Best Selling Books by Damien Hirst

An alphabet book illustrated by the artwork of Damien Hirst.

This book comes in three different color patterns (all with the same cover design). The most comprehensive book devoted to the incomparable and iconic work of Yayoi Kusama. Yayoi Kusama, now in her eighties, has become a vital force in contemporary art and an influence on generations of artists. Arriving in New York City in 1958 from her native Japan, she embarked on a series of works that forged a new visual vocabulary--the Net paintings, which were composed of scores of small, thickly painted loops spanning large canvases. Her singular approach to art making continued in other extraordinary bodies of work, including the phallic soft sculptures which she later incorporated into full-scale environments. In 1973 she returned to Japan, where she lives and works today. Since then, she has created dazzling walk-in mirror rooms and her now-famous pumpkin sculptures, as well as writing poetry and novels. In this book--created in close collaboration with Kusama and her Tokyo studio--the breadth and import of this watershed artist''s career are considered in depth. In addition to studies of the development of her artistic vocabularies across different media, the book includes ephemera, sketches, and photographs from the artist''s extensive archive that have never been seen before. The publication is timed to coincide with the artist''s major touring retrospective, which makes its American debut at the Whitney Museum in New York in summer 2012, as well as with the much-anticipated collaboration with powerhouse fashion brand Louis Vuitton. Contributors include: Leslie Camhi, RoseLeeGoldberg, Laura Hoptman, Chris Kraus, Arthur Lubow, Kevin McGarry, Louise Neri, Akira Tatehata, and Olivier Zahm.

"An extremely candid autobiography of Hirst presented in a series of conversations with the British writer, Gordon Burn ... intimate conversations are puncutated with art form all phases of his career chosen by Hirst himself.

This publication showcases the largest ever retrospective of Hirst''s work, and the first book to feature installation images of a curated space. The reader benefits from seeing the works in their original pairings, as conceived by the artist, whilst the interviewer metaphorically walks through the exhibition discussing the works with the artist.

Some of Hirsts iconic works - pickled shark, cow, fish. Butterfly painting, medical pictures. Disease, surgical operations. Diamond skull.

"From the Cradle to the Grave" presents a key selection of drawings and sketches produced by the famed English artist and provocateur Damien Hirst over the past 15 years. For Hirst, drawing is a way of maintaining the flow of imagination, and he does it constantly. Ranging from raw, impulsive sketches to detailed and well-thought-out drawings, these works allow us to explore the artist''s preoccupations and passions and his fascination with the ambiguity at the heart of human experience: the confusing relations between art and life, life and death, image and reality, communion and isolation. The drawings are complemented by a selection of thumbnail photographs of finished sculptures and paintings. Accompanying essays by well-known writers Annuska Shani and A. A. Gill help the reader make connections between the drawings and Hirst''s other works of art. Exquisitely produced using a six-color printing process, "From the Cradle to the Grave" illuminates how Hirst''s compelling drawings were conceived and shows us the vitality behind their creation.

Published to accompany the exhibition held at the Serpentine Galley, London, entitled, ''In the darkest hour there may be light: works from Damien Hirst''s murderme colection'', 25 November 2006 - 28 January 2007.

A revealing collection of quotations from world-renowned artist Damien Hirst Hirst-isms is a collection of quotations—bold, surprising, often humorous, and always insightful—from celebrated artist Damien Hirst, whose controversial work explores the connections between art, religion, science, life, and death. Emerging in the 1990s as a leading member of the Young British Artists (YBAs), Hirst first became famous and gained a reputation as a provocateur with a series of artworks featuring dead and sometimes dissected animals (including a shark, sheep, and cow) preserved in glass tanks filled with formaldehyde. Gathered from interviews and other primary sources and organized by subject, these quotations explore Hirst’s early years, family life, and the beginnings of his fascination with art; the major themes of his work; his influences and heroes; his motivation; his process and the boundary-pushing production of his work; and his thoughts on the art world, fame, and money. The result is a comprehensive and nuanced book that sheds new light on a fascinating and important contemporary artist. Select quotations from the book: “The less I feel like an artist, the better I feel.”“I like it when people love my art. I like it when people hate my art. I just don’t want them to ignore my art.”“Painting’s like the most fabulous illusion, because there’s nothing at stake. Except yourself.”“I’m interested in the confusion between art and life, I like it when the world gets in the way.”“Sometimes you have to step over the edge to know where it is.”

This book is the first and most significant documentation of Damien Hirst''s iconographic spot paintings and this comprehensive publication spans his career. Every spot painting Hirst has produced is included in this substantial publication with over 95% of them illustrated. Conceived at the time of Hirst''s 2012 exhibition of the same title held in 11 Gagosian Galleries including New York, London, Paris, Los Angeles, Rome, Athens, Geneva and Hong Kong, this publication has been long in the making.

In this unique art book and epic collaboration, long-term friends, photographer Rankin and artist Damien Hirst, leverage their creative mediums and shared dark wit. Inspired by their conversations around myths, monsters and legends, they decided to extend their exploration of the subject by creating something tangible. Working to break boundaries of convention, the resulting photographs are ethereal and menacing, the ancient world viewed through a modern lense.

In total The Souls is made up of 4 butterflies, in 80 different colourways each one in an edition of 15. Vibrant with hue, the finished effect of each image is that of a resonanty tension between the stillness of death and the trembling iridescent life that the individual butterflies convey. The Souls is therefore quintessentially Hirstian, combining the impact of visual spectacle with a powerfully eloquent confluence of medium and visual language. Each butterfly is depicted here and 4 foil blocks inserts depict the actual foiling used in the original prints. Hirst''s fascination with butterflies derives in large part from the way in which these beautiful insects embody both the beauty and impermanence of life, becoming symbols of faith and mortality.

This catalogue is published to accompany the exhibition - New Religion, a major new project by Damien Hirst, and the artist''s first to be shown in an active church. It highlights the conflicts between science and religion, art and beliefs.

This comprehensive monograph was produced to accompany the drawings retrospective ‘Damien Hirst: Corpus: Drawings 1981-2006’ held at Gagosian Gallery, Madison Avenue, New York in 2006. It features more than two hundred drawings which offer a historical insight into rarely seen aspects of the artist’s work and process. Included are early drawings from Hirst’s student days; pencil sketches for seminal sculptures such as ‘The Physical Impossibility of Death in the Mind of Someone Living’ 1991, ‘A Thousand Years’ 1991, ‘The Acquired Inability to Escape’ 1992, ‘Away from the Flock’ 1994 and ‘The Hat Makes the Man’ 2003; preparatory diagrams for early spot paintings and medicine cabinets; a large-scale series of fourteen drawings for The Stations of the Cross (2004); and proposals for unrealised and future projects. Accompanying the drawings is a conversation between the artist and political philosopher John Gray (author of Straw Dogs, False Dawn and Al Qaeda and What It Means to Be Modern), and an essay by British historian Simon Baker. Hardback/with 29 gatefolds and book ribbon