New Releases by Adam Roberts

Frankenstein is the name of the maker, but we always think of the monster... And what a monster he is. Frankenstein is a splendid creature, in almost every respect superior to humanity: smarter, stronger, and able to endure extremes of heat and cold that would kill a normal person. He is also effectively immortal. Such a being, released into our world, would sooner or later come to rule it. Welcome to FRANKENSTEIN REX. The monster''s ugliness is a positive advantage: his towering height and ghastly face scream power; and people, who understand that power is never pretty, that it is brute and unpleasant and that our best chance is to have it on our side rather than set against us, flock to follow him. In a few years the monster conquers Europe, and in a matter of decades he rules the whole world. But although generations come and go believing their world-dictator to be immortal, the creature himself now understands that he is dying. The creature re-opens Frankenstein''s original research, to re-discover those lost skills and techniques and so to create for himself an heir. Frankenstein Rex is a meditation on the nature of power. It is a conventional position to consider the tyrant as a monster - to think of Hitler, or Mao, or Stalin as monstrous aberrations from the human norm. By making the monster the tyrant, Roberts invites us to think about how ordinary and how conventional such figures actually are.

When twenty-something Isabella Pasternack is fired from her job at a digital food magazine, she accepts a thankless job for the paycheck: ghostwrite the very past-due cookbook for a once-beloved thirty-something actress, Molly Babcock. Molly, trying to repair her reputation after a serious downward spiral, meets Isabella''s earnest attempts to connect with inconsistency, indifference, and cruelty. But, for the first time in her life, Isabella is determined to dig in her heels, and figure out if there''s anything Molly actually knows how to cook (or even likes to eat). Isabella''s slice of contemporary New York is filled out by a cast including: Isabella''s acerbic roommate and best friend Owen, her widowed mother whose cooking isn''t only bad, it''s dangerous, and of course a handsome chef love interest. Hilarious and hopeful, at its core, FOOD PERSON is about commitment to self-discovery, the beauty of community, and how unapologetically forging your own future can lead to everyone getting the ending they deserve. And of course, very delicious food.

Good is a construct. Evil is a virus. The Starship Sa Niro and the Starship Sß Oubliette were in orbit around a black hole, one afternoon... by the end of the day, the crews of both starships were dead, victims of a single killer: Captain Alpha Raine. Raine claims he''s acting under the command of a voice emanating from the black hole: Mr Modo. No one believes him.Everyone knows that things go into black holes; nothing comes out. But something inexplicable has been happening to Raine, and whatever it is seems to be spreading. An historian studying serial killers from the 21st century interviews him... and then nearly kills someone herself. It becomes increasingly undeniable that there''s something inside that black hole... and it''s found a way out...

A gothic tale of murder and corruption set in 1840s Victorian London, taking inspiration from our most famous 19th century writers. The 1840s. Railway Baron Sir Martin Malprelate has been laying waste to the warren of Camden; buying up houses and clearing streets for his new railway line linking King’s Cross with the prosperous town of Middlemarch. He stands to make his fortune ever more vast and to earn the loathing of all who attempt to stand up to him. Little wonder, then, that he meets a violent end on a foggy street after walking out of a particularly bitter meeting with outraged residents facing eviction. But the cause of his death causes more wonder. How could he have possibly fallen beneath the wells of a speeding spectral train running on tracks not yet even built? Sir Martin’s death is investigated by the police, but the company employ one of its senior engineers, Mr Bryde, to pursue his own investigation. Bryde uncovers a network of resentment and conspiracy, popular opposition to the expansion of the railways, agitating workers, scheming shareholders, corrupt politicians and a gallery of varied and grotesque characters, all of whom had some stake in the old man’s death. Lacing it’s realism with both social commentary and the gothic imaginations of the time The Murder of Sir Martin Malprelate is a vivid recreation of a London stalked by poverty and haunted by visions of demons and ghosts; a world of slums, lavish wealth and opium dens. The narrative is coloured by exotic characters all too ready to believe in the supernatural but the plot is driven by rationality and the all too real motivations of greed and revenge.

This Cookbook by multiple-international-award-winning Australian Pitmaster Adam Roberts brings together recipes cooked over fire from many different styles, flavours and cook methods using smokers and grills.

A stunning, post-apocalyptic vision of the future as humanity strives to rebuild civilisation in a world ravaged by climate change. Young Forktongue Davy has visions; epilepsy, his Ma calls it. He''s barely able to help around the family farm. But something about the lad is attracting attention: the menacing stranger who might be the angel of death himself; the women-only community at Wycombe; Daniel, sent by the mysterious Guz. They all want Davy for their own reasons. But what use can he be to anyone? He has visions of flight, but how can flight ever be possible in this shattered world? A simple farmboy, caught up in events beyond his power to control-but his visions may be the key to the future.

This study constitutes the first to analyse the remarkable surge in popularity of Arthurian literature and art in the modern period from a broad range of instances of cultural production. More novels with Arthurian themes have been published since the war than in any previous period, and Silk and Potatoes provides detailed readings of some of the most famous, including works by Marion Zimmer Bradley, Anthony Burgess, C.J. Cherryh, Guy Gavriel Kay, Mary Stewart, Jack Vance and T.H. White. In addition to examining Arthurian fiction (with chapters on the general novel, Historical fiction and Science Fiction), this study examines the key cinematic examples of Arthuriana (Boorman’s Excalibur, Bresson’s Lancelot du Lac, Rohmer’s Perceval Le Gallois and Monthy Python and the Holy Grail). A further chapter goes on to look at the myriad other forms of cultural production based on Arthurian themes; from Bugs Bunny to Pop Music, from the Camelot of JFK to the British National Lottery. This is a study that touches on many aspects of Arthuriana whilst developing two connected arguments about (on the one hand) the necessary anachronism of any modern Arthurian Literature, and (on the other) the aesthetic-political implications of this literature’s success. The whole, whilst rooted in the scholarly debates on the enduring appeal of King Arthur, is written in an accessible and entertaining style. It will be of interest to students and teachers of Arthurian literature, film and popular culture.

The This is the new social media platform everyone is talking about. Allow it to be injected into the roof of your mouth and it will grow into your brain, allow you to connect with others without even picking up your phone. Its followers are growing. Its detractors say it is a cult. But for one journalist, hired to do a puff-piece interview with their CEO, it will change the world forever. Adan just wants to stay at home with his smart-companion Elegy - phone, friend, confidante, sex toy. But when his mother flees to Europe and joins a cult, leaving him penniless, he has to enlist in the army. Sentient robots are invading America, but it seems Adan has a surprising ability to survive their attacks. He has a purpose, even if he doesn''t know what it is. And in the far future, war between a hivemind of Ais and the remnants of humanity is coming to its inevitable end. But one woman has developed a weapon which might change the course of the war. It''s just a pity she''s trapped in an inescapable prison on a hivemind ship.

In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that. Roberts considers the epigraph as a mirror that refracts the meaning of a text, and that thus carries important resonances for the way Eliot’s novels generate their meanings. In this lively and provoking study, he tracks down those allusions and quotations that have hitherto gone unidentified by scholars, examining their relationship to the text in which they sit to unfurl a broader argument about the novel – both this novel, and the novel form itself. Middlemarch: Epigraphs and Mirrors is both a study of George Eliot and a meditation on the textuality of fiction. It is essential reading for specialists and students of George Eliot, the nineteenth century novel, and intertextuality. It will also richly reward anyone who has ever taken pleasure in Middlemarch.

An interstellar craft is decelerating after its century-long voyage. Its destination is V538 Aurigae ?, a now-empty planet dominated by one gigantic megastructure, a conical mountain of such height that its summit is high above the atmosphere. The ship''s crew of five hope to discover how the long-departed builders made such a colossal thing, and why: a space elevator? a temple? a work of art? Its resemblance to the mountain of purgatory lead the crew to call this world Dante. In our near future, the United States is falling apart. A neurotoxin has interfered with the memory function of many of the population, leaving them reliant on their phones as makeshift memory prostheses. But life goes on. For Ottoline Barragão, a regular kid juggling school and her friends and her beehives in the back garden, things are about to get very dangerous, chased across the north-east by competing groups, each willing to do whatever it takes to get inside Ottoline''s private network and recover the secret inside. Purgatory Mount, Adam Roberts''s first SF novel for three years, combines wry space opera and a fast-paced thriller in equal measure. It is a novel about memory and atonement, about exploration and passion, and like all of Roberts''s novels it''s not quite like anything else.

Nasveti za zdravo in razgibano življenje.

This is the first new complete literary biography of H G Wells for thirty years, and the first to encompass his entire career as a writer, from the science fiction of the 1890s through his fiction and non-fiction writing all the way up to his last publication in 1946. Adam Roberts provides a comprehensive reassessment of Wells’ importance as a novelist, short-story writer, a theorist of social prophecy and utopia, journalist and commentator, offering a nuanced portrait of the man who coined the phrases ‘atom bomb’, ‘League of Nations’ ‘the war to end war’ and ‘time machine’, who wrote the world’s first comprehensive global history and invented the idea of the tank. In these twenty-six chapters, Roberts covers the entirety of Wells’ life and discusses every book and short story he produced, delivering a complete vision of this enduring figure.

It is the dawn of the twentieth century. Following the Martians'' failed invasion of Earth, the British Empire has seized their technology and unlocked its secrets for themselves. It is a Golden Age of discovery, adventure, culture, invention—and of domination, and rebellion. Scarlet Traces reveals a world of ant-headed nightmares; vacuum salesmen; war machines; deadly secrets; clockwork marvels; and Sherlock Holmes, T. S. Eliot and Thomas Edison as you''ve never seen them before... Including stories by Stephen Baxter, I. N. J. Culbard, Adam Roberts, Emma Beeby, James Lovegrove, Nathan Duck, Mark Morris, Dan Whitehead, Chris Roberson, Maura McHugh, Jonathan Green and Andrew Lane.

"the Revolution of Modern Life" is a 2019 poetry and prose collection book from Scars Publications (http: //scars.tv) of the January through June 2019 issues of cc&d magazine (http: //scars.tv/ccd), plus bonus chapbook releases. Writers and artists in this issue collection book include Aaron Wilder, Adam Roberts, Allen F. McNair, ayaz daryl nielsen, Bill DeArmond, CEE, Charles Hayes, Christina M. Jackson, Clarence Chapin, Dan Fitzgerald, David J. Thompson, David M Jackson, David Russell, DC Diamondopolous, Don Stoll, Dr. (Ms.) Michael S. Whitt, Edward Michael O''Durr Supranowicz, Eric Bonholtzer, Erren Kelly, Fiona Wagner, Greg G. Zaino, Griffin Silver, Helen Bird, Hope Ruiz, I.B. Ra, Ian Sims, J.T. Siemens, James McGregor, James Mulhern, Janet Kuypers, John F. McMullen, John Kojak, John Maurer, John Yotko, Keith Manos, Ken Elliott, Kevin Wehle, Kyle Hemmings, Lawrence Pratt, Lewis Horwitz, Lily Fields, Linda M. Crate, Lori Alward, Luis Cuauhtemoc Berriozabal, Marc Livanos, Michael Ceraolo, Michael Gullickson, Michelle, Nora McDonald, Oz Hardwick, Roger N. Taber, Rose Hollander, Scott Thomas Outlar, Seward Ward, Sonia Stiles, Steve Kedrowski, Thom Woodruff, Thomas Dexter Kerr, Tom Sheehan, Tris Matthews, Uzeyir Cayci, Westley Heine, William L Kuechler, and Xanadu.Writers and artists included in this book are also listed with their writing at the Scars Publications book link (search for the book title in the books section at http: //scars.tv).

First published in 1999, this is a guide which provides easy access to a fairly complete range of the long poetry written in the Romantic and Victorian periods: epics, narrative poems, verse-novels and other work of over a certain length. The format provides title, author, length of work and prosodic description. Texts are then summarized according to the internal divisions. Each poem is accompanied by an objective summary and the poems as a whole are preceded by an introduction which advances a particular argument as to why the nineteenth century was so fascinated with the length that was the ultimate aesthetic rationale for the long poem.

"Save the World" is a 2019 Scars Publications cc&d magazine (v288, the January-February 2019 issue) poetry and short story book by assorted writers and artists. "Children, Churches and Daddies" (AKA cc&d, subtitle "the UN-religious, NON-family oriented literary and art magazine) has been printed in many forms since it''s inception in 1993, but since 2014 cc&d has been released every other month (with bonus issues) as a 6"x9" perfect-bound paperback book, with not only it''s usual ISSN# (print ISSN# 1068-5154, Internet ISSN# 1555-1555), but also an ISBN#. With ISBN#s for issue/book releases, all issues now carry a title to accompany the new format, reflecting the writing inside the book and the cover design. Writers and artists in this book include Adam Roberts, ayaz daryl nielsen, Christina M. Jackson, Dan Fitzgerald, Dr. (Ms.) Michael S. Whitt, Erren Kelly, Greg G. Zaino, Hope Ruiz, I.B. Ra, Ian Sims, J.T. Siemens, James McGregor, Janet Kuypers, Linda M. Crate, Marc Livanos, Michael Ceraolo, Thom Woodruff, Sonia Stiles, Steve Kedrowski, William L Kuechler, Xanadu, Aaron Wilder, David M Jackson, Edward Michael O''Durr Supranowicz, Eric Bonholtzer, Uzeyir Cayci, and Westley Heine.

The new Adam Roberts novel is a story of global apocalypse, old hatreds and new beginnings. It is his best novel to date. And this is how the world will end ... ''The snow started falling on the sixth of September, soft noiseless flakes filling the sky like a swarm of white moths, or like static interference on your TV screen - whichever metaphor, nature or technology, you find the more evocative. Snow everywhere, all through the air, with that distinctive sense of hurrying that a vigorous snowfall brings with it. Everything in a rush, busy-busy snowflakes. And, simultaneously, paradoxically, everything is hushed, calm, as quiet as cancer, as white as death. And at the beginning people were happy.'' But the snow doesn''t stop. It falls and falls and falls. Until it lies three miles thick across the whole of the earth. Six billion people have died. Perhaps 150,000 survive. But those 150,000 need help, they need support, they need organising, governing. And so the lies begin. Lies about how the snow started. Lies about who is to blame. Lies about who is left. Lies about what really lies beneath.

‘I’m working on a novel intended to express the feel of England in Edward III’s time ... The fourteenth century of my novel will be mainly evoked in terms of smell and visceral feelings, and it will carry an undertone of general disgust rather than hey-nonny nostalgia’ – Anthony Burgess, 1973 The Black Prince is a brutal historical tale of chivalry, religious belief, obsession, siege and bloody warfare. From disorientating depictions of medieval battles to court intrigues and betrayals, the campaigns of Edward, the Black Prince, are brought to vivid life. This rambunctious book, based on a completed screenplay by Anthony Burgess, showcases Adam Roberts in complete control of the novel as a way of making us look at history with fresh eyes, all while staying true to the linguistic pyrotechnics and narrative verve of Burgess’s best work.

Private Investigator Alma is caught up in another impossible murder. One of the world''s four richest people may be dead - but nobody is sure which one. Hired to discover the truth behind the increasingly bizarre behaviour of the ultra-rich, Alma must juggle treating her terminally ill lover with a case which may not have a victim. Inspired by the films of Kubrick, this stand-alone novel returns to the near-future of THE REAL-TOWN MURDERS, and puts Alma on a path to a world she can barely understand. Witty, moving and with a mystery deep at its heart, this novel again shows Adam Roberts'' mastery of the form.

The historical novel meets science fiction and horror in this gripping tale set in the Lake District.

Sasha, a young computer programmer from Leningrad, is driving north to meet some friends for a nature vacation. He picks up a couple of hitchhikers, who persuade him to take a job at the National Institute for the Technology of Witchcraft and Thaumaturgy. The adventures Sasha has in the largely dysfunctional institute involve all sorts of magical beings—a wish-granting fish, a tree mermaid, a cat who can remember only the beginnings of stories, a dream-interpreting sofa, a motorcycle that can zoom into the imagined future, a lazy dog-size mosquito—along with a variety of wizards (including Merlin), vampires, and officers. First published in Russia in 1965, Monday Starts on Saturday has become the most popular Strugatsky novel in their homeland. Like the works of Gogol and Kafka, it tackles the nature of institutions—here focusing on one devoted to discovering and perfecting human happiness. By turns wildly imaginative, hilarious, and disturbing, Monday Starts on Saturday is a comic masterpiece by two of the world''s greatest science-fiction writers.

There are few things in life more delicious, satisfying and universally loved than a plate of glistening, slow-cooked rack of ribs. Ribs is the ultimate collection of the very best recipes, tips and techniques from barbecue aficionado Adam Roberts. Roberts walks you through the big, bold flavors for all levels of expertise with all you need to know about different rib types, marinades, rubs and cooking methods for both indoor and outdoor kitchens.

Who can foretell India''s future? Mr. Joshi is a fortune teller in a slum in south Delhi who uses a soothsaying green parrot to make predictions. When Adam Roberts visited him in 2012, Joshi''s parrot declared that India was destined to become the most powerful nation under Prime Minister Narendra Modi. The parrot also foretold that India would win the soccer World Cup. Parrots may not be the preeminent political authority, but many Indians were just as confident. So Adam Roberts spent five years traveling the length and breadth of the country from Kerala to the Himalayas, Bengal to Gujarat. As he encountered the power brokers, gate keepers, and elaborate social dynamics of the world''s largest democracy, he asked if -- and how -- India can become a truly great economic power, more influential abroad and stable at home. He met prime ministers, multimillionaires, traveling salesmen, pilgrims, eco-warriors, farmers, and tech innovators, each wrestling with the trials posed by the world''s most conspicuously nearly great power. He experienced an immense country that, despite daunting challenges, is entering the most optimistic period in its modern history. Through vivid storytelling and insight, Superfast Primetime Ultimate Nation examines the problems and promises of fast-growing India to reveal how it might reach its full potential and become, as Mr. Joshi''s parrot predicted, a truly powerful nation.

It is one of the world’s most iconic cities, the center of romance, cuisine, and high culture, a place we are all implored to visit in spring and then forever hold in our hearts: Paris. But behind these familiar notions lies a bustling and deeply complex metropolis, one that offers visitors an unending array of surprises. This book takes readers and travelers to this other Paris, a city of love and danger alike, a city imbued with over 2,000 years of history, which Adam Roberts lovingly recounts alongside an expert tour of the city’s sights, sounds, and flavors. Roberts tells the story of how a provincial backwater rose up to become one of the richest, most powerful, and most visited cities in Europe, a world leader in fashion, the arts, and gastronomy. He takes us back two millennia to when roaming Celtic tribes first set up camp on the banks of the Seine, and from there moves through turbulent centuries full of the fates and fortunes of kings, marked by invasions, revolutions, and magnificent buildings constructed one after the other. He explores the city’s renowned gothic architecture, the urban planning that has been revised throughout history, the mammoth museums that have been erected to preserve its artistic legacy, and the vibrant street culture that hosts markets, performers, and Paris’s own flâneurs every single day. Along the way, he points out countless hidden gems travelers rarely make it to: from a vintage candy shop to a museum of romantic life, from a hidden garden inside a hospital to a converted hair salon that hosts—of all things—table tennis tournaments. And of course he shows readers where to eat, catch a show, and go for gorgeous sunset strolls. Offering a comprehensive but easily digestible overview, Paris is the perfect book for anyone planning a visit to the city or anyone who simply loves it from afar.

This book is the definitive critical history of science fiction. The 2006 first edition of this work traced the development of the genre from Ancient Greece and the European Reformation through to the end of the 20th century. This new 2nd edition has been revised thoroughly and very significantly expanded. An all-new final chapter discusses 21st-century science fiction, and there is new material in every chapter: a wealth of new readings and original research. The author’s groundbreaking thesis that science fiction is born out of the 17th-century Reformation is here bolstered with a wide range of new supporting material and many hundreds of 17th- and 18th-century science fiction texts, some of which have never been discussed before. The account of 19th-century science fiction has been expanded, and the various chapters tracing the twentieth-century bring in more writing by women, and science fiction in other media including cinema, TV, comics, fan-culture and other modes.

Adam Roberts turns his attention to answering the Fermi Paradox with a taut and claustrophobic tale that echoes John Carpenters'' The Thing. Two men while away the days in an Antarctic research station. Tensions between them build as they argue over a love-letter one of them has received. One is practical and open. The other surly, superior and obsessed with reading one book - by the philosopher Kant. As a storm brews and they lose contact with the outside world they debate Kant, reality and the emptiness of the universe. The come to hate each other, and they learn that they are not alone.

The relationship between sleep and storytelling is an ancient one. For centuries, sleep has provided writers with a magical ingredient – a passage of time during which great changes miraculously occur, an Orpheus-like voyage through the subconscious daubed with the fantastic. But over the last ten years, our scientific understanding of sleep has been revolutionised. No longer is sleep viewed as a time of simple rest and recuperation. Instead, it is proving to be an intensely dynamic period of brain activity: a vital stage in the re-wiring of memories, the learning of new skills, and the processing of problems and emotions. How will storytelling respond to this new and emerging science of sleep? Here, 14 authors have been invited to work with key scientists to explore various aspects of sleep research: from the possibilities of ‘sleep engineering’ and ‘overnight therapies’, to future-tech ways of harnessing sleep’s problem-solving powers, to the challenges posed by our increasingly 24-hour lifestyles. Just as new hypotheses are being put forward, old hunches are also being confirmed (there’s now a scientific basis for the time-worn advice ‘to sleep on a problem’). As these responses show, sleep and the spinning of stories are still very much entwined. Featuring scientific contributions from: Prof Russell G. Foster, Isabel Hutchison, Dr. Simon Kyle, Dr. Penny Lewis, Dr. Paul Reading, Stephanie Romiszewski, Prof Robert Stickgold, Prof Manuel Schabus, Prof Ed Watkins, Prof Adam Zeman, Dr. Thomas Wehr. This project was supported by the Wellcome Trust.

What makes for a good short story? Being short, you might think the story''s structure would yield an answer to this question more readily than, say, the novel. But for as long as the short story has been around, arguments have raged as to what it should and shouldn''t be made up of, what it should and shouldn''t do. Here ,15 leading contemporary practitioners offer structural appreciations of past masters of the form as well as their own perspectives on what the short story does so well. The best short stories don''t have closure, argues one contributor, ''because life doesn''t have closure''; ''plot must be written with the denouement constantly in view,'' quotes another. Covering a century of writing that arguably saw all the major short forms emerge, from Hawthorne''s ''Twice Told Tales'' to Kafka''s modernist nightmares, these essays offer new and unique inroads into classic texts, both for the literature student and aspiring writer.

Computers are changing. Soon the silicon chip will seem like a clunky antique amid the bounty of more exotic processes on offer. Robots are changing too; material evolution and swarm intelligence are creating a new generation of devices that will diverge and disperse into a balanced ecosystem of humans and ‘robjects’ (robotic objects). Somewhere in between, we humans will have to change also… in the way we interact with technology, the roles we adopt in an increasingly ‘intelligent’ environment, and how we interface with each other. The driving motors behind many of these changes will be artificial life (A-Life) and unconventional computing. How exactly they will impact on our world is still an open question. But in the spirit of collective intelligence, this anthology brings together 38 scientists and authors, working in pairs, to imagine what life (and A-Life) will look like in the year 2070. Every kind of technology is imagined: from lie-detection glasses to military swarmbots, brain-interfacing implants to synthetically ‘grown’ skyscrapers, revolution-inciting computer games to synthetically engineered haute cuisine. All artificial life is here. Featuring scientific contributions from: Martyn Amos, J. Mark Bishop, Seth Bullock, Stephen Dunne, James Dyke, Christian Jantzen, Francesco Mondada, James D. O''Shea, Andrew Philippides, Lenka Pitonakova, Steen Rasmussen, Thomas S. Ray, Micah Rosenkind, James Snowdon, Susan Stepney, Germán Terrazas, Andrew Vardy and Alan Winfield. Supported by TRUCE (Training and Research in Unconventional Computation in Europe).

Adam Roberts''s Twenty Trillion Leagues Under the Sea revisits Jules Verne''s classic novel in a collaboration with the illustrator behind a recent highly acclaimed edition of The Hunting of the Snark It is 1958 and France''s first nuclear submarine, Plongeur, leaves port for the first of its sea trials. On board, gathered together for the first time, are one of the Navy''s most experienced captains and a tiny skeleton crew of sailors, engineers, and scientists. The Plongeur makes her first dive and goes down, and down and down. Out of control, the submarine plummets to a depth where the pressure will crush her hull, killing everyone on board, and beyond. The pressure builds, the hull protests, the crew prepare for death, the boat reaches the bottom of the sea and finds nothing. Her final dive continues, the pressure begins to relent, but the depth gauge is useless. They have gone miles down. Hundreds of miles, thousands, and so it goes on. Onboard the crew succumb to madness, betrayal, religious mania, and murder. Has the Plongeur left the limits of our world and gone elsewhere?