New Releases by William Shakespeare

Shakespeare''s The Comedy of Errors is the slapstick farce of his youth. In it, the lost twin sons of the old merchant Egeon-both named Antipholus-find themselves in Ephesus, without either one even knowing of the other''s existence. Meanwhile, Egeon has arrived in search of the son he thinks is still alive-and has been sentenced to death for the "crime" of being from Syracuse. To add to the confusion, the two Antipholuses have twin servants, both named Dromio. As the four men unwittingly encounter each other, the play is crammed with wildly escalating misunderstandings before the truth emerges and Egeon is pardoned. Shakespeare bases his story on Plautus''s Menaechmi, a play about identical twins who accidentally meet after a lifetime apart. He borrows from another Plautus play by having Adriana, the wife of one Antipholus, entertain the other. The spirited Adriana often gives speeches evoking strong emotions-as do other characters at times. Even here, Shakespeare suggests complexities beyond the farce.

Much Ado About Nothing is one of Shakespeare''s most imaginative and exuberant comedies, contrasting two pairs of lovers in a witty and suspenseful battle of the sexes. Attracted to each other, the maddeningly skeptical Beatrice and Benedick are dead-locked in a lively war of words until their friends hatch a plot to unite them. The mutually devoted Hero and Claudio, on the other hand, all too quickly fall victim to a malicious plot to part them. Near-fatal complications ensue, but with the help of the hilarious Constable Dogberry and his confederates, the lovers are ultimately united.First presented in 1598, Much Ado About Nothing is one of Shakespeare''s last comedies. Its darker undercurrents foreshadow the playwright''s growing concern with the frailties of human character that would dominate his late tragedies. But in its clever turns of plot, vivacious displays of wit, jovial conversations, and charming songs, this merry comedy is among Shakespeare''s most artistic creations.

The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet is a tragedy written by William Shakespeare at an uncertain date between 1599 and 1602. Set in the Kingdom of Denmark, the play dramatises the revenge Prince Hamlet is called to wreak upon his uncle, Claudius, by the ghost of Hamlet''s father, King Hamlet. Claudius had murdered his own brother and seized the throne, also marrying his deceased brother''s widow. Hamlet is Shakespeare''s longest play, and is ranked among the most powerful and influential tragedies in English literature, with a story capable of "seemingly endless retelling and adaptation by others." The play likely was one of Shakespeare''s most popular works during his lifetime, and still ranks among his most performed, topping the performance list of the Royal Shakespeare Company and its predecessors in Stratford-upon-Avon since 1879. It has inspired many other writers - from Johann Wolfgang von Goethe and Charles Dickens to James Joyce and Iris Murdoch - and has been described as "the world''s most filmed story after Cinderella.

The Winter''s Tale is a play by William Shakespeare, first published in the First Folio in 1623. Although it was listed as a comedy when it first appeared, some modern editors have relabeled the play a romance. Some critics, among them W. W. Lawrence (Lawrence, 9-13), consider it to be one of Shakespeare''s "problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comedic and supply a happy ending.

King Lear is a tragedy by William Shakespeare, believed to have been written between 1603 and 1606, and is considered one of his greatest works. The play is based on the legend of King Leir of Britain. It has been widely adapted for stage and screen, with the part of Lear being played by many of the world''s most accomplished actors. (From Wikipedia)

THE TRAGEDIE OF KING LEAr By William Shakespeare George Lyman Kittredge''s insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments-all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain their original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don''t buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated The Tragedy Of King Lear by William Shakespeare The tragedy of King lear is a play by William Shakespeare. It depicts the descent into madness of the title character after he disposes of his kingdom between two of his three daughters based on their flattery, bringing tragic consequences for all. Based on the legend of Leir of Britain, a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world''s most accomplished actors. Originally drafted between 1603 and its first known performance on St. Stephen''s Day in 1606, the first attribution to Shakespeare was a 1608 publication in a quarto of uncertain provenance; it may be an early draft or simply reflect the first performance text. The Tragedy of King Lear, a more theatrical revision, was included in the 1623 First Folio. Modern editors usually conflate the two, though some insist that each version has its individual integrity that should be preserved.

Twelfth Night by William ShakespeareBooksize: 8,5 x 11

Othello, The Moor of Venice is a tragedy by William Shakespeare based on the short story "Moor of Venice" by Cinthio, believed to have been written in approximately 1603. The work revolves around four central characters: Othello, his wife Desdemona, his lieutenant Cassio, and his trusted advisor Iago. Attesting to its enduring popularity, the play appeared in 7 editions between 1622 and 1705. Because of its varied themes -- racism, love, jealousy, and betrayal -- it remains relevant to the present day and is often performed in professional and community theatres alike. The play has also been the basis for numerous operatic, film and literary adaptations.

Hamlet is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601. The play, set in Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius, who has murdered Hamlet''s father, the King, and then taken the throne and married Hamlet''s mother. The play vividly charts the course of real and feigned madness--from overwhelming grief to seething rage--and explores themes of treachery, revenge, incest, and moral corruption.

Henry VI Part 3 by William Shakespeare

A tragedy, believed to have been written between 1599 and 1601. The play, set in Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius, who has murdered Hamlet''s father, the King, and then taken the throne and married Hamlet''s mother. The play vividly charts the course of real and feigned madness-from overwhelming grief to seething rage-and explores themes of treachery, revenge, incest, and moral corruption.

Why buy our paperbacks? Most Popular Gift Edition - One of it''s kind Printed in USA on High Quality Paper Expedited shipping Standard Font size of 10 for all books 30 Days Money Back Guarantee Fulfilled by Amazon Unabridged (100% Original content) BEWARE OF LOW-QUALITY SELLERS Don''t buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. About Much Ado About Nothing Much Ado About Nothing is a comedic play by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the First Folio, published in 1623. Much Ado About Nothing is generally considered one of Shakespeare''s best comedies, because it combines elements of robust hilarity with more serious meditations on honour, shame, and court politics.By means of "noting" (which, in Shakespeare''s day, sounded the same as "nothing," and which is gossip, rumour, and overhearing), Benedick and Beatrice are tricked into confessing their love for each other, and Claudio is tricked into rejecting Hero at the altar on the erroneous belief that she has been unfaithful. At the end, Benedick and Beatrice join forces to set things right, and the others join in a dance celebrating the marriages of the two couples.

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Henry VI, Part 3 (often written as 3 Henry VI) is a history play by William Shakespeare believed to have been written in 1591, and set during the lifetime of King Henry VI of England. Whereas 1 Henry VI deals with the loss of England''s French territories and the political machinations leading up to the Wars of the Roses, and 2 Henry VI focuses on the King''s inability to quell the bickering of his nobles, and the inevitability of armed conflict, 3 Henry VI deals primarily with the horrors of that conflict, with the once ordered nation thrown into chaos and barbarism as families break down and moral codes are subverted in the pursuit of revenge and power. Although the Henry VI trilogy may not have been written in chronological order, the three plays are often grouped together with Richard III to form a tetralogy covering the entire Wars of the Roses saga, from the death of Henry V in 1422 to the rise to power of Henry VII in 1485. It was the success of this sequence of plays which firmly established Shakespeare''s reputation as a playwright. Henry VI, Part 3 features the longest soliloquy in all of Shakespeare (3.2.124–195), and has more battle scenes (four on stage, one reported) than any other of Shakespeare''s plays.

The Tempest is a play by William Shakespeare, believed to have been written in 1610–11, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where Prospero, the rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skilful manipulation. He conjures up a storm, the eponymous tempest, to lure his usurping brother Antonio and the complicit King Alonso of Naples to the island. There, his machinations bring about the revelation of Antonio''s lowly nature, the redemption of the King, and the marriage of Miranda to Alonso''s son, Ferdinand. There is no obvious single source for the plot of The Tempest, but researchers have seen parallels in Erasmus''s Naufragium, Peter Martyr''s De orbe novo, and eyewitness reports by William Strachey and Sylvester Jordain of the real-life shipwreck of the Sea Venture on the islands of Bermuda, and the subsequent conflict between Sir Thomas Gates and Sir George Somers. In addition, one of Gonzalo''s speeches is derived from Montaigne''s essay Of the Canibales, and much of Prospero''s renunciative speech is taken word for word from a speech by Medea in Ovid''s poem Metamorphoses. The masque in Act 4 may have been a later addition, possibly in honour of the wedding of Princess Elizabeth and Frederick V in 1613. The play was first published in the First Folio of 1623. The story draws heavily on the tradition of the romance, and it was influenced by tragicomedy, the courtly masque and perhaps the commedia dell''arte. It differs from Shakespeare''s other plays in its observation of a stricter, more organised neoclassical style. Critics see The Tempest as explicitly concerned with its own nature as a play, frequently drawing links between Prospero''s "art" and theatrical illusion, and early critics saw Prospero as a representation of Shakespeare, and his renunciation of magic as signalling Shakespeare''s farewell to the stage. The play portrays Prospero as a rational, and not an occultist, magician by providing a contrast to him in Sycorax: her magic is frequently described as destructive and terrible, where Prospero''s is said to be wondrous and beautiful. Beginning in about 1950, with the publication of Psychology of Colonization by Octave Mannoni, The Tempest was viewed more and more through the lens of postcolonial theory—exemplified in adaptations like Aimé Césaire''s Une Tempête set in Haiti—and there is even a scholarly journal on post-colonial criticism named after Caliban. The Tempest did not attract a significant amount of attention before the ban on the performance of plays in 1642, and only attained popularity after the Restoration, and then only in adapted versions. In the mid-19th century, theatre productions began to reinstate the original Shakespearean text, and in the 20th century, critics and scholars undertook a significant re-appraisal of the play''s value, to the extent that it is now considered to be one of Shakespeare''s greatest works. It has been adapted numerous times in a variety of styles and formats: in music, at least 46 operas by composers such as Fromental Halévy, Zdeněk Fibich and Thomas Adès; orchestral works by Tchaikovsky, Arthur Sullivan and Arthur Honegger; and songs by such diverse artists as Ralph Vaughan Williams, Michael Nyman and Pete Seeger; in literature, Percy Bysshe Shelley''s poem With a Guitar, To Jane and W. H. Auden''s The Sea and the Mirror; novels by Aimé Césaire and The Diviners by Margaret Laurence; in paintings by William Hogarth, Henry Fuseli, and John Everett Millais; and on screen, ranging through a hand-tinted version of Herbert Beerbohm Tree''s 1905 stage performance, the science fiction film Forbidden Planet in 1956, Peter Greenaway''s 1991 Prospero''s Books featuring John Gielgud as Prospero, to Julie Taymor''s 2010 film version which changed Prospero to Prospera (as played by Helen Mirren), and Des McAnuff''s 2010 Stratford Shakespeare Festival production which starred Christopher Plummer.

No library is complete without the classics! This edition includes the complete works of the playwright and poet William Shakespeare, considered by many to be the English language’s greatest writer. Romeo and Juliet, A Midsummer Night’s Dream, King Lear, Hamlet, and Macbeth—the works of William Shakespeare still resonate in our imaginations four centuries after they were written. The timeless characters and themes of the Bard’s plays fascinate us with their joys, struggles, and triumphs, and now they are available in a special volume for Shakespeare fans everywhere. This Canterbury Classics edition of William Shakespeare’s works includes all of his poems and plays in a single volume. Whether for a Shakespeare devotee or someone just discovering him, this is the perfect place to experience the drama of Shakespeare’s words. A scholarly introduction provides additional context and insight into the poems and plays.

Shakespeare''s famous tragedy is helpfully annotated and framed within several exciting contexts: contemporary accounts of a spirit world, purgatory, revenge, and suicide, and reports of readers and critics fascinated with the character and dramatic performance of this most famous of Shakespeare''s heroes. Elaborating upon the historical setting and the cultural ideas that helped shape "Hamlet", Constance Jordan summons the issues and anxieties of the early sixteenth century to show why the play, and especially its hero, speaks so powerfully and so vitally to our own time. -- From publisher''s description.

Describes the volatile courtship between the shrewish Katherine and the canny Petruchio, who is determined to subdue Katherine''s legendary temper and win her dowry.

In The Merchant of Venice, the penniless but attractive Bassanio seeks, and finally wins, the hand of the fabulously wealthy Portia. But even as the play provokes laughter, it also provokes something disturbing, as Bassanio''s courtship is actually financed by the magnificent villain Shylock the moneylender -- the focus of anti-Semitic sentiment, and one of the most controversial yet strangely sympathetic of Shakespeare''s characters, whose actions and whose treatment in the play are still debated to this day.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ William Shakespeare''s A Midsummer Night''s Dream: Arranged For Public Reading, With The Performance Of The Mendelssohn Music William Shakespeare Eben Francis Thompson Houghton, Mifflin & Company, 1887 Drama; English, Irish, Scottish, Welsh; Drama / English, Irish, Scottish, Welsh; Literary Criticism / Drama

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The new Pelican Shakespeare series incorporates the more than thirty years of Shakespeare scholarship undertaken since the acclaimed original series, edited by Alfred Harbage, appeared between 1956 and 1967. The general editors of the new series of forty volumes-the renowned Shakespeareans Stephen Orgel of Stanford University and A. R. Braunmuller of UCLA-have assembled a team of eminent scholars who have, along with the general editors themselves, prepared new introductions and notes to all of Shakespeare''s plays and poems. Redesigned in an easy-to-read format that preserves the favorite features of the original, including an essay on the theatrical world of Shakespeare, an introduction to the individual play, and a note on the text used. The new Pelican Shakespeare will be an excellent resource for students, teachers, and theatre professionals well into the twenty first century.

Presents Shakespeare''s drama depicting King Leontes, who accuses his boyhood friend of betrayal, condemns his wife for adultery, and banishes his newborn daughter.

(Applause Books). If there has ever been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be THE APPLAUSE FOLIO TEXTS. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. Prepared and annotated by Neil Freeman, Head, Graduate Directing Program, University of British Columbia.

THE TRAGEDIE OF JULIUS CAESAR: Folio Text

"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare''s life and the selection of texts