New Releases by Umberto Eco

A 17th century Italian nobleman is marooned on an empty ship in this "astonishing intellectual journey" by the author of Foucault''s Pendulum ( San Francisco Chronicle). In the year 1643, a violent storm in the South Pacific leaves Roberto della Griva shipwrecked—on a ship. Swept from the Amaryllis, he has managed to pull himself aboard the Daphne, anchored in the bay of a beautiful island. The ship is fully provisioned, he discovers, but the crew is missing. As Roberto explores the different cabinets in the hold, he looks back on various episodes from his life: Ferrante, his imaginary evil brother; the siege of Casale, that meaningless chess move in the Thirty Years'' War in which he lost his father and his illusions; and the lessons given him on Reasons of State, fencing, the writing of love letters, and blasphemy. In this "intellectually stimulating and dramatically intriguing" novel, Umberto Eco conjures a young dreamer searching for love and meaning; and an old Jesuit who, with his clocks and maps, has plumbed the secrets of longitudes, the four moons of Jupiter, and the Flood ( Chicago Tribune).

To recall his memories, Yambo withdraws to the family home where he searches old newspapers, comics, records, photo albums, and diaries to relive the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, and Fred Astaire.

Publisher Description

embracing the web of multi-culturalism that has become a fact of contemporary life from New York to New Delhi, Eco argues that we are more connected to people of othe traditions and customs than ever before, making tolerance the ultimate value in today''s world.

There is nothing special about the year 2000, yet the start of the third millennium proved a focus for many deep anxieties and expectations. Four of the world''s boldest and most celebrated thinkers offer a vast range of insights into how we make sense of time: paleontologist Stephen Jay Gould on dating the Creation, evolutionary deep time, and the need for ecological ethics on a human scale; Umberto Eco, novelist, medievalist, and Web fanatic, on the brave new world of cyberspace and its likely impact on memory, cultural continuity, and access to knowledge; screenwriter Jean-Claude Carriere on the art of slowness and attitudes toward time in non-Western cultures; and Catholic historian Jean Delumeau on how the Western imagination has always been haunted by ideas of the Apocalypse.

In this work, Umberto Eco demonstrates how myths and lunacies can produce historical developments of no small significance. In Eco''s words, even errors can produce interesting side effects.

In this exhilarating book, we accompany Eco as he explores the intricacies of fictional form and method. Using examples from fairy tales and Flaubert, Poe and Mickey Spillane, Eco draws us in with a novelist’s techniques, making us his collaborators in the creation of his text and in the investigation of some of fiction''s most basic mechanisms.

L''anti Robinson Cruso?︠ Un roman dans lequel Eco le linguiste vient prt̊er main forte ̉Eco le romancier. Le hřos est un intellectuel, fils de hobereau pim̌ontais, naugrag ̌en 1643 face ̉une des l̋es de l''archipel des Fidji, qui cherche ̉comprendre le monde. Selon Pierre Lepape, l''auteur a invent ̌une nouvelle forme de roman historique qui trouve ses fondements dans l''histoire culturelle et trac ̌une vaste fresque de l''Europe baroque. Pour le traducteur ce roman-encyclopďie est aussi un roman de formation, d''espionnage et d''amour. [SDM].

Eco displays in these essays the same wit, learning, and lively intelligence that delighted readers of The Name of the Rose and Foucault''s Pendulum. His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated by William Weaver. A Helen and Kurt Wolff Book

This witty and irreverent collection of essays presents Eco''s playful but unfailingly accurate takes on everything from militarism, computer jargon, Westerns, librarians and bureaucrats to meals on airplanes, Amtrak trains, bad coffee, express mail, fax machines and pornography. "An uncanny combination of the profound and the profane".--San Francisco Chronicle.

Presents four theories describing the limits of literary interpretation, challenging "the cancer of uncontrolled interpretation" that diminishes the meaning and the basis of communication. -- Back cover.

An erudite and witty collection of Umberto Eco''s essays on mass culture from the 1960s through the 1980s, including major pieces which have not been translated into English before. The discussion is framed by opposing characterizations of current intellectuals as apocalyptic and opposed to all mass culture, or as integrated intellectuals, so much a part of mass culture as to be unaware of serving it. Organized in four main parts, "Mass Culture: Apocalypse Postponed", "Mass Media and the Limits of Communication", "The Rise and Fall of Counter-Cultures", and "In Search of Italian Genius", Eco looks at a variety of topics and cultural productions, including the world of Charlie Brown, distinctions between highbrow and lowbrow, the future of literacy, Chinese comic strips, whether countercultures exist, Fellini''s Ginger and Fred, and the Italian genius industry.

Playful parodies by the author of The Name of the Rose and Foucault''s Pendulum. Here, Eco pokes fun at the oversophisticated, overacademic, and overintellectual, and along the way makes penetrating comments about our modern mass culture and the elitist avant-garde in art in criticism.

This book brings together some of the most distinguished figures currently at work in philosophy, literary theory and criticism to debate the limits of interpretation.

This book is significant for its concept of "openness"--the artist''s decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.

In this short discussion of the Irish modernist writer, the author establishes a link between the mind of James Joyce and medieval theology. He shows how Joyce''s fiction was suffused by his reading of St. Thomas Aquinas, Giordano Bruno and Nicola da Cusa and the book creates a dialogue between the saint, the novelist and the critic.

The well-known Italian semiotician and novelist Umberto Eco discloses for the first time to English-speaking readers the unsuspected richness, breadth, complexity, and originality of the aesthetic theories advanced by the influential medieval thinker Thomas Aquinas, heretofore known principally as a scholastic theologian. Inheriting his basic ideas and conceptions of art and beauty from the classical world, Aquinas transformed or modified these ideas in the light of Christian theology and of developments in metaphysics and optics during the thirteenth century. Setting the stage with an account of the vivid aesthetic and artistic sensibility that flourished in medieval times, Eco examines Aquinas''s conception of transcendental beauty, his theory of aesthetic perception or visio, and his account of the three conditions of beauty--integrity, proportion, and clarity--that, centuries later, emerged again in the writings of the young James Joyce. He examines the concrete application of these theories in Aquinas''s reflections on God, mankind, music, poetry, and scripture. He discusses Aquinas''s views on art and compares his poetics with Dante''s. In a final chapter added to the second Italian edition, Eco examines how Aquinas''s aesthetics came to be absorbed and superseded in late medieval times and draws instructive parallels between Thomistic methodology and contemporary structuralism. As the only book-length treatment of Aquinas''s aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and anyone involved in poetics, aesthetics, or the history of ideas.

Brother William''s search for heresy in a 14th-century Italian abbey is interrupted by seven bizarre deaths in seven terrifying days.

" . . . the greatest contribution to [semiotics] since the pioneering work of C. S. Peirce and Charles Morris." —Journal of Aesthetics and Art Criticism " . . . draws on philosophy, linguistics, sociology, anthropology and aesthetics and refers to a wide range of scholarship . . . raises many fascinating questions." —Language in Society " . . . a major contribution to the field of semiotic studies." —Robert Scholes, Journal of Aesthetics and Art Criticism " . . . the most significant text on the subject published in the English language that I know of." —Arthur Asa Berger, Journal of Communication Eco''s treatment demonstrates his mastery of the field of semiotics. It focuses on the twin problems of the doctrine of signs—communication and signification—and offers a highly original theory of sign production, including a carefully wrought typology of signs and modes of production.

Discusses the differences between "open" and "closed" texts, or, texts that actively involve the reader and texts that evoke a limited, predetermined response from the reader. -- Back cover.