New Releases by William Gibson

In this firsthand account, journalist William Gibson provides a detailed description of life in Paris during the Commune of 1871. Gibson''s vivid and engaging prose makes this essential reading for anyone interested in the history of Paris and France during this tumultuous period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

El futuro ya está aquí, y no es un juego. Flynne Fisher vive en una zona rural de una América futura, donde los empleos son escasos, a menos que te dediques a la fabricación ilegal de drogas, algo que ella evita a toda costa. Su hermano Burton vive, o lo intenta, de la subvención que la Administración de Veteranos le otorga por daños neurológicos sufridos en la unidad de Rehabilitación Táctica del cuerpo de élite de los Marines. Flynne intenta sobrevivir con lo que gana trabajando en una cadena de montaje de productos en impresión 3D. Aunque gana más dinero como jugadora de un juego online, donde juega en nombre de un hombre rico. Wilf Netherton vive en Londres, setenta y pico años después, en medio de una lenta apocalipsis. Pero las cosas parecen bastante estables por ahora. Wilf es un reputado publicista, con cierto toque romántico, nostálgico e inadaptado que contrasta con la sociedad en la que vive, en la que los viajes al pasado son simplemente un pasatiempo. Burton ha estado trabajando secretamente en un proyecto online para garantizar la seguridad en un juego ambientado en un mundo virtual que se parece vagamente a Londres, pero con un aire aún más extraño. Flynne y Wilf están a punto de conocerse. ENGLISH DESCRIPTION The New York Times bestselling author of Neuromancer and Agency presents a fast-paced sci-fi thriller that takes a terrifying look into the future. Flynne Fisher lives down a country road, in a rural America where jobs are scarce, unless you count illegal drug manufacture, which she''s trying to avoid. Her brother Burton lives on money from the Veterans Administration, for neurological damage suffered in the Marines'' elite Haptic Recon unit. Flynne earns what she can by assembling product at the local 3D printshop. She made more as a combat scout in an online game, playing for a rich man, but she''s had to let the shooter games go. Wilf Netherton lives in London, seventy-some years later, on the far side of decades of slow-motion apocalypse. Things are pretty good now, for the haves, and there aren''t many have-nots left. Wilf, a high-powered publicist and celebrity-minder, fancies himself a romantic misfit, in a society where reaching into the past is just another hobby. Burton''s been moonlighting online, secretly working security in some game prototype, a virtual world that looks vaguely like London, but a lot weirder. He''s got Flynne taking over shifts, promised her the game''s not a shooter. Still, the crime she witnesses there is plenty bad. Flynne and Wilf are about to meet one another. Her world will be altered utterly, irrevocably, and Wilf''s, for all its decadence and power, will learn that some of these third-world types from the past can be badass.

The first-draft Alien screenplay by William Gibson, the founder of cyberpunk, turned into a novel by Pat Cadigan, the Hugo Award-Winning “Queen of Cyberpunk.” William Gibson’s never-before-adapted screenplay for the direct sequel to Aliens, revealing the fates of Ripley, Newt, the synthetic Bishop, and Corporal Hicks. When the Colonial Marines vessel Sulaco docks with space station and military installation Anchorpoint, a new form of Xenomorph appears. Written by Hugo Award-winning novelist and “Queen of Cyberpunk” Pat Cadigan, based on Gibson’s never-produced first draft. The Sulaco—on its return journey from LV-426—enters a sector controlled by the “Union of Progressive Peoples,” a nation-state engaged in an ongoing cold war and arms race. U.P.P. personnel board the Sulaco and find hypersleep tubes with Ripley, Newt, and an injured Hicks. A Facehugger attacks the lead commando, and the others narrowly escape, taking what remains of Bishop with them. The Sulaco continues to Anchorpoint, a space station and military installation the size of a small moon, where it falls under control of the military’s Weapons Division. Boarding the Sulaco, a team of Colonial Marines and scientists is assaulted by a pair of Xenomorph drones. In the fight Ripley''s cryotube is badly damaged. It’s taken aboard Anchorpoint, where Ripley is kept comatose. Newt and an injured Corporal Hicks are awakened, and Newt is sent to Gateway Station on the way to Earth. The U.P.P. sends Bishop to Anchorpoint, where Hicks begins to hear rumors of experimentation—the cloning and genetic modification of Xenomorphs. The kind of experimentation that could yield a monstrous hybrid, and perhaps even a Queen. ALIEN 3 TM & © Twentieth Century Films. All rights reserved.

COUNT ZERO INTERRUPT – Megszakítás esetén A számláló visszaállítása nullára. Turner zsoldosként szolgál nagyvállalatokat. Legújabb küldetése egy vezető fejlesztő kimenekítéséről szól, aki a konkurenciához állna át, ráadásul a birtokában van egy biochip, ami alapjaiban változtatná meg a világot. A művelet azonban minden álcázás ellenére sokak érdeklődését felkelti, ráadásul néhányuk már emberi léptékkel felfoghatatlannak tűnik. Eközben Bobby Newmark, a magát a cybertérben Count Zerónak nevező, kisstílű adattolvaj nincs felkészülve arra, hogy a mátrixra milyen hatással lesz a tervezett kimenekítés. Vérdíjjal a fején, vudu istenekkel a nyomában csak életben szeretne maradni. Aztán találkozik az angyalokkal, és minden a feje tetejére áll. William Gibson folytatása a Neuromancerhez látványos és egyben profetikus világábrázolásával, különleges stílusával és nagyszerű szereplőivel méltó módon gondolja tovább a kultikus előd témáit, feltevéseit. A Count Zero egyben kiindulópontja is annak, hogy a természetfeletti miért és hogyan keveredhet a cyberpunkkal. Az olvasó új fordításban tartja a kezében a könyvet.

AN INSTANT NEW YORK TIMES BESTSELLER “ONE OF THE MOST VISIONARY, ORIGINAL, AND QUIETLY INFLUENTIAL WRITERS CURRENTLY WORKING”* returns with a sharply imagined follow-up to the New York Times bestselling The Peripheral. William Gibson has trained his eye on the future for decades, ever since coining the term “cyberspace” and then popularizing it in his classic speculative novel Neuromancer in the early 1980s. Cory Doctorow raved that The Peripheral is “spectacular, a piece of trenchant, far-future speculation that features all the eyeball kicks of Neuromancer.” Now Gibson is back with Agency—a science fiction thriller heavily influenced by our most current events. Verity Jane, gifted app whisperer, takes a job as the beta tester for a new product: a digital assistant, accessed through a pair of ordinary-looking glasses. “Eunice,” the disarmingly human AI in the glasses, manifests a face, a fragmentary past, and a canny grasp of combat strategy. Realizing that her cryptic new employers don’t yet know how powerful and valuable Eunice is, Verity instinctively decides that it’s best they don’t. Meanwhile, a century ahead in London, in a different time line entirely, Wilf Netherton works amid plutocrats and plunderers, survivors of the slow and steady apocalypse known as the jackpot. His boss, the enigmatic Ainsley Lowbeer, can look into alternate pasts and nudge their ultimate directions. Verity and Eunice are her current project. Wilf can see what Verity and Eunice can’t: their own version of the jackpot, just around the corner, and the roles they both may play in it. *The Boston Globe

"Collects issues #1-#5 of the Dark Horse Comics series William Gibson''s Alien 3"--Title page verso.

Le futur de l’humanité se joue dans son passé 2016. Suite aux mauvaises décisions de ses dirigeants, la planète entière est devenue un enfer radioactif. Le dernier espoir de l’humanité a un nom : le Splitter, une colossale machine à remonter le temps conçue pour changer le cours de l’histoire. À moins que les paradoxes temporels qu’elle risque de produire n’aboutissent à un désastre plus terrible encore... Alors qu’une lutte de pouvoir s’immisce pour le contrôle du Splitter dans le présent, en 1945, l’agent du renseignement de la Royal Air Force Naomi Givens enquête sur des faits troublants et leurs répercussions sur sa réalité... Découvrez le premier comics de William Gibson, auteur culte de science-fiction, dessiné par le grand Butch Guice ! Entre uchronie apocalyptique et thriller militaire, Archangel nous propulse dans un voyage aux multiples temporalités et nous fait retrouver les thématiques littéraires chères à l’auteur du Neuromancien.

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The Long Eighteenth Century was the Age of Revolutions, including the first sexual revolution. In this era, sexual toleration began and there was a marked increase in the discussion of morality, extra-marital sex, pornography and same-sex relationships in both print and visual culture media. William Gibson and Joanne Begiato here consider the ways in which the Church of England dealt with sex and sexuality in this period. Despite the backdrop of an increasingly secularising society, religion continued to play a key role in politics, family life and wider society and the eighteenth-century Church was still therefore a considerable force, especially in questions of morality. This book integrates themes of gender and sexuality into a broader understanding of the Church of England in the eighteenth century. It shows that, rather than distancing itself from sex through diminishing teaching, regulation and punishment, the Church not only paid attention to it, but its attitudes to sex and sexuality were at the core of society''s reactions to the first sexual revolution.

Originally published by G.P. Putnam''s Sons in 2014.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“A breath of fresh air . . . the vision is deeply imagined, very complete and controlled . . . Gibson is truly brilliant.”—Washington Times magazine From a true master of science fiction comes a collection of short stories that show how, no matter the length, Gibson is one of the greatest writers working today. Known for his seminal science fiction novel Neuromancer, and for the acclaimed books Pattern Recognition, The Peripheral, and Agency, William Gibson is actually best when writing short fiction. Tautly written and suspenseful, Burning Chrome collects 10 short stories, including some written with Bruce Sterling, John Shirley, and Michael Swanwick, and with a preface from Bruce Sterling, now available for the first time in trade paperback. These brilliant, high-resolution stories show Gibson’s characters and intensely realized worlds at their absolute best, from the chip-enhanced couriers of “Johnny Mnemonic” to the street-tech melancholy of “Burning Chrome.”

De tweede cyberpunkroman van Gibson speelt zich tien jaar na het driemaal bekroonde Zenumagiër af in de supersnelle hightechsamenleving van ontzagwekkende metropolen, van alles en iedereen beheersende multinationals, op de meest linkse van de tienbaans snelwegen, waar één fout voldoende is om de gebruiker levenslang te ontregelen. In die wereld proberen een freelance huurling, een uitgerangeerde galerie-eigenaar en een zogenaamde computercowboy niet alleen te overleven, maar ook de beste te worden in wat ze doen en succes te behalen. Zinderende spanning, actie en intrige maken Biochips tot een doolhof waarin de lezer tot de laatste bladzijde wil verdwalen.

"Colin Layne habite un carton dans les couloirs du métro à Tokyo, en partie détruite par un séisme et reconstruite grâce aux nanotechnologies. Son don et son expérience du réseau lui permettent, en s’immergeant dans les flux de données en transit sur la toile, de déchiffrer intuitivement les évènements en devenir...« Sans quitter les rives de la cyberculture, dont il fut un des pionniers, William Gibson renouvelle le genre avec ce roman, qui, sur fond de fracture sociale, navigue entre thriller et romance. » Frédérique Roussel, Libération"

A wide ranging new history of a key period in the history of the church in England, from the ''Glorious Revolution'' of 1688-89 to the Great Reform Act of 1832. This was a tumultuous time for both church and state, when the relationship between religion and politics was at its most fraught. This book presents evidence of the widespread Anglican commitment to harmony between those of differing religious views and suggests that High and Low Churchmanship was less divergent than usually assumed.

Comprehensive hints on camp shelter, log huts, bark shanties, woodland beds and bedding, boat and canoe building, and valuable suggestions on trapper''s food, etc. With extended chapters on the trapper''s art, containing all the "tricks" and valuable bait recipes of the profession; full directions for the use of the steel trap, and for the construction of traps of all kinds; detailed instructions for the capture of all fur-bearing animals; valuable recipes for the curing and tanning of fur skins, etc., etc

A collection of New York Times bestselling author William Gibson’s articles and essays about contemporary culture—a privileged view into the mind of a writer whose thinking has shaped not only a generation of writers but our entire culture... Though best known for his fiction, William Gibson is as much in demand for his cutting-edge observations on the world we live in now. Originally printed in publications as varied as Wired, the New York Times, and the Observer, these articles and essays cover thirty years of thoughtful, observant life, and are reported in the wry, humane voice that lovers of Gibson have come to crave. “Gibson pulls off a dazzling trick. Instead of predicting the future, he finds the future all around him, mashed up with the past, and reveals our own domain to us.”—The New York Times Book Review

Hollis Henry, former rock singer-turned-journalist, has very reluctantly agreed to work for the secretive Belgian finance genius Hubertus Bigend againNonly to find herself entangled in a threatening mesh of postmodern marketing, corrupt American military contractors, and belated romance. Available in a tall Premium Edition.

1855: The Industrial Revolution is in full and inexorable swing, powered by steam-driven cybernetic Engines. Charles Babbage perfects his Analytical Engine and the computer age arrives a century ahead of its time. And three extraordinary characters race toward a rendezvous with history—and the future: Sybil Gerard—a fallen woman, politician’s tart, daughter of a Luddite agitator Edward “Leviathan” Mallory—explorer and paleontologist Laurence Oliphant—diplomat, mystic, and spy. Their adventure begins with the discovery of a box of punched Engine cards of unknown origin and purpose. Cards someone wants badly enough to kill for…. Part detective story, part historical thriller, The Difference Engine is the collaborative masterpiece by two of the most acclaimed science fiction authors writing today. Provocative, compelling, intensely imagined, it is a startling extension of Gibson’s and Sterling’s unique visions—and the beginning of movement we know today as “steampunk!”

Praise for the author: ''Gibson''s well written and well-documented account of James and the bishops will surely become the new standard authority on these "implausible revolutionaries" for many decades.'' Barbara Brandon Schnorrenberg, Anglican and Episcopal History In 1660, England emerged from the devastation of the Civil Wars and restored the king, Charles II, to the throne. Over the next 190 years Britain would establish itself as the leading nation in the world - the centre of a burgeoning empire, at the forefront of the Enlightenment and the driving force behind the Industrial Revolution. However, radical change also brought with it anxiety and violence. America was lost in the War of Independence and calls for revolution at home were never far from the surface of everyday life. In this vivid and convincing overview of the era in which Britain transformed the world and was itself remade, leading historian of the period William Gibson also looks at the impact of this revolutionary change on the ordinary citizens of Britain. This is the third book in this wonderfully concise four-volume Brief History of Britain which brings together leading historians to tell the story of Britain from the Norman Conquest of 1066 right up to the present day. Combining the latest research with accessible and entertaining story-telling, it is the ideal introduction to British history for students and general readers.

Working with Qualitative Data provides a practical and accessible introduction to how to develop and apply strategies for the analysis of qualitative data by exploring the ways in which analysis is related to all aspects of research. By situating analysis in the context of the whole research process, this book helps the reader to introduce an analytical component to every stage of doing research: from designing a project, reviewing the literature, through the various stages of gathering data, to the process of writing-up. Through practical examples the book maps out strategies for developing analytic frameworks in relation to all aspects of research, and demonstrates the ways in which such frameworks can be used in relation to various sorts of data. In contrast to existing qualitative data analysis texts, this book offers a unified approach to the process of analysis within qualitative research. It will be of great use to students and researchers across the full range of social, health and education sciences.

In a surprising and enlightening investigation of modern society''s rediscovery of the sacred in nature, an acclaimed sociologist reveals that the culture of enchantment is making an astonishing comeback.

Multilingual Tito engages in sensitive information transfers from his single-room apartment, while journalist Hollis frets over her start-up magazine''s censure of its own promotions, and prescription drug addict Milgrim wonders about the military connections of an enigmatic benefactor. Reprint.

“Powerfully and persuasively . . . Gibson tells us why we were in Vietnam . . . a work of daring brilliance—an eye-opening chronicle of waste and self-delusion.” —Robert Olen Butler In this groundbreaking book, James William Gibson shatters the misled assumptions behind both liberal and conservative explanations for America’s failure in Vietnam. Gibson shows how American government and military officials developed a disturbingly limited concept of war—what he calls “technowar”—in which all efforts were focused on maximizing the enemy’s body count, regardless of the means. Consumed by a blind faith in the technology of destruction, American leaders failed to take into account their enemy’s highly effective guerrilla tactics. Indeed, technowar proved woefully inapplicable to the actual political and military strategies used by the Vietnamese, and Gibson reveals how US officials consistently falsified military records to preserve the illusion that their approach would prevail. Gibson was one of the first historians to question the fundamental assumptions behind American policy, and The Perfect War is a brilliant reassessment of the war—now republished with a new introduction by the author. “This book towers above all that has been written to date on Vietnam.” —LA Weekly

''Part-detective story, part-cultural snapshot . . . all bound by Gibson''s pin-sharp prose'' Arena -------------- THE FIRST NOVEL IN THE BLUE ANT TRILIOGY - READ ZERO HISTORY AND SPOOK COUNTRY FOR MORE Cayce Pollard has a new job. She''s been offered a special project: track down the makers of an addictive online film that''s lighting up the internet. Hunting the source will take her to Tokyo and Moscow and put her in the sights of Japanese hackers and Russian Mafia. She''s up against those who want to control the film, to own it - who figure breaking the law is just another business strategy. The kind of people who relish turning the hunter into the hunted . . . A gripping spy thriller by William Gibson, bestselling author of Neuromancer. Part prophesy, part satire, Pattern Recognition skewers the absurdity of modern life with the lightest and most engaging of touches. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks won''t be able to put this book down. -------------- ''Fast, witty and cleverly politicized'' Guardian ''A big novel, full of bold ideas . . . races along like an expert thriller'' GQ ''Dangerously hip. Its dialogue and characterization will amaze you. A wonderfully detailed, reckless journey of espionage and lies'' USA Today ''A compelling, humane story with a sympathetic heroine searching for meaning and consolation in a post-everything world'' Daily Telegraph ''Electric, profound. Gibson''s descriptions of Tokyo, Russia and London are surreally spot-on'' Financial Times

“The ferociously talented Gibson delivers his signature mélange of technopop splendor and post-industrial squalor” (Time) in this New York Times bestseller that features his hero from Idoru... Colin Laney, sensitive to patterns of information like no one else on earth, currently resides in a cardboard box in Tokyo. His body shakes with fever dreams, but his mind roams free as always, and he knows something is about to happen. Not in Tokyo; he will not see this thing himself. Something is about to happen in San Francisco. The mists make it easy to hide, if hiding is what you want, and even at the best of times reality there seems to shift. A gray man moves elegantly through the mists, leaving bodies in his wake, so that a tide of absences alerts Laney to his presence. A boy named Silencio does not speak, but flies through webs of cyber-information in search of the one object that has seized his imagination. And Rei Toi, the Japanese Idoru, continues her study of all things human. She herself is not human, not quite, but she’s working on it. And in the mists of San Francisco, at this rare moment in history, who is to say what is or is not impossible...

(Applause Books). The rise of Golda Meir from impoverished Russian schoolgirl to Prime Minister of Israel is one of the most amazing stories of the 20th century. Now her life has been transformed into a one-woman play of overwhelming power and triumph by William Gibson, author of The Miracle Worker . Golda''s Balcony earned actress Tovah Feldshuh a 2003 Drama Desk award. "Enlightening ... Now, hearing from someone who was there at the birth of the country, who sacrificed to make that happen, helps remind us where the Middle East standoff came from and why it never seems to end." The New York Times "A valentine to the famously tough prime minister." New York Post