New Releases by Vladimir Nabokov

No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight at the enchantment of life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra chronicle a half-century-long love story, one that is playful, romantic, and memorable. At the same time, the letters reveal much about their author. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, landscapes and cityscapes—and glimpse his ceaseless work on his poems, plays, stories, novels, memoirs, screenplays, and translations. This delightful volume is enhanced by twenty-one photographs, as well as facsimiles of the letters and the puzzles and drawings Vladimir often sent to Véra. With 8 pages of photographs and 47 illustrations in text

The acclaimed author of Lolita offers unique insight into works by James Joyce, Franz Kafka, Jane Austen, and others—with an introduction by John Updike. In the 1940s, when Vladimir Nabokov first embarked on his academic career in the United States, he brought with him hundreds of original lectures on the authors he most admired. For two decades those lectures served as the basis for Nabokov's teaching, first at Wellesley and then at Cornell, as he introduced undergraduates to the delights of great fiction. This volume collects Nabokov's famous lectures on Western European literature, with analysis and commentary on Charles Dickens's Bleak House, Gustav Flaubert's Madam Bovary, Marcel Proust's The Walk by Swann's Place, Robert Louis Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde," and other works. This volume also includes photographic reproductions of Nabokov's original notes, revealing his own edits, underlined passages, and more. Edited and with a Foreword by Fredson Bowers Introduction by John Updike

In some of these stories shadowy people pass through, cooped up by life, mangled by it, with nowhere to escape to. Their dreams lie stifled, smothered by routine and repetition, and frustrations lurk in all the corners. In others, elusive glimpses of fleeting happiness, which flutter away before they can be snatched, waylay their victims. Like the shimmer of the sea, the gleam of a glass caught by the sun, they sparkle brilliantly only to dissolve again. Two of the stories, 'First Love' and 'Mademoiselle O', are autobiographical, and 'The Assistant Producer' is based on real events, but the rest are pure flights of fantasy - or the stuff that life is weaved of?

Nikolai Gogol was the most idiosyncratic of the great Russian novelists of the 19th century and lived a tragically short life which was as chaotic as the lives of the characters he created. This biography begins with Gogol's death and ends with his birth, an inverted structure typical of both Gogol and Nabokov. The biographer proceeds to establish the relationship between Gogol and his novels, especially with regard to "nose-consciousness", a peculiar feature of Russian life and letters, which finds its apotheosis in Gogol's own life and prose. There are more expressions and proverbs concerning the nose in Russian than in any other language in the world. Nabokov's style in this biography is comic, but as always leads to serious issues—in this case, an appreciation of the distinctive "sense of the physical" inherent in Gogol's work. Nabokov describes how Gogol's life and literature mingled, and explains the structure and style of Gogol's prose in terms of the novelist's life.

After multiple postings in various armies, Nikolay Galatov, an itinerant soldier, is living in Berlin. Every now and then he remembers Olga Kind, a woman he left behind in St. Petersburg seven years ago. He decides to go and find her. Filled with teasing plot lines, misrepresentations and narrative traps, The Doorbell is an exploration of character, interaction and awkward suspense. Once again examining the themes of loss, separation and exile, Vladimir Nabokov weaves a tale of unexpected turnings and non-happenings, playing with the conventions of traditional, predictable fiction.

Nabokov's wise, ironic, and elegant masterpiece. • A controversial love story almost shocking in its beauty and tenderness. • This annotated edition assiduously illuminates the extravagant wordplay and the frequent literary allusions, parodies, and cross-references. • Edited with a preface, introduction, and notes by Alfred Appel, Jr. "Fascinatingly detailed." -Edmund Morris, The New York Times Book Review When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. Awe and exhilaration–along with heartbreak and mordant wit–abound in this account of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love–love as outrage and hallucination, madness and transformation.

Considered by many to be the greatest Russian novel of the twentieth century. • An interweaving of the effects of life and memory, tradition and heritage, upon art, the book tells of Fyodor Godunov-Cherdyntsev, an impoverished poet seeking fame in the phantasmic world of Berlin in the 1920s. "A fascinating lesson in the truly staggering number of possible ways of writing and seeing." -Kirkus Reviews The Gift is the story of Fyodor Godunov-Cherdynstev, a writer living in the closed world of Russian intellectuals in Berlin shortly after the First World War. This gorgeous tapestry of literature follows the pursuits of an impoverished émigré poet living in Berlin, who dreams of the book he will someday write. The Gift is the last of the novels Nabokov wrote in his native Russian and the crowning achievement of the initial period of his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others.

A farcical detective story and a profoundly refractive tale about a Russian émigré living in prewar Berlin who commits suicide after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife. • A wonderfully layered exploration of the vicissitudes of identity, appearance, and the loss of self. Smurov, a lovelorn and excruciatingly self-conscious Russian tutor, shoots himself after a beating by his mistress' husband. Unsure whether his suicide has been successful or not, Smurov drifts around Berlin, observing his acquaintances, but finds he can discover very little about his own life from the opinions of his distracted, confused fellow-émigrés.

The screenplay for Kubrik's 1962 film tells the story of an older man's obsession with a young girl.

From one of the 20th century's great writers comes one of the finest autobiographies of our time. • "Scintillating … One finds here amazing glimpses into the life of a world that has vanished forever." —The New York Times Speak, Memory was first published by Vladimir Nabokov in 1951 as Conclusive Evidence and then assiduously revised and republished in 1966. Nabokov's memoir is a moving account of a loving, civilized family, of adolescent awakenings, flight from Bolshevik terror, education in England, and émigré life in Paris and Berlin. The Nabokovs were eccentric, liberal aristocrats, who lived a life immersed in politics and literature on splendid country estates until their world was swept away by the Russian revolution when the author was eighteen years old. Speak, Memory vividly evokes a vanished past in the inimitable prose of Nabokov at his best.

Novelist, poet, critic, translator, and, above all, a peerless imaginer, Vladimir Nabokov was arguably the most dazzling prose stylist of the twentieth century. In novels like Lolita, Pale Fire, and Ada, or Ardor, he turned language into an instrument of ecstasy. Vintage Nabokov includes sections 1-10 of his most famous and controversial novel, Lolita; the stories “The Return of Chorb,” “The Aurelian,” “A Forgotten Poet,” “Time and Ebb,” “Signs and Symbols,” “The Vane Sisters,” and “Lance”; and chapter 12 from his memoir Speak, Memory. Vintage Readers are a perfect introduction to some of the greatest modern writers. "It was Nabokov’s gift to bring paradise wherever he alighted.” —John Updike, The New York Review of Books

"Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster." Thus begins Vladimir Nabokov's Laughter in the Dark; this, the author tells us, is the whole story except that he starts from here, with his characteristic dazzling skill and irony, and brilliantly turns a fable into a chilling, original novel of folly and destruction. Amidst a Weimar-era milieu of silent film stars, artists, and aspirants, Nabokov creates a merciless masterpiece as Albinus, an aging critic, falls prey to his own desires, to his teenage mistress, and to Axel Rex, the scheming rival for her affections who finds his greatest joy in the downfall of others. Published first in Russian as Kamera Obskura in 1932, this book appeared in Nabokov's own English translation six years later. This New Directions edition, based on the text as Nabokov revised it in 1960, features a new introduction by Booker Prize-winner John Banville."

Glory is the wryly ironic story of Martin Edelweiss, a twenty-two-year-old Russian émigré of no account, who is in love with a girl who refuses to marry him. "The themes we associate with Nabokov — the romance of emigres, sexual frustration, the nostalgia of youth — shine again, sorrowfully or blithely, but always adding an illuminating dimension to what went before or what comes after." -Kirkus Reviews Convinced that his life is about to be wasted and hoping to impress his love, Martin embarks on a "perilous, daredevil project"--an illegal attempt to re-enter the Soviet Union, from which he and his mother had fled in 1919. He succeeds--but at a terrible cost.

The precursor to Nabokov's classic novel, Lolita. • A middle-aged man weds an unattractive widow in order to indulge his obsession with her daughter. • "A gem to be appreciated by any admirer of the most graceful and provocative literary craftsman." —Chicago Tribune The unnamed protagonist of the story is, outwardly, a respectable and comfortable man; inside, he churns at the pubescent femininity of certain girls. Rare girls – one in a thousand – whose coltish grace and subconscious flirtatiousness betray, to his obsessed mind, a very special bud on the moist verge of its bloom. Sitting on a park bench one day, he is tantalized by the fleeting form of just such a girl roller-skating on a gravel path. His desire to be near this beauty burns in him and drives him to begin a courtship of the child’s pitiful mother – a course that can end only in the disintegration of his life. Over the years, the idea of The Enchanter grew; it changed; it developed “claws and wings.” By 1953 it was ready to furnish the basic theme of Lolita. "The Enchanter is entertaining independent of its Lolita connection. It is arch, delicious and beautifully written." —Publishers Weekly

A dying man cautiously unravels the mysteries of memory and creation. Vadim is a Russian émigré who, like Nabokov, is a novelist, poet and critic. There are threads linking the fictional hero with his creator as he reconstructs the images of his past from young love to his serious illness. • "Good farce throbbing with his well-known obsessions." -V.S. Pritchett, The New York Review 'Look at the harlequins ... Play! Invent the world! Invent reality'. This is the childhood advice given by an aunt to Russian born writer Vadim Vadimovich, who emigrates to England, then Paris, then Germany and then the US. Now dying, he reconstructs his past. He remembers Iris his first wife, Annette his long-necked typist, and Bel his daughter, as well as his own bizarre illness, 'numerical nimbus syndrome'.

Strong Opinions offers Nabokov's trenchant, witty, and always engaging views on everything from the Russian Revolution to the correct pronunciation of Lolita. • "First published in 1973, this collection of interviews and essays offers an intriguing insight into one of the most brilliant authors of the 20th century." - The Guardian Nabokov ranges over his life, art, education, politics, literature, movies, among other subjects. Keen to dismiss those who fail to understand his work and happy to butcher those sacred cows of the literary canon he dislikes, Nabokov is much too entertaining to be infuriating, and these interviews, letters and articles are as engaging, challenging and caustic as anything he ever wrote.

Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest. It is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

Nabokov's first novel in English, one of his greatest and most overlooked