New Releases by Ursula K. Le Guin

One of The Atlantic’s Great American Novels “One of the greats. . . . Not just a science fiction writer; a literary icon.” —Stephen King "Engrossing. . . . [Le Guin] is a philosopher; an explorer in the landscape of the mind." —Cincinnati Enquirer In celebration of its fiftieth anniversary, a commemorative edition of Ursula K. Le Guin’s Hugo, Locus, and Nebula Award–winning classic, a profound and thoughtful tale of anarchism and capitalism, individualism and collectivism, and one ambitious man’s quest to bridge the ideological chasm separating two worlds. This special edition includes a new foreword by Karen Joy Fowler. The Dispossessed is the spellbinding story of anarchist Shevek, the “galactically famous scientist,” who single-handedly attempts to reunite two planets cut off from each other by centuries of distrust. Anarres, Shevek’s homeland, is a bleak moon settled by an anarchic utopian civilization, where there is no government, and everyone, at least nominally, is a revolutionary. It has long been isolated from other worlds, including its mother planet, Urras—defined by warring nations, great poverty, and immense wealth. Now Shevek, a brilliant physicist, is determined to unify the two civilizations. In the face of great hostility, outright threats, and the pain of separation from his family, he makes an unprecedented trip to Urras. Greater than any concern for his own wellbeing is the belief that the walls of hatred, distrust, and philosophic division between his planet and the rest of the civilized universe must be torn down. He will seek answers, question the unquestionable, and explore differences in customs and cultures, determined to tear down the walls of hatred that have kept them apart. To visit Urras—to learn, to teach, to share—will require great sacrifice and risks, which Shevek willingly accepts. Almost immediately upon his arrival, he finds not the egotistical philistines he expected, but an intelligent, complex people who warmly welcome him. But soon the ambitious scientist and his gift is seen as a threat, and in the profound conflict that ensues, he must reexamine his beliefs even as he ignites the fires of change.

Together for the first time, all 5 standalone novels from the Hugo and Nebula award–winning writer who reinvented science fiction, including one restored to print Spans from the 1971 classic The Lathe of Heaven to her career-crowning 2008 masterpiece Lavinia This 7th volume in the definitive Library of America edition of Ursula K. Le Guin’s works presents 5 remarkable standalone novels that showcase her boundless creativity and literary range. In the Locus Award–winning The Lathe of Heaven (1971), one of Le Guin’s most admired works of science fiction, George Orr begins have effective dreams: dreams that change reality itself. But when he turns to the sleep researcher William Haber for help, the doctor sees an opportunity to use Orr’s strange gift for his own ends. A former Terran prison colony on the planet Victoria seems destined for revolution in The Eye of the Heron (1978), when the authoritarian leaders in the City try to assert control over the peaceful farmers who have been sent to live around them. The Beginning Place (1980) is a parable-like story in which Hugh and Irena have both found their way to the Beginning Place, a gateway to another world. The two initially become enemies, but must learn to work together when the utopia they’ve found turns out to have a shadow. The long out-of-print Searoad: Chronicles of Klatsand (1991) is a Winesburg, Ohio-like series of linked stories set in a small vacation town on the Oregon coast, where some of the characters have come for a weekend and some for longer, but all are pilgrims in the grip of inexpressible longings. And Le Guin’s final, powerfully feminist novel, Lavinia (2008), reimagines Virgil''s Aeneid from the perspective of a woman who, in poet''s telling, never speaks a word. Special features include an appendix presenting three essays by Le Guin related to the novels, previously unseen hand-drawn maps by author herself, helpful annotation, and a chronology of Le Guin''s life and career. Brought together here for the first time, these 5 remarkable standalone novels showcase a Hugo and Nebula Award–winning master at her very best.

James and Harriet return to the city in this second book in legendary author Ursula K. Le Guin’s bestselling Catwings chapter book series, now with a new look! As kittens, James, Thelma, Harriet, and Roger took advantage of their wings by flying away from the busy city where they were born. Now the cats live comfortably in the country with two human friends. But a big adventure is in store for James and Harriet when they decide to return to the city to visit their mother. So much has changed! The dumpster where the kittens grew up is gone. All the buildings in their old alley are being torn down. And inside one of them is a wonderful surprise, just waiting to be discovered…

When Jane, a cat with wings, leaves the safety of her farm to explore the world, she falls into the hands of a man who keeps her prisoner and exploits her for money.

Jane meets a new friend in this third book in legendary author Ursula K. Le Guin’s bestselling Catwings chapter book series, now with a new look! Fluffy, orange Alexander is the oldest, biggest, loudest, and strongest of all the Furby kittens. Everyone in his family thinks he’s so remarkable that they call him “Wonderful Alexander” and spoil him to pieces. But one morning, when Alexander bravely sets out to explore the world on his own, he finds himself stuck in a tree and unable to get down. It’s up to Jane, the youngest of the Catwings, to rescue him! Now if only Alexander could do something wonderful for her in return…

Vibrantly repackaged in a stunning new format, this classic science fiction novel offers "a rare and powerful synthesis of poetry and science, reason and emotion" ("The New York Times"). In the year 2002, George Orr discovers his dreams can--and do--change the world.

A collection of essays on life and literature, from one of the most iconic authors and astute critics in contemporary letters. Words Are My Matter is essential reading: a collection of talks, essays, and criticism by Ursula K. Le Guin, a literary legend and unparalleled voice of our social conscience. Here she investigates the depth and breadth of contemporary fiction—and, through the lens of literature, gives us a way of exploring the world around us. In “Freedom,” Le Guin notes: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now ... to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom—poets, visionaries—realists of a larger reality.” Le Guin was one of those authors and in Words Are My Matter she gives us just that: a vision of a better reality, fueled by the power and might and hope of language and literature.

A rich, poetic, and socially relevant version of the great spiritual-philosophical classic of Taoism, the Tao Te Ching—from a legendary literary icon Most people know Ursula K. Le Guin for her extraordinary science fiction and fantasy. Fewer know just how pervasive Taoist themes are to so much of her work. And in Lao Tzu: Tao Te Ching, we are treated to Le Guin’s unique take on Taoist philosophy’s founding classic. Le Guin presents Lao Tzu’s time-honored and astonishingly powerful philosophy like never before. Drawing on a lifetime of contemplation and including extensive personal commentary throughout, she offers an unparalleled window into the text’s awe-inspiring, immediately relatable teachings and their inestimable value for our troubled world. Jargon-free but still faithful to the poetic beauty of the original work, Le Guin’s unique translation is sure to be welcomed by longtime readers of the Tao Te Ching as well as those discovering the text for the first time.

Ursula K. Le Guin''s richly-imagined vision of a post-apocalyptic California, in a newly expanded version prepared shortly before her death This fourth volume in the Library of America’s definitive Ursula K. Le Guin edition presents her most ambitious novel and finest achievement, a mid-career masterpiece that showcases her unique genius for world building. Framed as an anthropologist’s report on the Kesh, survivors of ecological catastrophe living in a future Napa Valley, Always Coming Home (1985) is an utterly original tapestry of history and myth, fable and poetry, story- telling and song. Prepared in close consultation with the author, this expanded edition features new material added just before her death, including for the first time two “missing” chapters of the Kesh novel Dangerous People. The volume con- cludes with a selection of Le guin’s essays about the novel’s genesis and larger aims, a note on its editorial and publication history, and an updated chronology of Le guin’s life and career. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

“Resistance and change often begin in art. Very often in our art, the art of words.” —Ursula K. Le Guin When she began writing in the 1960s, Ursula K. Le Guin was as much of a literary outsider as one can be: a woman writing in a landscape dominated by men, a science fiction and fantasy author in an era that dismissed “genre” literature as unserious, and a westerner living far from fashionable East Coast publishing circles. The interviews collected here—spanning a remarkable forty years of productivity, and covering everything from her Berkeley childhood to Le Guin envisioning the end of capitalism—highlight that unique perspective, which conjured some of the most prescient and lasting books in modern literature.

In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin retells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination. Hacking the linear, progressive mode of the Techno-Heroic, the Carrier Bag Theory of human evolution proposes: ''before the tool that forces energy outward, we made the tool that brings energy home.'' Prior to the preeminence of sticks, swords and the Hero''s long, hard, killing tools, our ancestors'' greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. The recipient, the holder, the story. The bag of stars. This influential essay opens a portal to terra ignota: unknown lands where the possibilities of human experience and knowledge can be discovered anew. With a new introduction by Donna Haraway, the eminent cyberfeminist, author of the revolutionary A Cyborg Manifesto and most recently, Staying with the Trouble and Manifestly Haraway. With images by Lee Bul, a leading South Korean feminist artist who had a retrospective at London''s Hayward Gallery in 2018.

The Ones Who Walk Away from Omelas adalah sebuah karya fiksi filosofis pendek tahun 1973. Dengan deskripsi yang samar dan jelas, penulis menggambarkan festival musim panas di kota Utopis Omelas, yang kemakmurannya bergantung pada kesengsaraan abadi seorang anak. "The Ones Who Walk Away from Omelas" dinominasikan untuk Penghargaan Locus untuk Fiksi Pendek Terbaik pada tahun 1974 dan memenangkan Penghargaan Hugo untuk Cerita Pendek Terbaik pada tahun 1974. Penulis mencerminkan bahwa "Omelas terdengar dalam kata-kata seperti sebuah kota dalam dongeng, dahulu kala dan jauh, pada suatu waktu. Mungkin akan lebih baik jika Anda membayangkannya sebagai tawaran mewah Anda sendiri, dengan asumsi itu akan naik ke kesempatan, karena tentu saja aku tidak cocok untuk kalian semua." Segala sesuatu tentang Omelas sangat menyenangkan sehingga narator memutuskan pembaca belum benar-benar yakin akan keberadaannya dan begitu menguraikan elemen terakhir kota: satu-satunya kekejaman. Ketenangan dan kemegahan kota yang konstan mengharuskan seorang anak yang malang disimpan dalam kekotoran, kegelapan dan kesengsaraan abadi. Sinopsis Aku duduk dan memulai sebuah cerita. Tapi aku tidak tahu. Aku hanya ingin melakukan apa yang harus aku lakukan. Di benakku hanya ada kata ''Omelas''. Kata itu berasal dari papan penunjuk jalan: Salem (Oregon) dieja dari belakang. Pernahkah kau mengeja papan penunjuk jalan dari belakang? Itnehreb. Nalep-nalep. Kana-kana. Ocsicnarf Nas Salem sama dengan schelomo sama dengan salaam sama dengan kedamaian. Melas. O melas. Omelas. Homme helas. "Dari mana kau mendapat ide-idemu, Nyonya Le Guin?" “Dari melupakan Dostoyevsky dan membaca papan penunjuk jalan secara terbalik, secara natural. Dari mana lagi?” Informasi lain : Deskripsi fisik : 13 x 19 cm, 328 halaman Weight : 0.25 kg ISBN : 9786026129536 Pengarang : Ursula K. Le Guin Penerbitan : Jakarta; Mata Aksara, 2017 Bahasa : Indonesia Subjek : Fiksi Sejarah Bentuk Karya : Fiksi Status : Aktif

Set in the same universe as Le Guin’s The Left Hand of Darkness and The Dispossessed, these five linked Hainish stories follow far-future human colonies living in the distant solar system Here for the first time is the complete suite of five linked stories from Ursula K. Le Guin’s acclaimed Hainish series, which tells the history of the Ekumen, the galactic confederation of human colonies founded by the planet Hain. First published as Four Ways to Forgiveness, and now joined by a fifth story, Five Ways to Forgiveness focuses on the twin planets Werel and Yeowe—two worlds whose peoples, long known as “owners” and “assets,” together face an uncertain future after civil war and revolution. In “Betrayals” a retired science teacher must make peace with her new neighbor, a disgraced revolutionary leader. In “Forgiveness Day,” a female official from the Ekumen arrives to survey the situation on Werel and struggles against its rigidly patriarchal culture. Embedded within “A Man of the People,” which describes the coming of age of Havzhiva, an Ekumen ambassador to Yeowe, is Le Guin’s most sustained description of the Ur-planet Hain. “A Woman’s Liberation” is the remarkable narrative of Rakam, born an asset on Werel, who must twice escape from slavery to freedom. Joined to them is “Old Music and the Slave Women,” in which the charismatic Hainish embassy worker, who appears in two of the four original stories, returns for a tale of his own. Of this capstone tale Le Guin has written, “the character called Old Music began to tell me a fifth tale about the latter days of the civil war . . . I’m glad to see it joined to the others at last.”

“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Rule of Names" is a short story originally published in the collection The Wind''s Twelve Quarters.

“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "Darkness Box" is a short story originally published in the collection The Wind''s Twelve Quarters.

“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Word of Unbinding" is a short story originally published in the collection The Wind''s Twelve Quarters.

“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Ones Who Walk Away from Omelas" is a short story originally published in the collection The Wind''s Twelve Quarters.

The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "Semley''s Necklace" is a short story originally published in the collection The Wind''s Twelve Quarters.

From acclaimed author Ursula K. Le Guin, a collection of thoughts--always adroit, often acerbic--on aging, belief, the state of literature, and the state of the nation

Five hundred years since its first publication, Thomas More''s Utopia remains astonishingly radical and provocative. More imagines an island nation where thousands live in peace and harmony, men and women are both educated, and property is communal. In a text hovering between fantasy, satire, blueprint and game, More explores the theories and realities behind war, political conflicts, social tensions and redistribution, and imagines the day-to-day lives of a citizenry living free from fear, oppression, violence and suffering. But there has always been a shadow at the heart of Utopia. If this is a depiction of the perfect state, why, as well as wonder, does it provoke a growing unease? In this quincentenary edition, published in conjunction with Somerset House, More''s text is introduced by multi-award-winning author China Miville and accompanied by four essays from Ursula K. Le Guin, today''s most distinguished utopian writer and thinker.

[This book] represents the first time that all of Le Guin novellas have been collected in a single volume. Featuring thirteen unforgettable stories, this literary treasure is easily one of the most anticipated collections of the year. In addition to more than 800 pages of extraordinary storytelling, [this book] also includes an introduction from the legendary author.

The inaugural volume of Library of America’s Ursula K. Le Guin edition gathers her complete Orsinian writings, enchanting, richly imagined historical fiction collected here for the first time. Written before Le Guin turned to science fiction, the novel Malafrena is a tale of love and duty set in the central european country of Orsinia in the early nineteenth century, when it is ruled by the Austrian empire. The stories originally published in Orsinian Tales (1976) offer brilliantly rendered episodes of personal drama set against a history that spans Orsinia’s emergence as an independent kingdom in the twelfth century to its absorption by the eastern Bloc after World War II. The volume is rounded out by two additional stories that bring the history of Orsinia up to 1989, the poem “Folksong from the Montayna Province,” Le Guin’s first published work, and two never before published songs in the Orisinian language. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

One of the very best must-read novels of all time - with a new introduction by Roddy Doyle ''A well told tale signifying a good deal; one to be read again and again'' THE TIMES ''The book I wish I had written ... It''s so far away from my own imagination, I''d love to sit at my desk one day and discover that I could think and write like Ursula Le Guin'' Roddy Doyle ''Le Guin is a writer of phenomenal power'' OBSERVER ''There was a wall. It did not look important - even a child could climb it. But the idea was real. Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on...'' Shevek is brilliant scientist who is attempting to find a new theory of time - but there are those who are jealous of his work, and will do anything to block him. So he leaves his homeland, hoping to find a place of more liberty and tolerance. Initially feted, Shevek soon finds himself being used as a pawn in a deadly political game. With powerful themes of freedom, society and the natural world''s influence on competition and co-operation, THE DISPOSSESSED is a true classic of the 20th century.

A revised and updated guide to the essentials of a writer''s craft, presented by a brilliant practitioner of the art

The Daughter of Odren is a short story of betrayal and revenge set in the world of Earthsea, in which Weed, the daughter of Lord Garnet, waits for the day she will have her father back. For fourteen years, Weed, as she is called, the daughter of Lord Garnet, has brought offerings to the standing stone. Alone in a shallow valley, she implores the stone not to forget her. To remember who he is and the life he led. To wait until the day he will be avenged. Now the day has finally arrived. After fourteen long years of waiting, he will have his revenge and she will have her father back. Or will she? Master storyteller Ursula LeGuin takes readers back to Earthsea with this hauntingly beautiful story of betrayal and revenge.

Winner of the PEN/Malamud Award for Short Story A New York Times Notable Book In these “vivid, entertaining, philosophical dispatches” (San Francisco Chronicle), literary legend Le Guin weaves together influences as wide-reaching as Borges, The Little Prince, and Gulliver’s Travels to examine feminism, tyranny, mortality and immortality, art, and the meaning—and mystery—of being human. Sita Dulip has missed her flight out of Chicago. But instead of listening to garbled announcements in the airport, she’s found a method of bypassing the crowds at the desks, the nasty lunch, the whimpering children and punitive parents, and the blue plastic chairs bolted to the floor: she changes planes. Changing planes—not airplanes, of course, but entire planes of existence—enables Sita to visit societies not found on Earth. As “Sita Dulip’s Method” spreads, the narrator and her acquaintances encounter cultures where the babble of children fades over time into the silence of adults; where whole towns exist solely for holiday shopping; where personalities are ruled by rage; where genetic experiments produce less than desirable results. With “the eye of an anthropologist and the humor of a satirist” (USA Today), Le Guin takes readers on a truly universal tour, showing through the foreign and alien indelible truths about our own human society.

Praise for Ursula K. Le Guin''s short story collections: "It is the author''s more serious work that displays her talents best. . . . [A] classy and valuable collection."—Publishers Weekly "A master of the craft."—Neil Gaiman The Unreal and the Real is a two-volume selection of Ursula K. Le Guin''s best stories. It is a much-anticipated event and there is no doubt it will delight, amuse, and provoke. Where on Earth explores Le Guin''s satirical, risky, political, and experimental earthbound stories. Ursula K. Le Guin has received the PEN–Malamud and National Book Awards, among others. She lives in Portland, Oregon.

Ursula K. Le Guin is the one modern science fiction author who truly needs no introduction. In the half century since The Left Hand of Darkness, her works have changed not only the face but the tone and the agenda of SF, introducing themes of gender, race, socialism, and anarchism, all the while thrilling readers with trips to strange (and strangely familiar) new worlds. She is our exemplar of what fantastic literature can and should be about. Her Nebula winner The Wild Girls, newly revised and presented here in book form for the first time, tells of two captive “dirt children” in a society of sword and silk, whose determination to enter “that possible even when unattainable space in which there is room for justice” leads to a violent and loving end. Plus: Le Guin’s scandalous and scorching Harper’s essay, “Staying Awake While We Read,” (also collected here for the first time) which demolishes the pretensions of corporate publishing and the basic assumptions of capitalism as well. And of course our Outspoken Interview, which promises to reveal the hidden dimensions of America’s best-known SF author. And delivers.

The award-winning masterpiece by one of today''s most honored writers, Ursula K. Le Guin! The Word for World is Forest When the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters. Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

For more than four decades, Ursula K. Le Guin has enthralled readers with her imagination, clarity, and moral vision. The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and five Hugo and five Nebula Awards, this renowned writer has, in each story and novel, created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. Now, in The Birthday of the World, this gifted artist returns to these worlds in eight brilliant short works, including a never-before-published novella, each of which probes the essence of humanity. Here are stories that explore complex social interactions and troublesome issues of gender and sex; that define and defy notions of personal relationships and of society itself; that examine loyalty, survival, and introversion; that bring to light the vicissitudes of slavery and the meaning of transformation, religion, and history. The first six tales in this spectacular volume are set in the author''s signature world of the Ekumen, "my pseudo-coherent universe with holes in the elbows," as Le Guin describes it -- a world made familiar in her award-winning novel The Left Hand of Darkness. The seventh, title story was hailed by Publishers Weekly as "remarkable . . . a standout." The final offering in the collection, Paradises Lost, is a mesmerizing novella of space exploration and the pursuit of happiness. In her foreword, Ursula K. Le Guin writes, "to create difference-to establish strangeness-then to let the fiery arc of human emotion leap and close the gap: this acrobatics of the imagination fascinates and satisfies me as no other." In The Birthday of the World, this gifted literary acrobat exhibits a dazzling array of skills that will fascinate and satisfy us all.