Best Selling Books by Vladimir Nabokov

Self-satisfied, delighting in the many fascinating quirks of his own personality, Hermann Hermann is perhaps not to be taken too seriously. But then a chance meeting with a man he believes to be his double reveals a frightening ''split'' in Hermann''s nature. With shattering immediacy, Nabokov takes us into a deranged world, one full of an impudent, startling humour, dominated by the egotistical and scornful figure of a murderer who thinks himself an artist.

A rich compilation of the previously uncollected Russian and English prose and interviews of one of the twentieth century''s greatest writers, edited by Nabokov experts Brian Boyd and Anastasia Tolstoy. “I think like a genius, I write like a distinguished author, and I speak like a child": so Vladimir Nabokov famously wrote in the introduction to his volume of selected prose, Strong Opinions. Think, Write, Speak follows up where that volume left off, with a rich compilation of his uncollected prose and interviews, from a 1921 essay about Cambridge to two final interviews in 1977. The chronological order allows us to watch the Cambridge student and the fledgling Berlin reviewer and poet turn into the acclaimed Paris émigré novelist whose stature brought him to teach in America, where his international success exploded with Lolita and propelled him back to Europe. Whether his subject is Proust or Pushkin, the sport of boxing or the privileges of democracy, Nabokov’s supreme individuality, his keen wit, and his alertness to the details of life illuminate the page.

Like Kafka''s The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude," an imaginary crime that defies definition. Cincinnatus spends his last days in an absurd jail, where he is visited by chimerical jailers, an executioner who masquerades as a fellow prisoner, and by his in-laws, who lug their furniture with them into his cell. When Cincinnatus is led out to be executed, he simply wills his executioners out of existence: they disappear, along with the whole world they inhabit.

From one of the 20th century''s great writers comes one of the finest autobiographies of our time. Speak, Memory was first published by Vladimir Nabokov in 1951 as Conclusive Evidence and then assiduously revised and republished in 1966. The Everyman''s Library edition includes, for the first time, the previously unpublished "Chapter 16"–the most significant unpublished piece of writing by the master, newly released by the Nabokov estate–which provided an extraordinary insight into Speak, Memory. Nabokov''s memoir is a moving account of a loving, civilized family, of adolescent awakenings, flight from Bolshevik terror, education in England, and émigré life in Paris and Berlin. The Nabokovs were eccentric, liberal aristocrats, who lived a life immersed in politics and literature on splendid country estates until their world was swept away by the Russian revolution when the author was eighteen years old. Speak, Memory vividly evokes a vanished past in the inimitable prose of Nabokov at his best.

Nabokov''s dream diary, published for the first time—and placed in biographical and literary context On October 14, 1964, Vladimir Nabokov, a lifelong insomniac, began a curious experiment. Over the next eighty days, immediately upon waking, he wrote down his dreams, following the instructions he found in An Experiment with Time by the British philosopher John Dunne. The purpose was to test the theory that time may go in reverse, so that, paradoxically, a later event may generate an earlier dream. The result—published here for the first time—is a fascinating diary in which Nabokov recorded sixty-four dreams (and subsequent daytime episodes) on 118 index cards, which afford a rare glimpse of the artist at his most private. More than an odd biographical footnote, the experiment grew out of Nabokov’s passionate interest in the mystery of time, which influenced many of his novels, including the late masterpiece Ada. Insomniac Dreams, edited by leading Nabokov authority Gennady Barabtarlo, presents the text of Nabokov’s dream experiment, illustrated with a selection of his original index cards, and provides rich annotations and analysis that put them in the context of his life and writings. The book also includes previously unpublished records of Nabokov’s dreams from his letters and notebooks and shows important connections between his fiction and private writings on dreams and time.

Lolita - Pnin - Pale Fire - Lolita: A Screen Play.

Vladimir Nabokov’s earliest major work, written when he was twenty-four, is a full-length play in verse of Shakespearean beauty and richness. The story of an incognito king whose love for the wife of a banished revolutionary brings on the chaos the king has fought to prevent, this five-act play was never published in Nabokov’s lifetime and lay in manuscript until it appeared in a Russian literary journal in 1997. It is an astonishingly precocious work, in exquisite verse, touching for the first time on what would become this great writer’s major themes: intense sexual desire and jealousy, the elusiveness of happiness, the power of the imagination, and the eternal battle between truth and fantasy. The Tragedy of Mister Morn is Nabokov’s major response to the Russian Revolution, which he had lived through, but it approaches the events of 1917 through the prism of Shakespearean tragedy. Translated by Anastasia Tolstoy and Thomas Karshan

Escrita originalmente en ruso en Berln̕, publicada en Pars̕ en 1932 y traducida al inglš en 1971 por su hijo Dmitri bajo supervisin̤ y con posterior revisin̤ del propio Nabokov, Gloria es una de las nueve novelas que escribi ̤en su lengua materna en el exilio europeo entre 1925 y 1937. Su tt̕ulo original, Podvig, podra̕ traducirse como "valerosa proeza" o "gran hazaą", algo que su joven protagonista est ̀empeądo en llevar a cabo.

Two appendixes from Nabokov''s famous edition of Eugene Onegin: his study of versification in English and Russian poetry, and his "term paper" on Pushkin’s Ethiopian ancestor. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Here, for the first time, are 65 stories--13 of which have never before been published in book form--by one of the 20th century''s great prose stylists collected in one elegant volume. Written from the early 1920s to the mid-1950s, these stories will remind readers that they are in the company of a great original, a literary master. Edited by his son and translator.

Satirische notities over het leven in een klein Amerikaanse universiteitsgemeenschap, waar de onpraktische, groteske, maar toch eigenlijk zo deerniswekkende professor Pnin, Russisch emigrant, niets van begrijpt.