Best Selling Books by Vladimir

Nabokov''s third novel, The Luzhin Defense, is a chilling story of obsession and madness. As a young boy, Luzhin was unattractive, distracted, withdrawn, sullen--an enigma to his parents and an object of ridicule to his classmates. He takes up chess as a refuge from the anxiety of his everyday life. His talent is prodigious and he rises to the rank of grandmaster--but at a cost: in Luzhin'' s obsessive mind, the game of chess gradually supplants the world of reality. His own world falls apart during a crucial championship match, when the intricate defense he has devised withers under his opponent''s unexpected and unpredictabke lines of assault.

Humbert Humbert - scholar, aesthete and romantic - has fallen completely and utterly in love with Lolita Haze, his landlady''s gum-snapping, silky skinned twelve-year-old daughter. Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolitais an immaculate, unforgettable masterpiece of obsession, delusion and lust.

Glory is the wryly ironic story of Martin Edelweiss, a twenty-two-year-old Russian émigré of no account, who is in love with a girl who refuses to marry him. "The themes we associate with Nabokov — the romance of emigres, sexual frustration, the nostalgia of youth — shine again, sorrowfully or blithely, but always adding an illuminating dimension to what went before or what comes after." -Kirkus Reviews Convinced that his life is about to be wasted and hoping to impress his love, Martin embarks on a "perilous, daredevil project"--an illegal attempt to re-enter the Soviet Union, from which he and his mother had fled in 1919. He succeeds--but at a terrible cost.

Basing his work on research in police, procuracy, KGB and party archives, Vladimir A. Kozlov traces the historical context and sequences of events leading up to mass protest in Russia. He explores the demographic and psychological dynamics of the situation and the reactions of the authorities.

One of the best-loved of Nabokov’s novels, Pnin features his funniest and most heart-rending character. Serialized in The New Yorker and published in book form in 1957, Pnin brought Nabokov both his first National Book Award nomination and hitherto unprecedented popularity. “Fun and satire are just the beginning of the rewards of this novel. Generous, bewildered Pnin, that most kindly and impractical of men, wins our affection and respect.” —Chicago Tribune Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunder-standings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator. Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct.

Considered by many to be the greatest Russian novel of the twentieth century. • An interweaving of the effects of life and memory, tradition and heritage, upon art, the book tells of Fyodor Godunov-Cherdyntsev, an impoverished poet seeking fame in the phantasmic world of Berlin in the 1920s. "A fascinating lesson in the truly staggering number of possible ways of writing and seeing." -Kirkus Reviews The Gift is the story of Fyodor Godunov-Cherdynstev, a writer living in the closed world of Russian intellectuals in Berlin shortly after the First World War. This gorgeous tapestry of literature follows the pursuits of an impoverished émigré poet living in Berlin, who dreams of the book he will someday write. The Gift is the last of the novels Nabokov wrote in his native Russian and the crowning achievement of the initial period of his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others.

No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight at the enchantment of life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra chronicle a half-century-long love story, one that is playful, romantic, and memorable. At the same time, the letters reveal much about their author. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, landscapes and cityscapes—and glimpse his ceaseless work on his poems, plays, stories, novels, memoirs, screenplays, and translations. This delightful volume is enhanced by twenty-one photographs, as well as facsimiles of the letters and the puzzles and drawings Vladimir often sent to Véra. With 8 pages of photographs and 47 illustrations in text

From the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, and so many others, comes a magnificent collection of stories. Written between the 1920s and 1950s, these sixty-five tales--eleven of which have been translated into English for the first time--display all the shades of Nabokov''s imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur''s samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers and intoxicating draft of the master''s genius, his devious wit, and his ability to turn language into an instrument of ecstasy.

A dying man cautiously unravels the mysteries of memory and creation. Vadim is a Russian émigré who, like Nabokov, is a novelist, poet and critic. There are threads linking the fictional hero with his creator as he reconstructs the images of his past from young love to his serious illness. • "Good farce throbbing with his well-known obsessions." -V.S. Pritchett, The New York Review ''Look at the harlequins ... Play! Invent the world! Invent reality''. This is the childhood advice given by an aunt to Russian born writer Vadim Vadimovich, who emigrates to England, then Paris, then Germany and then the US. Now dying, he reconstructs his past. He remembers Iris his first wife, Annette his long-necked typist, and Bel his daughter, as well as his own bizarre illness, ''numerical nimbus syndrome''.

An electric novel of the extraordinary life of one of the twentieth century''s most prodigious and colorful inventors Nikola Tesla was a man forever misunderstood. From his boyhood in what is present-day Croatia, where his father, a Serbian Orthodox priest, dismissed his talents, to his tumultuous years in New York City, where his heated rivalry with Thomas Edison yielded triumphs and failures, Tesla was both demonized and lionized. Tesla captures the whirlwind years of the dawn of the electrical age, when his flair for showmanship kept him in the public eye. For every successful invention—the alternating current electrical system and wireless communication among them—there were hundreds of others. But what of the man behind the image? Vladimir Pistalo reveals the inner life of a man haunted by the loss of his older brother, a man who struggled with flashes of madness and brilliance whose mistrust of institutional support led him to financial ruin. Tesla: A Portrait with Masks is an impassioned account of a visionary whose influence is still felt today.

The first of a series of textbooks for one-semester courses for students of human movement science, exercise and sport science, biomechanics, and related subjects. Assumes a knowledge of calculus and matrix algebra. Describes how to study human body position and displacement without regard to time, velocity, or acceleration, then adds those factors back in to examine differential kinematics. Includes review questions and a glossary without pronunciation. Annotation copyrighted by Book News, Inc., Portland, OR

In his classic exposition of theology of the Church, Lossky states that the Eastern tradition has never made a sharp distinction between mysticism and theology, between personal experience of the divine mysteries and the dogma of the Church.

Several of Lenin''s basic theoretical essays on the national question are brought together in this volume. They analyze the national question in Russia, Norway, Poland, and Ireland as it relates to national oppression, colonialism, social chauvinism, and opportunism.

In "The State and Revolution," Vladimir Ilyich Lenin intricately examines the relationship between the state and the proletariat, arguing that the state is an instrument of class oppression. Written amidst the tumult of the early 20th century, Lenin employs a dialectical materialist approach reminiscent of Marx''s theories, critiquing liberal notions of the state and advocating for its dismantlement by the working class. His succinct yet profound style captures the urgency of revolutionary thought, situating the text within the broader context of Marxism''s evolution and its application to the socio-political landscape of Russia. Lenin''s work serves as both a theoretical treatise and a practical guide for revolutionaries seeking to grasp the necessity of state power as a temporary means to achieve the dictatorship of the proletariat. Lenin, a pivotal figure in the socialist movement, was profoundly influenced by the socio-political upheavals of his time. His personal experiences and the failures of previous revolutions galvanized him to elucidate the mechanisms that sustain capitalist states. By incorporating historical examples and philosophical discourse, Lenin not only aimed to inspire action but also to provide a framework for understanding the transformative potential of the working class. For readers interested in revolutionary theory, political science, or the history of socialism, "The State and Revolution" is an indispensable text. It challenges readers to consider the nature of state power and its implications for societal change, making it essential for anyone seeking to understand the dynamics of class struggle and the path toward emancipation.

"The beginning of this tale of bygone days in Odessa dates to the dawn of the twentieth century. At that time we used to refer to the first years of this period as the ''springtime,'' meaning a social and political awakening. For my generation, these years also coincided with our own personal springtime, in the sense that we were all in our youthful twenties. And both of these springtimes, as well as the image of our carefree Black Sea capital with acacias growing along its steep banks, are interwoven in my memory with the story of one family in which there were five children: Marusya, Marko, Lika, Serezha, and Torik."—from The Five The Five is an captivating novel of the decadent fin-de-siècle written by Vladimir Jabotinsky (1880–1940), a controversial leader in the Zionist movement whose literary talents, until now, have largely gone unrecognized by Western readers. The author deftly paints a picture of Russia''s decay and decline—a world permeated with sexuality, mystery, and intrigue. Michael R. Katz has crafted the first English-language translation of this important novel, which was written in Russian in 1935 and published a year later in Paris under the title Pyatero. The book is Jabotinsky''s elegaic paean to the Odessa of his youth, a place that no longer exists. It tells the story of an upper-middle-class Jewish family, the Milgroms, at the turn of the century. It follows five siblings as they change, mature, and come to accept their places in a rapidly evolving world. With flashes of humor, Jabotinsky captures the ferment of the time as reflected in political, social, artistic, and spiritual developments. He depicts with nostalgia the excitement of life in old Odessa and comments poignantly on the failure of the dream of Jewish assimilation within the Russian empire.

Nabokov''s parody, half poem and half commentary on the poem, deals with the escapades of the deposed king of Zemala in a New England college town