Best Selling Books by Tom Wolfe

Vintage Tom Wolfe, The Bonfire of the Vanities, the #1 bestseller that will forever define late-twentieth-century New York style. "No one has portrayed New York Society this accurately and devastatingly since Edith Wharton" (The National Review) “A page-turner . . . Brilliant high comedy.” (The New Republic) Sherman McCoy, the central figure of Tom Wolfe''s first novel, is a young investment banker with a fourteen-room apartment in Manhattan. When he is involved in a freak accident in the Bronx, prosecutors, politicians, the press, the police, the clergy, and assorted hustlers high and low close in on him, licking their chops and giving us a gargantuan helping of the human comedy, of New York in the 1980s, a city boiling over with racial and ethnic hostilities and burning with the itch to Grab It Now. Wolfe''s novel is a big, panoramic story of the metropolis that reinforces the author''s reputation as the foremost chronicler of the way we live in America. Adapted to film in 1990 by director Brian De Palma, the movie stars Tom Hanks, Bruce Willis, Melanie Griffith, and Morgan Freeman.

"Printed here in its entirety is Ambush at Fort Bragg, a novella about sting TV which has prefigured with eerie accuracy three cases of scandal and betrayal that have lately exploded in the press, as well as Wolfe''s forecasts ("My Three Stooges," "The Invisible Artist") of radical changes about to sweep the arts.".

"America''s nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe''s style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD FINALIST • “A masterpiece” (The Wall Street Journal) of a novel by the era-defining author of The Bonfire of the Vanities—now a Netflix original limited series from David E. Kelley (Big Little Lies) starring Jeff Daniels, Lucy Liu, and Diane Lane “Wolfe is a peerless observer, a fearless satirist, a genius in full.”—People The setting is Atlanta, Georgia—a racially mixed, late-twentieth-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000-acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt. Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland, California, and finds himself spiraling into the lower depths of the American legal system. And back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high. Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates—Wolfe shows us contemporary turn-of-the-century America with all the verve, wit, and insight that have made him one of our most admired talked-about novelists.

Tom Wolfe at his very best" (The New York Times Book Review), The Right Stuff is the basis for the 1983 Oscar Award-winning film of the same name and the 8-part Disney+ TV mini-series. From "America''s nerviest journalist" (Newsweek)--a breath-taking epic, a magnificent adventure story, and an investigation into the true heroism and courage of the first Americans to conquer space. " Millions of words have poured forth about man''s trip to the moon, but until now few people have had a sense of the most engrossing side of the adventure; namely, what went on in the minds of the astronauts themselves - in space, on the moon, and even during certain odysseys on earth. It is this, the inner life of the astronauts, that Tom Wolfe describes with his almost uncanny empathetic powers, that made The Right Stuff a classic.

Tom Wolfe''s The Electric Kool-Aid Acid Test ushered in an era of New Journalism, "An American classic" (Newsweek) that defined a generation. "An astonishing book" (The New York Times Book Review) and an unflinching portrait of Ken Kesey, his Merry Pranksters, LSD, and the 1960s.

A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami''s Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor''s life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin'' little brother; a billionaire porn addict, crack dealers in the ''hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night''s orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe''s previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.

This collection of Wolfe''s essays, articles, and chapters from previous collections is filled with observations on U.S. popular culture in the 1960s and 1970s.

A sprawling collection of essays about the subcultures of the 1960s by Tom Wolfe, the revolutionary journalist and novelist When Tom Wolfe smashed his way onto the literary scene in 1965 with The Kandy-Kolored Tangerine-Flake Streamline Baby, he transformed reporting in American popular culture. For his next project, Wolfe traveled from La Jolla to London in search of new lifestyles. The result is The Pump House Gang (published simultaneously with The Electric Kool-Aid Acid Test in 1968): a collection of essays that chronicles life at the end of the 1960s, written with all the panache and perceptiveness that made Wolfe one of our greatest American journalists. Running throughout The Pump House Gang is a central theme of Wolfe’s writing: status. In pieces about Hugh Hefner, Natalie Wood, and a gang of affluent teenage surfers, among others, Wolfe discusses the 1960s phenomenon of retreating from conventional social hierarchies, which he calls “starting your own league.” Dancers, motorcyclists, lumpen-dandies, and stay-at-homes—everybody’s doing it. Except for die-hards in the crumbling old social worlds of New York and London, where the confusion is so great that nobody can tell whether this is really the path to the top they’ve taken or just the service elevator. Dazzlingly brilliant as a stylist, daringly provocative as a commentator, and always entertaining, in The Pump House Gang, Wolfe is thoroughly, completely himself.

At Dupont University, an innocent college freshman named Charlotte Simmons learns that her intellect alone will not help her survive.

Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase ''radical chic'' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program''s money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.

Originally published: New York: Farrar, Straus & Giroux, 1965.

Reissued for today’s reader with a cover by the renowned artist Seymour Chwast, In Our Time exemplifies Tom Wolfe’s writing on 1970s America. In Our Time is a biting collection of Tom Wolfe’s essays and illustrations cataloging and critiquing the state of 1970s American society. In this slim but unsparing collection of razor-sharp observations and mordant caricatures, Wolfe reaffirms his role as the great chronicler, debunker, and exuberant plain speaker of American letters. Wolfe’s joyriding satirical tour through the emerging American archetypes of the 1970s is an essential portrait of the delirious, madding decade.

The strange saga of American architecture in the 20th century makes for both comedy and intellectual excitement as Wolfe debunks the Euro gods of modern and postmodern architecture and their American counterparts.

The legendary reporter and author of The Right Stuff takes on Darwin, Chomsky, and the origin of language in "his boldest bit of dueling yet" ( The New York Times). Tom Wolfe, the great journalist-provocateur, aims his piercing wit at the presiding theories of what makes us human. The Kingdom of Speech is a captivating, paradigm-shifting argument that speech—not evolution—is responsible for humanity''s complex societies and achievements. From Alfred Russel Wallace, the Englishman who beat Darwin to the theory of natural selection but later renounced it, and through the controversial work of modern-day anthropologist Daniel Everett, who defies the current wisdom that language is hard-wired in humans, Wolfe examines the solemn, long-faced, laugh-out-loud zig-zags of Darwinism, old and Neo, and finds it irrelevant here in the Kingdom of Speech.