New Releases by ALBERT CAMUS

The impassioned correspondence between the Nobel Prize–winning author and the renowned Spanish-born French actress who appeared in his plays, tracing the extreme highs and lows of their all-consuming love affair—a bestseller in France, translated for the first time into English Albert. Albert chéri. Write me sweet, passionate things. Tell me you love me and how you love me. Tell me you’ll take me to the sea one day—any sea at all—and that we’ll spend time on the shore and in the water. Tell me you’ll always be with me. Tell me about you, and especially today, talk to me about us. —Maria Casarès to Albert Camus, February 1, 1950 It’s said that the affair began on June 6, 1944, the day the Allied forces landed in Normandy. The twenty-one-year-old Casarès was starring in a production of the thirty-year-old Camus’s play The Misunderstanding—and one thing (an after-party hosted by Jean-Paul Sartre and Simone de Beauvoir) led to another. Though their fling would be cut short by the end of the Occupation—and the return to Paris of Camus’s wife, Francine—the two were destined to meet again: four years later, to the day, they crossed paths by chance on the Boulevard Saint-Germain. Over the next twelve years, without interruption—until the car wreck of January 4, 1960, that stole Camus’s life—the author and actress would correspond furiously, their words swelling and shimmering and surging like the ocean. Ah! It’s so hard to leave you, your dear face will again fade into the night, but I’ll find you once more in this ocean you love, at the time of evening when the sky takes on the color of your eyes. —Albert Camus to Maria Casarès, June 1, 1949 Across 865 letters of immense and exquisite emotion, they cry and laugh and bicker and beg, make and break promises, talk Stendhal and Proust and Orwell, French theater, sickness, death, writer’s block, and, most of all, they pine—leaving behind a record of one of the great love stories of the twentieth century.

A Happy Death is an early philosophical novel by Albert Camus that explores the idea that true happiness can only be achieved through complete personal freedom. The story follows Patrice Mersault, a man trapped in an empty, conventional life, who comes to believe that happiness requires absolute control over one’s time and existence. Through a decisive and morally troubling act, he frees himself from social and economic constraints and sets out on a journey across Europe and North Africa. Along the way, he experiments with love, solitude, illness, and contemplation, searching for a life lived fully on his own terms. The novel introduces themes that would later define Camus’s philosophy: individual freedom, mortality, authenticity, and the rejection of imposed meaning. A Happy Death presents happiness not as pleasure or success, but as the courage to face death after having truly lived.

ABOUT THE PLAGUE The first new translation of The Plague to be published in the United States in more than seventy years, bringing the Nobel Prize winner''s iconic novel ("A redemptive book, one that wills the reader to believe, even in a time of despair." --The Washington Post) to a new generation of readers. The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation, and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr. Rieux, resist the terror. An immediate triumph when it was published in 1947, The Plague is in part an allegory of France''s suffering under the Nazi occupation, as well as a timeless story of bravery and determination against the precariousness of human existence. In this fresh yet careful translation, award-winning translator Laura Marris breathes new life into Albert Camus''s ever-resonant tale. Restoring the restrained lyricism of the original French text, and liberating it from the archaisms and assumptions of the previous English translation, Marris grants English readers the closest access we have ever had to the meaning and searing beauty of The Plague. This updated edition promises to add relevance and urgency to a classic novel of twentieth-century literature.

The Nobel Prize winner''s most influential and enduring personal writings, newly curated and introduced by acclaimed Camus scholar Alice Kaplan. Albert Camus (1913-1960) is unsurpassed among writers for a body of work that animates the wonder and absurdity of existence. Personal Writings brings together, for the first time, thematically-linked essays from across Camus''s writing career that reflect the scope and depth of his interior life. Grappling with an indifferent mother and an impoverished childhood in Algeria, an ever-present sense of exile, and an ongoing search for equilibrium, Camus''s personal essays shed new light on the emotional and experiential foundations of his philosophical thought and humanize his most celebrated works.

The Nobel Prize winner''s most influential and enduring political writings, newly curated and introduced by acclaimed Camus scholar Alice Kaplan. Albert Camus (1913-1960) is unsurpassed among writers for a body of work that animates the wonder and absurdity of existence. Committed Writings brings together, for the first time, thematically-linked essays from across Camus''s writing career that reflect the scope of his political thought. This pivotal collection embodies Camus''s radical and unwavering commitment to upholding human rights, resisting fascism, and creating art in the service of justice.

l se trouve dans Le Mythe de Sisyphe o� l'auteur fran�ais Albert Camus pr�sente sa philosophie de l'absurde: l'id�e que l'humanit� dans son ensemble est bloqu� dans une boucle perp�tuelle en vains efforts pour essayer de trouver un sens dans un monde absurde. Il illustre son point avec un personnage c�l�bre de la mythologie grecque: Sisyphe a �t� condamn� par les dieux � rouler un rocher jusqu'au sommet d'une montagne, seulement pour retomber � l'endroit o� le premier commenc� et r�p�ter le processus un nombre infini de fois. -De Goodread

The Fall is the third and last novel of this philosopher, published in 1956. Within his work can identify the existentialist line of his thinking, also reflects the philosophy of the absurd in the sense of approval and disenchantment with the affirmation Of positive and negative qualities in the dignity and fraternity of the human being. Camus considered the absurdity of the human condition as a tragic inability to comprehend and transcend in every situation that involves the subject, the same lineage is exposed in the description of a seemingly irrational world in which the individual seeks his sense of life as he is Protagonist of this novel.

NOBEL PRIZE WINNER • Twenty-three political essays that focus on the victims of history, from the fallen maquis of the French Resistance to the casualties of the Cold War. In the speech he gave upon accepting the Nobel Prize for Literature in 1957, Albert Camus said that a writer "cannot serve today those who make history; he must serve those who are subject to it." Resistance, Rebellion and Death displays Camus'' rigorous moral intelligence addressing issues that range from colonial warfare in Algeria to the social cancer of capital punishment. But this stirring book is above all a reflection on the problem of freedom, and, as such, belongs in the same tradition as the works that gave Camus his reputation as the conscience of our century: The Stranger, The Rebel, and The Myth of Sisyphus.

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

NOBEL PRIZE-WINNING AUTHOR • One of the most widely read novels of all time—from one of the best-known writers of all time—about a lawyer from Paris who brilliantly illuminates the human condition. Elegantly styled, Camus'' profoundly disturbing novel of a Parisian lawyer''s confessions is a searing study of modern amorality.

The first novel from the Nobel Prize-winning author lays the foundation for The Stranger, telling the story of an Algerian clerk who kills a man in cold blood. In A Happy Death, written when Albert Camus was in his early twenties and retrieved from his private papers following his death in 1960, revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man. As the novel follows the protagonist, Patrice Mersault, to his victim''s house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time. Translated from the French by Richard Howard

‘कालिगुला’ रोमन साम्राज्य के निरंकुश तानाशाह की मर्मांतक कहानी है जो अपने मारे जाने के षड्यंत्रों के बीच भी 'निर्भय' है। उसकी तानाशाही ने सदाचार को, ईमानदार आदमी को चाबुक पर नचाया है। उसे उन लोगों के चेहरों की मलिनता और गंध बड़ी निकृष्ट लगती है, जिन्होंने न दुःख भोगे न जोखिम उठाए, जो सद्गुणों की जैसे दुकान लगाते हैं, सुरक्षा का स्वप्न ऐसे देखते हैं जैसे कोई युवती प्रेम का। शायद ये इसी भय में अन्ततः मर भी जाएँगे बिना यह जाने कि उन्होंने जिन्दगी भर झूठ बोला है। ये लोग न्यायकर्ता कैसे हो सकते हैं? ऐसी तमाम बातें, तमाम चीजें बेबाकी से सोचनेवाले निरंकुश, क्रूर और अनिष्टकारी कालिगुला को सारी वर्जनाओं के बावजूद किसी महानायक की तरह स्थापित करती चली जाती हैं। कालिगुला की मुक्ति की छटपटाहट और मनुष्य के मनोभावों पर निरपेक्ष पकड़ से ही उसके लिए चाँद जरूरी हो जाता है। वह खुद से कहता है, ‘कालिगुला, तुम भी, तुम भी दंड के भागी हो। किसी से कुछ कम, किसी से कुछ ज्यादा लेकिन इस न्यायाधीशविहीन संसार में जहाँ कोई भी निर्दोष नहीं, कौन हिम्मत करेगा कि मुझे दोषी ठहराए?’

From a variety of masterfully rendered perspectives, these six stories depict people at painful odds with the world around them. A wife can only surrender to a desert night by betraying her husband. An artist struggles to honor his own aspirations as well as society''s expectations of him. A missionary brutally converted to the worship of a tribal fetish is left with but an echo of his identity. Whether set in North Africa, Paris, or Brazil, the stories in Exile and the Kingdom are probing portraits of spiritual exile, and man’s perpetual search for an inner kingdom in which to be reborn. They display Camus at the height of his powers. Now, on the 50th anniversary of the book’s publication, Carol Cosman’s new translation recovers a literary treasure for our time. Albert Camus won the Nobel Prize for Literature in 1957.

Contemporary scholarship tends to view Albert Camus as a modern, but he himself was conscious of the past and called the transition from Hellenism to Christianity "the true and only turning point in history." For Camus, modernity was not fully comprehensible without an examination of the aspirations that were first articulated in antiquity and that later received their clearest expression in Christianity. These aspirations amounted to a fundamental reorientation of human life in politics, religion, science, and philosophy. Understanding the nature and achievement of that reorientation became the central task of Christian Metaphysics and Neoplatonism. Primarily known through its inclusion in a French omnibus edition, it has remained one of Camus' least-read works, yet it marks his first attempt to understand the relationship between Greek philosophy and Christianity as he charted the movement from the Gospels through Gnosticism and Plotinus to what he calls Augustine's "second revelation" of the Christian faith. Ronald Srigley's translation of this seminal document helps illuminate these aspects of Camus' work. His freestanding English edition exposes readers to an important part of Camus' thought that is often overlooked by those concerned primarily with the book's literary value and supersedes the extant McBride translation by retaining a greater degree of literalness. Srigley has fully annotated Christian Metaphysics to include nearly all of Camus' original citations and has tracked down many poorly identified sources. When Camus cites an ancient primary source, whether in French translation or in the original language, Srigley substitutes a standard English translation in the interest of making his edition accessible to a wider range of readers. His introduction places the text in the context of Camus' better-known later work, explicating its relationship to those mature writings and exploring how its themes were reworked in subsequent books. Arguing that Camus was one of the great critics of modernity through his attempt to disentangle the Greeks from the Christians, Srigley clearly demonstrates the place of Christian Metaphysics in Camus' oeuvre. As the only stand-alone English version of this important work-and a long-overdue critical edition-his fluent translation is an essential benchmark in our understanding of Camus and his place in modern thought.

In May 2005 Penguin will publish 70 unique titles to celebrate the company's 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane's vision of good books for all'. three essays evoke different aspects of the place - the title essay The Minotaur and The Return to Tipasa.

In a series of highly publicized articles in 1952, Jean-Paul Sartre engaged Albert Camus in a bitter public confrontation over the ideas Camus articulated in his renowned work, . This volume contains English translations of the five texts constituting this famous philosophical quarrel. It also features a biographical and critical introduction plus two essays by contemporary scholars reflecting on the cultural and philosophical significance of this confrontation.

As a philosophy teacher, mentor, and friend, Jean Grenier (1898?1971) had an enormous influence on the young Albert Camus (1913?1960), who, in fact, acknowledged that Grenier?s Les Iles had touched the very core of his sensibility and provided him with both a ?terrain for reflection, and a format? that he would later use for his own essays. Their correspondence, beginning when the seventeen-year-old Camus was Grenier?s student at the Grand Lycäe of Algiers, documents the younger man?s struggle to become a writer and find his own voice, a period in which he turned frequently to his mentor for advice, comfort, and direction. The letters cover a period of almost thirty years, from 1932 to Camus?s untimely death in 1960. Because Camus destroyed the earlier correspondence he received, the first twenty-six letters in the volume are his only; the full begins in 1940. ø These enlightening letters offer invaluable glimpses into the development of Camus?s aesthetic ideas, literary production, and political stance. In contrast to the correspondence of Grenier, who throughout remains somewhat reticent about his life and doubtful about himself and his works, Camus?s letters are a window into his most profound thoughts and sensitivities, delving deeply into his psyche and, at times, revealing a side of the writer unfamiliar to us. Undoubtedly they allow us a better understanding of Albert Camus, the man and the artist.

Albert Camus'' laconic masterpiece about a Frenchman who murders an Arab in colonial Algeria is famous in its time for diagnosing a state of alienation and spiritual exhaustion which summed up the mood of the mid-twentieth century. Today, more than fifty years after its first appearance, we can see that this early success was no passing fashion: The Outsider continues to speak to us of ultimate things with the force of a parable and the excitement of a thriller and remains one of the most widely read and influential classics of the century.

From 1943 to 1947, Albert Camus was editor-in-chief of the famous underground and post-Liberation French newspaper Combat. Among his journalist writings during this period were eloquent essays that grappled with questions of revolution, violence, freedom, justice, ethics, and the emerging social order. The 41 pieces collected here--most never before published in English--tell the story of a sensitive man's odyssey from "hell to reason" at a time of tremendous upheaval while also providing a missing link between Camus's pre-war and post-war works. Almost lyrical in their intensity of thought and language, these newspaper pieces show a Camus new to most American readers and are a unique testimony to an extraordinary period in history with parallels to current changes in Eastern Europe. At the time of Liberation in 1944, Camus called for a revolution in French society, including a violent purge of those who had sided with the Nazis. When this turned into a near civil war of personal vendettas and summary executions, he gradually became disillusioned with his hopes for a new society. His later pieces in Combat show him arriving at a more moderate theory of revolt later echoed in such books as The Plague and The Rebel: the individual mattered above all, human life was greater than social goals. "I have come to the conclusion", he wrote, "that men who want to change the world today must choose one of the following: the charnel house, the impossible dream of stopping history, or the acceptance of a relative Utopia that still leaves man the choice to act freely".

Set in a coastal city in Algeria during the bubonic plague, this novel examines the impact of the catastrophe on a group of people, symbolizing mankind''s struggle against ignorance and fear.

A haunting tale of human resilience in the face of unrelieved horror, Camus' novel about a bubonic plague ravaging the people of a North African coastal town is a classic of twentieth-century literature.

The Stranger (French: L''Étranger), also published in English as The Outsider, is a 1942 novella by French author Albert Camus. Its theme and outlook are often cited as examples of Camus'' philosophy, absurdism, coupled with existentialism; though Camus personally rejected the latter label. The title character is Meursault, an indifferent French settler in Algeria described as "a citizen of France domiciled in North Africa, a man of the Mediterranean, an homme du midi yet one who hardly partakes of the traditional Mediterranean culture."Weeks after his mother''s funeral, he kills an Arab man in French Algiers, who was involved in a conflict with one of Meursault''s neighbors. Meursault is tried and sentenced to death. The story is divided into two parts, presenting Meursault''s first-person narrative view before and after the murder, respectively. Meursault learns of the death of his mother, who has been living in an old age home in the country. He takes time off from work to attend her funeral, but he shows no signs of grief or mourning that the people around him expect from someone in his situation. When asked if he wishes to view her body, he declines, and he smokes and drinks regular (white) coffee - not the obligatory black coffee - at the vigil held by his mother''s coffin the night before the burial. Most of his comments to the reader at this time are about his observations of the aged attendees at the vigil and funeral, which takes place on an unbearably hot day. Back in Algiers, Meursault encounters Marie, a former secretary of his firm. The two become re-acquainted, swim together, watch a comedy film, and begin to have an intimate relationship. All of this happens on the day after his mother''s funeral. Over the next few days, Meursault helps Raymond Sintès, a neighbor and friend who is rumored to be a pimp, but says he works in a warehouse, to get revenge on a Moorish girlfriend he suspects has been accepting gifts and money from another man. Raymond asks Meursault to write a letter inviting the girl over to Raymond''s apartment solely so that he can have sex with her and then spit in her face and throw her out. While he listens to Raymond, Meursault is characteristically unfazed by any feelings of empathy, so he does not express concern that Raymond''s girlfriend would be emotionally hurt by this plan and agrees to write the letter. In general, Meursault considers other people either interesting or annoying, or feels nothing for them at all. Raymond''s girlfriend visits him on a Sunday morning, and the police get involved when he beats her for slapping him after he tries to kick her out. He asks Meursault to testify that the girlfriend had been unfaithful when he is called to the police station, to which Meursault agrees. Ultimately, Raymond is let off with a warning.