New Releases by Ursula K. Le Guin

''Le Guin is a writer of phenomenal power'' OBSERVER ''Le Guin''s storytelling is sharp, magisterial, funny, thought-provoking and exciting, exhibiting all that science fiction can be'' EMPIRE ''Told with shimmering lyricism, this coming-of-age saga will leave readers transformed'' BOOKLIST ''A tour de force'' EVENING STANDARD The final part in the story that started with GIFTS, and the tale of Gry Barre of Roddmant and Orrec Caspro of Caspromant, two children with extraordinary powers. They play a part in VOICES too, the sequel to GIFTS, in which Memer, a girl who has grown up in a captured city, is part of the people''s fight for freedom. And now, in POWERS, we have the conclusion to Ursula Le Guin''s beautifully written, powerful and moving story of the Western Isles, a tale that will leave every reader begging for more.

Together for the first time, all 5 standalone novels from the Hugo and Nebula award–winning writer who reinvented science fiction, including one restored to print Spans from the 1971 classic The Lathe of Heaven to her career-crowning 2008 masterpiece Lavinia This 7th volume in the definitive Library of America edition of Ursula K. Le Guin’s works presents 5 remarkable standalone novels that showcase her boundless creativity and literary range. In the Locus Award–winning The Lathe of Heaven (1971), one of Le Guin’s most admired works of science fiction, George Orr begins have effective dreams: dreams that change reality itself. But when he turns to the sleep researcher William Haber for help, the doctor sees an opportunity to use Orr’s strange gift for his own ends. A former Terran prison colony on the planet Victoria seems destined for revolution in The Eye of the Heron (1978), when the authoritarian leaders in the City try to assert control over the peaceful farmers who have been sent to live around them. The Beginning Place (1980) is a parable-like story in which Hugh and Irena have both found their way to the Beginning Place, a gateway to another world. The two initially become enemies, but must learn to work together when the utopia they’ve found turns out to have a shadow. The long out-of-print Searoad: Chronicles of Klatsand (1991) is a Winesburg, Ohio-like series of linked stories set in a small vacation town on the Oregon coast, where some of the characters have come for a weekend and some for longer, but all are pilgrims in the grip of inexpressible longings. And Le Guin’s final, powerfully feminist novel, Lavinia (2008), reimagines Virgil''s Aeneid from the perspective of a woman who, in poet''s telling, never speaks a word. Special features include an appendix presenting three essays by Le Guin related to the novels, previously unseen hand-drawn maps by author herself, helpful annotation, and a chronology of Le Guin''s life and career. Brought together here for the first time, these 5 remarkable standalone novels showcase a Hugo and Nebula Award–winning master at her very best.

Jane has a city adventure in this fourth book in legendary author Ursula K. Le Guin’s bestselling Catwings chapter book series, now with a new look! Jane, the youngest of the Catwings, thinks that life on the farm is absolutely boring. Looking for adventure, she takes to the skies to explore all the world has to offer. But when she flies through the window of a friendly-seeming human, Jane finds herself captured—and forced to make TV appearances as Miss Mystery, the fabulous winged cat. How can she possibly explore the world now? Is there anywhere Jane can be truly free?

Jane meets a new friend in this third book in legendary author Ursula K. Le Guin’s bestselling Catwings chapter book series, now with a new look! Fluffy, orange Alexander is the oldest, biggest, loudest, and strongest of all the Furby kittens. Everyone in his family thinks he’s so remarkable that they call him “Wonderful Alexander” and spoil him to pieces. But one morning, when Alexander bravely sets out to explore the world on his own, he finds himself stuck in a tree and unable to get down. It’s up to Jane, the youngest of the Catwings, to rescue him! Now if only Alexander could do something wonderful for her in return…

Wishing to visit their mother, two winged cats leave their new country home to return to the city, where they discover a winged kitten in a building about to be demolished.

At last, a major American poet collected for the first time in the sixth volume of the definitive Library of Edition of her works In his last book, Harold Bloom presents the earthy, surprising, and lyrical poetry of Ursula K. Le Guin Ursula K. Le Guin’s career began and ended with poetry. This sixth volume in the definitive Library of America edition of her works gathers, for the first time, her collected poems—from her earliest collection Wild Angels (1974) through her final publication, the collection So Far So Good, which she delivered to her editor just a week before her death in 2018. The themes explored in the poems gathered here resonate through all Le Guin’s oeuvre, but find their strongest voice in her poetry: exploration as a metaphor for both human bravery and creativity, the mystery and fragility of nature and the impact of humankind on their environment, the Tao Te Ching, marriage, womanhood, and even cats. Le Guin’s poetry is often traditional in form but never in style: her verse is earthy, surprising, and lyrical. Including some 40 poems never before collected, this volume restores to print much of Le Guin''s remarkable verse. It features a new introduction by editor Harold Bloom, written before his death in 2019, in which he reflects on the power of Le Guin’s poems, which he calls “American originals.” It also features helpful explanatory notes and a chronology of Le Guin’s life.

Vibrantly repackaged in a stunning new format, this classic science fiction novel offers "a rare and powerful synthesis of poetry and science, reason and emotion" ("The New York Times"). In the year 2002, George Orr discovers his dreams can--and do--change the world.

Winner of the PEN/Malamud Award for Short Story A New York Times Notable Book In these "vivid, entertaining, philosophical dispatches" (San Francisco Chronicle), literary legend Le Guin weaves together influences as wide-reaching as Borges, The Little Prince, and Gulliver''s Travels to examine feminism, tyranny, mortality and immortality, art, and the meaning--and mystery--of being human. Sita Dulip has missed her flight out of Chicago. But instead of listening to garbled announcements in the airport, she''s found a method of bypassing the crowds at the desks, the nasty lunch, the whimpering children and punitive parents, and the blue plastic chairs bolted to the floor: she changes planes. Changing planes--not airplanes, of course, but entire planes of existence--enables Sita to visit societies not found on Earth. As "Sita Dulip''s Method" spreads, the narrator and her acquaintances encounter cultures where the babble of children fades over time into the silence of adults; where whole towns exist solely for holiday shopping; where personalities are ruled by rage; where genetic experiments produce less than desirable results. With "the eye of an anthropologist and the humor of a satirist" (USA Today), Le Guin takes readers on a truly universal tour, showing through the foreign and alien indelible truths about our own human society.

A collection of essays on life and literature, from one of the most iconic authors and astute critics in contemporary letters. Words Are My Matter is essential reading: a collection of talks, essays, and criticism by Ursula K. Le Guin, a literary legend and unparalleled voice of our social conscience. Here she investigates the depth and breadth of contemporary fiction—and, through the lens of literature, gives us a way of exploring the world around us. In “Freedom,” Le Guin notes: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now ... to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom—poets, visionaries—realists of a larger reality.” Le Guin was one of those authors and in Words Are My Matter she gives us just that: a vision of a better reality, fueled by the power and might and hope of language and literature.

Ursula K. Le Guin''s richly-imagined vision of a post-apocalyptic California, in a newly expanded version prepared shortly before her death This fourth volume in the Library of America’s definitive Ursula K. Le Guin edition presents her most ambitious novel and finest achievement, a mid-career masterpiece that showcases her unique genius for world building. Framed as an anthropologist’s report on the Kesh, survivors of ecological catastrophe living in a future Napa Valley, Always Coming Home (1985) is an utterly original tapestry of history and myth, fable and poetry, story- telling and song. Prepared in close consultation with the author, this expanded edition features new material added just before her death, including for the first time two “missing” chapters of the Kesh novel Dangerous People. The volume con- cludes with a selection of Le guin’s essays about the novel’s genesis and larger aims, a note on its editorial and publication history, and an updated chronology of Le guin’s life and career. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

“Resistance and change often begin in art. Very often in our art, the art of words.” —Ursula K. Le Guin When she began writing in the 1960s, Ursula K. Le Guin was as much of a literary outsider as one can be: a woman writing in a landscape dominated by men, a science fiction and fantasy author in an era that dismissed “genre” literature as unserious, and a westerner living far from fashionable East Coast publishing circles. The interviews collected here—spanning a remarkable forty years of productivity, and covering everything from her Berkeley childhood to Le Guin envisioning the end of capitalism—highlight that unique perspective, which conjured some of the most prescient and lasting books in modern literature.

Includes a reading group guide and general questions for discussion

Set in the same universe as Le Guin’s The Left Hand of Darkness and The Dispossessed, these five linked Hainish stories follow far-future human colonies living in the distant solar system Here for the first time is the complete suite of five linked stories from Ursula K. Le Guin’s acclaimed Hainish series, which tells the history of the Ekumen, the galactic confederation of human colonies founded by the planet Hain. First published as Four Ways to Forgiveness, and now joined by a fifth story, Five Ways to Forgiveness focuses on the twin planets Werel and Yeowe—two worlds whose peoples, long known as “owners” and “assets,” together face an uncertain future after civil war and revolution. In “Betrayals” a retired science teacher must make peace with her new neighbor, a disgraced revolutionary leader. In “Forgiveness Day,” a female official from the Ekumen arrives to survey the situation on Werel and struggles against its rigidly patriarchal culture. Embedded within “A Man of the People,” which describes the coming of age of Havzhiva, an Ekumen ambassador to Yeowe, is Le Guin’s most sustained description of the Ur-planet Hain. “A Woman’s Liberation” is the remarkable narrative of Rakam, born an asset on Werel, who must twice escape from slavery to freedom. Joined to them is “Old Music and the Slave Women,” in which the charismatic Hainish embassy worker, who appears in two of the four original stories, returns for a tale of his own. Of this capstone tale Le Guin has written, “the character called Old Music began to tell me a fifth tale about the latter days of the civil war . . . I’m glad to see it joined to the others at last.”

From acclaimed author Ursula K. Le Guin, a collection of thoughts--always adroit, often acerbic--on aging, belief, the state of literature, and the state of the nation

Worlds of Exile and Illusion contains three novels in the Hainish Series from Ursula K. Le Guin, one of the greatest science fiction writers and many times the winner of the Hugo and Nebula Awards. Her career as a novelist was launched by the three novels contained here. These books, Rocannon''s World, Planet of Exile, and City of Illusions, are set in the same universe as Le Guin''s groundbreaking classic, The Left Hand of Darkness. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Library of America gathers for the first time the entire body of work set in the imaginary central European nation of Orsinia—the enchanting, richly imagined historical fiction series written by Hugo, Nebula, and National Book Award winner Ursula K. Le Guin. In a career spanning half a century, Ursula K. Le Guin has produced a body of work that testifies to her abiding faith in the power and art of words. She is perhaps best known for imagining future intergalactic worlds in brilliant books that challenge our ideas of what is natural and inevitable in human relations—and that celebrate courage, endurance, risk-taking, and above all, freedom in the face of the psychological and social forces that lead to authoritarianism and fanaticism. It is less well known that she first developed these themes in the richly imagined historical fiction collected in this volume, which inaugurates the Library of America edition of her works. Written before Ursula K. Le Guin turned to science fiction, the novel Malafrena is a tale of love and duty set in the central European country of Orsinia in the early nineteenth century, when it is ruled by the Austrian empire. The stories originally published in Orsinian Tales (1976) offer brilliantly rendered episodes of personal drama set against a history that spans Orsinia’s emergence as an independent kingdom in the twelfth century to its absorption by the eastern Bloc after World War II. The volume is rounded out by two additional stories that bring the history of Orsinia up to 1989, the poem “Folksong from the Montayna Province,” Le Guin’s first published work, and two never-before-published songs in the Orisinian language. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Earth colony of Landin has been stranded on Werel for ten years - and each of Werel''s years is over 60 terrestrial years! After so long an exile, the lonely and dwindling human settlement is beginning to feel the strain. Every winter - a season that lasts a decade and a half - the Earthmen have neighbours: the humanoid hilfs, a nomadic people who only settle down for the cruel cold spell. The hilfs fear the Earthmen, whom they think of as witches, and call the farborns. But both peoples have common enemies: the hordes of ravaging barbarians called gaals, and eerie preying snow ghouls. Can the hilfs and the farborns overcome their mutual suspicions and join forces? Or will they both be annihilated?

''Drink this magic up. Drown in it. Dream it'' David Mitchell Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth. Hungry for power and knowledge, Sparrowhawk tampered with long-held secrets and loosed a terrible shadow upon the world. This is the tale of his testing, how he mastered the mighty words of power, tamed an ancient dragon, and crossed death''s threshold to restore the balance. ''The Earthsea trilogy . . . is a memorable exploration of the relationship between life and death. . . Ged, its hero, must face his shadow self before it devours him. Only then will he become whole. In the process, he must contend with the wisdom of dragons: ambiguous and not our wisdom, but wisdom nonetheless'' Magaret Atwood

The Daughter of Odren is a short story of betrayal and revenge set in the world of Earthsea, in which Weed, the daughter of Lord Garnet, waits for the day she will have her father back. For fourteen years, Weed, as she is called, the daughter of Lord Garnet, has brought offerings to the standing stone. Alone in a shallow valley, she implores the stone not to forget her. To remember who he is and the life he led. To wait until the day he will be avenged. Now the day has finally arrived. After fourteen long years of waiting, he will have his revenge and she will have her father back. Or will she? Master storyteller Ursula LeGuin takes readers back to Earthsea with this hauntingly beautiful story of betrayal and revenge.

These warm, funny, and eloquent poems, spanning the years 2000 to 2005, by the celebrated author of Always Coming Home and The Language of the Night, showcase Le Guin’s many facets as a writer.

This collection of science fiction stories range from the everyday, to the limits of experience. There are starships that sail on wings of song, musical instruments to be played at funerals only, faster-than-light communication and orbiting arks designed to save a doomed humanity.

A slender, realistic story of a young man''s coming of age, Very Far Away from Anywhere Else is one of the most inspiring novels Ursula K. Le Guin ever published. Owen is seventeen and smart. He knows what he wants to do with his life. But then he meets Natalie and he realizes he doesn''t know anything much at all. “Like all Le Guin’s work, Very Far Away from Anywhere Else is about the invisible structures of society and about the challenge to live honestly. On a Sunday years ago I was lucky to encounter a book that could show me the breadth our lives have—that the discovery of what leads us on is better than the goal of perfection.” —Emily Schultz, Bustle “An engaging, well written novel.” —New York Times

Join Ursula K. Le Guin as she explores a broad array of subjects, ranging from Tolstoy, Twain, and Tolkien to women''s shoes, beauty, and family life. With her customary wit, intelligence, and literary craftsmanship, she offers a diverse and highly engaging set of readings. The Wave in the Mind includes some of Le Guin''s finest literary criticism, rare autobiographical writings, performance art pieces, and, most centrally, her reflections on the arts of writing and reading.

These five superlative, evocative and enchanting stories range from a few hundred years before A Wizard of Earthsea to just before The Other Wind, and feature some of Le Guin''s most popular characters, including the Wizard Ged himself. The stories are rounded off with an essay about Earthsea''s history and people. No Earthsea fan will want to be without this magical collection.

For more than four decades, Ursula K. Le Guin has enthralled readers with her imagination, clarity, and moral vision. The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and five Hugo and five Nebula Awards, this renowned writer has, in each story and novel, created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. Now, in The Birthday of the World, this gifted artist returns to these worlds in eight brilliant short works, including a never-before-published novella, each of which probes the essence of humanity. Here are stories that explore complex social interactions and troublesome issues of gender and sex; that define and defy notions of personal relationships and of society itself; that examine loyalty, survival, and introversion; that bring to light the vicissitudes of slavery and the meaning of transformation, religion, and history. The first six tales in this spectacular volume are set in the author''s signature world of the Ekumen, "my pseudo-coherent universe with holes in the elbows," as Le Guin describes it -- a world made familiar in her award-winning novel The Left Hand of Darkness. The seventh, title story was hailed by Publishers Weekly as "remarkable . . . a standout." The final offering in the collection, Paradises Lost, is a mesmerizing novella of space exploration and the pursuit of happiness. In her foreword, Ursula K. Le Guin writes, "to create difference-to establish strangeness-then to let the fiery arc of human emotion leap and close the gap: this acrobatics of the imagination fascinates and satisfies me as no other." In The Birthday of the World, this gifted literary acrobat exhibits a dazzling array of skills that will fascinate and satisfy us all.

An "ethnographic" novel that portrays life in California''s Napa Valley as it might be a very long time from now, imagined not as a high tech future but as a time of people once again living close to the land.

Winner of the Locus Award • Winner of the Endeavor Award "[Le Guin] can lift fiction to the level of poetry and compress it to the density of allegory—in The Telling, she does both, gorgeously." —Jonathan Lethem Sutty, an Observer from Earth for the interstellar Ekumen, has been assigned to a new world—a world in the grips of a stern monolithic state, the Corporation. Embracing the sophisticated technology brought by other worlds and desiring to advance even faster into the future, the Akans recently outlawed the past, the old calligraphy, certain words, all ancient beliefs and ways; every citizen must now be a producer-consumer. Their state, not unlike the China of the Cultural Revolution, is one of secular terrorism. Traveling from city to small town, from loudspeakers to bleating cattle, Sutty discovers the remnants of a banned religion, a hidden culture. As she moves deeper into the countryside and the desolate mountains, she learns more about the Telling—the old faith of the Akans—and more about herself. With her intricate creation of an alien world, Ursula K. Le Guin compels us to reflect on our own recent history. Though The Telling is often considered the eighth book of the Hainish Cycle, Le Guin maintained that there is no particular cycle or order for the Ekumen novels.

Here is the first new book of poems in more than a decade from the author so well known for her thought-provoking science fiction novels. It is also the most autobiographical of Ursula K. Le Guin''s five poetry collections, taking its inspiration from the wisdom and perspective that a woman attains in her sixties. Here she is at turns wry, playful, and sharply critical, with finely observed details of her day-to-day life and moving philosophical reflections on growing older.

Award-winning novelist Ursula K. Le Guin has turned a successful workshop into a self-guided voyage of discovery for a writer working alone, a writing group or a class.

When Tom Mouse hops on a train and sets out to see the world, he encounters a very special human who accepts him as a travel companion.