Best Selling Books by Damien Hirst

This publication was produced to accompany Damien Hirst''s first ever drawings exhibition held in association with the British Council in Ljubljana, Slovenia n 2003 before touring to St Petersburg. Spanning his entire career, they range from early drawings done when Hirst was a teenager to intimate drawings made for close friend. The exhibition also included preparatory sketches for some of Hirst''s well-known sculptural works as well as sketched and ideas for future work.

Published to accompany the exhibition held at the Serpentine Galley, London, entitled, ''In the darkest hour there may be light: works from Damien Hirst''s murderme colection'', 25 November 2006 - 28 January 2007.

Some of Hirsts iconic works - pickled shark, cow, fish. Butterfly painting, medical pictures. Disease, surgical operations. Diamond skull.

An alphabet book illustrated by the artwork of Damien Hirst.

This book is the first and most significant documentation of Damien Hirst''s iconographic spot paintings and this comprehensive publication spans his career. Every spot painting Hirst has produced is included in this substantial publication with over 95% of them illustrated. Conceived at the time of Hirst''s 2012 exhibition of the same title held in 11 Gagosian Galleries including New York, London, Paris, Los Angeles, Rome, Athens, Geneva and Hong Kong, this publication has been long in the making.

This book comes in three different color patterns (all with the same cover design). The most comprehensive book devoted to the incomparable and iconic work of Yayoi Kusama. Yayoi Kusama, now in her eighties, has become a vital force in contemporary art and an influence on generations of artists. Arriving in New York City in 1958 from her native Japan, she embarked on a series of works that forged a new visual vocabulary--the Net paintings, which were composed of scores of small, thickly painted loops spanning large canvases. Her singular approach to art making continued in other extraordinary bodies of work, including the phallic soft sculptures which she later incorporated into full-scale environments. In 1973 she returned to Japan, where she lives and works today. Since then, she has created dazzling walk-in mirror rooms and her now-famous pumpkin sculptures, as well as writing poetry and novels. In this book--created in close collaboration with Kusama and her Tokyo studio--the breadth and import of this watershed artist''s career are considered in depth. In addition to studies of the development of her artistic vocabularies across different media, the book includes ephemera, sketches, and photographs from the artist''s extensive archive that have never been seen before. The publication is timed to coincide with the artist''s major touring retrospective, which makes its American debut at the Whitney Museum in New York in summer 2012, as well as with the much-anticipated collaboration with powerhouse fashion brand Louis Vuitton. Contributors include: Leslie Camhi, RoseLeeGoldberg, Laura Hoptman, Chris Kraus, Arthur Lubow, Kevin McGarry, Louise Neri, Akira Tatehata, and Olivier Zahm.

This catalogue is published to accompany the exhibition - New Religion, a major new project by Damien Hirst, and the artist''s first to be shown in an active church. It highlights the conflicts between science and religion, art and beliefs.

"An extremely candid autobiography of Hirst presented in a series of conversations with the British writer, Gordon Burn ... intimate conversations are puncutated with art form all phases of his career chosen by Hirst himself.

This comprehensive monograph was produced to accompany the drawings retrospective ‘Damien Hirst: Corpus: Drawings 1981-2006’ held at Gagosian Gallery, Madison Avenue, New York in 2006. It features more than two hundred drawings which offer a historical insight into rarely seen aspects of the artist’s work and process. Included are early drawings from Hirst’s student days; pencil sketches for seminal sculptures such as ‘The Physical Impossibility of Death in the Mind of Someone Living’ 1991, ‘A Thousand Years’ 1991, ‘The Acquired Inability to Escape’ 1992, ‘Away from the Flock’ 1994 and ‘The Hat Makes the Man’ 2003; preparatory diagrams for early spot paintings and medicine cabinets; a large-scale series of fourteen drawings for The Stations of the Cross (2004); and proposals for unrealised and future projects. Accompanying the drawings is a conversation between the artist and political philosopher John Gray (author of Straw Dogs, False Dawn and Al Qaeda and What It Means to Be Modern), and an essay by British historian Simon Baker. Hardback/with 29 gatefolds and book ribbon

In this unique art book and epic collaboration, long-term friends, photographer Rankin and artist Damien Hirst, leverage their creative mediums and shared dark wit. Inspired by their conversations around myths, monsters and legends, they decided to extend their exploration of the subject by creating something tangible. Working to break boundaries of convention, the resulting photographs are ethereal and menacing, the ancient world viewed through a modern lense.

This book is a creative guide to the making of arguably the most extraordinary art object to be made in the 21st century. Published to accompany the 2007 exhibition Damien Hirst: Beyond Belief at White Cube, London, it gives a fascinating pictorial insight into how Hirst''s diamond skull piece "For the Love of God" was conceived and produced. Illustrated with candid behind-the-scenes photographs by Johnnie Shand Kydd, the book includes a number of preparatory drawings by Damien Hirst and a fold out image of the diamond skull. Accompanying this is an essay by the art historian Rudi Fuchs, who writes: "The skull is out of this world, celestial almost. I tend to see it as a glorious intense victory over death." A number of leading experts in the fields of archaeology and dentistry have also contributed detailed studies on the diamond skull, including analyses of its age and ancestry.

This publication accompanies the Damien Hirst ''Two Weeks One Summer'' exhibition at White Cube Gallery, May 2012. Painting has always been an important part of Hirst''s oeuvre, but unlike the spot paintings and photorealist series which were made using a collaborative studio process, this body of work is altogether more personal: painted from life, by Hirst in his Devon studio.The paintings, often intimate in size, could be seen as traditional still lifes, depicting an array of carefully arranged elements, both natural and inanimate, sometimes memento mori, alongside objects and formal devices that have made their appearance in Hirst''s sculptures and installations before. Exquisitely coloured birds on display stands or in simple glass boxes, butterflies, fruit and cherry blossom at the peak of its beauty, intimate the pure joy of spring''s transition into summer but also the temporal significance of this natural phenomenon.Next to these bucolic objects, more sinister symbols take their place: oversized scissors, a shark''s gaping jawbone, bell jars and even several lonely single or conjoined foetuses floating in jars, elements that are displaced from the laboratory table rather than the domestic one. Some objects are painted with clarity and impasto; others appear hazy and faint, as if they are somehow more insubstantial, part of a sudden apparition or dream-like vision.

Due to popular demand, this extraordinary book project by Damien Hirst is now available in a reduced format. This dynamic and provocative collection of Hirst''s ideas and obsessions is a powerful combination of text and visual elements. Each piece is set against a visual narrative of drawings, words, photography, typography, pop-ups, and other special effects that make this book like no other. An essay by cult novelist Gordon Burn looks at Hirst''s work and the breadth of its impact. Designed by Jonathan Barnbrook, this is a landmark publication that has redefined the fine art monograph. AUTHOR BIO: Damien Hirst was born in Bristol and studied fine art at Goldsmiths College in London. In 1995, he won the prestigious Turner Prize. He has had recent solo exhibitions at the White Cube, London; the Marble Palace, Russia; Saatchi Gallery, London; Gagosian Gallery, New York; and Tate Gallery, London. Gordon Burn is an award-winning writer of both fiction and nonfiction. His book of interviews with Damien Hirst, On the Way to Work, was published in 2002.

A revealing collection of quotations from world-renowned artist Damien Hirst Hirst-isms is a collection of quotations—bold, surprising, often humorous, and always insightful—from celebrated artist Damien Hirst, whose controversial work explores the connections between art, religion, science, life, and death. Emerging in the 1990s as a leading member of the Young British Artists (YBAs), Hirst first became famous and gained a reputation as a provocateur with a series of artworks featuring dead and sometimes dissected animals (including a shark, sheep, and cow) preserved in glass tanks filled with formaldehyde. Gathered from interviews and other primary sources and organized by subject, these quotations explore Hirst’s early years, family life, and the beginnings of his fascination with art; the major themes of his work; his influences and heroes; his motivation; his process and the boundary-pushing production of his work; and his thoughts on the art world, fame, and money. The result is a comprehensive and nuanced book that sheds new light on a fascinating and important contemporary artist. Select quotations from the book: “The less I feel like an artist, the better I feel.”“I like it when people love my art. I like it when people hate my art. I just don’t want them to ignore my art.”“Painting’s like the most fabulous illusion, because there’s nothing at stake. Except yourself.”“I’m interested in the confusion between art and life, I like it when the world gets in the way.”“Sometimes you have to step over the edge to know where it is.”