New Releases by J. R. R. Tolkien

J.R.R. Tolkien's The Lord of the Rings meets Edward Gorey's The Gashlycrumb Tinies in this darkly satirical illustrated parody of the Tolkien universe: ‘A is for Arwen broken by sorrows; B is for Boromir punctured by arrows. C is for Celebrimbor hung out to dry; D is for Denethor...'

"The Classic Collection of J.R.R. Tolkien: Illustrated" is a meticulously curated anthology that brings together the timeless masterpieces of the legendary author. This collection includes Tolkien's iconic works, such as "The Lord of the Rings" trilogy – comprising "The Fellowship of the Ring," "The Two Towers," and "The Return of the King" – along with the beloved prelude, "The Hobbit." Dive into the rich tapestry of Middle-earth as you follow the courageous Fellowship on their quest, witness the journey of Bilbo Baggins, and experience the enduring power of Tolkien's storytelling. This beautifully illustrated collection is a tribute to the enduring legacy of J.R.R. Tolkien, inviting both dedicated fans and new readers alike to embark on an immersive journey through the heart of fantasy literature. Contents: The Hobbit The Lord of the Rings The Fellowship of the Ring The Two Towers The Return of the King

World first publication of the collected poems of J.R.R. Tolkien, spanning almost seven decades of the author's life and presented in an elegant three-volume hardcover boxed set. J.R.R. Tolkien aspired to be a poet in the first instance, and poetry was part of his creative life no less than his prose, his languages, and his art. Although Tolkien's readers are aware that he wrote poetry, if only from verses in The Hobbit and The Lord of the Rings, its extent is not well known, and its qualities are underappreciated. Within his larger works of fiction, poems help to establish character and place as well as further the story; as individual works, they delight with words and rhyme. They express his love of nature and the seasons, of landscape and music, and of words. They convey his humor and his sense of wonder. The earliest work in this collection, written for his beloved, is dated to 1910, when Tolkien was eighteen. More poems would follow during his years at Oxford, some of them very elaborate and eccentric. Those he composed during the First World War, in which he served in France, tend to be concerned not with trenches and battle, but with life, loss, faith, and friendship, his longing for England and the wife he left behind. Beginning in 1914, elements of his legendarium, "The Silmarillion," began to appear, and the "Matter of Middle-earth" would inspire much of Tolkien's verse for the rest of his life. Within The Collected Poems of J.R.R. Tolkien almost 200 works are presented across three volumes, including more than 60 that have never before been seen. The poems are deftly woven together with commentary and notes by world-renowned Tolkien scholars Christina Scull & Wayne G. Hammond, placing them in the context of Tolkien's life and literary accomplishments and creating a poetical biography that is a unique and revealing celebration of J.R.R. Tolkien.

A special collectible hardcover edition of the precursor to J.R.R. Tolkien's epic masterpiece, The Lord of the Rings, featuring the complete work with a sumptuous cover design, foil stamping, stained edges, and ribbon bookmark. The Silmarillion is an account of the Elder Days, of the First Age of Tolkien's World. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them, such as Elrond and Galadriel, took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. This special hardcover edition of the work includes a unique, foil-stamped cover that illustrates Telperion and Laurelin, the Two Trees of Valinor, and the three Silmarils. Available in the United States for the first time, it is one of five Collector's Editions of Tolkien's most beloved works, and an essential piece of any Tolkien reader's library.

This is the story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected… ‘A flawless masterpiece’ The Times Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day, to whisk him away on a journey ‘there and back again’. They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon… The prelude to THE LORD OF THE RINGS, THE HOBBIT has sold many millions of copies since its publication in 1937, establishing itself as one of the most beloved and influential books of the twentieth century.

For the first time ever, a special enhanced edition of the enchanting prelude to The Lord of the Rings, illustrated throughout with over 50 sketches, drawings, paintings and maps by J.R.R. Tolkien himself. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey ‘there and back again.’ They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon . . . Written for J.R.R. Tolkien’s own children, The Hobbit was published on 21 September 1937. With a beautiful cover design, a handful of black & white drawings and two maps by the author himself, the book became an instant success and was reprinted shortly afterwards with five color plates. Tolkien’s own selection of finished paintings and drawings have become inseparable from his text, adorning editions of The Hobbit for more than 85 years. But the published art has afforded only a glimpse of Tolkien’s creative process, and many additional sketches, colored drawings and maps – although exhibited and published elsewhere – have never appeared within the pages of The Hobbit. In this unique enhanced edition of Tolkien’s enchanting classic tale, the full panoply of his art is reproduced for the first time, presenting more than 50 illustrations to accompany Bilbo Baggins on his adventure ‘there and back again.’

For the first time ever, a very special edition of the forerunner to The Lord of the Rings, illustrated throughout in color by J.R.R. Tolkien himself and with the complete text printed in two colors. A deluxe slipcased edition of the Silmarillion Illustrated edition – the first volume to include J.R.R. Tolkien’s own illustrations – this edition is a beautiful keepsake for ardent fans and collectors. The Silmarilli were three perfect jewels, fashioned by Fëanor, most gifted of the Elves, and within them was imprisoned the last Light of the Two Trees of Valinor. But the first Dark Lord, Morgoth, stole the jewels and set them within his iron crown, guarded in the impenetrable fortress of Angband in the north of Middle-earth. The Silmarillion is the history of the rebellion of Fëanor and his kindred against the gods, their exile from Valinor and return to Middle-earth, and their war, hopeless despite all the heroism, against the great Enemy. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The book also includes several shorter works: the Ainulindalë, a myth of the Creation, and the Valaquenta, in which the nature and powers of each of the gods is described. The Alkallb?th recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. Tolkien could not publish The Silmarillion in his lifetime, as it grew with him, so he would leave it to his son, Christopher Tolkien, to edit the work from many manuscripts and bring his father’s great vision to publishable form, so completing the literary achievement of a lifetime. This special edition presents anew this seminal first step towards mapping out the posthumous publishing of Middle-earth, and the beginning of an illustrious forty years and more than twenty books celebrating his father’s legacy. This definitive new edition includes, by way of an introduction, a letter written by Tolkien in 1951 which provides a brilliant exposition of the earlier Ages, and for the first time in its history is presented with J.R.R. Tolkien’s own paintings and drawings, which reveal the breathtaking grandeur and beauty of his vision of the First Age of Middle-earth.

First published more than forty years ago, Pictures by J.R.R. Tolkien brings together sketches and pictures by Tolkien that appeared in the official calendars published in the 1970s.

SIR GAWAIN AND THE GREEN KNIGHT, PEARL, AND SIR ORFEO THREE MEDIEVAL ENGLISH POEMS, WITH TRANSLATION AND COMMENTARY BY J.R.R. TOLKIEN It’s Christmas at Camelot and King Arthur won’t begin to feast until he has witnessed a marvel of chivalry. A mysterious knight, green from head to toe, rides in and brings the court’s wait to an end with an implausible challenge to the Round Table: he will allow any of the knights to strike him once, with a battle-axe no less, on the condition that he is allowed to return the blow a year hence. Arthur’s brave favorite for the challenge is Sir Gawain… Accompanying Sir Gawain and the Green Knight in this book are Sir Orfeo, a medieval version of the story of Orpheus and Euridice, a love so strong that it overcame death, and Pearl, the moving tale of a man in a graveyard mourning his baby daughter, lost like a pearl that slipped through his fingers. Worn out by grief, he falls asleep and dreams of meeting her in a bejewelled fantasy world. Interpreted in a form designed to appeal to the general reader, J.R.R. Tolkien’s vivid translations of these classic poems represent the complete rhyme and alliterative schemes of the originals. This beautifully decorated text includes as a bonus the complete text of Tolkien’s acclaimed lecture on Sir Gawain.

Volume 2 of the most comprehensive in-depth companion to Tolkien’s life and works ever published. This volume includes a superlative day-by-day chronology of Tolkien’s life, presenting the most detailed biographical record available.

The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England's legendary hero, King Arthur. The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur's expedition overseas into distant heathen lands, of Guinevere's flight from Camelot, of the great sea-battle on Arthur's return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him 'You simply must finish it!' But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that 'he hoped to finish a long poem on The Fall of Arthur'; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem's structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.

Contains: - [Hobbit](https://openlibrary.org/works/OL262758W) - [The Fellowship of the Ring](https://openlibrary.org/works/OL15331214W/The_Fellowship_of_the_Ring) - [The Two Towers](https://openlibrary.org/works/OL262757W/The_Two_Towers) - [The Return of the King](https://openlibrary.org/works/OL27516W/The_Return_of_the_King)

The ultimate collector's gift set, comprising four deluxe slipcased editions of The Hobbit, The Lord of the Rings, The Silmarillion and The Children of Hurin, all housed in a sturdy box. With a total value of 280 this special collection represents a saving of 80.

Originally published from 1954 through 1956, J.R.R. Tolkien's richly complex series ushered in a new age of epic adventure storytelling. A philologist and illustrator who took inspiration from his work, Tolkien invented the modern heroic quest novel from the ground up, creating not just a world, but a domain, not just a lexicon, but a language, that would spawn countless imitators and lead to the inception of the epic fantasy genre. Today, THE LORD OF THE RINGS is considered "the most influential fantasy novel ever written." (THE ENCYCLOPEDIA OF FANTASY) During his travels across Middle-earth, the hobbit Bilbo Baggins had found the Ring. But the simple band of gold was far from ordinary; it was in fact the One Ring - the greatest of the ancient Rings of Power. Sauron, the Dark Lord, had infused it with his own evil magic, and when it was lost, he was forced to flee into hiding. But now Sauron's exile has ended and his power is spreading anew, fueled by the knowledge that his treasure has been found. He has gathered all the Great Rings to him, and will stop at nothing to reclaim the One that will complete his dominion. The only way to stop him is to cast the Ruling Ring deep into the Fire-Mountain at the heart of the land of Mordor--Sauron's dark realm. Fate has placed the burden in the hands of Frodo Baggins, Bilbo's heir...and he is resolved to bear it to its end. Or his own. --- **Contains** - [The Fellowship of the Ring](https://openlibrary.org/works/OL14933414W/The_Fellowship_of_the_Ring) - [The Two Towers](https://openlibrary.org/works/OL27479W/The_Two_Towers) - [The Return of the King](https://openlibrary.org/works/OL27516W/The_Return_of_the_King) - [The Lord of the Rings \[2/2\]](https://openlibrary.org/works/OL27306128W) - [The Lord of the Rings \[1/6\]](https://openlibrary.org/works/OL24170898W) - [The Lord of the Rings \[1/9\]](https://openlibrary.org/works/OL27305953W) - [The Lord of the Rings \[2/9\]](https://openlibrary.org/works/OL27305892W) - [The Lord of the Rings \[3/9\]](https://openlibrary.org/works/OL27306048W)

Bilbo Baggins, the hobbit, is a peaceful sort who lives in a cozy hole in the Shire, a place where adventures are uncommon - and rather unwanted. So when the wizard Gandalf whisks him away on a treasure-hunting expedition with a troop of rowdy dwarves, he's not entirely thrilled. Encountering ruthless trolls, beastly orcs, gigantic spiders, and hungry wolves, Bilbo discovers within himself astonishing strength and courage. And at the ultimate confrontation with the fearsome dragon Smaug, the hobbit will brave the dangers of the dark and dragon fire alone and unaided.

An absorbing collection of stories, poems, and commentaries by the author of The Hobbit and The Lord of the Rings Renowned around the world as the author of The Hobbit and The Lord of the Rings, J.R.R. Tolkien was also a distinguished academic and professor whose writings and lectures expand beyond the scope of his beloved Middle-earth. From short stories of fantastical adventures to essays on imagination and the narrative form, The Tolkien Reader gathers some of these fascinating and hard-to-find works into one volume. Tree and Leaf: Professor Tolkien’s now-famous essay “On Fairy-stories” and the short story “Leaf by Niggle” examine and illustrate the form and treatment of fantasy narratives. The Homecoming of Beorhtnoth Beorhthelm’s Son: A short play inspired by The Battle of Malden, an Old English poem with no ending and no beginning that describes a historical tenth-century battle between the English and Viking invaders. Farmer Giles of Ham: An imaginative history of the distant past that follows the unheroic Farmer Giles as he attempts to capture a somewhat untrustworthy dragon. The Adventures of Tom Bombadil: A delightful collection of verse in praise of Tom Bombadil, staunch friend of the hobbits in The Lord of the Rings.

The Lord of the Rings, J.R.R. Tolkien's three-volume epic, is set in the imaginary world of Middle-earth -- home to many strange beings, and most notably hobbits, a peace-loving "little people," cheerful and shy. Since its original British publication in 1954-55, the saga has entranced readers of all ages. It is at once a classic myth and a modern fairy tale. Critic Michael Straight has hailed it as one of the "very few works of genius in recent literature." Middle-earth is a world receptive to poets, scholars, children, and all other people of good will. Donald Barr has described it as "a scrubbed morning world, and a ringing nightmare world...especially sunlit, and shadowed by perils very fundamental, of a peculiarly uncompounded darkness." The story of this world is one of high and heroic adventure. Barr compared it to Beowulf, C.S. Lewis to Orlando Furioso, W.H. Auden to The Thirty-nine Steps. In fact the saga is sui generis -- a triumph of imagination which springs to life within its own framework and on its own terms. - Jacket flap. Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs. Now they continue their journey alone down the great River Anduin – alone, that is, save for the mysterious creeping figure that follows wherever they go. J.R.R. Tolkien’s great work of imaginative fiction has been labelled both a heroic romance and a classic fantasy fiction. By turns comic and homely, epic and diabolic, the narrative moves through countless changes of scene and character in an imaginary world which is totally convincing in its detail. --- **Also contained in:** - [The Lord of the Rings](https://openlibrary.org/works/OL27448W/The_Lord_of_the_Rings)

Two tales of fantasy by Tolkien.

A number-one New York Times bestseller when it was originally published, The Silmarillion is the core of J.R.R. Tolkien's imaginative writing, a work whose origins stretch back to a time long before The Hobbit.

One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. “A unique, wholly realized other world, evoked from deep in the well of Time, massively detailed, absorbingly entertaining, profound in meaning.”—The New York Times In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.

A collection of illustrated letters from Father Christmas recapping the activities of the preceding year at the North Pole. The letters were written by the author to his children.

Mr. Bliss's first outing in his new motor-car, shared with several friends, bears, dogs, and a donkey, though not the Girabbit, proves to be unconventional though not inexpensive.

The ‘Great Tale’ of The Children of Húrin, set during the legendary time before The Lord of the Rings. Morgoth, the first Dark Lord, dwells in the vast fortress of Angband in the North; and within the shadow of the fear of Angband, and the war waged by Morgoth against the Elves, the fates of Turin and his sister Nienor will be tragically entwined. Their brief and passionate lives are dominated by the elemental hatred that Morgoth bears them as the children of Hurin, the man who dared to defy him to his face. Against them Morgoth sends his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire. Sardonic and mocking, Glaurung manipulates the fates of Turin and Nienor by lies of diabolic cunning and guile, in an attempt to fulfil the curse of Morgoth.

THE RETURN OF THE KING, which brings to a close the great epic of war and adventure begun in The Fellowship of the Ring and continued in The Two Towers, is the third and final part of J. R. R. Tolkien's masterpiece, "The Lord of the Rings." In these three books, which form one continuous narrative, Tolkien created the saga of the Hobbits of Middle-earth and the great War of the Rings. Praised by such writers and poets as W. H. Auden, Richard Hughes and C. S. Lewis, "The Lord of the Rings" - that special world of beauty and terror and meaning - holds a secure place among the books that will live. --- **Also contained in:** - [The Lord of the Rings](https://openlibrary.org/works/OL27448W/The_Lord_of_the_Rings)

The New York Times Bestseller J.R.R. Tolkien's Beren And Lúthien is one of the three 'Great Tales' of the Elder Days. The epic tale of Beren and Lúthien became an essential element in the evolution of The Silmarillion, the myths and legends of Tolkien's First Age of the World. Always key to the story is the fate that shadowed their love: Beren was a mortal man, Lúthien an immortal Elf. Her father, a great Elvish lord, imposed on Beren an impossible task before he might wed Lúthien: to rob the greatest of all evil beings, Melkor, of a Silmaril. Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, Beren and Lúthien reunites fans of The Hobbit and The Lord of the Rings with Elves and Men, along with the rich landscape and creatures unique to Tolkien's Middle-earth. Christopher Tolkien tells the story in his father's own words by giving its original form as well as prose and verse passages from later texts that illustrate the narrative as it changed. "A good introduction to LOTR fans nervous about taking on The Silmarillion, and also gives longtime fans a fascinating look at the Tolkiens' myth-making process."—EntertainmentWeekly.com "With eloquence and diligence and care, the son reconstructs and retraces the father's journey, pursuing the tale through draft after draft as Tolkien pursued his vision of Middle-earth."—NPR.org

"In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo's desires and designs. Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo's designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon's daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo. At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources. Following his presentation of Beren and Lúthien Christopher Tolkien has used the same 'history in sequence' mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was 'the first real story of this imaginary world' and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three 'Great Tales' of the Elder Days." - Amazon.com