Best Selling Books by Adam Roberts

This book is the definitive critical history of science fiction. The 2006 first edition of this work traced the development of the genre from Ancient Greece and the European Reformation through to the end of the 20th century. This new 2nd edition has been revised thoroughly and very significantly expanded. An all-new final chapter discusses 21st-century science fiction, and there is new material in every chapter: a wealth of new readings and original research. The author’s groundbreaking thesis that science fiction is born out of the 17th-century Reformation is here bolstered with a wide range of new supporting material and many hundreds of 17th- and 18th-century science fiction texts, some of which have never been discussed before. The account of 19th-century science fiction has been expanded, and the various chapters tracing the twentieth-century bring in more writing by women, and science fiction in other media including cinema, TV, comics, fan-culture and other modes.

Who can foretell India''s future? Mr. Joshi is a fortune teller in a slum in south Delhi who uses a soothsaying green parrot to make predictions. When Adam Roberts visited him in 2012, Joshi''s parrot declared that India was destined to become the most powerful nation under Prime Minister Narendra Modi. The parrot also foretold that India would win the soccer World Cup. Parrots may not be the preeminent political authority, but many Indians were just as confident. So Adam Roberts spent five years traveling the length and breadth of the country from Kerala to the Himalayas, Bengal to Gujarat. As he encountered the power brokers, gate keepers, and elaborate social dynamics of the world''s largest democracy, he asked if -- and how -- India can become a truly great economic power, more influential abroad and stable at home. He met prime ministers, multimillionaires, traveling salesmen, pilgrims, eco-warriors, farmers, and tech innovators, each wrestling with the trials posed by the world''s most conspicuously nearly great power. He experienced an immense country that, despite daunting challenges, is entering the most optimistic period in its modern history. Through vivid storytelling and insight, Superfast Primetime Ultimate Nation examines the problems and promises of fast-growing India to reveal how it might reach its full potential and become, as Mr. Joshi''s parrot predicted, a truly powerful nation.

YOUR COMPLETE GUIDE TO WRITING AWESOME AND AMAZING FICTION FROM ANOTHER DIMENSION. This is an authoritative and engaging introduction to writing science fiction and fantasy for the complete beginner. This book provides all the information, guidance, and advice you need to write great science fiction to captivate your readers. It will help you understand how the genre works, the big dos and don''ts - as well as giving you the inspiration and motivation you actually need to write. Written by a leading science fiction novelist and a Professor in Creative Writing at the University of London - you''ll discover how to let your creativity flow, create incredible worlds, and get your novel finished. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children''s books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

Good is a construct. Evil is a virus. The Starship Sa Niro and the Starship Sß Oubliette were in orbit around a black hole, one afternoon... by the end of the day, the crews of both starships were dead, victims of a single killer: Captain Alpha Raine. Raine claims he''s acting under the command of a voice emanating from the black hole: Mr Modo. No one believes him.Everyone knows that things go into black holes; nothing comes out. But something inexplicable has been happening to Raine, and whatever it is seems to be spreading. An historian studying serial killers from the 21st century interviews him... and then nearly kills someone herself. It becomes increasingly undeniable that there''s something inside that black hole... and it''s found a way out...

Cleanness, both in the sense of a neoclassical stylistic purity and of an individual moral and political probity, was centrally important to Walter Savage Landor''s writing, both in his prose and poetry. At the same time, this commitment to purity was contaminated in a variety of eloquent and complicating uncleannesses: his own fiery temper and frequent rages; his sometimes scurrilous and sexually explicit Latin poems; and the innovative, compacted, proto-Modernist verse style of works such as his epic Gebir, as stylistically-tangled and potent a poem ever produced in the Romantic era. The present study, the first comprehensive study of Landor''s writing for nearly half a century, addresses the whole of Landor''s prodigious output over the seven decades of his writing life, in verse, prose, and drama, in English and Latin: from the brief lyrics by which (if at all) he is remembered today up to his idylls, tragedies, and epics; from his pamphlets and essays to historical novels like Pericles and Aspasia and the textual colossus of the Imaginary Conversations. ''Cleanness'' becomes the organising principle by which this heterogeneous and multivocal body of work is read. At once a survey of Landor''s output and life, a critically engaged reading of his work and an interrogation of the principles of poetry itself, Landor''s Cleanness seeks to reconfigure the map of Romantic and Victorian writing, and move Landor''s reputation at least some way in the direction of the eminence he once enjoyed: as a major writer of his time, both intensely characteristic of the nineteenth-century and startlingly relevant to the twenty-first.

An interstellar craft is decelerating after its century-long voyage. Its destination is V538 Aurigae ?, a now-empty planet dominated by one gigantic megastructure, a conical mountain of such height that its summit is high above the atmosphere. The ship''s crew of five hope to discover how the long-departed builders made such a colossal thing, and why: a space elevator? a temple? a work of art? Its resemblance to the mountain of purgatory lead the crew to call this world Dante. In our near future, the United States is falling apart. A neurotoxin has interfered with the memory function of many of the population, leaving them reliant on their phones as makeshift memory prostheses. But life goes on. For Ottoline Barragão, a regular kid juggling school and her friends and her beehives in the back garden, things are about to get very dangerous, chased across the north-east by competing groups, each willing to do whatever it takes to get inside Ottoline''s private network and recover the secret inside. Purgatory Mount, Adam Roberts''s first SF novel for three years, combines wry space opera and a fast-paced thriller in equal measure. It is a novel about memory and atonement, about exploration and passion, and like all of Roberts''s novels it''s not quite like anything else. Shortlisted for the 2021 BSFA award for Best Novel!

Two narrators tell the story of the simmering tensions between their two communities as they travel out to a new planet, colonise it, then destroy themselves when the tensions turn into outright war. Adam Roberts is a new writer completely in command of the SF genre. This is a novel that is at once entertaining and philosophical. The attitudes and prejudices of its characters are subtlety drawn and ring completely true despite the alien circumstances they find themselves in. The grasp of science and its impact on people is instinctive. But above all it is the epic and colourful world building that marks SALT out - the planet Salt rivals Dune in its desolation and is a suitably biblical setting for a novel that is powered by the corrupting influence of imperfectly remembered religions on distant societies. From the early scenes set on a colony ship towed by a massive ice meteorite, to the description of a planet covered in sodium chloride, to the chilling narrative of a world sliding into its first war, this is a novel from a writer who shouts star quality.

WINNER OF THE BSFA AWARD FOR BEST NOVEL Jack Glass is the murderer. We know this from the start. Yet as this extraordinary novel tells the story of three murders committed by Glass the reader will be surprised to find out that it was Glass who was the killer and how he did it. And by the end of the book our sympathies for the killer are fully engaged. Riffing on the tropes of crime fiction (the country house murder, the locked room mystery) and imbued with the feel of golden age SF, JACK GLASS is another bravura performance from Roberts. Whatever games he plays with the genre, whatever questions he asks of the reader, Roberts never loses sight of the need to entertain and JACK GLASS has some wonderfully gruesome moments, is built around three gripping HowDunnits and comes with liberal doses of sly humour. Roberts invites us to have fun and tricks us into thinking about both crime and SF via a beautifully structured novel set in a society whose depiction challanges notions of crime, punishment, power and freedom. It is an extraordinary novel.

Roberts investigates why in 2004, the tiny, oil-rich African nation of Equatorial Guinea became the target of a group of salty British, South African and Zimbabwean mercenaries, traveling on an American-registered ex-National Guard plane.

‘I’m working on a novel intended to express the feel of England in Edward III’s time ... The fourteenth century of my novel will be mainly evoked in terms of smell and visceral feelings, and it will carry an undertone of general disgust rather than hey-nonny nostalgia’ – Anthony Burgess, Paris Review, 1973 The Black Prince is a brutal historical tale of chivalry, religious belief, obsession, siege and bloody warfare. From disorientating depictions of medieval battles to court intrigues and betrayals, the campaigns of Edward II, the Black Prince, are brought to vivid life by an author in complete control of the novel as a way of making us look at history with fresh eyes, all while staying true to the linguistic pyrotechnics and narrative verve of Burgess’s best work.

A long time ago in galaxy far, far away a really quite good SF film, a sort of western in space, was launched. The special effects were pretty shoddy but it did have some quite good actors in it. And Mark Hammill. A second and third film that were actually the fifth and sixth films followed and they weren''t quite so good but they were still quite fun (especially when the teddies got blasted by the Imperial stormtroopers). Then, the first, second and third films followed and they were actually fairly dreadful though by now the special effects were much better. And the actors were still better than average too. And Mark Hammill was too old to be in it plus his character hadn''t been born yet so that was OK. A Gollancz parody was inevitable. And here it is. An epic told in six chapters. An epic of good versus evil. Of dark versus light. Of hairy co-pilots and green gurus. Of bizarre hair styles, steel bras and camp robots. An epic that starts in the middle. And that''s the original!

This is the first new complete literary biography of H G Wells for thirty years, and the first to encompass his entire career as a writer, from the science fiction of the 1890s through his fiction and non-fiction writing all the way up to his last publication in 1946. Adam Roberts provides a comprehensive reassessment of Wells’ importance as a novelist, short-story writer, a theorist of social prophecy and utopia, journalist and commentator, offering a nuanced portrait of the man who coined the phrases ‘atom bomb’, ‘League of Nations’ ‘the war to end war’ and ‘time machine’, who wrote the world’s first comprehensive global history and invented the idea of the tank. In these twenty-six chapters, Roberts covers the entirety of Wells’ life and discusses every book and short story he produced, delivering a complete vision of this enduring figure.

THE SELLAMILLION is NOT a parody of Tolkien''s THE SILMARILLION. That would be pointless because although all Tolkien fans have a copy, only three of them have read past page 40. It is, however, a parody of all that Tolkien created as he worked on LORD OF THE RINGS. The history of the elderly days. Early missing drafts of LORD OF THE RINGS. A correspondence between the author and publisher on whether it should be a Bellybutton Stud of Doom rather than a Ring of Power. An experimental version of LOTR as if written by Dr Seuss. That sort of thing. It''ll be funny. Possibly hilarious. The author''s told us it will be. Promised even. And he did write THE SODDIT. And that was quite funny.

From the Ainulindalë, Middle-earth''s creation story, to the Zirak-zigil mountains where Gandalf slew the Bogrod, this book brings together 26 short, engaging essays that offer stimulating entry-points into the life and legendarium of the master of fantasy literature: J. R. R. Tolkien.

Doctor Whom, the grammatically correct TimeLord (or should that be Time Lord? Or is it Timelord?) has come to save our universe from the terror''s of sloppy syntax and bad grammar. With his intrepid assistant Lynne: hes here to correct greengrocers sign''s, popular fiction and government memos (memoes?) before inaccurate and lazy communication rips apart the very fabric of the space time continuum. Is it any wonder that the rise of global warming has coincided with the decline in the teaching of Latin in our schools? I do''nt think so. Will the Doctor save us all? or will his evil nemisises (nemisiss? nemisi?) The Dalek''s triumph and rule over a universe where no-one has any clear idea of the correct usage of semi-colons?