New Releases by Grace Paley

Dreamer in a Dead Language is a story from Pulitzer Prize finalist Grace Paley...

Here are all Grace Paley''s classic stories in one volume. From her first book THE LITTLE DISTURBANCES OF MAN (1959), to ENORMOUS CHANGES AT THE LAST MINUTE (1974) and LATER THE SAME DAY (1985), Grace Paley''s quirky, boisterous characters and rich use of language won her readers'' hearts and secured her place as one of America''s most accomplished short story writers. Her stories are united by her signature interweaving of personal and political truths, her extraordinary capacity for empathy and her pointed depiction of the small and large events that make up daily life. Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor

"An essential book for all Grace Paley fans Grace Paley is best known for her inimitable short stories, but she was also an enormously talented essayist and poet. A Grace Paley Reader collects the best of Paley''s writing, showcasing her breadth of work and her extraordinary insight and empathy. With an introduction by George Saunders and an afterword by the writer''s daughter, Nora Paley, A Grace Paley Reader is sure to become an instant classic."--

A teacher, activist, feminist and masterful writer of short fiction and essays, Paley was also an accomplished poet. Combining her two previous collections with unpublished work, Begin Again traces the career of a direct, attentive, and always unpredictable poet. Whether describing the vicissitudes of life in New York City or the hard beauty of rural Vermont, whether celebrating the blessings of friendship or protesting against social injustice, her poems brim with compassion and tough good humour.

This rich and multifaceted collection is Grace Paley''s vivid record of her life. As close to an autobiography as anything we are likely to have from this quintessentially American writer, Just As I Thought gives us a chance to see Paley not only as a writer and "troublemaker" but also as a daughter, sister, mother, and grandmother. Through her descriptions of her childhood in the Bronx and her experiences as an antiwar activist to her lectures on writing and her recollections of other writers, these pieces are always alive with Paley''s inimitable voice, humor, and wisdom.

Grace Paley''s stature among writers of short fiction was established by her first collection, The Little Disturbances of Man (1959), and reconfirmed with the publication of Enormous Changes at the Last Minute in 1974. This new book, a selection from her work over the past ten years, is appropriately titled Later the Same Day: Paley''s concerns, or themes, have changed only as much as life''s constants change with the passage of time. Those characters familiar to readers of her previous volumes have grown older but are still deeply involved with their parents, their lovers and friends, and their children--the past, present, and future--and the welfare of the wider community. We meet the neighborhood druggist with his tale of familiar heartbreak and small-time bigotry ("Zagrowsky Tells"); a willful father in Puerto Rico who cannot accept the obvious loss of his child by kidnapping ("In the Garden"); a black woman who mourns the fact that her daughter, "born in good cheer," has become only "busy and broad" ("Lavinia: An Old Story")'' a visitor from China whose concern is about the children, how to raise them" (The Expensive Moment:); a craftsman whose beautiful creation is stillborn ("This is a Story about My Friend George, the Toy Inventor"). The seenteen stories in Later the Same Day are marked by Paley''s low-keyed humor, her rich but economical use of language, and her seemingly endless capacity for empathy. Their substance--the persistence of human and political concerns, despite practical pressures--subtly overwhelms less important matters.

The collected poems--some never previously published--of one of our best-loved, most respected authors. Combining Grace Paley''s four previous collections and new unpublished work, Begin Again traces the career of this direct, attentive, never predictable poet. Whether she describes the vicissitudes and pleasures of life in New York City or the hard beauty of her adoptive rural Vermont, whether she celebrates the blessings of friendship or protests against social injustice, her poems brim with the compassion and tough good humor that have made her stories and essays famous.

Just before her death in 2007 at the age of eighty-four, Grace Paley completed Fidelity, a wise and poignant book of poems. Full of memories of friends and family and incisive observations of life in both her beloved hometown, New York City, and rural Vermont, the poems are sober and playful, experimenting with form while remaining eminently readable. They explore the beginnings and ends of relationships, the ties that bind siblings, the workings of dreams, the surreal strangeness of the aging body—all imbued with her unique perspective and voice. Mournful and nostalgic, but also ruefully funny and full of love, Fidelity is Grace Paley''s passionate and haunting elegy for the life she was leaving behind.

Two married writers express their shared activism in a surprising range of styles and voices.

For use in teaching literature to high school students.

With firm authority Paley discusses topics of wide range, many of which she describes as personal discoveries. She includes politics and environmentalism, the family and human relationships, the impact of background and education, the moral importance of community, feminism and women''s liberation, the sexual self and role enforcement, America''s need for communality and women''s creative response to it, the art of teaching, and the importance of friendship.

“While nearly every Jewish female reader will find herself reflected here, the poignancy of these stories will be felt by readers of all ethnicities.”—Library Journal Chicken soup and Barbra Streisand, lost fathers and first dates, Hebrew school and Queen Esther, seders and seductions. In this insightful, original anthology, forty-five American Jewish writers explore the richness of their shared heritage, from the tragic to the trivial. In memoirs, fiction, and poetry new and favorite writers like Grace Paley, Amy Bloom, Vivian Gornick, and Laura Cunningham brilliantly reveal the challenges of coming of age as a Jewish woman in America today. What have we lost that our mothers and grandmothers had? Do we still feel close ties to family and community? Can we make a decent pot roast? This spirited collection is full of humor and wisdom, memory and affection—and there isn’t a Jewish girl (nice or otherwise) who won’t find herself reflected in these vibrant pages.

At long last, here are all of Grace Paley''s classic stories collected in one volume. From her first book, The Little Disturbances of Man, published in 1959, to Enormous Changes at the Last Minute (1974) and Later the Same Day (1985), Grace Paley''s quirky, boisterous characters and rich use of language have won her readers'' hearts and secured her place as one of America''s most accomplished writers. Grace Paley''s stories are united by her signature interweaving of personal and political truths, by her extraordinary capacity for empathy, and by her pointed, funny depiction a the small and large events that make up city life. As her work progresses, we encounter many of the same characters and revisit the same sites, bearing witness to a community as it develops and matures, becoming part ourselves of a dense and vital world that is singular yet achingly familiar.

Like her celebrated short fiction, Paley''s poems are street-smart yet vulnerable, full of earthy observations and a refreshing bemusement; they display a wonderful ear for the rhythm of the speech of her native New York, where "talk is cheap but comes in variety." She "tells the story of the stories" told by children and grandmothers, which resonate "in the mind''s ear" as "talk talk talk/the tickling tongue/of strangers." These poems are rich with the fullness of everyday life: the doings of Paley''s Greenwich Village neighborhood, summers in Vermont, fulltime political activism, memories of family and friends. Paley''s wonderful economy with words recalls William Carlos Williams and the objectivist poets. ISBN 0-88448-098-4: $19.95.

" Une douzaine de nouvelles qui sont d''une lecture désopilante. Des histoires de femmes de tous âges, racontées à la première personne par un écrivain qui sait raconter et qui s''est forgé un style tout à fait original et personnel. " Nicole Zand, Le Monde. " Avec Grace Paley, on ne saura jamais si le monde est un sujet de cafard ou de rigolade... Grace Paley, c''est Salinger au féminin. " Frédéric Ferney, Le Nouvel Observateur.

    This first collaboration of two long-time feminist and antiwar activists is a wonderful melding of word and image that creates a powerful call for world peace. Paley''s poems and short fiction and William''s vivid watercolors depict the beauty and dignity of "ordinary" lives from El Salvador to the Bronx, from New Hampshire to Vietnam. Scenes and stories of domestic life, solitude, and nature are interspersed with heart-wrenching images of women widowed and children crippled by war and incarcerated by urban poverty, Here, too, are stories and paintings of protest, joyous and defiant.

Whether writing about relationships, sexy little girls, loving and bickering couples, angry suburbanites, frustrated job-seekers, or Jewish children performing a Christmas play, Grace Paley captures the loneliness, poignancy, and humor of the human experience with matchless style in this book of short stories. "Fresh and vigorous...Mrs. Paley’s view of life is her own."--The New Yorker "The glad tidings from this reviewer’s corner are of the appearance of a [writer] possessed of an all-too-infrequent literary virtue--the comic vision."--The New York Times