New Releases by Fyodor Dostoyevsky

The Grand Inquisitor is a central passage within Dostoyevsky's The Brothers Karamazov, presented as a parable narrated by Ivan Karamazov. The story is set in Seville during the time of the Inquisition, where Christ returns to Earth and is recognized by the people because of His miracles. However, He is soon arrested by order of the Grand Inquisitor, who accuses Him of threatening the established order of the Church. The Inquisitor argues that humanity, weak and fearful of freedom, does not wish to bear the responsibility of choosing between good and evil. According to him, people prefer to submit to an authority that guarantees bread, security, and guidance, rather than live with the uncertainty of spiritual freedom. In his speech, he claims that the Church has corrected Christ's work, assuming the power to govern in the name of obedience and stability, even at the cost of betraying the original message. The narrative exposes fundamental tensions between freedom and authority, faith and power, truth and convenience. Christ, confronted with the Inquisitor's harsh words, remains silent, responding only with a gesture of love: a kiss. This act encapsulates the radical opposition between coercive power and mercy, leaving open the reflection on humanity's fate and the essence of Christianity. Since its publication, The Grand Inquisitor has been interpreted as one of the most profound meditations on the nature of religious power, human frailty, and the dilemma of freedom, establishing itself as one of the most emblematic and debated passages in world literature.

Reproduction of the original. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.

The Possessed, also known as The Devils or Demons, is a profound exploration of the tumultuous political and philosophical landscape of 19th-century Russia, penned by the masterful author Fyodor Dostoyevsky. This captivating novel dissects the nature of ideology and morality through the lens of a group of radicals plotting rebellion against the established order. At its core, the novel illustrates the devastating effects of nihilism and the consequences of abandoning traditional values. The narrative revolves around the character of Nikolai Stavrogin, a brooding and enigmatic figure whose personal struggles reflect the broader societal conflicts of the time. Dostoyevsky weaves an intricate web of relationships and ideological clashes among a cast of vibrant characters, each embodying differing perspectives on politics, religion, and morality. Through their interactions, the author delves into the complexities of human behavior, examining themes of guilt, redemption, and the quest for meaning in a chaotic world. One of the novel’s most striking elements is its portrayal of the seductive but destructive nature of radical ideas. As the characters become increasingly entangled in their revolutionary ambitions, Dostoyevsky raises questions about the morality of their actions and the consequences of their beliefs. The passionate rhetoric and philosophical debates serve as a backdrop against which the tragic events unfold, leading to shocking revelations and heart-wrenching outcomes. With its rich character development and intricate plot, The Possessed offers readers a profound meditation on the clash of ideals and the human psyche’s darker aspects. Dostoyevsky’s masterful storytelling invites readers to reflect on the nature of evil, the complexity of radical thought, and the fragility of human conviction. The novel’s exploration of psychological turmoil and moral ambiguity remains as relevant today as it was during Dostoyevsky’s era, making it a timeless classic in literary history. In this intriguing narrative, Dostoyevsky not only critiques the socio-political movements of his time but also provides a timeless commentary on the struggles of the human spirit. Through The Possessed, readers are challenged to confront their own beliefs and the implications of ideological fervor, ultimately provoking deeper questions about nature, faith, and what it means to be truly alive.

In "The Crocodile," Fyodor Dostoyevsky presents a satirical novella that delves into the absurdities of human nature and societal norms through the lens of a bizarre narrative involving a man who is swallowed by a crocodile. This work intricately blends humor and existential angst, characteristic of Dostoyevsky's literary style, offering a profound commentary on bureaucracy and the human condition. It reflects the socio-political climate of 19th-century Russia, where the absurdities of modern life frequently intersected with philosophical inquiries into existence and morality. Dostoyevsky, a pivotal figure in Russian literature, faced many hardships that informed his worldview, including imprisonment and financial instability, which cultivated his acute awareness of the complexities of human existence. These experiences, alongside an evolving sense of moral philosophy, shaped his writing style, often characterized by deep psychological insight and social critique. "The Crocodile" stands as a sardonic examination of materialism and the absurdity of modern life, likely influenced by his own tumultuous experiences in a rapidly changing society. This novella is highly recommended for readers seeking a thought-provoking exploration of absurdity within the context of societal critique. Dostoyevsky's deft humor and sharp observations invite readers to reflect on their own realities while engaging with the timeless themes of identity and existential absurdity.

"The Gambler" is a novella written by the Russian author Fyodor Dostoevsky. It was first published in 1867. The story revolves around the character of Alexei Ivanovich, a tutor to a Russian general's family, who becomes embroiled in the world of gambling and casinos. Alexei finds himself caught up in a passionate and self-destructive obsession with roulette, leading to financial ruin and moral decay. The novella explores themes of addiction, risk, and the human propensity for self-destructive behavior. Fyodor Dostoevsky, known for his profound psychological insight and exploration of human nature, drew upon his own experiences with gambling and financial difficulties in writing "The Gambler." The novella is considered a precursor to his later masterpieces like "Crime and Punishment" and "The Brothers Karamazov" and is recognized for its exploration of the darker aspects of the human psyche.

Reproduction of the original.

Crime and Punishment (pre-reform Russian; post-reform Russian: is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoevsky's full-length novels following his return from ten years of exile in Siberia. Crime and Punishment is considered the first great novel of his "mature" period of writing. The novel is often cited as one of the supreme achievements in literature.Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in Saint Petersburg who formulates a plan to kill an unscrupulous pawnbroker for her money. Before the killing, Raskolnikov believes that with the money he could liberate himself from poverty and go on to perform great deeds. However, once it is done he finds himself racked with confusion, paranoia, and disgust for his actions. His justifications disintegrate completely as he struggles with guilt and horror and confronts the real-world consequences of his deed.

Rodion Raskolnikov kills an unscrupulous pawnbroker for her cash, defending his actions by arguing that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a vermin.

Crime and Punishment' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker's money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of 'Crime and Punishment'. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

Crime and Punishment' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker's money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of 'Crime and Punishment'. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

Crime and Punishment' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker's money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of 'Crime and Punishment'. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

Crime and Punishment' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker's money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of 'Crime and Punishment'. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

Crime and Punishment' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker's money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of 'Crime and Punishment'. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

Crime and Punishment' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker's money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of 'Crime and Punishment'. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

Crime and Punishment' concentrates on the mental tumult and moral confusion of Rodion Raskolnikov, an impecunious former student in St. Petersburg who contrives to murder a morally bankrupt pawnbroker in order to steal her money. Convinced by a friend who argues that using the pawnbroker's money for benevolent reasons would counterbalance the killing, Rodion commits the crime, but is tormented by contradictory thoughts and the ever-present danger of being caught. This text is a classic work of Russian literature, and will appeal to fans of literature of this ilk. A veritable must-read for serious literature fans, no bookshelf is complete without a copy of 'Crime and Punishment'. Fyodor Mikhailovich Dostoyevsky (1821 - 1881) was a Russian novelist, essayist, short story writer, journalist and philosopher. We are republishing this antiquarian book now in a modern, affordable edition complete with a new prefatory biography of the author.

Fyodor Dostoyevsky tells the story of a man who is "too conscious." The man, whose name we never learn is so aware of his own thoughts and feelings as to cause him to be indecisive and overly self-critical. Add in his belief that societal expectations are shaping his actions. Notes From Underground is one of Fyodor Dostoyevsky's most well renowned novels. It is thought to be one of the first existentialist Russian works. The novella is the disorganized memoir of an unknown narrator, who is referred to by critics as the Underground Man. His narration is disjointed and unreliable, and is colored by a general sense of disdain. The reoccurring themes in Dostoyevsky's Notes From Underground, such as hopelessness, self-consciousness, and his grotesque Gogol-esque style of prose, proved to hold much literary influence on 20th century Russian writers, exemplified in novels such as We, Envy, and Master and Margarita.

Notes from the Underground is a novella by Fyodor Dostoyevsky. Notes is considered by many to be the first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?. The second part of the book is called "Àpropos of the Wet Snow", and describes certain events that, it seems, are destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator. Dostoyevsky again confronts the concept of free will and constructs a negative argument to validate free will against determinism in the character Kirillov's suicide in his novel The Demons. Notes from Underground marks the starting point of Dostoyevsky's move from psychological and sociological themed novels to novels based on existential and general human experience in crisis. War is described as people's rebellion against the assumption that everything needs to happen for a purpose, because humans do things without purpose, and this is what determines human history. The philosopher Friedrich Nietzsche called Dostoevsky "the only psychologist, incidentally, from whom I had anything to learn."

Demons is an anti-nihilistic novel by Fyodor Dostoyevsky. It is the third of the four great novels written by Dostoyevsky after his return from Siberian exile, the others being Crime and Punishment, The Idiot and The Brothers Karamazov. Demons is a social and political satire, a psychological drama, and large scale tragedy.

This eBook edition of "Another Man's Wife And A Husband Under The Bed" has been formatted to the highest digital standards and adjusted for readability on all devices. Another Man's Wife and a Husband under the Bed is a humorous short story by Fyodor Dostoyevsky. The novella looks like a cliché of the vaudeville genre. The theme of the love triangle (or rather the polygon, given the number of heroin's lovers), the ridiculous and pathetic adulterer husbands (always much older than their wives), the idea that a young wife is necessarily lying, fickle and unfaithful, many misunderstandings which lead to situations, but also plenty of dialogues, improbabilities and unexpected twists of all sorts give this sketch a look of a "theater of the boulevard". Fyodor Dostoyevsky (1821-1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment (1866), The Idiot (1869), Demons (1872) and The Brothers Karamazov (1880). Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature.

Notes from Underground is considered one of Dostoyevsky's most powerful and original stories and marks the starting point of his literary maturity.

The story "Uncle's Dream" was written by Dostoyevsky after a five-year exile in Siberia and covers the tale of a provincial family desperate to better itself through a marriage of their daughter to a senile prince. The old man is hoodwinked and almost forced into a wedding that is expected to last for a short period before he dies and leaves his fortune to the young girl. There are complications however with the young girl Zina already in love with a teacher who is on his death bed. That relationship is frowned on by her ambitious mother and the only other suitor is disliked by Zina. The mother tries to manipulate everyone to her own advantage but it all comes crashing down and with great humour the plans to marry the Prince fall apart. The reader gets a brilliant insight into the desperation for provincial merchants to better their station in life and the gossip and rivalry that is created by their efforts...

"Prison Life in Siberia" from Fyodor Dostoyevsky. Russian novelist, short story writer, essayist and philosopher (1821-1881).

'I could see that she was still terribly afraid, but I didn't soften anything; instead, seeing that she was afraid I deliberately intensified it.' Based on a St Petersburg news report, Dostoyevsky's searing tale of a man who drives his wife to suicide.

Most significant of the Russian novelist's early stories (1846) offers straight-faced treatment of hallucinatory theme. Golyadkin senior is ruthlessly persecuted by Golyadkin junior, his double in almost every respect.

A rich and idle man confronts his dead mistress's husband in this psychological novel of duality. Powerful and accessible, it offers a captivating and revealing exploration of love, guilt, and hatred.

In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. He recorded his impressions in Winter Notes on Summer Impressions, which were first published in the February 1863 issue of Vremya (Time), the periodical of which he was the editor.

White Nights" is a short story by Fyodor Dostoevsky, originally published in 1848, early in the writer's career. Like many of Dostoevsky's stories, "White Nights" is told in the first person by a nameless narrator. The narrator is a young man living in Saint Petersburg who suffers from loneliness. He gets to know and falls in love with a young woman, but the love remains unrequited as the woman misses her lover, with whom she is finally reunited.