Best Selling Books by Adam Roberts

Science Fiction is a fascinating and comprehensive introduction to one of the most popular areas of modern culture. This second edition reflects how the field is rapidly changing in both its practice and its critical reception. With an entirely new conclusion and all other chapters fully reworked and updated, this volume includes: a concise history of science fiction and the ways in which the genre has been used and defined explanations of key concepts in Science Fiction criticism and theory through chapters such as Gender, Race, Technology and Metaphor examines the interactions between Science Fiction and Science Fact anchors each chapter with a case study drawn from short story, book or film, from Frank Herbert''s Dune to Star Wars, from The Left Hand of Darkness to Neuromancer. Introducing the reader to nineteenth-century, Pulp, Golden Age, New Wave, Feminist and Cyberpunk science fictions, this is the essential contemporary guide to a major cultural movement.

This book is the definitive critical history of science fiction. The 2006 first edition of this work traced the development of the genre from Ancient Greece and the European Reformation through to the end of the 20th century. This new 2nd edition has been revised thoroughly and very significantly expanded. An all-new final chapter discusses 21st-century science fiction, and there is new material in every chapter: a wealth of new readings and original research. The author’s groundbreaking thesis that science fiction is born out of the 17th-century Reformation is here bolstered with a wide range of new supporting material and many hundreds of 17th- and 18th-century science fiction texts, some of which have never been discussed before. The account of 19th-century science fiction has been expanded, and the various chapters tracing the twentieth-century bring in more writing by women, and science fiction in other media including cinema, TV, comics, fan-culture and other modes.

A long time ago in galaxy far, far away a really quite good SF film, a sort of western in space, was launched. The special effects were pretty shoddy but it did have some quite good actors in it. And Mark Hammill. A second and third film that were actually the fifth and sixth films followed and they weren''t quite so good but they were still quite fun (especially when the teddies got blasted by the Imperial stormtroopers). Then, the first, second and third films followed and they were actually fairly dreadful though by now the special effects were much better. And the actors were still better than average too. And Mark Hammill was too old to be in it plus his character hadn''t been born yet so that was OK. A Gollancz parody was inevitable. And here it is. An epic told in six chapters. An epic of good versus evil. Of dark versus light. Of hairy co-pilots and green gurus. Of bizarre hair styles, steel bras and camp robots. An epic that starts in the middle. And that''s the original!

Two narrators tell the story of the simmering tensions between their two communities as they travel out to a new planet, colonise it, then destroy themselves when the tensions turn into outright war. Adam Roberts is a new writer completely in command of the SF genre. This is a novel that is at once entertaining and philosophical. The attitudes and prejudices of its characters are subtlety drawn and ring completely true despite the alien circumstances they find themselves in. The grasp of science and its impact on people is instinctive. But above all it is the epic and colourful world building that marks SALT out - the planet Salt rivals Dune in its desolation and is a suitably biblical setting for a novel that is powered by the corrupting influence of imperfectly remembered religions on distant societies. From the early scenes set on a colony ship towed by a massive ice meteorite, to the description of a planet covered in sodium chloride, to the chilling narrative of a world sliding into its first war, this is a novel from a writer who shouts star quality.

This is the first new complete literary biography of H G Wells for thirty years, and the first to encompass his entire career as a writer, from the science fiction of the 1890s through his fiction and non-fiction writing all the way up to his last publication in 1946. Adam Roberts provides a comprehensive reassessment of Wells’ importance as a novelist, short-story writer, a theorist of social prophecy and utopia, journalist and commentator, offering a nuanced portrait of the man who coined the phrases ‘atom bomb’, ‘League of Nations’ ‘the war to end war’ and ‘time machine’, who wrote the world’s first comprehensive global history and invented the idea of the tank. In these twenty-six chapters, Roberts covers the entirety of Wells’ life and discusses every book and short story he produced, delivering a complete vision of this enduring figure.

YOUR COMPLETE GUIDE TO WRITING AWESOME AND AMAZING FICTION FROM ANOTHER DIMENSION. This is an authoritative and engaging introduction to writing science fiction and fantasy for the complete beginner. This book provides all the information, guidance, and advice you need to write great science fiction to captivate your readers. It will help you understand how the genre works, the big dos and don''ts - as well as giving you the inspiration and motivation you actually need to write. Written by a leading science fiction novelist and a Professor in Creative Writing at the University of London - you''ll discover how to let your creativity flow, create incredible worlds, and get your novel finished. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children''s books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

In a world where we have been genetically engineered so that we can photosynthesise sunlight with our hair, hunger is a thing of the past, food an indulgence. The poor grow their hair, the rich affect baldness and flaunt their wealth by still eating. But other hungers remain ... The young daughter of an affluent New York family is kidnapped. The ransom demands are refused. A year later a young woman arrives at the family home claiming to be their long lost daughter. She has changed so much, she has lived on light, can anyone be sure that she has come home? Adam Roberts'' new novel is yet another amazing melding of startling ideas and beautiful prose. Set in a New York of the future it nevertheless has echoes of a Fitzgeraldesque affluence and art-deco style. It charts his further progress as one of the most important writers of his generation.

Who can foretell India''s future? Mr. Joshi is a fortune teller in a slum in south Delhi who uses a soothsaying green parrot to make predictions. When Adam Roberts visited him in 2012, Joshi''s parrot declared that India was destined to become the most powerful nation under Prime Minister Narendra Modi. The parrot also foretold that India would win the soccer World Cup. Parrots may not be the preeminent political authority, but many Indians were just as confident. So Adam Roberts spent five years traveling the length and breadth of the country from Kerala to the Himalayas, Bengal to Gujarat. As he encountered the power brokers, gate keepers, and elaborate social dynamics of the world''s largest democracy, he asked if -- and how -- India can become a truly great economic power, more influential abroad and stable at home. He met prime ministers, multimillionaires, traveling salesmen, pilgrims, eco-warriors, farmers, and tech innovators, each wrestling with the trials posed by the world''s most conspicuously nearly great power. He experienced an immense country that, despite daunting challenges, is entering the most optimistic period in its modern history. Through vivid storytelling and insight, Superfast Primetime Ultimate Nation examines the problems and promises of fast-growing India to reveal how it might reach its full potential and become, as Mr. Joshi''s parrot predicted, a truly powerful nation.

Equatorial Guinea is a tiny country roughly the size of the state of Maryland. Humid, jungle covered, and rife with unpleasant diseases, natives call it Devil Island. Its president in 2004, Obiang Nguema, had been accused of cannibalism, belief in witchcraft, mass murder, billion dollar corruption, and general rule by terror. With so little to recommend it, why in March 2004 was Equatorial Guinea the target of a group of salty British, South African and Zimbabwean mercenaries, travelling on an American-registered ex-National Guard plane specially adapted for military purposes, that was originally flown to Africa by American pilots? The real motive lay deep below the ocean floor: oil. In The Dogs of War, Frederick Forsyth effectively described an attempt by mercenaries to overthrow the government of Equatorial Guinea -- in 1972. And the chain of events surrounding the night of March 7, 2004, is a rare case of life imitating art -- or, at least, life imitating a 1970s thriller -- in almost uncanny detail. With a cast of characters worthy of a remake of Wild Geese and a plot as mazy as it was unlikely, The Wonga Coup is a tale of venality, overarching vanity and greed whose example speaks to the problems of the entire African continent.

An interstellar craft is decelerating after its century-long voyage. Its destination is V538 Aurigae ?, a now-empty planet dominated by one gigantic megastructure, a conical mountain of such height that its summit is high above the atmosphere. The ship''s crew of five hope to discover how the long-departed builders made such a colossal thing, and why: a space elevator? a temple? a work of art? Its resemblance to the mountain of purgatory lead the crew to call this world Dante. In our near future, the United States is falling apart. A neurotoxin has interfered with the memory function of many of the population, leaving them reliant on their phones as makeshift memory prostheses. But life goes on. For Ottoline Barragão, a regular kid juggling school and her friends and her beehives in the back garden, things are about to get very dangerous, chased across the north-east by competing groups, each willing to do whatever it takes to get inside Ottoline''s private network and recover the secret inside. Purgatory Mount, Adam Roberts''s first SF novel for three years, combines wry space opera and a fast-paced thriller in equal measure. It is a novel about memory and atonement, about exploration and passion, and like all of Roberts''s novels it''s not quite like anything else. Shortlisted for the 2021 BSFA award for Best Novel!

Private Investigator Alma is caught up in another impossible murder. One of the world''s four richest people may be dead - but nobody is sure which one. Hired to discover the truth behind the increasingly bizarre behaviour of the ultra-rich, Alma must juggle treating her terminally ill lover with a case which may not have a victim. Inspired by the films of Kubrick, this stand-alone novel returns to the near-future of THE REAL-TOWN MURDERS, and puts Alma on a path to a world she can barely understand. Witty, moving and with a mystery deep at its heart, this novel again shows Adam Roberts'' mastery of the form.

For fans of Alison Espach''s The Wedding People and Dolly Alderton''s Good Material, a delectable comedy of manners about cooking, ambition, and friendship set in the food world as a young and socially awkward writer takes a job ghostwriting the cookbook for a famous (and famously chaotic) Hollywood starlet. Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories. What Isabella is not, unfortunately, is a gainfully employed person. In the wake of a disastrous live-streamed soufflé demonstration, Isabella is summarily fired from her job at a digital food magazine and must quickly find a way to keep herself in buckwheat and anchovy paste. When offered the opportunity to ghostwrite a cookbook for Molly Babcock, the once-beloved television actress now mired in scandal, Isabella warily accepts. Unfortunately, Molly quickly proves herself to be a nightmare collaborator: hungover, flaky, shallow, and—worst of all—indifferent to food. But between Molly’s bizarre late-night texts, goofy confessions, and impromptu road trips, Isabella reluctantly begins to see Molly’s charms. Can Isabella corral Molly out of the gossip rags and into the kitchen? Can she find the key to Molly’s heart and stomach? Or will Isabella’s devotion to her culinary idols and Molly’s monstrous ego send the entire cookbook—and both of their careers—up in flames? A mouthwatering, hilarious debut peppered with insider food world detail—the real writers behind celebrity chef cookbooks, the hot restaurants that run on the backs of their sous-chefs, the secret to perfect blinis à la Russe—Adam Roberts''s Food Person is a literary soufflé—a deceptively light, deliciously rich, showstopping confection.

Good is a construct. Evil is a virus. The Starship Sa Niro and the Starship Sß Oubliette were in orbit around a black hole, one afternoon... by the end of the day, the crews of both starships were dead, victims of a single killer: Captain Alpha Raine. Raine claims he''s acting under the command of a voice emanating from the black hole: Mr Modo. No one believes him.Everyone knows that things go into black holes; nothing comes out. But something inexplicable has been happening to Raine, and whatever it is seems to be spreading. An historian studying serial killers from the 21st century interviews him... and then nearly kills someone herself. It becomes increasingly undeniable that there''s something inside that black hole... and it''s found a way out...

Russia, 1946, the Nazis recently defeated. Stalin gathers half a dozen of the top Soviet science fiction authors in a dacha in the countryside somewhere. Convinced that the defeat of America is only a few years away, and equally convinced that the Soviet Union needs a massive external threat to hold it together, to give it purpose and direction, he tells the writers: ''I want you to concoct a story about aliens poised to invade earth ... I want it to be massively detailed, and completely believable. If you need props and evidence to back it up, then we can create them. But when America is defeated, your story must be so convincing that the whole population of Soviet Russia believes in it - the population of the whole world!'' The little group of writers gets down to the task and spends months working on it. But then new orders come from Moscow: they are told to drop the project; Stalin has changed his mind; forget everything about it. So they do. They get on with their lives in their various ways; some of them survive the remainder of Stalin''s rule, the changes of the 50s and 60s. And then, in the aftermath of Chernobyl, the survivors gather again, because something strange has started to happen. The story they invented in 1946 is starting to come true ... A typically mind-blowing SF novel from one of the genre''s literary stars.

WINNER OF THE BSFA AWARD FOR BEST NOVEL Jack Glass is the murderer. We know this from the start. Yet as this extraordinary novel tells the story of three murders committed by Glass the reader will be surprised to find out that it was Glass who was the killer and how he did it. And by the end of the book our sympathies for the killer are fully engaged. Riffing on the tropes of crime fiction (the country house murder, the locked room mystery) and imbued with the feel of golden age SF, JACK GLASS is another bravura performance from Roberts. Whatever games he plays with the genre, whatever questions he asks of the reader, Roberts never loses sight of the need to entertain and JACK GLASS has some wonderfully gruesome moments, is built around three gripping HowDunnits and comes with liberal doses of sly humour. Roberts invites us to have fun and tricks us into thinking about both crime and SF via a beautifully structured novel set in a society whose depiction challanges notions of crime, punishment, power and freedom. It is an extraordinary novel.

In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotations that have hitherto gone unidentified by scholars, examining their relationship to the text in which they sit to unfurl a broader argument about the novel – both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditation on the textuality of fiction. It is essential reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch.