New Releases by Ursula K. Le Guin

She chose love. The price she paid was war. A stunning combination of history and mythology - 'an intriguing, luxuriously realised novel' FINANCIAL TIMES READERS on LAVINIA: 'Utterly compelling' ⭐⭐⭐⭐⭐ 'Clever twist' ⭐⭐⭐⭐⭐ 'Super' ⭐⭐⭐⭐⭐ 'Like Spartan Helen, I caused a war. She caused hers by letting men who wanted her take her. I caused mine because I wouldn't be given, wouldn't be taken, but chose my man and my fate' Lavinia is the daughter of the King of Latium, a victorious warrior who loves peace; she is her father's closest companion. Now of an age to wed, Lavinia's mother favours her own kinsman, handsome, heroic, everything a young girl should want. Instead, Lavinia dreams of mighty Aeneas, a man she has heard of only from a ghost of a poet, who comes to her in the gods' holy place and tells her of her future, and Aeneas' past... If she refuses to wed her mother's choice, Lavinia knows she will start a war... 'Subtly moving, playful...a novel that brought me to tears more than once. Lavinia is a delightful heroine' GUARDIAN

Together for the first time, all 5 standalone novels from the Hugo and Nebula award–winning writer who reinvented science fiction, including one restored to print Spans from the 1971 classic The Lathe of Heaven to her career-crowning 2008 masterpiece Lavinia This 7th volume in the definitive Library of America edition of Ursula K. Le Guin’s works presents 5 remarkable standalone novels that showcase her boundless creativity and literary range. In the Locus Award–winning The Lathe of Heaven (1971), one of Le Guin’s most admired works of science fiction, George Orr begins have effective dreams: dreams that change reality itself. But when he turns to the sleep researcher William Haber for help, the doctor sees an opportunity to use Orr’s strange gift for his own ends. A former Terran prison colony on the planet Victoria seems destined for revolution in The Eye of the Heron (1978), when the authoritarian leaders in the City try to assert control over the peaceful farmers who have been sent to live around them. The Beginning Place (1980) is a parable-like story in which Hugh and Irena have both found their way to the Beginning Place, a gateway to another world. The two initially become enemies, but must learn to work together when the utopia they’ve found turns out to have a shadow. The long out-of-print Searoad: Chronicles of Klatsand (1991) is a Winesburg, Ohio-like series of linked stories set in a small vacation town on the Oregon coast, where some of the characters have come for a weekend and some for longer, but all are pilgrims in the grip of inexpressible longings. And Le Guin’s final, powerfully feminist novel, Lavinia (2008), reimagines Virgil's Aeneid from the perspective of a woman who, in poet's telling, never speaks a word. Special features include an appendix presenting three essays by Le Guin related to the novels, previously unseen hand-drawn maps by author herself, helpful annotation, and a chronology of Le Guin's life and career. Brought together here for the first time, these 5 remarkable standalone novels showcase a Hugo and Nebula Award–winning master at her very best.

When Jane, a cat with wings, leaves the safety of her farm to explore the world, she falls into the hands of a man who keeps her prisoner and exploits her for money.

A collection of essays on life and literature, from one of the most iconic authors and astute critics in contemporary letters. Words Are My Matter is essential reading: a collection of talks, essays, and criticism by Ursula K. Le Guin, a literary legend and unparalleled voice of our social conscience. Here she investigates the depth and breadth of contemporary fiction—and, through the lens of literature, gives us a way of exploring the world around us. In “Freedom,” Le Guin notes: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now ... to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom—poets, visionaries—realists of a larger reality.” Le Guin was one of those authors and in Words Are My Matter she gives us just that: a vision of a better reality, fueled by the power and might and hope of language and literature.

Ursula K. Le Guin's richly-imagined vision of a post-apocalyptic California, in a newly expanded version prepared shortly before her death This fourth volume in the Library of America’s definitive Ursula K. Le Guin edition presents her most ambitious novel and finest achievement, a mid-career masterpiece that showcases her unique genius for world building. Framed as an anthropologist’s report on the Kesh, survivors of ecological catastrophe living in a future Napa Valley, Always Coming Home (1985) is an utterly original tapestry of history and myth, fable and poetry, story- telling and song. Prepared in close consultation with the author, this expanded edition features new material added just before her death, including for the first time two “missing” chapters of the Kesh novel Dangerous People. The volume con- cludes with a selection of Le guin’s essays about the novel’s genesis and larger aims, a note on its editorial and publication history, and an updated chronology of Le guin’s life and career. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

“Resistance and change often begin in art. Very often in our art, the art of words.” —Ursula K. Le Guin When she began writing in the 1960s, Ursula K. Le Guin was as much of a literary outsider as one can be: a woman writing in a landscape dominated by men, a science fiction and fantasy author in an era that dismissed “genre” literature as unserious, and a westerner living far from fashionable East Coast publishing circles. The interviews collected here—spanning a remarkable forty years of productivity, and covering everything from her Berkeley childhood to Le Guin envisioning the end of capitalism—highlight that unique perspective, which conjured some of the most prescient and lasting books in modern literature.

In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin retells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination. Hacking the linear, progressive mode of the Techno-Heroic, the Carrier Bag Theory of human evolution proposes: 'before the tool that forces energy outward, we made the tool that brings energy home.' Prior to the preeminence of sticks, swords and the Hero's long, hard, killing tools, our ancestors' greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. The recipient, the holder, the story. The bag of stars. This influential essay opens a portal to terra ignota: unknown lands where the possibilities of human experience and knowledge can be discovered anew. With a new introduction by Donna Haraway, the eminent cyberfeminist, author of the revolutionary A Cyborg Manifesto and most recently, Staying with the Trouble and Manifestly Haraway. With images by Lee Bul, a leading South Korean feminist artist who had a retrospective at London's Hayward Gallery in 2018.

"Ursula K. Le Guin, loved by millions for her fantasy and science-fiction novels, ponders life, death and the vast beyond in So Far So Good, an astute, charming collection finished weeks before her death in January, 2018. Fans will recognize some of the motifs here—cats, wind, strong women — as well as her exploration of the intersection between soul and body, the knowable and the unknown. The writing is clear, artful and reverent as Le Guin looks back at key memories and concerns and looks forward to what is next: 'Spirit, rehearse the journey of the body/ that are to come, the motions/ of the matter that held you.'"―Washington Post "Le Guin’s farewell poetry collection, contains all that created her reputation for fiction—sharp insight, restless imagination, humor that is both mordant and humane, and, above all else, that connection to all creation, that 'immense what is'."—New York Journal of Books “It’s hard to think of another living author who has written so well for so long in so many styles as Ursula K. Le Guin.” —Salon “She never loses touch with her reverence for the immense what is.” —Margaret Atwood “There is no writer with an imagination as forceful and delicate as Le Guin’s.” —Grace Paley Legendary author Ursula K. Le Guin was lauded by millions for her ground- breaking science fiction novels, but she began as a poet, and wrote across genres for her entire career. In this clarifying and sublime collection—completed shortly before her death in 2018—Le Guin is unflinching in the face of mor- tality, and full of wonder for the mysteries beyond. Redolent of the lush natural beauty of the Pacific Northwest, with rich sounds playfully echoing myth and nursery rhyme, Le Guin bookends a long, daring, and prolific career. From “How it Seems to Me”: In the vast abyss before time, self is not, and soul commingles with mist, and rock, and light. In time, soul brings the misty self to be. Then slow time hardens self to stone while ever lightening the soul, till soul can loose its hold of self . . . Ursula K. Le Guin is the author of over sixty novels, short fiction works, translations, and volumes of poetry, including the acclaimed novels The Left Hand of Darkness and The Dispossessed. Her books continue to sell millions of copies worldwide. Le Guin died in 2018 in her home in Portland, Oregon.

Set in the same universe as Le Guin’s The Left Hand of Darkness and The Dispossessed, these five linked Hainish stories follow far-future human colonies living in the distant solar system Here for the first time is the complete suite of five linked stories from Ursula K. Le Guin’s acclaimed Hainish series, which tells the history of the Ekumen, the galactic confederation of human colonies founded by the planet Hain. First published as Four Ways to Forgiveness, and now joined by a fifth story, Five Ways to Forgiveness focuses on the twin planets Werel and Yeowe—two worlds whose peoples, long known as “owners” and “assets,” together face an uncertain future after civil war and revolution. In “Betrayals” a retired science teacher must make peace with her new neighbor, a disgraced revolutionary leader. In “Forgiveness Day,” a female official from the Ekumen arrives to survey the situation on Werel and struggles against its rigidly patriarchal culture. Embedded within “A Man of the People,” which describes the coming of age of Havzhiva, an Ekumen ambassador to Yeowe, is Le Guin’s most sustained description of the Ur-planet Hain. “A Woman’s Liberation” is the remarkable narrative of Rakam, born an asset on Werel, who must twice escape from slavery to freedom. Joined to them is “Old Music and the Slave Women,” in which the charismatic Hainish embassy worker, who appears in two of the four original stories, returns for a tale of his own. Of this capstone tale Le Guin has written, “the character called Old Music began to tell me a fifth tale about the latter days of the civil war . . . I’m glad to see it joined to the others at last.”

Five hundred years since its first publication, Thomas More's Utopia remains astonishingly radical and provocative. More imagines an island nation where thousands live in peace and harmony, men and women are both educated, and property is communal. In a text hovering between fantasy, satire, blueprint and game, More explores the theories and realities behind war, political conflicts, social tensions and redistribution, and imagines the day-to-day lives of a citizenry living free from fear, oppression, violence and suffering. But there has always been a shadow at the heart of Utopia. If this is a depiction of the perfect state, why, as well as wonder, does it provoke a growing unease? In this quincentenary edition, published in conjunction with Somerset House, More's text is introduced by multi-award-winning author China Miville and accompanied by four essays from Ursula K. Le Guin, today's most distinguished utopian writer and thinker.

Discover the richly imagined world of Orsinia in this early historical fiction novel by the author of the Earthsea series—now featuring a chronology of Le Guin’s life and career In a career spanning half a century, Ursula K. Le Guin has produced a body of work that testifies to her abiding faith in the power and art of words. She is perhaps best known for imagining future intergalactic worlds in brilliant books that challenge our ideas of what is natural and inevitable in human relations—and that celebrate courage, endurance, risk-taking, and above all, freedom in the face of the psychological and social forces that lead to authoritarianism and fanaticism. It is less well known that she first developed these themes in richly imagined historical fiction, including the brilliant early novel Malafrena. An epic meditation on the meaning of hope and freedom, love and duty, Malafrena takes place from 1825 to 1830 in the imaginary East European country of Orsinia, then a part of the Austrian Empire. Like its near neighbors Czechoslovakia, Poland, and Romania, Orsinia has a long and vivid history of oppression, art, and revolution. Itale Sorde, the idealistic heir to Val Malafrena—an estate in the rural western provinces of Orsinia—leaves home against his father’s wishes to work as a journalist in the cosmopolitan capital city of Krasnoy, where he plays an integral part in the revolutionary politics that are roiling Europe.

Library of America gathers for the first time the entire body of work set in the imaginary central European nation of Orsinia—the enchanting, richly imagined historical fiction series written by Hugo, Nebula, and National Book Award winner Ursula K. Le Guin. In a career spanning half a century, Ursula K. Le Guin has produced a body of work that testifies to her abiding faith in the power and art of words. She is perhaps best known for imagining future intergalactic worlds in brilliant books that challenge our ideas of what is natural and inevitable in human relations—and that celebrate courage, endurance, risk-taking, and above all, freedom in the face of the psychological and social forces that lead to authoritarianism and fanaticism. It is less well known that she first developed these themes in the richly imagined historical fiction collected in this volume, which inaugurates the Library of America edition of her works. Written before Ursula K. Le Guin turned to science fiction, the novel Malafrena is a tale of love and duty set in the central European country of Orsinia in the early nineteenth century, when it is ruled by the Austrian empire. The stories originally published in Orsinian Tales (1976) offer brilliantly rendered episodes of personal drama set against a history that spans Orsinia’s emergence as an independent kingdom in the twelfth century to its absorption by the eastern Bloc after World War II. The volume is rounded out by two additional stories that bring the history of Orsinia up to 1989, the poem “Folksong from the Montayna Province,” Le Guin’s first published work, and two never-before-published songs in the Orisinian language. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

'Drink this magic up. Drown in it. Dream it' David Mitchell Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth. Hungry for power and knowledge, Sparrowhawk tampered with long-held secrets and loosed a terrible shadow upon the world. This is the tale of his testing, how he mastered the mighty words of power, tamed an ancient dragon, and crossed death's threshold to restore the balance. 'The Earthsea trilogy . . . is a memorable exploration of the relationship between life and death. . . Ged, its hero, must face his shadow self before it devours him. Only then will he become whole. In the process, he must contend with the wisdom of dragons: ambiguous and not our wisdom, but wisdom nonetheless' Magaret Atwood

An exciting re-launch of the classic Earthsea Cycle, by fantasy literature legend Ursula K. Le Guin, winner of a Newbery Honor, the National Book Award, Pushcart Prize, and six Nebula Awards.

Winner of the Nebula Award for Best Novel: A young man tries to come to grips with his strange gifts as he sets out on a dangerous journey. Brought up in comfort as a house slave for a great family, young Gavir can recall the page of a book after seeing it once. Sometimes he even “remembers” things that are going to happen in the future—a power Gav cannot explain or control, and one that his beloved older sister wisely advises him to keep secret. But when tragedy destroys his trust in all he has ever known, he flees in blind grief, setting off on a treacherous journey towards a goal he does not understand. Is Gav seeking freedom? Or his own people? Then there is the greatest mystery of all: the true use of his powers. “This follow-up to Gifts and Voices may be the series’ best installment,” raved Booklist, while the Toronto Star praised Le Guin for “her facility in world-making and her interest in human nature” in “a good, long trek of a fantasy.” Shortlisted for a Locus Award, the third book of the Annals of the Western Shore is an epic story of survival and self-discovery that brings its hero home at last to a place where he has never been before.

The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous communication. It is the life work of Shevek, a brilliant physicist from the arid anarchist world of Anarres. But Shevek's work is being stifled by jealous colleagues, so he travels to Anarres's sister-planet Urras, hoping to find more liberty and tolerance there. But he soon finds himself being used as a pawn in a deadly political game.

Memer is a child of rape; when the Alds took the beautiful city of Ansul, they descecrated or destroyed everything of beauty. The Waylord they imprisoned and tortured for years until finally he is freed to return to his home. Though crippled, he is not destroyed. His life still has purpose. Memer is the daughter of his House, the daughter of his heart. The Alds, a people who love war, cannot and will not read: they believe that in words lie demons that will destroy the world. All the city's libraries, the great treasure trove of knowledge of ages past, are burned, except for those few volumes secreted inthe Waylord's hidden room. But times are changing. Gry Barre of Roddmant and Orrec Caspro of Caspromant have arrived in the city. Orrec is a story-teller, the most famous of all: he has the gift of making. His wife Gry's gift is that of calling; she walks with a halflion who both frightens and fascinates the Alds. This is Memer's story, and Gry's and Orrec's, and it is the story of a conquered people craving freedom.

From multi-award-winning, literary legend Ursula K. Le Guin comes a speculative fiction classic, The Beginning Place. Fleeing from the monotony of his life, Hugh Rogers finds his way to "the beginning place"—a gateway to Tembreabrezi, an idyllic, unchanging world of eternal twilight. Irena Pannis was thirteen when she first found the beginning place. Now, seven years later, she has grown to know and love the gentle inhabitants of Tembreabrezi, or Mountaintown, and she sees Hugh as a trespasser. But then a monstrous shadow threatens to destroy Mountaintown, and Hugh and Irena join forces to seek it out. Along the way, they begin to fall in love. Are they on their way to a new beginning...or a fateful end? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

ARMCHAIR TRAVEL FOR THE MIND: It was Sita Dulip who discovered, whilst stuck in an airport, unable to get anywhere, how to change planes - literally. With a kind of a twist and a slipping bend, easier to do than describe, she could go anywhere - be anywhere - because she was already between planes . . . and on the way back from her sister's wedding, she missed her plane in Chicago and found herself in Choom. The author, armed with this knowledge and Rornan's invaluable Handy Planetary Guide - although not the Encyclopedia Planeria, as that runs to forty-four volumes - has spent many happy years exploring places as diverse as Islac and the Veksian plane. CHANGING PLANES is an intriguing, enticing mixture of GULLIVER'S TRAVELS and THE HITCH HIKER'S GUIDE TO THE GALAXY; a cross between Douglas Adams and Alain de Botton: a mix of satire, cynicism and humour by one of the world's best writers.

Join Ursula K. Le Guin as she explores a broad array of subjects, ranging from Tolstoy, Twain, and Tolkien to women's shoes, beauty, and family life. With her customary wit, intelligence, and literary craftsmanship, she offers a diverse and highly engaging set of readings. The Wave in the Mind includes some of Le Guin's finest literary criticism, rare autobiographical writings, performance art pieces, and, most centrally, her reflections on the arts of writing and reading.

A darkly compelling fantasy about a world in which each person has a magical, dangerous gift.

In Victoria on a former prison colony, two exiled groups--the farmers of Shantih and the City dwellers--live in apparent harmony. All is not as it seems, however. While the peace-loving farmers labor endlessly to provide food for the City, the City Bosses rule the Shantih with an iron fist. When a group of farmers decide to from a new settlement further away, the Bosses retaliate by threatening to crush the "rebellion." Luz understands what it means to have no choices. Her father is a Boss and he has ruled over her life with the same iron fist. Luz wonders what it might be like to make her own choices. To be free to choose her own destiny. When the crisis over the new settlement reaches a flash point, Luz will have her chance.

Winner of the Locus Award • Winner of the Endeavor Award "[Le Guin] can lift fiction to the level of poetry and compress it to the density of allegory—in The Telling, she does both, gorgeously." —Jonathan Lethem Sutty, an Observer from Earth for the interstellar Ekumen, has been assigned to a new world—a world in the grips of a stern monolithic state, the Corporation. Embracing the sophisticated technology brought by other worlds and desiring to advance even faster into the future, the Akans recently outlawed the past, the old calligraphy, certain words, all ancient beliefs and ways; every citizen must now be a producer-consumer. Their state, not unlike the China of the Cultural Revolution, is one of secular terrorism. Traveling from city to small town, from loudspeakers to bleating cattle, Sutty discovers the remnants of a banned religion, a hidden culture. As she moves deeper into the countryside and the desolate mountains, she learns more about the Telling—the old faith of the Akans—and more about herself. With her intricate creation of an alien world, Ursula K. Le Guin compels us to reflect on our own recent history. Though The Telling is often considered the eighth book of the Hainish Cycle, Le Guin maintained that there is no particular cycle or order for the Ekumen novels.

Award-winning novelist Ursula K. Le Guin has turned a successful workshop into a self-guided voyage of discovery for a writer working alone, a writing group or a class.

A new English translation of the ancient Chinese text, "Tao Te Ching," begun in the 1950s by novelist and poet Ursula Le Guin, capturing the poetry of the language and written to be accessible to modern-day readers.

This collection of mainstream stories, written from the early eighties to the mid-nineties, is a stunning example of the virtuosity of the legendary Ursula K. Le Guin. Diffusing the traditional boundaries of realism, magical realism, and surrealism, Le Guin finds the detail that reveals the strange in everyday life, or the unexpected depths of an ordinary person. Written with wit, zest, and a passionate sense of human frailty and toughness, Unlocking the Air is superb fiction by a beloved storyteller at the height of her power.

Three poems in both Spanish and English.

All four brilliant stories in one volume. Age 9+ 704 pages