New Releases by William Styron

Eté 1943. Une base des Marines dans le sud des Etats-Unis, son hôpital, son service d'urologie. Les patients ? Des vénériens. Pas si innocents que ça, donc, pour le commandant de l'hôpital, le capitaine Budwinkle, moralisateur et paternaliste, et le Dr Glanz, médecin-chef vicieux et incompétent, tenants d'un ordre social et moral dont ces déviants dont ils ont la charge font vaciller les piliers – mariage, fidélité, hétérosexualité. Sous l'oeil soupçonneux de cette hiérarchie qui juge autant qu'elle soigne, arrive Magruder, jeune Marine dont la syphilis vient d'être diagnostiquée par Glanz. Avec Clark, noir brisé par le racisme, et antisémite, Schwartz, juif humaniste en quête de rédemption, Stancik, immigré européen qu'obnubilent le sexe et les filles, le service prend des allures de condensé d'Amérique. Et loin des canons, d'autres guerres éclatent... Dans la fausse légèreté d'une comédie satirique et grinçante, une plongée terrifiante aux frontières de l'humanité...

A vital, illuminating collection of the Pulitzer Prize and National Book Award winner’s elegant, passionately engaged nonfiction My Generation is the definitive gathering of William Styron’s nonfiction, exposing the core of this greatly gifted, highly convivial, and profoundly serious artist from his literary emergence in the 1950s to his death in 2006. Here are fifty years of Styron’s essays, memoirs, reviews, op-eds, articles, eulogies, and speeches, reflecting the same brilliant style and informed thinking that he brought to his towering fiction and to a deeply committed public life. Including many newly collected and never-before-published items, this compendium ranges from the original mission statement of The Paris Review, which Styron helped found in 1953, to a 2001 tribute to his friend Philip Roth—creating an essential overview of arts and letters during the post–World War II years. In these pages, Styron writes vividly of childhood days in Tidewater Virginia spent going to movies, not reading books. (“It does not mean the death of literacy or creativity if one is drenched in popular culture at an early age.”) He recalls being among the group of soldiers who would have been sent to invade Japan and were saved by Truman’s decision to drop the atomic bomb, which Styron feels was the right choice, “even though its absolute rightness can never be proved.” And he writes as few others have about midlife battles with clinical depression, “a pain that is all but indescribable, and therefore to everyone but the sufferer almost meaningless.” Here, too, are Styron’s personal encounters with world leaders, fellow authors, and friends, each of whom comes memorably to life. Styron recalls sharing contraband Cuban cigars with JFK (“a naughty memento, a conversation piece with a touch of scandal”), getting lost in the snow with Robert Penn Warren, and party-hopping with the young James Jones (an experience he likens to “keeping company with a Roman emperor”). The beginnings of his masterpieces The Confessions of Nat Turner and Sophie’s Choice are chronicled here, along with the controversy that greeted the former upon its 1967 publication. Throughout, Styron celebrates the men and women of his generation, whose lives were forged in the crucible of World War II. Whether he’s recounting a walk with his dog, musing on the Modern Library’s list of the hundred best English-language novels of the twentieth century, or contemplating America’s fraught racial legacy from his point of view as the grandson of a woman who owned slaves, William Styron writes always in urgent, finely calibrated prose. These fascinating pieces bring readers closer to this great writer and the world he observed, interacted with, and changed. Praise for My Generation “William Styron’s My Generation: Collected Nonfiction is both unsurpassably charming and unflinchingly honest, whether recounting the fallout from The Confessions of Nat Turner or reminiscing about the slave-owning grandmother who warned him never to forget he was a Southerner.”—Vogue “At its most accomplished, Styron’s non-fiction mixes a conscientious, richly traditional prose style with a strong current of fellow feeling, a certain awe at the human condition, which is what gives power to his best fiction. . . . Styron stood tall in his generation, and the best of him will stand up over time.”—USA Today “A must for every Styron fan’s library.”—BBC

In 1950, at the age of twenty-four, William Clark Styron, Jr., wrote to his mentor, Professor William Blackburn of Duke University. The young writer was struggling with his first novel, Lie Down in Darkness, and he was nervous about whether his “strain and toil” would amount to anything. “When I mature and broaden,” Styron told Blackburn, “I expect to use the language on as exalted and elevated a level as I can sustain. I believe that a writer should accommodate language to his own peculiar personality, and mine wants to use great words, evocative words, when the situation demands them.” In February 1952, Styron was awarded the Prix de Rome of the American Academy of Arts and Letters, which crowned him a literary star. In Europe, Styron met and married Rose Burgunder, and found himself immersed in a new generation of expatriate writers. His relationships with George Plimpton and Peter Matthiessen culminated in Styron introducing the debut issue of The Paris Review. Literary critic Alfred Kazin described him as one of the postwar “super-egotists” who helped transform American letters. His controversial The Confessions of Nat Turner won the 1968 Pulitzer Prize, while Sophie’s Choice was awarded the 1980 National Book Award, and Darkness Visible, Styron’s groundbreaking recounting of his ordeal with depression, was not only a literary triumph, but became a landmark in the field. Part and parcel of Styron’s literary ascendance were his friendships with Norman Mailer, James Baldwin, John and Jackie Kennedy, Arthur Miller, James Jones, Carlos Fuentes, Wallace Stegner, Robert Penn Warren, Philip Roth, C. Vann Woodward, and many of the other leading writers and intellectuals of the second half of the twentieth century. This incredible volume takes readers on an American journey from FDR to George W. Bush through the trenchant observations of one of the country’s greatest writers. Not only will readers take pleasure in William Styron’s correspondence with and commentary about the people and events that made the past century such a momentous and transformative time, they will also share the writer’s private meditations on the very art of writing. Advance praise for Selected Letters of William Styron “I first encountered Bill Styron when, at twenty, I read The Confessions of Nat Turner. Hillary and I became friends with Bill and Rose early in my presidency, but I continued to read him, fascinated by the man and his work, his triumphs and troubles, the brilliant lights and dark corners of his amazing mind. These letters, carefully and lovingly selected by Rose, offer real insight into both the great writer and the good man.”—President Bill Clinton “The Bill Styron revealed in these letters is altogether the Bill Styron who was a dear friend and esteemed colleague to me for close to fifty years. The humor, the generosity, the loyalty, the self-awareness, the commitment to literature, the openness, the candor about matters closest to him—all are on display in this superb selection of his correspondence. The directness in the artful sentences is such that I felt his beguiling presence all the while that I was enjoying one letter after another.”—Philip Roth “Bill Styron’s letters were never envisioned, far less composed, as part of the Styron oeuvre, yet that is what they turn out to be. Brilliant, passionate, eloquent, insightful, moving, dirty-minded, indignant, and hilarious, they accumulate power in the reading, becoming in themselves a work of literature.”—Peter Matthiessen

The Suicide Run collects five of William Styron’s meticulously rendered narratives based on his real-life experiences as a U.S. Marine. In “Blankenship,” Styron draws on his stint as a guard at a stateside military prison at the end of World War II. “Marriott, the Marine” and “The Suicide Run”—which Styron composed as part of an intended novel that he set aside to write Sophie’s Choice—depict the surreal experience of being conscripted a second time, after World War II, to serve in the Korean War. “My Father’s House” captures the frustration of a soldier trying to become a civilian again. In “Elobey, Annobón, and Corisco,” a soldier attempts to exorcise the dread of an approaching battle by daydreaming about far-off islands, visited vicariously through his childhood stamp collection. Perhaps the last volume from one of literature’s greatest voices, The Suicide Run brings to life the drama, absurdity, and heroism that forever changed the men who served in the Marine Corps.

This portrait of a Southern family''s downfall was the literary debut of the #1 New York Times–bestselling author of Sophie''s Choice. A finalist for the National Book Award, Lie Down in Darkness centers on the Loftis family—Milton and Helen and their daughters, Peyton and Maudie. The story, told through a series of flashbacks on the day of Peyton''s funeral, is a powerful depiction of a family doomed by its failure to forget and its inability to love. Written in masterful prose that "achieves real beauty" ( The Washington Post), William Styron''s debut novel offers unflinching insight into the ineradicable bonds of place and family. The story of Milton, Helen, and their children reveals much about life''s losses and disappointments. Lie Down in Darkness, poignant and compelling, is a classic of modern American literature from the author who went on to earn high critical acclaim—with a Pulitzer Prize for The Confessions of Nat Turner and a National Book Award for Sophie''s Choice—and a place at the top of the New York Times bestseller list. This ebook features a new illustrated biography of William Styron, including original letters, rare photos, and never-before-seen documents from the Styron family and the Duke University Archives.

The New York Times–bestselling memoir of crippling depression and the struggle for recovery by the Pulitzer Prize–winning author of Sophie''s Choice. In the summer of 1985, William Styron became numbed by disaffection, apathy, and despair, unable to speak or walk while caught in the grip of advanced depression. His struggle with the disease culminated in a wave of obsession that nearly drove him to suicide, leading him to seek hospitalization before the dark tide engulfed him. Darkness Visible tells the story of Styron''s recovery, laying bare the harrowing realities of clinical depression and chronicling his triumph over the disease that had claimed so many great writers before him. His final words are a call for hope to all who suffer from mental illness that it is possible to emerge from even the deepest abyss of despair and "once again behold the stars." This ebook features a new illustrated biography of William Styron, including original letters, rare photos, and never-before-seen documents from the Styron family and the Duke University Archives.

A New York Times bestseller by the author of Sophie''s Choice: Two Americans search for the truth about a mysterious long-ago murder in Italy. Shortly after World War II, in the village of Sambuco, Italy, two men—Virginia attorney Peter Leverett and South Carolina artist Cass Kinsolving—crossed paths with Mason Flagg. They both had their own reactions to the gregarious and charismatic movie mogul''s son. For the impressionable Peter, it was something close to awe. For the alcoholic Cass, it was unsettled rage. Then, after the rape and murder of a peasant girl, Mason''s body was found at the base of a cliff—an apparent suicide. He''d been distraught, the authorities said, over committing such a heinous crime. Peter and Cass went their separate ways, and never spoke of it again. Now, years later, Peter is still haunted by what he knows—and by what he doesn''t. He''s sought out Cass in Charleston for closure, and something close to the truth. Together both men will share their tales of that terrible season in Italy, each with their own ghosts—and their own reasons to exorcise them. But neither Peter nor Cass is prepared for where this path of revenge, complicity, and atonement will take them. A profound exploration of the evil that men do, and what the innocent must endure to accommodate it, Set This House on Fire is more than a byzantine murder mystery, it''s "one of the finest novels of our times" from the Pulitzer Prize–winning author of The Confessions of Nat Turner, Darkness Visible, and other modern classics ( San Francisco Chronicle). This ebook features a new illustrated biography of William Styron, including original letters, rare photos, and never-before-seen documents from the Styron family and the Duke University Archives.

From the #1 New York Times–bestselling author of Sophie''s Choice: three novellas of a young writer''s journey to adulthood. In Love Day, twenty-year-old Paul Whitehurst is a Marine lieutenant during World War II, waiting to land on Okinawa, wrestling with anxiety and memories of his boyhood in Virginia. In Shadrach, ten-year-old Paul witnesses his neighbors as they welcome a guest: a ninety-nine-year-old former slave who has walked nine hundred miles from Alabama so that he may die on the land of his childhood owner. And in A Tidewater Morning, Paul is thirteen and struggling to deal with his mother''s impending death from cancer. Together in one volume, each of these affecting semiautobiographical novellas from the author of such literary classics as the Pulitzer Prize–winning The Confessions of Nat Turner and the memoir Darkness Visible, weaves together the transformative experiences of Whitehurst''s early life with William Styron''s signature deep historical insight, underscoring how the significance of the past informs the present. As the Los Angeles Times notes, it is "one of Styron''s finest works. . . . The beauty and humanity of the Southern tradition are evoked vividly." This ebook features a new illustrated biography of William Styron, including original letters, rare photos, and never-before-seen documents from the Styron family and the Duke University Archives.

“I’ve finally pretty much decided what to write next—a novel based on Nat Turner’s rebellion,” twenty-six-year-old William Styron confided to his father in a letter he wrote on May 1, 1952. Styron would not publish his Pulitzer Prize–winning The Confessions of Nat Turner until 1967, but this letter undercuts those critics who later attacked the writer as an opportunist capitalizing on the heated racial climate of the late 1960s. From 1943 to 1953, Styron wrote over one hundred letters to William C. Styron, Sr., detailing his adventures, his works in progress, and his ruminations on the craft of writing. In Letters to My Father, Styron biographer James L. W. West III collects this correspondence for the first time, revealing the early, intimate thoughts of a young man who was to become a literary icon. Styron wrote his earliest letters from Davidson College, where he was very much unsure of himself and of his prospects in life. By the last few letters, however, he had achieved a great deal: he had earned a commission in the Marine Corps, survived World War II, published the novel Lie Down in Darkness (1951) and the novella The Long March (1953), and won the Prix de Rome. He had also recently married and was about to return to the United States from an expatriate period in Paris and Rome. The letters constitute a portrait of the artist as a young man. They read like an epistolary novel, with movement from location to location and changes in voice and language. Styron was extremely close to his father and quite open with him. His story is a classic one, from youthful insecurity to artistic self-discovery, capped by recognition and success. There are challenges along the way for the hero—poor academic performance, a syphilis scare, writer’s block, temporary frustration in romance. But Styron overcomes these difficulties and emerges as a confident young writer, ready to tackle his next project, the novel Set This House on Fire (1960). Rose Styron, the author’s widow, contributes a prefatory memoir of the senior Styron. West has provided comprehensive annotations to the correspondence, and the volume also has several illustrations, including facsimiles of some of the letters, which survive among Styron’s papers at Duke University. Finally, there is a selection of Styron’s apprentice fiction from the late 1940s and early 1950s. In all of American literature, no other extended series of such letters—son to father—exists. Letters to My Father offers a unique glimpse into the formative years of one of the most admired and controversial writers of his time.

Stingo is a struggling young author in post-war New York. He develops a friendship with Sophie, a Polish refugee, and Nathan, who, although loving Sophie, has schizophrenic tendencies. Stingo uncovers the story of Sophie''s life in a German concentration camp during the Holocaust.

"Nous ne croyons pas à l''Enfer, nous sommes incapables de l''imaginer, et pourtant il existe, on peut s''y retrouver brusquement au-delà de toute expression. Telle est la leçon de ce petit livre magnifique et terrible. Récit d''une dépression grave, avec son cortège "d''angoisses, d''insomnies, de rafales dévastatrices, de tentations de suicide", il nous montre pour la première fois ce qu''est réellement cette " tempête des ténèbres " intérieure qui peut frapper n''importe qui à chaque instant, mais peut-être plus particulièrement certains écrivains, ou artistes. Hemingway, Virginia Woolf, Romain Gary, Primo Levi, Van Gogh : la liste de ces proies désignées de l''ombre serait longue. Enfer, donc, comme celui de Dante, douleur sans autre issue que celle de l''autodestruction, état de transe incommunicable que ne soupçonnent pas les autres, pas même les psychiatres. Pourtant, la guérison est possible, on peut en tirer une connaissance nouvelle. Avec précision et courage, le grand romancier qu''est William Styron plaide ici à la fois pour une meilleure compréhension de notre prochain abîme dans l''horreur, et contre le goût du néant qui nous guette tous.

"It''s fascinating for me to read, for the first time in over forty years, the stumbling starts toward the creation of "Lie Down in Darkness." These passages show how, in my early twenties, I may have been in possession of a luminous vision for a novel but how it was a luminosity clouded by much indecision and awkwardness. . . . "Inheritance of Night," then, is made up of fragments of a beginning, bits of fruitful inspiration mingled with conceits that were stillborn."--William Styron, from the Preface

The author describes his experiences with depression and his resulting suicidal tendencies beginning in 1985.