New Releases by Adam Roberts

Frankenstein is the name of the maker, but we always think of the monster... And what a monster he is. Frankenstein is a splendid creature, in almost every respect superior to humanity: smarter, stronger, and able to endure extremes of heat and cold that would kill a normal person. He is also effectively immortal. Such a being, released into our world, would sooner or later come to rule it. Welcome to FRANKENSTEIN REX. The monster's ugliness is a positive advantage: his towering height and ghastly face scream power; and people, who understand that power is never pretty, that it is brute and unpleasant and that our best chance is to have it on our side rather than set against us, flock to follow him. In a few years the monster conquers Europe, and in a matter of decades he rules the whole world. But although generations come and go believing their world-dictator to be immortal, the creature himself now understands that he is dying. The creature re-opens Frankenstein's original research, to re-discover those lost skills and techniques and so to create for himself an heir. Frankenstein Rex is a meditation on the nature of power. It is a conventional position to consider the tyrant as a monster - to think of Hitler, or Mao, or Stalin as monstrous aberrations from the human norm. By making the monster the tyrant, Roberts invites us to think about how ordinary and how conventional such figures actually are.

Good is a construct. Evil is a virus. The Starship Sa Niro and the Starship Sß Oubliette were in orbit around a black hole, one afternoon... by the end of the day, the crews of both starships were dead, victims of a single killer: Captain Alpha Raine. Raine claims he's acting under the command of a voice emanating from the black hole: Mr Modo. No one believes him.Everyone knows that things go into black holes; nothing comes out. But something inexplicable has been happening to Raine, and whatever it is seems to be spreading. An historian studying serial killers from the 21st century interviews him... and then nearly kills someone herself. It becomes increasingly undeniable that there's something inside that black hole... and it's found a way out...

A gothic tale of murder and corruption set in 1840s Victorian London, taking inspiration from our most famous 19th century writers. 1848, the spectre of revolution stalks London… “The story of the death of Sir Martin Malprelate acquired, from its earliest telling, a phantasmagorical quality, shrouding the violence of the assault in an embellishment of diabolic spectres and uncanny mystery.” Struck down in a Camden street, the railway magnate never lived to see his dream of a line from London to Middlemarch. But who was to blame? An angry mob? Or were the witnesses who swore he was struck by a demonic train, wheels ringing on rails where no rails lay, to be believed? A hated man who many wished dead? An impossible death? Truly a case for the father of all detectives. From award-winning author Adam Roberts comes a gothic murder mystery like no other; a gripping novel set in the tangled realms of 19th century fiction. In a world woven from the imaginations of Charles Dickens, George Eliot and Arthur Conan Doyle the inexplicable death of a railway magnate opens endless possibilities.

An exhilarating, pun-filled love letter to musicals, with 50 Broadway-inspired recipes. Good food and trivia and authors who sing—these are a few of our favorite things! Tony-nominated actor Gideon Glick and food writer Adam Roberts have teamed up to write the ultimate cookbook for theater lovers. This collection of musical-inspired recipes includes dishes like Yolklahoma!, Clafoutis and the Beast, Yam Yankees, Dear Melon Hansen, and more. And while readers are sure to be charmed by the names, the recipes themselves will have them sticking around for the food, glorious food! Thoughtfully assembled by two veritable Broadway experts, this book is sure to result in some enchanted eating. Each dish comes with a brief history of the show that inspired it, a summary of the plot, and “Listening Notes” chock-full of behind-the-scenes trivia. Complete with lively illustrations from celebrated theatrical illustrator Justin “Squigs” Robertson, Give My Swiss Chards to Broadway makes every meal feel like a night at the theater.

The This is the new social media platform everyone is talking about. Allow it to be injected into the roof of your mouth and it will grow into your brain, allow you to connect with others without even picking up your phone. Its followers are growing. Its detractors say it is a cult. But for one journalist, hired to do a puff-piece interview with their CEO, it will change the world forever. Adan just wants to stay at home with his smart-companion Elegy - phone, friend, confidante, sex toy. But when his mother flees to Europe and joins a cult, leaving him penniless, he has to enlist in the army. Sentient robots are invading America, but it seems Adan has a surprising ability to survive their attacks. He has a purpose, even if he doesn't know what it is. And in the far future, war between a hivemind of AIs and the remnants of humanity is coming to its inevitable end. But one woman has developed a weapon which might change the course of the war. It's just a pity she's trapped in an inescapable prison on a hivemind ship.

An interstellar craft is decelerating after its century-long voyage. Its destination is V538 Aurigae ?, a now-empty planet dominated by one gigantic megastructure, a conical mountain of such height that its summit is high above the atmosphere. The ship's crew of five hope to discover how the long-departed builders made such a colossal thing, and why: a space elevator? a temple? a work of art? Its resemblance to the mountain of purgatory lead the crew to call this world Dante. In our near future, the United States is falling apart. A neurotoxin has interfered with the memory function of many of the population, leaving them reliant on their phones as makeshift memory prostheses. But life goes on. For Ottoline Barragão, a regular kid juggling school and her friends and her beehives in the back garden, things are about to get very dangerous, chased across the north-east by competing groups, each willing to do whatever it takes to get inside Ottoline's private network and recover the secret inside. Purgatory Mount, Adam Roberts's first SF novel for three years, combines wry space opera and a fast-paced thriller in equal measure. It is a novel about memory and atonement, about exploration and passion, and like all of Roberts's novels it's not quite like anything else. Shortlisted for the 2021 BSFA award for Best Novel!

This is the first new complete literary biography of H G Wells for thirty years, and the first to encompass his entire career as a writer, from the science fiction of the 1890s through his fiction and non-fiction writing all the way up to his last publication in 1946. Adam Roberts provides a comprehensive reassessment of Wells’ importance as a novelist, short-story writer, a theorist of social prophecy and utopia, journalist and commentator, offering a nuanced portrait of the man who coined the phrases ‘atom bomb’, ‘League of Nations’ ‘the war to end war’ and ‘time machine’, who wrote the world’s first comprehensive global history and invented the idea of the tank. In these twenty-six chapters, Roberts covers the entirety of Wells’ life and discusses every book and short story he produced, delivering a complete vision of this enduring figure.

The new Adam Roberts novel is a story of global apocalypse, old hatreds and new beginnings. It is his best novel to date. And this is how the world will end ... 'The snow started falling on the sixth of September, soft noiseless flakes filling the sky like a swarm of white moths, or like static interference on your TV screen - whichever metaphor, nature or technology, you find the more evocative. Snow everywhere, all through the air, with that distinctive sense of hurrying that a vigorous snowfall brings with it. Everything in a rush, busy-busy snowflakes. And, simultaneously, paradoxically, everything is hushed, calm, as quiet as cancer, as white as death. And at the beginning people were happy.' But the snow doesn't stop. It falls and falls and falls. Until it lies three miles thick across the whole of the earth. Six billion people have died. Perhaps 150,000 survive. But those 150,000 need help, they need support, they need organising, governing. And so the lies begin. Lies about how the snow started. Lies about who is to blame. Lies about who is left. Lies about what really lies beneath.

Private Investigator Alma is caught up in another impossible murder. One of the world's four richest people may be dead - but nobody is sure which one. Hired to discover the truth behind the increasingly bizarre behaviour of the ultra-rich, Alma must juggle treating her terminally ill lover with a case which may not have a victim. Inspired by the films of Kubrick, this stand-alone novel returns to the near-future of THE REAL-TOWN MURDERS, and puts Alma on a path to a world she can barely understand. Witty, moving and with a mystery deep at its heart, this novel again shows Adam Roberts' mastery of the form.

Numa linguagem acessível e abrangendo uma grande variedade de obras, o crítico e escritor Adam Roberts traça o desenvolvimento da ficção científica desde suas origens até sua atual disseminação na cultura popular, com seus desdobramentos no cinema, música e TV. Apresentando argumentos de que a ficção científica tem suas raízes nas viagens fantásticas da literatura grega, Roberts passa pelas suas inúmeras fases e subgêneros, da Era de Ouro a New Space Opera, para mostrar que essa é uma das grandes culturas literárias do nosso tempo. Além de uma excelente fonte de pesquisa histórica, esta é certamente uma das mais significativas obras da atualidade no campo da ficção científica e a mais completa do gênero em língua portuguesa.

Who can foretell India's future? Mr. Joshi is a fortune teller in a slum in south Delhi who uses a soothsaying green parrot to make predictions. When Adam Roberts visited him in 2012, Joshi's parrot declared that India was destined to become the most powerful nation under Prime Minister Narendra Modi. The parrot also foretold that India would win the soccer World Cup. Parrots may not be the preeminent political authority, but many Indians were just as confident. So Adam Roberts spent five years traveling the length and breadth of the country from Kerala to the Himalayas, Bengal to Gujarat. As he encountered the power brokers, gate keepers, and elaborate social dynamics of the world's largest democracy, he asked if -- and how -- India can become a truly great economic power, more influential abroad and stable at home. He met prime ministers, multimillionaires, traveling salesmen, pilgrims, eco-warriors, farmers, and tech innovators, each wrestling with the trials posed by the world's most conspicuously nearly great power. He experienced an immense country that, despite daunting challenges, is entering the most optimistic period in its modern history. Through vivid storytelling and insight, Superfast Primetime Ultimate Nation examines the problems and promises of fast-growing India to reveal how it might reach its full potential and become, as Mr. Joshi's parrot predicted, a truly powerful nation.

This book is the definitive critical history of science fiction. The 2006 first edition of this work traced the development of the genre from Ancient Greece and the European Reformation through to the end of the 20th century. This new 2nd edition has been revised thoroughly and very significantly expanded. An all-new final chapter discusses 21st-century science fiction, and there is new material in every chapter: a wealth of new readings and original research. The author’s groundbreaking thesis that science fiction is born out of the 17th-century Reformation is here bolstered with a wide range of new supporting material and many hundreds of 17th- and 18th-century science fiction texts, some of which have never been discussed before. The account of 19th-century science fiction has been expanded, and the various chapters tracing the twentieth-century bring in more writing by women, and science fiction in other media including cinema, TV, comics, fan-culture and other modes.

Adam Roberts turns his attention to answering the Fermi Paradox with a taut and claustrophobic tale that echoes John Carpenters' The Thing. Two men while away the days in an Antarctic research station. Tensions between them build as they argue over a love-letter one of them has received. One is practical and open. The other surly, superior and obsessed with reading one book - by the philosopher Kant. As a storm brews and they lose contact with the outside world they debate Kant, reality and the emptiness of the universe. The come to hate each other, and they learn that they are not alone.

Computers are changing. Soon the silicon chip will seem like a clunky antique amid the bounty of more exotic processes on offer. Robots are changing too; material evolution and swarm intelligence are creating a new generation of devices that will diverge and disperse into a balanced ecosystem of humans and ‘robjects’ (robotic objects). Somewhere in between, we humans will have to change also… in the way we interact with technology, the roles we adopt in an increasingly ‘intelligent’ environment, and how we interface with each other. The driving motors behind many of these changes will be artificial life (A-Life) and unconventional computing. How exactly they will impact on our world is still an open question. But in the spirit of collective intelligence, this anthology brings together 38 scientists and authors, working in pairs, to imagine what life (and A-Life) will look like in the year 2070. Every kind of technology is imagined: from lie-detection glasses to military swarmbots, brain-interfacing implants to synthetically ‘grown’ skyscrapers, revolution-inciting computer games to synthetically engineered haute cuisine. All artificial life is here. Featuring scientific contributions from: Martyn Amos, J. Mark Bishop, Seth Bullock, Stephen Dunne, James Dyke, Christian Jantzen, Francesco Mondada, James D. O'Shea, Andrew Philippides, Lenka Pitonakova, Steen Rasmussen, Thomas S. Ray, Micah Rosenkind, James Snowdon, Susan Stepney, Germán Terrazas, Andrew Vardy and Alan Winfield. Supported by TRUCE (Training and Research in Unconventional Computation in Europe).

What makes for a good short story? Being short, you might think the story's structure would yield an answer to this question more readily than, say, the novel. But for as long as the short story has been around, arguments have raged as to what it should and shouldn't be made up of, what it should and shouldn't do. Here ,15 leading contemporary practitioners offer structural appreciations of past masters of the form as well as their own perspectives on what the short story does so well. The best short stories don't have closure, argues one contributor, 'because life doesn't have closure'; 'plot must be written with the denouement constantly in view,' quotes another. Covering a century of writing that arguably saw all the major short forms emerge, from Hawthorne's 'Twice Told Tales' to Kafka's modernist nightmares, these essays offer new and unique inroads into classic texts, both for the literature student and aspiring writer.

Adam Roberts's Twenty Trillion Leagues Under the Sea revisits Jules Verne's classic novel in a collaboration with the illustrator behind a recent highly acclaimed edition of The Hunting of the Snark It is 1958 and France's first nuclear submarine, Plongeur, leaves port for the first of its sea trials. On board, gathered together for the first time, are one of the Navy's most experienced captains and a tiny skeleton crew of sailors, engineers, and scientists. The Plongeur makes her first dive and goes down, and down and down. Out of control, the submarine plummets to a depth where the pressure will crush her hull, killing everyone on board, and beyond. The pressure builds, the hull protests, the crew prepare for death, the boat reaches the bottom of the sea and finds nothing. Her final dive continues, the pressure begins to relent, but the depth gauge is useless. They have gone miles down. Hundreds of miles, thousands, and so it goes on. Onboard the crew succumb to madness, betrayal, religious mania, and murder. Has the Plongeur left the limits of our world and gone elsewhere?

YOUR COMPLETE GUIDE TO WRITING AWESOME AND AMAZING FICTION FROM ANOTHER DIMENSION. This is an authoritative and engaging introduction to writing science fiction and fantasy for the complete beginner. This book provides all the information, guidance, and advice you need to write great science fiction to captivate your readers. It will help you understand how the genre works, the big dos and don'ts - as well as giving you the inspiration and motivation you actually need to write. Written by a leading science fiction novelist and a Professor in Creative Writing at the University of London - you'll discover how to let your creativity flow, create incredible worlds, and get your novel finished. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

Nichts ist, wie es scheint Stellen Sie sich ein Universum vor, das nach ganz anderen physikalischen Regeln funktioniert. In dem die Planeten so eng aneinander liegen, dass man mit Flugzeugen und Zeppelinen zwischen ihnen hin- und herfliegen kann. In dem sich die menschliche Zivilisation wie Nomaden von einer Welt zur nächsten bewegt. Und in dem es ein wohlgehütetes Geheimnis gibt. Denn dieses Universum ist eine perfide Illusion ...

We know Stanislaw Lem, whether or not we consciously know that we do. He may only be recognised in the West as the author of the twice-filmed novel, Solaris, but the influence of his other work is legion. From computer games (The Sims was inspired by one of his short stories), to films (the red and blue pills of The Matrix owe much to his Futurological Congress); from the space comedies of Red Dwarf to the metaphysical satires of Douglas Adams... the presence of this masterly Polish writer can be traced far and wide. Nor was his genius confined to fiction. Lem's essays and pseudo-essays borne out of the military industrial tensions of the Cold War have outlived their original context and speak to the most current developments in virtual reality, nanotechnology, and artificial intelligence. To celebrate his name, as well as his vision, this anthology brings together writers, critics and scientists who continue to grapple with his concerns. British and Polish novelists join screenwriters, poets, computer engineers, and artists, to celebrate and explore Lem's legacy through short stories and essays - two literary forms that, as Lem knew well, can blend together to create something altogether new. As one of the barriers to Lem's fame was language, this book also features specially commissioned translations: three stories never to have appeared in English before. Lem was always ahead of us. It's time we caught up.

Riddles are threaded through The Hobbit , and are key to Tolkien's creative imagination. The Riddles of The Hobbit situates this novel and the rest of Tolkien's writing in the context of Old English riddling culture, and more modern day examples; it sets out to solve the many riddles of the novel in original and often surprising ways.

La naissance d'un tout nouveau type d'IA avec son premier specimen, SoieVerte...

Bingo Pacquet est un posstit menant une existence paisible. À part ses pieds,atrophiés, arthritiques et éléphantiasiques -, rien ne semble pouvoir troubler la quiétude de ses jours. Mais son bonheur prend fin lorsque le magicien Glandalf et une compagnie de nains gallois l'embarquent pour l'aventure. Ils projettent de faire main basse sur un trésor gardé par Snob, un dragon d'un ennui mortel. Ah oui : Bingo découvre aussi une espèce d'anneau,mais est-ce vraiment important...

Solaris Rising 1.5 continues the exciting new series of SF anthologies from Solaris and editor Ian Whates, with an exclusive ebook! An anthology of nine short stories from some of the most exciting names in science fiction today. From both sides of the Atlantic – and further afield – these nine great writers offer you everything from a mystery about the nature of the universe to an inexplicable transmission to everyone on Earth, and from engineered giant spiders to Venetian palaces in space. So settle in, and enjoy yet more proof of the extraordinary breadth and depth of contemporary SF. Featuring Adam Roberts, Aliette de Bodard, Gareth L. Powell, Mike Resnick, Sarah Lotz, Phillip Vine, Tanith Lee, Paul Cornell, Paul di Filippo.

Lizbreath Salamander is young and beautiful. Her scales have an iridescent sheen, her wings arch proudly, her breath has a tang of sulfur. And on her back a tattoo of a mythical creature: a girl. But when Lizbreath is drawn into a dark conspiracy she will have to rely on more than her beauty and her vicious claws the size of sabres ... A dragon has disappeared, one of a secretive clan. As Lizbreath delves deeper into their history she realises that these dragons will do anything to defend their secrets. Welcome to the world of The Dragon With The Girl Tattoo. A world of gloomy Nordic dragons leading lives uncannily like our own (despite their size, despite the need for extensive fireproofing of home furnishings), a world of money hoarded, a world of darkness and corruption. A world where people are the fantasy.

A long time ago in galaxy far, far away a really quite good SF film, a sort of western in space, was launched. The special effects were pretty shoddy but it did have some quite good actors in it. And Mark Hammill. A second and third film that were actually the fifth and sixth films followed and they weren't quite so good but they were still quite fun (especially when the teddies got blasted by the Imperial stormtroopers). Then, the first, second and third films followed and they were actually fairly dreadful though by now the special effects were much better. And the actors were still better than average too. And Mark Hammill was too old to be in it plus his character hadn't been born yet so that was OK. A Gollancz parody was inevitable. And here it is. An epic told in six chapters. An epic of good versus evil. Of dark versus light. Of hairy co-pilots and green gurus. Of bizarre hair styles, steel bras and camp robots. An epic that starts in the middle. And that's the original!

THE SELLAMILLION is NOT a parody of Tolkien's THE SILMARILLION. That would be pointless because although all Tolkien fans have a copy, only three of them have read past page 40. It is, however, a parody of all that Tolkien created as he worked on LORD OF THE RINGS. The history of the elderly days. Early missing drafts of LORD OF THE RINGS. A correspondence between the author and publisher on whether it should be a Bellybutton Stud of Doom rather than a Ring of Power. An experimental version of LOTR as if written by Dr Seuss. That sort of thing. It'll be funny. Possibly hilarious. The author's told us it will be. Promised even. And he did write THE SODDIT. And that was quite funny.

Adam Roberts' fourth novel is his most ambitious yet. In a feat of extraordinary world building he creates a universe where a breathable atmosphere extends out between the planets, where aristocrats cruise interstellar space in biplanes and skywhals make mysterious distant orbits. Then, with bravura plotting, he undermines our own notions of reality and leaves the reader unsure which universe to believe in. Gaining a reputation as one of the UK's leading SF stylists and masters of the high-concept, Roberts, shortlisted for the Arthur C. Clarke award with his debut novel SALT, confirms his extraordinary potential with POLYSTOM.

It is 1848 and the British Empire has grown rich exploiting Lilliputian slaves - the finesse of their working allowing unheard of feats of minature engineering; even Babbage's computing device has been made to work. But now the French have formed a regiment of previously peaceful Brobdingnagian giants and invasion looms. In a world where humanity is both smaller and larger than it once was, love and hate loom large. Mankind discovers itself at the centre of scale. Lilliputians are twelve times smaller than us but there are those twelve times smaller than them, and twelve times smaller again and so on. And the scale of being goes up from Swift's giants also ... Adam Roberts has written both a rip roaring 19th century adventure, a love story and a thought-provoking pre-atomic SF novel about our place in the universe.

Adam Roberts' new novel is a terrifying vision of a near future war - a civil war that tears the UK apart as new technologies allow the world's first truly democratic army to take on the British army and wrest control from the powers that be. Taking advances in modern communication and the new eagerness for power from the bottom upwards, Adam Roberts has produced a novel that is at once an exciting war novel and a philosophical examination of war and democracy. It shows one of the UK's most exciting and innovative literary voices working at the height of his powers and investing SF with literary significance that is its due.