Best Selling Books by David Scott

In this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of textural analysis as much as they call for more traditional forms of textual analysis. Dating back to Carol Clover’s and Linda Williams’s pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a “body genre.” However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals. Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals—living or dead, real or fake—play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, Body Genre: Anatomy of the Horror Film moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death.

The Evidence for God For approximately one hundred years, most secular scientists and the majority of the intelligentsia in the world have “preached” that God does not exist. Darwin’s book, The Origin of the Species, published in 1859, was the primary impetus for this change in our world’s viewpoint away from God. Today, many leaders in academia look at Christians (and others who believe in God) as bereft of intelligence. At the onset of the 20th century, there was very little scientific evidence to suggest that God was the Creator of the Universe. However, since 1917, amazing evidence has been discovered in the fields of cosmology and biology that a significant number of secular scientists admit points to an incredible Creative Force; most call this Force, God. The Philosophical, Scientific, and Historical Evidence for God presents this evidence in a detailed, yet understandable, manner. This book, Dr. Nichols’ eleventh on theology, provides well-researched information showing the ever-increasing evidence for an omnipotent Creator. He considers it to be the magnum opus of his writing career. The significance of the Big Bang theory and the many weaknesses now recognized in the theory of evolution will be thoroughly reviewed. Philosophical and historical evidence for God will also be presented. Dr. Nichols is convinced that an open-minded reader will come away with the realization that God does, indeed, exist, and that He is the God of the Holy Bible.

From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant.An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers.For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl

Paul Dogolov, divorced Vietnam War hero and novelist, teaches a writing class in a maximum security prison. Convinced that one of his students, serving a life sentence for brutal murder, is innocent, he sets out to find the real killer. The search leads him to a remote, dust-blasted California desert town and a scorpion''s nest of bizarre and vicious characters. The result is a tale of intrigue, corruption, and savage humor, in which Dogolov, through his encounter with the horrific, yet wildly comic, Fat Lady of the title, learns about terror, degradation, and ultimately, love in a funhouse-mirror world where illusion is reality, reality, a chimera. "David Scott Milton is certainly one of the most talented, uncompromising prose writers of his generation, and The Fat Lady Sings is perhaps his best and also most appealing novel." — Peter Bogdanovich

As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and tr

About the Book David Scott’s A Bohemian in a Precarious Belfry is a philosophic treatment of life and death via his collection of poems, short stories, essays, and random dialogs – the latter almost as would be experienced by an eavesdropper. It is an unusual reflection on, and examination of, friendship, enmity, joy, strife, hope, and what life does to us in the form of favor and brute random chance, and what we do with one another in the form of friendship, love, loyalty and, too, malevolence and betrayal. All is weaved within fates good and bad, with renewal as experienced and factored into the general human condition. Here is an avenue to a reexamination of life and death and what these constitute: The enthrallments, the potentials to be realized, the limitations, the acceptances, all within the slow grind of uncertain futures... and certain deaths. Perhaps a custom adjustment to living – and dying – is possible. With the removal of political programming, religious indoctrinations, cultural overlays and expectations, and simple fear, there is at least a potential for a new appreciation, a new capacity, for living... living each... any... life. About the Author David Scott is private and iconoclastic on one hand, and on the other quite social at times; one may wonder how a “bohemian” managed to serve 12 years inside the strictures of the U.S. Army. Mr. Scott himself says, “Ask me: I encountered the most diverse field of people in life during my Army years.” After, Scott was an I.T. executive and authored the MBA-text, I.T. WARS: Managing the Business-Technology Weave in the New Millennium. After that foray into non-fiction, he published his first fiction: The Grim Grind of Life: A PI’s strange bounces through a surfeit of eateries, juke joints, and dark doorways. He also enjoys crawling through jazz and blues clubs seeking fellow travelers. His love of music has led to a considerable collection of LPs, 78s, Edison discs, and vintage music reproduction equipment from the last century.

This study looks at the tranformation of the French Socialist Party from a marginal group of the Left in 1969, to the party government following Francois Mitterand''s victory in 1981.

How does anyone ''put on the mind of Christ'', as Scripture commands? Can people really get so close to Christ that they not only know his mind but also take on his thinking? And what does this mean for Christian discipleship, the Church, the ordinary person of faith? David Scott, writer and poet, has reflected on this central theme of Christianity over a lifetime''s ministry in the Anglican church. He writes with engaging honesty about his personal thoughts and yet brings a theological rigour to his analysis. He combines a down-to-earth practicality with profound engagement with the texts of Scripture. The result is a gem of a book. He writes as follows in his introduction. ''Put on the mind of Christ: what that phrase, with its concentration on ''mind'', does not immediately evoke is the way in which the rattle-bag of feelings about things, the heartaches, the heart searchings, the lifting up of the heart have coalesced and been informed by the sharper, tougher attitudes of mind. We shall see, in the case of Jesus, that those two concepts heart and mind, become one orientation, attitude, and spring for action. They also provide one unmoveable pointer for us to a destination we trust in, as we set out to know Christ, and be known by him, and so to enter into a creative relationship with the very centre of our faith.''

Evidence as a concept is central to our understanding of the world and the way in which we establish or verify the truth or otherwise of a statement, assertion or proposition. This interdisciplinary book focuses on the multiple and sometimes complex meanings that can be attached to the idea of evidence and its relationship to knowledge, learning and educational research. By exploring some of the key issues in the field of educational research, this title allows the reader to understand what evidence is and why it is important while also questioning the gatekeepers of evidence and the power they have in terms of use and control. Chapters unpack the ways that several prominent organisations use evidence in their work, including the Programme for International Student Assessment (PISA), the Education Endowment Foundation (EEF) and the BBC, among others. A thought-provoking analysis of the field, this is an essential read for all those looking to develop an understanding of evidence and the ways it can be used in educational settings as well as researchers and postgraduate students in the field of educational research.

The ending of the Soviet Union in 1991 had a major political and economic impact on Central Asia. Kyrgyzstan was one of the most severely affected countries, suffering a deeper recession than the other republics. During the first five or six years Kyrgyzstan followed the advice of the International Monetary Fund and was considered a model of both economic and political reform. This book analyses the ability of the newly independent government in Kyrgyzstan to create a realistic national vision, prepare a strategy, organise and control its public services to deliver the desired result. Covering a fifteen year period and using the case study of the educational sector – which declined even though the economic situation in Kyrgyzstan improved – the author throws light on many other aspects of a country in transition, in particular, on strategy, implementation and outcomes. Comparisons with other sectors such as roads and pensions, and in particular the health care sector are presented. A multifaceted approach using case studies, phenomenology, interviews, historical and comparative analyses offers a more complete picture of national management of public service and the structure of government administration. The book also investigates the contribution made by the international aid organisations. A detailed study of institutional transformation in Kyrgyzstan, this book is of interest to academics studying former socialist countries in transition, the history of the Soviet Union and Central Asian studies in general.