New Releases by William Faulkner

The Sound and the Fury is a novel by the American author William Faulkner, published in 1929. Faulkner's fourth novel, it is the second to be set in Yoknapatawpha County and the first featuring the Compson family, both of which would reappear in his later fiction. The novel's highly experimental style, including its use of stream of consciousness and multiple different unreliable narrators, are hallmarks of modernist literature. Its bleak and candid portrait of Southern life in the early 20th century is paradigmatic of the Southern Gothic genre. The Sound and the Fury centers around Quentin, Benjy, Jason, and Caddy Compson as their wealthy Mississippi family descends into chaos and disorder. Each of the siblings have unique problems that impact the others, such as Benjy's mental disability, Caddy's promiscuity, Quentin's anger, and Jason's impulsiveness. The history of the Compson family is primarily revealed through sudden, unannounced flashbacks, as most of the novel takes place on a single weekend in 1928.

As I Lay Dying traces the Bundren family's journey to fulfill the wish of their dying matriarch, Addie. A defining work of twentieth-century fiction. Includes an essay by Robert Merrill and a detailed biographical timeline.

The Sound and the Fury is a novel by author William Faulkner. It employs several narrative styles, including stream of consciousness.

The tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character's voices and actions mesh to create what is arguably Faulkner's masterpiece and one of the greatest novels of the twentieth century.We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

“A man is the sum of his misfortunes.” —William Faulkner, The Sound and the Fury William Faulkner’s provocative and enigmatic 1929 novel, The Sound and the Fury, is widely acknowledged as one of the most important English-language novels of the twentieth century. This revised and expanded Norton Critical Edition builds on the strengths of its predecessors while focusing new attention on both the novel’s contemporary reception and its rich cultural and historical contexts. The text for the Third Edition is again that of the corrected text scrupulously prepared by Noel Polk, whose textual note precedes the novel. David Minter’s annotations, designed to assist readers with obscure words and allusions, have been retained. “Contemporary Reception,” new to the Third Edition, considers the broad range of reactions to Faulkner’s extraordinary novel on publication. Michael Gorra’s headnote sets the stage for assessments by Evelyn Scott, Henry Nash Smith, Clifton P. Fadiman, Dudley Fitts, Richard Hughes, and Edward Crickmay. New materials by Faulkner (“The Writer and His Work”) include letters to Malcolm Cowley about The Portable Faulkner and Faulkner’s Nobel Prize for Literature address. “Cultural and Historical Contexts” begins with Michael Gorra’s insightful headnote, which is followed by seven seminal considerations—five of them new to the Third Edition—of southern history, literature, and memory. Together, these works—by C. Vann Woodward, Richard H. King, Richard Gray, William Alexander Percy, Lillian Smith, William James, and Henri Bergson—provide readers with important contexts for understanding the novel. “Criticism” represents eighty-five years of scholarly engagement with The Sound and the Fury. New to the Third Edition are essays by Eric Sundquist, Noel Polk, Doreen Fowler, Richard Godden, Stacy Burton, and Maria Truchan-Tataryn. A Chronology of Faulkner’s life and work is newly included along with an updated Selected Bibliography.

“I’m a failed poet. Maybe every novelist wants to write poetry first, finds he can’t and then tries the short story which is the most demanding form after poetry. And failing that, only then does he take up novel writing.” —William Faulkner Winner of the National Book Award Forty-two stories make up this magisterial collection by the writer who stands at the pinnacle of modern American fiction. Compressing an epic expanse of vision into hard and wounding narratives, Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of the human condition. These tales are set not only in Yoknapatawpha County, but in Beverly Hills and in France during World War I. They are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson, as well as by ordinary men and women who emerge so sharply and indelibly in these pages that they dwarf the protagonists of most novels.

The sequel to Faulkner’s most sensational novel Sanctuary, was written twenty years later but takes up the story of Temple Drake eight years after the events related in Sanctuary. Temple is now married to Gowan Stevens. The book begins when the death sentence is pronounced on the nurse Nancy for the murder of Temple and Gowan’s child. In an attempt to save her, Temple goes to see the judge to confess her own guilt. Told partly in prose, partly in play form, Requiem for a Nun is a haunting exploration of the impact of the past on the present.

This invaluable volume, which has been republished to commemorate the one-hundredth anniversary of Faulkner's birth, contains some of the greatest short fiction by a writer who defined the course of American literature. Its forty-five stories fall into three categories: those not included in Faulkner's earlier collections; previously unpublished short fiction; and stories that were later expanded into such novels as The Unvanquished, The Hamlet, and Go Down, Moses. With its Introduction and extensive notes by the biographer Joseph Blotner, Uncollected Stories of William Faulkner is an essential addition to its author's canon--as well as a book of some of the most haunting, harrowing, and atmospheric short fiction written in the twentieth century.

This is the second volume of Faulkner’s trilogy about the Snopes family, his symbol for the grasping, destructive element in the post-bellum South. Like its predecessor The Hamlet, and its successor The Mansion, The Town is completely self-contained, but it gains resonance from being read with the other two. The story of Flem Snopes’ ruthless struggle to take over the town of Jefferson, Mississippi, the book is rich in typically Faulknerian episodes of humor and of profundity.

An essential collection of William Faulkner’s mature nonfiction work, updated, with an abundance of new material. This unique volume includes Faulkner’s Nobel Prize acceptance speech, a review of Hemingway’s The Old Man and the Sea (in which he suggests that Hemingway has found God), and newly collected gems, such as the acerbic essay “On Criticism” and the beguiling “Note on A Fable.” It also contains eloquently opinionated public letters on everything from race relations and the nature of fiction to wild-squirrel hunting on his property. This is the most comprehensive collection of Faulkner’s brilliant non-fiction work, and a rare look into the life of an American master.

Selected by the Modern Library as one of the 100 best novels of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are Snopes, The Sound and the Fury, Light in August, Absalom, Absalom!, and Selected Short Stories One of William Faulkner’s finest novels, As I Lay Dying, originally published in 1930, remains a captivating and stylistically innovative work. The story revolves around a grim yet darkly humorous pilgrimage, as Addie Bundren’s family sets out to fulfill her last wish: to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life. Told through multiple voices, As I Lay Dying vividly brings to life Faulkner’s imaginary South, one of literature’s great invented landscapes, and is replete with the poignant, impoverished, violent, and hypnotically fascinating characters that were his trademark. Along with a new Foreword by E. L. Doctorow, this edition reproduces the corrected text of As I Lay Dying as established in 1985 by Faulkner expert Noel Polk.

This grand misadventure is the story of three unlikely thieves, or reivers: 11-year-old Lucius Priest and two of his family's retainers. In 1905, these three set out from Mississippi for Memphis in a stolen motorcar. The astonishing and complicated results reveal Faulkner as a master of the picaresque. Copyright © Libri GmbH. All rights reserved.

NOBEL PRIZE WINNER • Family drama and the legacy of slavery haunt this epic tale of an enigmatic stranger in Jefferson, Mississippi—from one of the most acclaimed writers of the twentieth century. One of The Atlantic’s Great American Novels of the Past 100 Years “Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner Absalom, Absalom! is Faulkner’s epic tale of Thomas Sutpen, a man who comes to the South in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, “who wanted sons and the sons destroyed him.”

“I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.” —William Faulkner, on receiving the Nobel Prize Go Down, Moses is composed of seven interrelated stories, all of them set in Faulkner’s mythic Yoknapatawpha County. From a variety of perspectives, Faulkner examines the complex, changing relationships between blacks and whites, between man and nature, weaving a cohesive novel rich in implication and insight.

Analytische annotatie: Liefdesgedichten

Intruder in the Dust is a novel about an African American farmer accused of murdering a Caucasian man. Nobel Prize-winning American author William Faulkner published it in 1948. The novel focuses on Lucas Beauchamp, a black farmer accused of murdering a white man. He is exonerated through the efforts of black and white teenagers and a spinster from a long-established Southern family. It was written as Faulkner's response as a Southern writer to the racial problems facing the South.[citation needed] Intruder in the Dust is notable for its use of stream of consciousness style of narration. The novel also includes lengthy passages on the Southern memory of the Civil War, one of which Shelby Foote quoted in Ken Burns' documentary The Civil War. The characters of Lucas Beauchamp and his wife, Molly, first appeared in Faulkner's collection of short fiction, Go Down, Moses. A story by Faulkner, "Lucas Beauchamp," was published in 1999. Intruder in the Dust was turned into a film of the same name directed by Clarence Brown in 1949 after MGM paid film rights of $50,000 to Faulkner. The film was shot in Faulkner's home town of Oxford, Mississippi.