New Releases by Damien Hirst

A revealing collection of quotations from world-renowned artist Damien Hirst Hirst-isms is a collection of quotations—bold, surprising, often humorous, and always insightful—from celebrated artist Damien Hirst, whose controversial work explores the connections between art, religion, science, life, and death. Emerging in the 1990s as a leading member of the Young British Artists (YBAs), Hirst first became famous and gained a reputation as a provocateur with a series of artworks featuring dead and sometimes dissected animals (including a shark, sheep, and cow) preserved in glass tanks filled with formaldehyde. Gathered from interviews and other primary sources and organized by subject, these quotations explore Hirst’s early years, family life, and the beginnings of his fascination with art; the major themes of his work; his influences and heroes; his motivation; his process and the boundary-pushing production of his work; and his thoughts on the art world, fame, and money. The result is a comprehensive and nuanced book that sheds new light on a fascinating and important contemporary artist. Select quotations from the book: “The less I feel like an artist, the better I feel.”“I like it when people love my art. I like it when people hate my art. I just don’t want them to ignore my art.”“Painting’s like the most fabulous illusion, because there’s nothing at stake. Except yourself.”“I’m interested in the confusion between art and life, I like it when the world gets in the way.”“Sometimes you have to step over the edge to know where it is.”

This book was published on the occasion of 'Damien Hirst: Fact Paintings and Fact Sculptures' at Gagosian, Britannia Street, London. Marking the first phase of Hirst?s yearlong takeover of the Britannia Street gallery, the exhibition featured rarely seen works by the artist created between 1993 and 2021.00Mimicking color photographs, the Fact Paintings are rendered in oil on canvas, sometimes with meticulous fidelity, at others reveling in the physicality of mark making. Their verisimilitude recalls the historical role of painting as a tool to represent the visible world and lead the viewer to believe that a two-dimensional image is, in fact, the three-dimensional object it portrays. In the Fact Sculptures, presented alongside the related paintings, Hirst moves beyond the readymade, instead constructing detailed replicas of real objects.00This publication features extensive reproductions of the forty-six exhibited works, as well as photographs of the installation. It also includes a new essay by Alice Godwin, which considers both the art historical context of the works as well as the new meaning they take on within contemporary life.00Exhibition: Gagosian, Britannia Street, London, UK (12.04.-24.05.2021).

This book was published on the occasion of the exhibition Damien Hirst: The Veil Paintings at Gagosian, Beverly Hills. Taking the Visual Candy paintings of the 1990s as a point of departure, in this series Hirst embraces color and gestural painting on a large scale. Referencing both Abstract Expressionism and Impressionism, including Georges Seurat and Pierre Bonnard, The Veil Paintings layer brushstrokes and bright dabs of heavy impasto, enveloping the viewer in vast fields of color.0The publication documents thirty-seven paintings in the exhibition with plate and detail images as well as installation photography. It features a new essay by Lisa Small with illustrations and a double-sided dust jacket, available in two options.00Exhibition: Gagosian, Beverly Hills, USA (01.03-140-.04.2018).

This exquisite hardback volume, boasting a ribbed leather spine, presents the second collection of a series of drawings on paper by Damien Hirst (born 1965), rendered in a range of mediums including silverpoint, charcoal and ink. The drawings form part of Hirst's most ambitious project to date, Treasures from the Wreck of the Unbelievable, presented at the Pinault Collection's two Venetian museums--the Palazzo Grassi and the Punta della Dogana--from April to December 2017. The exhibition marked the first time in the Collection's history that both museums had been dedicated to the work of a single artist.

This publication showcases the largest ever retrospective of Hirst's work, and the first book to feature installation images of a curated space. The reader benefits from seeing the works in their original pairings, as conceived by the artist, whilst the interviewer metaphorically walks through the exhibition discussing the works with the artist.

The central sculpture is a severed bull's head with golden horns and crowned with a solid gold disc, suspended in formaldehyde and encased in a golden vitrine. Also included is Judgement Day, a 30 foot long gold cabinet filled with close to 30,000 manufactured diamonds. The artist's series of photorealist paintings including The Golden Jubilee (2008), The Agra (2006) and The Premiere Rose (2006) here are illustrated alongside 20 short historical texts, alongside the diamonds.

This book is the first and most significant documentation of Damien Hirst's iconographic spot paintings and this comprehensive publication spans his career. Every spot painting Hirst has produced is included in this substantial publication with over 95% of them illustrated. Conceived at the time of Hirst's 2012 exhibition of the same title held in 11 Gagosian Galleries including New York, London, Paris, Los Angeles, Rome, Athens, Geneva and Hong Kong, this publication has been long in the making.

An alphabet book illustrated by the artwork of Damien Hirst.

In total The Souls is made up of 4 butterflies, in 80 different colourways each one in an edition of 15. Vibrant with hue, the finished effect of each image is that of a resonanty tension between the stillness of death and the trembling iridescent life that the individual butterflies convey. The Souls is therefore quintessentially Hirstian, combining the impact of visual spectacle with a powerfully eloquent confluence of medium and visual language. Each butterfly is depicted here and 4 foil blocks inserts depict the actual foiling used in the original prints. Hirst's fascination with butterflies derives in large part from the way in which these beautiful insects embody both the beauty and impermanence of life, becoming symbols of faith and mortality.

Gagosian Gallery is pleased to present Damien Hirst: Poisons + Remedies, a catalogue illustrating the two new painting series which debuted at Gagosian Gallery, Davies Street in London 2010. The Poisons paintings feature skulls, a recurrent icon in Hirst's oeuvre, silkscreened in black UV ink with charcoal onto large canvases and titled after toxic chemical preparations, suggesting possible causes of death accompanying each ghostly visage. The Remedies paintings contain colored resin and plaster pills scattered across a white background in a chaotic arrangement. Poisons + Remedies reminds us of the tenuous boundaries between life and death, acknowledging the life-altering role of science while alluding to the redemptive powers of art. This fully illustrated catalogue also features two essays by novelist Gary Shteyngart.

This book is a creative guide to the making of arguably the most extraordinary art object to be made in the 21st century. Published to accompany the 2007 exhibition "Damien Hirst: Beyond Belief" at White Cube, it gives a fascinating pictorial insight into how Hirst's diamond skull piece "For the Love of God" was conceived and produced. Illustrated with candid behind-the-scenes photographs by Johnnie Shand Kydd, the book includes a number of preparatory drawings by Damien Hirst and a fold-out image of the diamond skull. Accompanying this is an essay by the art historian Rudi Fuchs, who writes, "The skull is out of this world, celestial almost. I tend to see it as a glorious intense victory over death." A number of leading experts in the fields of archeology and dentistry have also contributed detailed studies on the diamond skull, including analyses of its age and ancestry.

In this unique art book and epic collaboration, long-term friends, photographer Rankin and artist Damien Hirst, leverage their creative mediums and shared dark wit. Inspired by their conversations around myths, monsters and legends, they decided to extend their exploration of the subject by creating something tangible. Working to break boundaries of convention, the resulting photographs are ethereal and menacing, the ancient world viewed through a modern lense.

Published on the occasion of the exhibition at the Wallace Collection, London 14.10.2009 - 24.1.2010.

White Cube was pleased to present nineteen new paintings by Damien Hirst. The exhibition was staged at White Cube Mason's Yard and White Cube Hoxton Square. At White Cube Hoxton Square, Hirst presented a group of paintings, which included three triptychs from 2007-09, each depicting crows shot in mid-flight against blue skies, with outspread wings and violent splatters of red paint across their bodies. In the four triptychs on show in the lower ground floor at White Cube Mason's Yard, these crows reappear, as omens of bad news. They often share the space with ghost-like figures, skeletal forms and objects, including chairs, lemons, knives, animal skulls, wine glasses or a scorpion.

Published on the occasion of the artist's show at Musée Océanographique de Monaco in April 2010, 'Cornucopia' celebrates Hirst's paintings and sculptures from 1994 - 2009

This details all the Damien Hirst works in the Pinchuk Art Centre exhibition, Kyiv in April 2009. The book features over ninety works including iconic early pieces from the 1990’s, sculptures, and paintings from recent years, together with the new, previously unseen skull paintings. Born in Bristol in 1965, Damien Hirst studied Goldsmith’s College. In 1988 he curated the now renowned exhibition, Freeze, help in London. In 1991, he had his first solo exhibition in London entitled In and Out of Love and the following year he was a major part of the groundbreaking Young British Artists exhibition at the Saatchi Gallery. He was awarded the prestigious Tate Gallery Turner Prize in 1995. Hirst’s work has been shown in many important group and solo shows throughout the world and his is now one of Britain’s most celebrated living artists. He lives and works in Devon and London.

Requiem is a major retrospective in two volumes covering over one hundred works dating from 1990 to 2008.

Some of Hirsts iconic works - pickled shark, cow, fish. Butterfly painting, medical pictures. Disease, surgical operations. Diamond skull.

Published to accompany the exhibition held at the Serpentine Galley, London, entitled, 'In the darkest hour there may be light: works from Damien Hirst's murderme colection', 25 November 2006 - 28 January 2007.

This catalogue is published to accompany the exhibition - New Religion, a major new project by Damien Hirst, and the artist's first to be shown in an active church. It highlights the conflicts between science and religion, art and beliefs.

This comprehensive monograph was produced to accompany the drawings retrospective ‘Damien Hirst: Corpus: Drawings 1981-2006’ held at Gagosian Gallery, Madison Avenue, New York in 2006. It features more than two hundred drawings which offer a historical insight into rarely seen aspects of the artist’s work and process. Included are early drawings from Hirst’s student days; pencil sketches for seminal sculptures such as ‘The Physical Impossibility of Death in the Mind of Someone Living’ 1991, ‘A Thousand Years’ 1991, ‘The Acquired Inability to Escape’ 1992, ‘Away from the Flock’ 1994 and ‘The Hat Makes the Man’ 2003; preparatory diagrams for early spot paintings and medicine cabinets; a large-scale series of fourteen drawings for The Stations of the Cross (2004); and proposals for unrealised and future projects. Accompanying the drawings is a conversation between the artist and political philosopher John Gray (author of Straw Dogs, False Dawn and Al Qaeda and What It Means to Be Modern), and an essay by British historian Simon Baker. Hardback/with 29 gatefolds and book ribbon

"From the Cradle to the Grave" presents a key selection of drawings and sketches produced by the famed English artist and provocateur Damien Hirst over the past 15 years. For Hirst, drawing is a way of maintaining the flow of imagination, and he does it constantly. Ranging from raw, impulsive sketches to detailed and well-thought-out drawings, these works allow us to explore the artist's preoccupations and passions and his fascination with the ambiguity at the heart of human experience: the confusing relations between art and life, life and death, image and reality, communion and isolation. The drawings are complemented by a selection of thumbnail photographs of finished sculptures and paintings. Accompanying essays by well-known writers Annuska Shani and A. A. Gill help the reader make connections between the drawings and Hirst's other works of art. Exquisitely produced using a six-color printing process, "From the Cradle to the Grave" illuminates how Hirst's compelling drawings were conceived and shows us the vitality behind their creation.

"An extremely candid autobiography of Hirst presented in a series of conversations with the British writer, Gordon Burn ... intimate conversations are puncutated with art form all phases of his career chosen by Hirst himself.

This book comes in three different color patterns (all with the same cover design). The most comprehensive book devoted to the incomparable and iconic work of Yayoi Kusama. Yayoi Kusama, now in her eighties, has become a vital force in contemporary art and an influence on generations of artists. Arriving in New York City in 1958 from her native Japan, she embarked on a series of works that forged a new visual vocabulary--the Net paintings, which were composed of scores of small, thickly painted loops spanning large canvases. Her singular approach to art making continued in other extraordinary bodies of work, including the phallic soft sculptures which she later incorporated into full-scale environments. In 1973 she returned to Japan, where she lives and works today. Since then, she has created dazzling walk-in mirror rooms and her now-famous pumpkin sculptures, as well as writing poetry and novels. In this book--created in close collaboration with Kusama and her Tokyo studio--the breadth and import of this watershed artist's career are considered in depth. In addition to studies of the development of her artistic vocabularies across different media, the book includes ephemera, sketches, and photographs from the artist's extensive archive that have never been seen before. The publication is timed to coincide with the artist's major touring retrospective, which makes its American debut at the Whitney Museum in New York in summer 2012, as well as with the much-anticipated collaboration with powerhouse fashion brand Louis Vuitton. Contributors include: Leslie Camhi, RoseLeeGoldberg, Laura Hoptman, Chris Kraus, Arthur Lubow, Kevin McGarry, Louise Neri, Akira Tatehata, and Olivier Zahm.