New Release Books by Anthony Burgess

Mozart and the Wolf Gang is a kaleidoscope of a book, which stretches even the bounds of Anthony Burgess''s fictions.. With its sizzying swirl of formal and thematic invention, this slim book may strike one as something even more impossible that any of Burgess'' earlier tours de force.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

John Anthony Burgess Wilson (1917-93) was an industrious writer. He published over fifty books, thousands of essays and numerous drafts and fragments survive. He predicted many of the struggles and challenges of his own and the following century. His most famous book is A Clockwork Orange (1962), later adapted into a controversial film by Stanley Kubrick. The linguistic innovations of that novel, the strict formal devices used to contain them, and its range of themes are all to be found too in Burgess''s poetry, an area of his work where he was at once most free and most experimental. It is his least exposed and most complex and eloquent area of achievement, now revealed at last in all its richness. His flair for words, formal discipline, experimentalism, and fondness for variousness mark every page.

In John 17, Jesus prayed for the unity of the church. Yet today, we tend to accept disunity as inevitable. In this book, Anthony Burgess calls us to addresses the spiritual and visible unity that Jesus desires for His people. Burgess speaks of how union and communion with Christ and His people are “the life and comfort of believers.” Giving careful consideration of what Christian unity should look like, Burgess excels at uncovering common causes of division and promoting means to advance unity among God’s people. Series Description Interest in the Puritans continues to grow, but many people find reading these giants of the faith a bit unnerving. This series seeks to overcome that barrier by presenting Puritan books that are convenient in size and unintimidating in length. Each book is carefully edited with modern readers in mind, smoothing out difficult language of a bygone era while retaining the meaning of the original authors. Books for the series are thoughtfully selected to provide some of the best counsel on important subjects that people continue to wrestle with today. Table of Contents: 1. The Blessing of Unity Among Ministers 2. The Pattern for Unity Among Ministers 3. The Nature of Christian Unity 4. The Necessity of Christian Unity 5. The Reason for the Lack of Christian Unity 6. The Characteristics of Christian Unity 7. The Rules for Christian Unity 8. The Expansion of Christian Unity 9. The Value of Christian Unity 10. The Perfection of Christian Unity

He was six feet tall, huge-chested, handsome, ebullient, a warrior, a hunter, a fisherman, a drinker.'' Ernest Hemingway was ''a man who lived it up to write it down'' and his life became the root from which his novels grew. At the age of 18 he was awarded a medal for bravery in the First World War; he honed his craft in 1920s Paris, amongst the ''Lost Generation'': F. Scott Fitzgerald, T.S. Eliot and John Dos Passos; his macho image grew with his love of big-game hunting, deep-sea fishing and bull-fighting. And the philosophy of heroism that increasingly pervaded his books and his life was cemented during the Spanish Civil War, where he survived the bombardment of Madrid and was present at the Republicans'' last stand at Ebro. But, by the 1940s, the darkness of his alcoholism (three bottles of Valpolicella for breakfast), violent rages and the bad luck of loving many women began to weigh heavily. Although he was awarded a Bronze Star for bravery under fire whilst covering the Second World War, he also spent much of 1944 and 1945 ensconced at the Dorchester or the Ritz, ''basking and boasting, a boor and a bore''. Hemingway had become the patriarch of American literature but he was plagued by unrelenting demons and an insidious disenchantment with life. In this unflinching portrait, Anthony Burgess explores Hemingway''s fatal contradictions: his arrogance and self-doubt, his machismo and vulnerability. He reveals a man who was as much a creation as his books yet who, even at his worst, reminds us that to engage literature one has first to engage life.

"One hundred forty-five sermons on John 17"--

How hard is it to encourage the people of God toward biblical Reformation and actually see it occur? Is there room for a new Reformation today? What should Christians think concerning revival today and reforming in the power of the Gospel? Could there actually be a present day “biblical reformation”? In the first part of the work, beginning with Leviticus 26:23-24, McMahon demonstrates that Reformation ought not to be gradual, but immediate. Gospel truth dictates spiritual action and God requires his church to be reformed by him through the power of the transforming word of God. In the second part, Anthony Burgess teaches from Mark 1:2-3, “As it is written in the Prophets, Behold I send my messenger before thy face, which shall prepare thy way before thee. The voice of one crying in the wilderness, Prepare ye the way of the Lord, make thy paths straight.” He shows that there are many difficulties to hurdle, but there are encouragements to performing biblical Reformation for the glory of God.

"First published by Faber and Faber Ltd. 1965"--Copyright page.

A kaleidoscopic historical novel based on unpublished material by Anthony Burgess, from the prize-winning author Adam Roberts

Provides a fictionalized account of young Shakespeare''s love life and his maturation as a writer.

After returning from a trip to Brunei, Anthony Burgess, initially believing he has only a year to live, begins to write - novels, film scripts, television series, articles. It is the life of a man desperate to earn a living through the written word. He finds at first that writing brings little success, and later that success, and the obligations it brings, interfere with his writing - especially of fiction. There were vast Hollywood projects destined never to be made, novels the critics snarled at, journalism that scandalised the morally scrupulous. There is the éclat of A Clockwork Orange (and the consequent calls for Burgess to comment on violent atrocities), the huge success - after a long barren period - of Earthly Powers. There is a terrifying first marriage, his description of which is both painful and funny. His second marriage - and the discovery that he has a four-year-old son - changes his life dramatically, and he and Liana escape to the Mediterranean, for an increasingly European life. With this marriage comes the triumphant rebirth of sex, creative energy and travel - to America, to Australia and all over Europe.

In John 17, Jesus prayed for the unity of the church. Yet today, we tend to accept disunity as inevitable. In this book, Anthony Burgess calls us to addresses the spiritual and visible unity that Jesus desires for His people. Burgess speaks of how union and communion with Christ and His people are "the life and comfort of believers." Giving careful consideration of what Christian unity should look like, Burgess excels at uncovering common causes of division and promoting means to advance unity among God''s people.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This 50th anniversary edition of the modern classic draws from three different published versions of the work as well as the original typescript to recreate the novel as the author originally envisioned it. 25,000 first printing.

"Despite his modest claims, Anthony Burgess was an enormously prolific journalist. During his life he published two substantial collections of journalism, Urgent Copy (1968) and Homage to Qwert Yuiop (1986); a posthumous collection of occasional essays, One Man’s Chorus, was published in 1998. These collections are now out of print, and Burgess’s journalism, a key part of his prodigious output, has fallen into neglect. The Ink Trade is a brilliant new selection of his reviews and articles, some savage, some crucial in establishing new writers, new tastes and trends. Between 1959 and his death in 1993 Burgess contributed to newspapers and periodicals around the world: he was provocative, informative, entertaining, extravagant, and always readable."--Publisher''s description.

A new edition of Anthony Burgess''s first novel, set in Gibraltar during the Second World War. Loosely based on Virgil''s Aeneid, the book describes the anti-heroic army career of Richard Ennis, a thwarted composer. The introduction and notes describe the publishing history and the autobiographical context of this lost masterpiece.

Collected interviews with the British author of A Clockwork Orange, ReJoyce: An Introduction to James Joyce for the Ordinary Reader, and other works

Following the death of her father, an irregularly employed pianist, Ellen Henshaw becomes a high-class prostitute in Paris during the 1930s and then founds a chain of schools to instruct men in the arts of love and music.

It is not uncommon for professing Christians to question the genuineness of their faith. In seasons like this, they can wonder whether it is even possible to know for sure if they are in a state of saving grace. In this book, Anthony Burgess shows that Christians not only can come to an assurance of their salvation but should pursue it. Burgess provides helpful advice for avoiding a presumptuous spirit while developing a humble confidence in grace. Here is a book that will help you understand the marks of grace and avoid some common abuses associated with self-examination. Read it with an open Bible and a prayerful heart, looking to the Holy Spirit as your faith seeks assurance.

An anthology of the world’s best literary espionage, selected by a contemporary master of the genre, Alan Furst. Here is an extraordinary collection of work from some of the finest novelists of the twentieth century. Inspired by the politics of tyranny or war, each of these writers chose the base elements of spy fiction—highly evolved spy fiction—as the framework for a literary novel. Thus Alan Furst offers a diverse array of selections that combine raw excitement and intellectual sophistication in an expertly guided tour of the dark world of clandestine conflict. These are not just stories of professional intelligence officers. We meet diplomats, political police, agents provocateurs, secret operatives, resistance fighters, and assassins—players in the Great Game, or victims of the Cold War. The Book of Spies brings us the aristocratic intrigues of The Scarlet Pimpernel, in which French émigrés duel with Robespierre’s secret service; the savage political realities of the 1930s in Eric Ambler’s classic A Coffin for Dimitrios; the ordinary citizens (well, almost) of John le Carré’s The Russia House, who are drawn into Cold War spy games; and the 1950s Vietnam of Graham Greene’s The Quiet American, with its portrait of American idealism and duplicity. Drawing on acknowledged classics and rediscovered treasures, Alan Furst’s The Book of Spies delivers literate entertainment and excitement on every page.

(Applause Books). Anthony Burgess was the author of over 50 books, including his best known novel, "A Clockwork Orange." But Burgess always emphasized music as the ruling passion in his creative life. Largely self-taught in music, Burgess composed his first symphony before he was twenty, many years before his first novel, and he was the composer of over 65 musical works. In these deeply insightful meditations, the renowned writer explores the meaning of music, the intention of the composer and the process of composition, and the seemingly elusive relationships between literature and music. Burgess shows how "the process of literary composition are revealed by the writers themselves" and then gathers evidence to understand the "inexplicable magic" of the details of the operation of music what is music''s "intelligibility"? From Shakespeare to the lyric verse of Gerard Manley Hopkins, from the modernists T.S. Eliot and James Joyce to the modern lyricists Lorenz Hart and Stephen Sondheim, Burgess reveals how prose writers have struggled to tap the inherent musicality of their material. This treasured classic, at last back in print, provides a fascinating perspective on the mutually enriching relationship of these two creative arts by a man who mastered them both.

Among Shakespeare''s many biographers none brings to his subject more passion and feeling for the creative act than Anthony Burgess. He breathes life into Shakespeare the man and invigorates his times. His portrait of the age builds upon an almost personal tenderness for Shakespeare and his contemporaries (especially Ben Jonson), and on a profound sense of literary and theatrical history. Anthony Burgess''s well-known delight in language infuses his own writing about Shakespeare''s works. And in the verve of his biography he conveys the energy of the Elizabethan age.

Anthony Burgess draws on his love of music and history in this novel he called "elephantine fun" to write.

Dr. Edwin Spindrift, a linguist, decides to escape from the hospital the night before his brain tumor surgery is scheduled and discovers a world of people exists outside his universe of words.

Set in the near future, The Wanting Seed is a Malthusian comedy about the strange world overpopulation will produce. Tristram Foxe and his wife, Beatrice-Joanna, live in their skyscraper world where official family limitation glorifies homosexuality. Eventually, their world is transformed into a chaos of cannibalistic dining-clubs, fantastic fertility rituals, and wars without anger. It is a novel both extravagantly funny and grimly serious.

In characteristically daring style, Anthony Burgess combines two responses to Orwell''s 1984 in one book. The first is a sharp analysis: through dialogues, parodies and essays, Burgess sheds new light on what he called ''an apocalyptic codex of our worst fears'', creating a critique that is literature in its own right. Part two is Burgess'' own dystopic vision, written in 1978. He skewers both the present and the future, describing a state where industrial disputes and social unrest compete with overwhelming surveillance, security concerns and the dominance of technology to make life a thing to be suffered rather than lived. Together these two works form a unique guide to one of the twentieth century''s most talented, imaginative and prescient writers. Several decades later, Burgess'' most singular work still stands.