Best Selling Books by Boris

The KGB Plays Chess is a unique book. For the first time it opens to us some of the most secret pages of the history of chess. The battles about which you will read in this book are not between chess masters sitting at the chess board, but between the powerful Soviet secret police, known as the KGB, on the one hand, and several brave individuals, on the other. Their names are famous in the chess world: Viktor Kortschnoi, Boris Spasski, Boris Gulko and Garry Kasparov became subjects of constant pressure, blackmail and persecution in the USSR. Their victories at the chess board were achieved despite this victimization. Unlike in other books, this story has two perspectives. The victim and the persecutor, the hunted and the hunter, all describe in their own words the very same events. One side is represented by the famous Russian chess players Viktor Kortschnoi and Boris Gulko. For many years they fought against a powerful system, and at the end they were triumphant. The Soviet Union collapsed and they got what they were fighting for: their freedom. Former KGB Lieutenant Colonel Vladimir Popov, who left Russia in 1996 and now lives in Canada, was one of those who had worked all his life for the KGB and was responsible for the sport sector of the USSR. It is only now for the first time that he has decided to tell the reader his story of the KGB�s involvement in Soviet Sports. This is his first book, and it is not only full of sensations, but it also dares to name names of secret KGB agents previously known only as famous chess masters, sportsmen or sport officials. Just a few short years ago a book like this would have been unimaginable. Read this book. It is not only about chess. It is about glorious victory of the great chess masters over the forces of darkness.

In this dramatic, month-by-month chronicle of a tumultuous period, Boris Kagarlitsky bears witness to the eruption of open political discussion in the Soviet Union during the ''hot summer'' of 1988.

This book is an historic record of the Diaghilev era. It contains a foreword THE ORIGINS OF THE BALLET RUSSES by Alexandre Benois one of the designers of the company. Included are descriptions of 71 ballets in the repertoire some lost and some still performed in our times. There are many photos and drawings of the stars including Pavlova, Nijinsky, Karsavina, Massine and others as well as of the set designs. - Amazon.

V. 1. [no special title] -- v. 2. Creating a rocket industry -- v. 3 Hot days of the Cold War -- v. 4. The moon race.

A collision between contemporary poetics and the Renaissance lyric, between aestheticism and political engagement, The Master of Insomnia is a collection of Slovenian poet Boris A. Novak''s verse from the last fifteen years, including numerous poems never before available in English. In these sensitive translations, Novak stands revealed as both innovator and observer; as critic Aleš Debeljak has written: "The poet''s power in bearing witness to Sarajevo and Dalmatia, to his childhood room and his retired father, to the indifferent passage of time and the desperate pain of loss, confirms the melancholy clairvoyance of Walter Benjamin, who stated that what is essential hides in the marginal, negligent, and hardly observed details. Whoever strives to see the "big picture" will inevitably overlook the essential . . . [Novak''s] wide-open eyes must watch over both the beauty of this life and the horror of its destruction."

"This sensitively translated and informatively annotated collection is a guide-book both to the life and mind of a great writer and to the purgatory that was Europe''s twentieth century." ---Timothy Garton Ash, professor of European studies at the University of Oxford --

First published in Great Britain in 2009 by Weidenfeld & Nicolson, an imprint of the Orion Publishing Group.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

This book offers detailed guidance on the diagnostic use of cerebral angiography based on precise description of the angiographic appearances of normal anatomy and pathological conditions. In this third edition, every chapter has been thoroughly revised and enlarged to reflect new knowledge and experiences, and more attention is paid to the correlations between anatomopathological findings and clinical manifestations. Beyond explaining the diagnostic value of cerebral angiography, a key aim is to equip readers with the precise knowledge of the anatomy of cerebral vessels required for optimal application of endovascular therapy of pathologies involving the arteries and veins of the brain. As in preceding editions, the book is divided into two parts. The first part describes the normal anatomy, with attention to morphological aspects, embryological development, function, and vascular territories. The intraorbital and extracranial vascularization is also fully considered. The knowledge provided will serve as a sound basis for the correct interpretation of pathological processes and their clinical significance, as covered in depth in the second part of the book.

Fans of Sister Pelagia and the White Bulldog, the first book in Akunin’s Pelagia trilogy, will be instantly mesmerized–and frightened–by this latest foray into Zavolzhsk’ s spiritual underworld. In the middle of the night, a disheveled and badly frightened monk arrives at the doorstep of Bishop Mitrofanii of Zavolzhsk, crying: “Something’s wrong at the Hermitage!” The Hermitage is the centuries-old island monastery of New Ararat, known for its tradition of severely penitent monks, isolated environs, and a mental institution founded by a millionaire in self-imposed exile. Hearing the monk’s eerie message, Mitrofanii’s befuddled but sharp-witted ward Sister Pelagia begs to visit New Ararat and uncover the mystery. Traditions prevail–no women are allowed–and the bishop sends other wards to test their fates against the Black Monk that haunts the once serene locale. But as the Black Monk claims more victims–including Mitrofanii’s envoys–Pelagia goes undercover to see exactly what person, or what spirit, is at the bottom of it all. Praise for Sister Pelagia and the Black Monk “For all his status as a globe-circling bestseller, Akunin keeps faith in his sleekly engineered and allusive whodunnits with the classical virtues of Russian prose. . . . That polish lends his books a peculiar charm.”–The Independent (London) “Readers can hear echoes of Leo Tolstoy, Fyodor Dostoevsky and Anton Chekov in whodunits that, because of their literary overtones, can be guiltlessly consumed as entertainment.”—Los Angeles Times

Contains primary source material.

"In this survey of more than forty illustrative murals excavated over the last 54 years in Panjikent, a 5th-8th century C.E. town in the Zerafshan Valley in Tajikistan, Boris Marshak discusses the rich repertory of legends, tales and myths of the Sogdians that have come to light and recreates the secular literature of Soghdia, one of the most important regions along the Silk Road. Prior to the Panjikent excavations only small fragments of Soghdian secular literature had been discovered in Soghdian colonies in Turfan and Dunhuang. Prof. Boris Marshak has been participating in this famous archaeological expedition since 1954; and has served as its leader since 1976. Soghdian merchants were the masters of the Silk Road and, therefore, their art and literature included many motifs of Greek, Persian and Indian origin. In Soghdia among the pictorial narrative cycles there were at least three epics: a local version of the Indian Mahabharata, the well-known Roman story of Romulus and Remus, and the Iranian legends of Rustam. The excavation teams have found on the walls of the houses of Panjikent dozens of pictorial representations of parables, fables, fairy tales and anecdotes. In several compositions the author has recognized scenes from Aesop''s Fables, the Panchatantra and the Sindbad-nameh. He has compared these subjects with those of the fragmentary Soghdian texts. Marshak''s book is an important one for anyone interested in the history of the Soghdia, in Iranian studies in general, in comparative studies in folklore and literature, in studies on the problem of narration in the visual arts, and the history of cultural exchange along the Silk Road." --

This fully revised and updated volume of A Social History of Imperial Russia is a comprehensive synthesis of Russian social history from Peter the Great to the October Revolution of 1917. Boris Mironov begins with background information on pre-Petrine Russia and then focuses on the crucial events of the eighteenth and nineteenth centuries. He demonstrates how social events in this period--including the creation of a modernized autocratic state, the abolition of serfdom, increasing urbanization, and the first stirrings of capitalism (to name a few)--played out in the Revolution, and beyond.

In his famous Moonlight and Vodka, Chris de Burgh got it right: Espionage is a serious business. And like every serious business, it must be taken seriously. Less than two decades after the untimely death of Sasha Litvinenko, poisoned at the heart of London''s Mayfair by Russian secret agents by the previously unknown radioactive substance containing a fatal dose of Polonium-210, it is hardly remembered by anyone in the West. No wonder, we live in an information-rich world when the wealth of information means a dearth of something else: a scarcity of whatever it is that information consumes. Such an obvious thing was suddenly discovered by a simple old man from Milwaukee, and he''s got a point there. This book is about the murder of Alexander Litvinenko, whose legal case seems to many people like open-and-shut. Even to his widow Marina and their son. To MI6, MI5 and the Special Operations branch of the London''s Metropolitan Police who presented it to the public as thoroughly investigated and closed. To judge Sir Robert Owen appointed to hold the inquest "into the death of a Russian Spy" as the BBC and other media has put it – a terrible mistake. To journalists and writers who had been following this case for as long as a decade, not to mention the prime suspect living a good life in Moscow. But not for me. For me this case remains open.

THE FIRST BOOK IN THE MULTI-MILLION COPY, INTERNATIONALLY BESTSELLING ERAST FANDORIN MYSTERIES SERIES ''A sparkling romp of a story'' TLS ''In Russia Boris Akunin is roughly the counterpart of John Grisham'' TIME ''Think Tolstoy writing James Bond with the logical rigour of Sherlock Holmes'' GUARDIAN Moscow 1876. A young law student commits suicide in broad daylight in Moscow''s Alexander Gardens. But this is no ordinary death, for the young man was the son of an influential industrialist and has left a considerable fortune. Erast Fandorin, a hotheaded new recruit to the Criminal Investigation Department, is assigned to the case. Brilliant, young, and sophisticated, Fandorin embarks on an investigation that will take him from the palatial mansions of Moscow to the seedy backstreets of London in his hunt for the conspirators behind this mysterious death. What readers are saying about the Erast Fandorin Mysteries: ''I loved it... I just couldn''t put it down!'' My book Obsession ''A delightful mystery/adventure! There''s a dark twist at the end that has me anxious to continue in this series'' Neil on Goodreads (five stars) ''Ultimately, the overall success of The Winter Queen is due to the vibrancy of its setting, the cleanness of its prose and the magnetism of its protagonist... Odds seem good that Akunin will be the next detective to capture readers'' fancy en masse'' Sarah Weinman, January Magazine ''These books are a fun, riotous read that you don''t want to put down until you''ve completed each and every one of them'' Jill on Goodreads (five stars) ''The conclusion is shocking and this reader can''t wait to delve into the next in the series'' A Writer''s Jumble ''Nail-biter all the way through!'' Corin on Goodreads (five stars) A page-turning delight perfect for fans of Sherlock Holmes, Hercule Poirot and the Russian literary greats.

Kriminalroman. I Moskva i 1876 opstår der tilsyneladende en selvmordsepidemi blandt velhavende døgenigte. Fandorin, der er skriver ved Opdagelsespolitiet, opdager at alle har indsat samme enearving

An epic love story taking place during the russian revolution 1917-1932.