one of America's best short-story writers of the last 50 years" (The Boston Globe) These stories attest to the generous compass of Thomas McGuane's fellow feeling, as well as to his unique way with words. In this collection, filled with grace and humor, the ties of family make for uncomfortable binds: A devoted son is horrified to discover his mother's antics before she slipped into dementia, and a father's outdoor skills are no match for a change in the weather. But complications arise equally in the absence of blood, as when lifelong friends on a fishing trip finally confront their deep dislike for each other. Or when a gifted traveling cattle breeder succumbs to the lure of a stranger's offer of easy money. McGuane is as witty and large-hearted as we have ever known him, and Crow Fair is a jubilant, thunderous confirmation of his status as a modern master.

A collection of thirteen stories of great range, verve, and humor from the highly acclaimed author of Cloudbursts and Ninety-two in the Shade Thomas McGuane's first short story collection is "a cornucopia of McGuane's grace, humor, gusto, and smarts" (Philadelphia Inquirer), and McGuane is a writer who “makes the page, the paragraph, the sentence itself a record of continuous imaginative activity.... [He is] an important as well as a brilliant novelist" (The New York Times Book Review). Includes the stories: • The Millionaire • A Man in Louisiana • Like a Leaf • Dogs • A Skirmish • Two Hours to Kill • The Rescue • Sportsmen • Little Extras • Partners • The Road Atlas • Flight • To Skin a Cat

From the highly acclaimed author of Ninety-two in the Shade and Cloudbursts comes a collection of alternately playful and exquisite essays—including seven collected here for the first time—borne of a lifetime spent fishing. "Thomas McGuane writes about fishing better than anyone else in the history of mankind." —Jim Harrison, New York Times bestselling author of Legends of the Fall The forty extraordinary pieces in The Longest Silence take the reader from the tarpon of Florida to the salmon of Iceland, from the bonefish of Mexico to the trout of Montana. They introduce characters as varied as a highly literate Canadian frontiersman and a devoutly Mormon river guide and address issues ranging from the esoteric art of tying flies to the enduring philosophy of a seventeenth-century angler to the trials of the aging fisherman. Both reverent and hilarious by turns, and infused with a deep experience of wildlife and the outdoors, The Longest Silence sets the heart pounding for a glimpse of moving water and demonstrates what dedication to sport reveals about life.

A ruefully funny novel of embattled manhood, set in Big Sky Country—by the highly acclaimed author of Ninety-two in the Shade and Cloudbursts, with writing “so dazzlingly acute and seemingly effortless that it infuses Nothing but Blue Skies with exuberance and wit."—Chicago Tribune This high-spirited and fiercely lyrical novel chronicles the fall and rise of Frank Copenhaver, a man so unhinged by his wife's departure that he finds himself ruining his business, falling in love with the wrong women, and wandering the lawns of his neighborhood, desperate for the merest glimpse of normalcy. The result is a Montana where cowboys slug it out with speculators, a cattleman's best friend may be his insurance broker, and love and fishing are the only consolations that last. "Vibrant with the pleasures of ironic language, play and chase, and quick with broken-hearted humor."—Los Angeles Times Book Review

The unforgettable story of a hero who goes from Michigan to Montana on a demented mission of courtship—from the acclaimed author of Ninety-two in the Shade and Cloudbursts, a “writer of the first magnitude.... The preternatural force, grace, and self-control of his prose recall Faulkner" (The New York Times Book Review). As a citizen, Nicholas Payne is not in the least solid. As a boyfriend, he is nothing short of disastrous, and his latest flame, the patrician Ann Fitzgerald, has done a wise thing by dropping him. But Ann isn't counting on Nicholas's wild persistence, or on the slapstick lyricism of Thomas McGuane—highlights include a ride on a homicidal bronco and an apprenticeship to the inventor of the world's first highrise for bats. The result is a tour de force of American Dubious.

This brilliant story of one man’s struggle to change his life, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, is “full of wry wit and graceful depictions of family relations, first love and the stark beauty of the Montana prairie” (Wall Street Journal). Joe Starling, a man teetering on the edge of spectacular failures—as an artist, rancher, lover, and human being—is also a man of noble ambitions. His struggle to right himself is mesmerizing, hilarious, and profoundly moving. "No American novelist provides greater pleasure—sentence by sentence, paragraph by paragraph, page by page—than this Montana icon." —Chicago Sun-Times

Originaire du Montana, Joe Sterling quitte le ranch familial pour se consacrer à la peinture, à New York puis à Key West. Il rencontre un succès rapide mais dépense aussitôt sa petite fortune. Il cesse alors de peindre et devient illustrateur de modes d'emploi pour gadgets électro - ménagers. Ayant le sentiment d'avoir perdu son âme, Joe décide de rentrer dans ses terres natales pour y récupérer son héritage et retrouver son patronyme, qu'il a égaré au fil de ses pérégrinations.

Skelton, jeune homme de vingt-cinq ans, s'efforce de dompter le mal - être qui le poursuit. Entre une dépendance aux drogues dont il tâche de se défaire et des séances de pêche sportive à Key West, au fil desquelles il se lie d'amitié avec les excentriques Dance et Carter, on suit son parcours au fil de ses tergiversations psychologiques et de ses déambulations géographiques rythmées par des péripéties rocambolesques.

A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle). In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana. Nowhere has McGuane mapped that territory more precisely—or with such tenderhearted lunacy—than in Nobody's Angel, a novel that places him in a genre of his own.

A funny, rueful, and beautifully rendered portrait of American manhood on the rocks from the highly acclaimed author of Cloudbursts and Ninety-two in the Shade In life Lucien Taylor has made several mistakes, but the two most grievous are as follows: leaving his wife and son to take up with his old flame, Emily; and putting up Emily's bail when she is arrested for murder. The upshot is that Lucien is left stranded in Montana, with a malodorous hot spring and a squandered sense of purpose. As told by Thomas McGuane, Lucien's attempt to recoup his losses makes for a book that says volumes about the lives of dogs and falcons, the yearnings of sons for fathers, and the skeptical truce that men and women sometimes reach when they get tired of fighting.

Premier roman de Thomas McGuane, Le club de chasse se déroule dans le Nord-Michigan, parmi les rivières limpides et les forêts verdoyantes. Au beau milieu de cette nature idyllique s'est bâti un club de chasse luxueux où se retrouvent des hommes d'affaires raffinés et de jeunes rentiers de Détroit qui viennent se reposer dans un club très select fondé par leurs grands-parents, au bord d'un lac. Si le cadre est paradisiaque, McGuane plonge rapidement le lecteur dans une spirale de destruction. En effet, tandis que le candide narrateur n'aspire à rien d'autre qu'à se reposer, Vernor Stanton, va semer le trouble. Ce dernier, fils de bonne famille, est un trublion notoire. Il prend un malin plaisir à ridiculiser tous les membres du club, qu'il considère vieux avant l'âge.... Violence, expériences limites, toutes choses qui rôdent à la lisière des consciences et de l'apparente civilité des membres du club surgissent alors. Thomas McGuane livre ainsi un roman explosif où l'on se livre à des duels pervers, on dynamite un barrage, des incendies éclatent, d'augustes bâtiments sont volatilisés et, pour le plus grand plaisir du lecteur, ce feu d'artifice s'achève en un bouquet final aussi spectaculaire qu'inattendu.

The unforgettable story of a housepainter turned doctor in Big Sky country who finds himself on a darkly funny journey to salvation in this “irrepressibly comic and optimistic” novel (The New York Times Book Review) from the acclaimed author of Ninety-two in the Shade and Cloudbursts Berl Pickett is living in the small town of Livingston, Montana. The son of Pentecostal rug-shampooers, Pickett has never been the social toast of the town, but when he is accused of negligent homicide in the death of his former lover, he finds himself ostracized by his colleagues and realizes just how small his little village truly is. But fortunately for Berl, the very thing that sets him apart—his inability to follow the pack—proves to be his saving grace. With this inglorious hero, McGuane has created an unforgettable voyager.

From the acclaimed author of Ninety-two in the Shade and Cloudbursts—the stories of Gallatin Canyon are rich in the wit, compassion, and matchless language for which Thomas McGuane is celebrated. Set mostly in famed Big Sky Country, McGuane brings us an "astonishing" (The New York Times Book Review) collection in which place exerts the power of destiny. A boy makes a surprising discovery skating at night on Lake Michigan; an Irish clan in Massachusetts gather around their dying matriarch; a battered survivor of the glory days of Key West washes up on other shores. Several of the stories unfold in Big Sky country: a father tries to buy his adult son’s way out of virginity; a convict turns cowhand on a ranch; a couple makes a fateful drive through a perilous gorge. McGuane's people are seekers, beguiled by the land's beauty and myth, compelled by the fantasy of what a locale can offer, forced to reconcile dream and truth.

Collected interviews with the author of Ninety-two in the Shade, The Sporting Club, and other novels

Histoire d'une famille, ce roman relate avant tout celle de Bill Champion. Caracolant dans un ranch aux airs de conquête de l'Ouest, géographiquement tout proche, mais si éloigné de la ville, de ses valeurs factices et de ses embrouilles financières, le cow-boy d'un autre âge observe en silence les déchirements d'une famille qu'il a toutes les raisons d'aimer clandestinement. C'est sans doute lui le véritable héros de ce récit où le comique de farce le dispute au macabre et à l'élégie d'un monde qui disparaît et qui pourtant renaît... à la cadence de l'herbe.

Charles Lindsay's grandfather taught him to fly-fish when he was nine years old. Ever since, in pursuit of trout and solitude, he has immersed himself in the clear, rushing waters of the American West. Fly rod in hand, he participates in the ancient rituals between predator and prey. At times photographing beneath the surface of the water, Lindsay literally enters the world of the trout. In this close observance of the cosmos within the river, he explores the fundamental relationship of all life to water. The photographs in Upstream illuminate a primitive world of elemental beauty and fractured light--abstract and utterly in motion. At the dawn of the twenty-first century, with wilderness under siege and humanity increasingly removed from nature, Lindsay uses his camera to express the enduring vitality of the natural world. Thomas McGuane, avid fly-fisherman, author, and frequent contributor to "Sports Illustrated" and "Riverwatch," brilliantly explores these themes in his accompanying text.

Un peu plus de dix ans se sont écoulés depuis son dernier roman, Rien que du ciel bleu, et Thomas McGuane nous revient avec un livre fort et généreux A la cadence de l'herbe. Allusion voilée à son processus de maturation, le titre renvoie surtout au lent passage de l'hiver au printemps, à ce Montana prisonnier de la glace et de la neige qui se réveille au rythme de la nature... et des désirs enfouis venant crever la surface des consciences endormies. Ce roman est l'histoire d'une famille, mais celle de Bill Champion avant tout : caracolant dans un ranch digne de la conquête de l'Ouest, tout proche géographiquement mais si éloigné de la ville, de ses valeurs factices et de ses embrouilles financières, le cow-boy d'un autre âge observe en silence les déchirements d'une famille qu'il a toutes les raisons d'aimer clandestinement. C'est lui sans doute le véritable héros d'un roman où le comique de farce le dispute au macabre : élégie consacrée à un monde qui disparaît et qui pourtant renaît... à la cadence de l'herbe.

Intempéries semble être un ouvrage consacré à la pêche à la mouche. De la même façon, Moby Dick pourrait être considéré comme un roman traitant de la chasse à la baleine. La vérité est ailleurs. Intempéries est à la fois une autobiographie de l'enfant terrible des lettres américaines, un traité de Zen, un livre sur la vie qui passe, un récit d'aventures, un roman comique, un éloge de la nature et de l'amitié, une leçon de philosophie, beaucoup plus encore. Au fil des rivières, Thomas McGuane nous entraîne dans un voyage mouvementé aux quatre coins du monde avec ce style inimitable, cette complicité et cette profonde humanité qui ont fait son succès. " Thomas McGuane écrit mieux sur la pêche que n'importe quel autre être humain que cette terre ait porté. " Jim Harrison

Set on the majestic stage of Montana cattle country, an unforgettable drama from the acclaimed author of Ninety-two in the Shade and Cloudbursts involving blood, money, sex, vengeance, and a cross-dressing rancher "[McGuane's] sentences are like no one else’s, crisp and spare, yet somehow baroque [and] perpetually balance the picaresque against the sublime." —The New Yorker Sunny Jim Whitelaw, a descendent of pioneers and owner of a large bottling plant, may have died, but he has no intention of relinquishing control: his will specifies that no one gets a cent unless his daughter Evelyn reconciles with her estranged husband, Paul. But Evelyn is a strong-willed woman, fiercely attached to the land, whose horses transport her to a West she feels is disappearing, while Paul is a suave manipulator, without scruples, intent on living well. The Cadence of Grass is renewed evidence that McGuane is one of the finest writers we have, capable of simultaneously burnishing and demolishing the mythology of the West while doing rope tricks with the English language.

The most important new literary journal to emerge since Granta, Open City has published some of the best work by major writers and artists such as Mary Gaitskill, Denis Johnson, Jeff Koons, David Foster Wallace, Irvine Welsh, Terry Southern, Patrick McCabe, Sam Lipsyte, and David Berman. Edited by the writers Thomas Beller and Daniel Pinchbeck and originally published by the late Robert Bingham, writing from Open City has been included in many prestigious anthologies, including Best American Short Stories and The Pushcart Prize. Known for launching the careers of today's best new writers, the editors are also committed to printing important unpublished work by writers from past eras, such as Richard Yates, Delmore Schwartz, Jim Thompson, Cyril Connolly, Edvard Munch, and Gregor von Rezzori. With its innovative and daring mix of the old and the new, Open City combines undiscovered writing by classic authors with a fascinating portrait of a literary generation in the making.

" Frank Copenhaver a tout fait pour se conformer aux usages de la société et pour toucher les dividendes de bonheur qui étaient promis en récompense. Ancien hippie, rock'n'roller des sixties, il a investi son énergie et son imagination dans les affaires. Ayant posé son baluchon dans sa province natale du Montana, il y a fait fortune comme il convient par la hardiesse, la ruse, le flair, la sociabilité, le respect des rites de la tribu. Fini le hash et les amours de rencontre, voici la défonce pour le travail, les cours de la Bourse, la vieille ferme paternelle que l'on rachète pour en faire un établissement moderne. Frank est un yuppie revu selon les canons de la légende cow-boy du Montana. Et puis un jour, une petite pierre de cet édifice se détache, et tout commence à s'écrouler. " Patrick Raynal, Le Monde