Best Selling Books by Tom Wolfe

Tom Wolfe at his very best" (The New York Times Book Review), The Right Stuff is the basis for the 1983 Oscar Award-winning film of the same name and the 8-part Disney+ TV mini-series. From "America''s nerviest journalist" (Newsweek)--a breath-taking epic, a magnificent adventure story, and an investigation into the true heroism and courage of the first Americans to conquer space. " Millions of words have poured forth about man''s trip to the moon, but until now few people have had a sense of the most engrossing side of the adventure; namely, what went on in the minds of the astronauts themselves - in space, on the moon, and even during certain odysseys on earth. It is this, the inner life of the astronauts, that Tom Wolfe describes with his almost uncanny empathetic powers, that made The Right Stuff a classic.

Vintage Tom Wolfe, The Bonfire of the Vanities, the #1 bestseller that will forever define late-twentieth-century New York style. "No one has portrayed New York Society this accurately and devastatingly since Edith Wharton" (The National Review) “A page-turner . . . Brilliant high comedy.” (The New Republic) Sherman McCoy, the central figure of Tom Wolfe''s first novel, is a young investment banker with a fourteen-room apartment in Manhattan. When he is involved in a freak accident in the Bronx, prosecutors, politicians, the press, the police, the clergy, and assorted hustlers high and low close in on him, licking their chops and giving us a gargantuan helping of the human comedy, of New York in the 1980s, a city boiling over with racial and ethnic hostilities and burning with the itch to Grab It Now. Wolfe''s novel is a big, panoramic story of the metropolis that reinforces the author''s reputation as the foremost chronicler of the way we live in America. Adapted to film in 1990 by director Brian De Palma, the movie stars Tom Hanks, Bruce Willis, Melanie Griffith, and Morgan Freeman.

"America''s nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe''s style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).

Tom Wolfe''s THE BONFIRE OF THE VANITIES defined an era and established Wolfe as our prime fictional chronicler of America at its most outrageous and alive. In his #1 New York Times bestseller and National Book Award finalist, A MAN IN FULL, the setting shifts to Atlanta, Georgia—a racially mixed late-century boomtown teeming with fresh wealth, avid speculators, and worldly-wise politicians." Don’t miss the star-studded mini series adaptation of A Man in Full–coming soon to Netflix. Big men. Big money. Big games. Big libidos. Big trouble. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta real-estate entrepreneur turned conglomerate king, whose expansionist ambitions and outsize ego have at last hit up against reality. Charlie has a 28,000-acre quail-shooting plantation, a young and demanding second wife--and a half-empty office tower with a staggering load of debt. When star running back Fareek Fanon--the pride of one of Atlanta''s grimmest slums--is accused of raping an Atlanta blueblood''s daughter, the city''s delicate racial balance is shattered overnight. Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real-estate syndicates, cast-off first wives of the corporate elite, the racially charged politics of college sports--Wolfe shows us the disparate worlds of contemporary America with all the verve, wit, and insight that have made him our most phenomenal, most admired contemporary novelist. A Man in Full is a 1998 National Book Award Finalist for Fiction.

Only yesterday boys and girls spoke of embracing and kissing (necking) as getting to first base. Second base was deep kissing, plus groping and fondling this and that. Third base was oral sex. Home plate was going all the way. That was yesterday. Here in the Year 2000 we can forget about necking. Today''s girls and boys have never heard of anything that dainty. Today first base is deep kissing, now known as tonsil hockey, plus groping and fondling this and that. Second base is oral sex. Third base is going all the way. Home plate is being introduced by name. And how rarely our hooked-up boys and girls are introduced by name!-as Tom Wolfe has discovered from a survey of girls'' File-o-Fax diaries, to cite but one of Hooking Up''s displays of his famed reporting prowess. Wolfe ranges from coast to coast chronicling everything from the sexual manners and mores of teenagers... to fundamental changes in the way human beings now regard themselves thanks to the hot new field of genetics and neuroscience. . . to the inner workings of television''s magazine-show sting operations. Printed here in its entirety is "Ambush at Fort Bragg," a novella about sting TV in which Wolfe prefigured with eerie accuracy three cases of scandal and betrayal that would soon explode in the press. A second piece of fiction, "U. R. Here," the story of a New York artist who triumphs precisely because of his total lack of talent, gives us a case history preparing us for Wolfe''s forecast ("My Three Stooges," "The Invisible Artist") of radical changes about to sweep the arts in America. As an espresso after so much full-bodied twenty-first-century fare, we get a trip to Memory Mall. Reprinted here for the first time are Wolfe''s two articles about The New Yorker magazine and its editor, William Shawn, which ignited one of the great firestorms of twentieth-century journalism. Wolfe''s afterword about it all is in itself a delicious draught of an intoxicating era, the Twistin'' Sixties. In sum, here is Tom Wolfe at the height of his powers as reporter, novelist, sociologist, memoirist, and-to paraphrase what Balzac called himself-the very secretary of American society in the 21st century.

Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase ''radical chic'' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program''s money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.

A sprawling collection of essays about the subcultures of the 1960s by Tom Wolfe, the revolutionary journalist and novelist When Tom Wolfe smashed his way onto the literary scene in 1965 with The Kandy-Kolored Tangerine-Flake Streamline Baby, he transformed reporting in American popular culture. For his next project, Wolfe traveled from La Jolla to London in search of new lifestyles. The result is The Pump House Gang (published simultaneously with The Electric Kool-Aid Acid Test in 1968): a collection of essays that chronicles life at the end of the 1960s, written with all the panache and perceptiveness that made Wolfe one of our greatest American journalists. Running throughout The Pump House Gang is a central theme of Wolfe’s writing: status. In pieces about Hugh Hefner, Natalie Wood, and a gang of affluent teenage surfers, among others, Wolfe discusses the 1960s phenomenon of retreating from conventional social hierarchies, which he calls “starting your own league.” Dancers, motorcyclists, lumpen-dandies, and stay-at-homes—everybody’s doing it. Except for die-hards in the crumbling old social worlds of New York and London, where the confusion is so great that nobody can tell whether this is really the path to the top they’ve taken or just the service elevator. Dazzlingly brilliant as a stylist, daringly provocative as a commentator, and always entertaining, in The Pump House Gang, Wolfe is thoroughly, completely himself.

The essential collection of Tom Wolfe’s writing on a turning-point era in modern American culture. The Purple Decades brings together the author''s selections from his list of critically acclaimed publications, including the complete text of Mau-Mauing and the Flak Catchers, his account of the wild games the poverty program encouraged minority groups to play. It was in the 1960s and 1970s—those “purple decades”—that Tom Wolfe rose to fame as one of the late-twentieth-century pioneers of American literature. He became the foremost chronicler of the gaudiest period in American history, much of which is spread out before us in these selections from nine of his books. Wolfe’s innovations in style, his feats as a reporter, and his insights into modern American life dominated a period of widespread experimentation in the writing of nonfiction. Wolfe’s contributions to the language of the purple decades range from the phrases “the right stuff” to “radical chic,” the latter of which he coined in 1970, when Leonard Bernstein gave a party for the Black Panthers in his apartment on Park Avenue; and on to “the Me Decade,” as the 1970s were dubbed as soon as Wolfe’s essay “The Me Decade and the Third Great Awakening” appeared in 1976. The complete texts of “The Last American Hero” and “The Me Decade and the Third Great Awakening,” and long sections of “Radical Chic” and The Right Stuff, are included here in The Purple Decades. Generous selections from both From Bauhaus to Our House and The Painted Word also appear here, as well as many stories from The Kandy-Kolored Tangerine-Flake Streamline Baby, The Pump House Gang, and Mauve Gloves & Madmen, Clutter & Vine. When Tom Wolfe’s first book, The Kandy-Kolored Tangerine-Flake Streamline Baby, was published in 1965, Newsweek predicted: “This will be a sharp pleasure to reread years from now, when it will bring back, like a falcon in the sky of memory, a whole world that is currently jetting and jazzing its way somewhere or other.” In these pages the falcon flies with big talons, and an even bigger grin, across the first two decades of Tom Wolfe’s literary career.

After critiquing―and infuriating―the art world with The Painted Word, the award-winning author Tom Wolfe shares his less-than-favorable thoughts about modern architecture in From Bauhaus to Our House. In this examination of the strange saga of twentieth-century architecture, Wolfe takes such European architects as Ludwig Mies van der Rohe, Le Corbusier, and Bauhaus art school founder Walter Gropius to task for their glass-and-steel-box buildings that have influenced (and infected) America’s cities.

Reissued for today’s reader with a cover by the renowned artist Seymour Chwast, In Our Time exemplifies Tom Wolfe’s writing on 1970s America. In Our Time is a biting collection of Tom Wolfe’s essays and illustrations cataloging and critiquing the state of 1970s American society. In this slim but unsparing collection of razor-sharp observations and mordant caricatures, Wolfe reaffirms his role as the great chronicler, debunker, and exuberant plain speaker of American letters. Wolfe’s joyriding satirical tour through the emerging American archetypes of the 1970s is an essential portrait of the delirious, madding decade.

At Dupont University, an innocent college freshman named Charlotte Simmons learns that her intellect alone will not help her survive.

A collection of impeccably observed stories, sketches, and essays in full, exuberant, classic Wolfe mode. The third installment in Wolfe’s trilogy of essay-length works after The Pump House Gang and The Kandy-Kolored Tangerine-Flake Streamline Baby, Mauve Gloves & Madmen, Clutter & Vine is wide-ranging, irreverent, colorful, and gimlet-eyed. Originally published in 1976, these stories capture the full spectrum of the ’70s (“the Me Decade,” in Wolfe’s memorable words), from the hilarious to the hard-hitting. Reissued for today’s reader with a cover by the renowned artist Seymour Chwast, Mauve Gloves & Madmen, Clutter & Vine is classic Wolfe.

Tom Wolfe''s much-discussed kaleidoscopic non-fiction novel chronicles the tale of novelist Ken Kesey and his band of Merry Pranksters. In the 1960s, Kesey led a group of psychedelic sympathizers around the country in a painted bus, presiding over LSD-induced "acid tests" all along the way. Long considered one of the greatest books about the history of the hippies, Wolfe''s ability to research like a reporter and simultaneously evoke the hallucinogenic indulgence of the era ensures that this book, written in 1967, will live long in the counter-culture canon of American literature.

Originally published: New York: Farrar, Straus & Giroux, 1965.

The legendary reporter and author of The Right Stuff takes on Darwin, Chomsky, and the origin of language in "his boldest bit of dueling yet" ( The New York Times). Tom Wolfe, the great journalist-provocateur, aims his piercing wit at the presiding theories of what makes us human. The Kingdom of Speech is a captivating, paradigm-shifting argument that speech—not evolution—is responsible for humanity''s complex societies and achievements. From Alfred Russel Wallace, the Englishman who beat Darwin to the theory of natural selection but later renounced it, and through the controversial work of modern-day anthropologist Daniel Everett, who defies the current wisdom that language is hard-wired in humans, Wolfe examines the solemn, long-faced, laugh-out-loud zig-zags of Darwinism, old and Neo, and finds it irrelevant here in the Kingdom of Speech.

A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami''s Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor''s life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin'' little brother; a billionaire porn addict, crack dealers in the ''hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night''s orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe''s previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.

''The hell with it . . . let chaos reign . . . louder music, more wine . . . All the old traditions are exhausted and no new one is yet established. All bets are off! The odds are cancelled! It''s anybody''s ballgame . . . '' Tom Wolfe introduces and exults in his generation''s journalistic talent: Truman Capote inside the mind of a psychotic killer Hunter S. Thompson skunk drunk at the Kentucky Derby Michael Herr dispatching reality from the Vietnam killing fields Rex Reed giving the star treatment to the ageing Ava Gardner As well as Norman Mailer Joe Eszterhas Terry Southern Nicholas Tomalin George Plimpton James Mills Gay Talese Joan Didion and many other legends of tape and typewriter telling it like it is from Warhol''s Factory to the White House lawn, from the saddle of a Harley to the toughest football team in the US.

Once you decide what kind of spirits are living in your bottles, Tom Wolfe will set you to work carving charming faces to match, using small pieces of scrap wood, basic carving tools and paint, and not much time. The finished carvings could be hung around a bottle, a neck, on a Christmas tree, or anywhere else that could use a little personality! More than 200 color photos paired with step-by-step instructions, plus a full-color gallery of 20 different carved bottle spirits.

A roughout is the start of a carving that skips the first few steps to take you right into the good part. In his friendly, laid-back way, Tom Wolfe guides you step-by-step through the carving of an unlucky fisherman from his own roughout design. The emphasis here is on staying loose with the carving and seeing the endless possibilities you have in carving anything from the most basic shapes to the smallest details.

Sherman MacCoy, fleuron de la jeune aristocratie des boursiers de Wall Street, vit très luxueusement sur Park Avenue. Mais, un soir, tout bascule : perdu dans le Bronx avec sa maîtresse, il renverse un jeune Noir et prend la fuite. Une des plus cyniques et des plus justes présentations de New York.

Con su característica atención al detalle, Tom Wolfe aplica su observación personal de universidades en los Estados Unidos a la historia de Charlotte Simmons - una estudiante ingenua en su primer año de estudio. Aunque al principio, la Universidad de Dupo

Tells the story of the first American astronauts.

Un roman à couper le souffle sur le monde de la télévision et la mort annoncée de notre civilisation bien-pensante. À la base militaire de Fort Bragg, en Caroline du Nord, un jeune soldat homosexuel a été battu à mort dans les toilettes d''un bar, et les trois rangers coupables de l''agression sont restés impunis. Mais s''en mêle l''obstiné Irv Durtscher, producteur d''une émission de télévision à succès qui va introduire caméras cachées et micros espions sur les lieux du crime et recruter une strip-teaseuse thaïlandaise... Dans ce court roman à la fois truculent et mordant, c''est notre société du spectacle qui se trouve férocement démontée et mise en pièces par Tom Wolfe. " Un roman de Tom Wolfe, c''est comme tenter de faire entrer tout ce qui caractérise les États-Unis de la fin du XXe siècle dans un même livre. " Dominique Lebel, L''Actualité