New Releases by J.R.R. Tolkien

For the first time ever, a beautiful slipcased edition of the enchanting prelude to The Lord of the Rings, illustrated throughout with over 50 sketches, drawings, paintings, and maps by J.R.R. Tolkien himself, with the complete text printed in two colors and with many bonus features unique to this edition. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey "there and back again." They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon... Written for J.R.R. Tolkien's own children, The Hobbit was published on 21 September 1937. With a beautiful cover design, a handful of black & white drawings and two maps by the author himself, the book became an instant success and was reprinted shortly afterwards with five color plates. Tolkien's own selection of finished paintings and drawings have become inseparable from his text, adorning editions of The Hobbit for more than 85 years. But the published art has afforded only a glimpse of Tolkien's creative process, and many additional sketches, colored drawings, and maps--although exhibited and published elsewhere--have never appeared within the pages of The Hobbit. In this unique enhanced edition of Tolkien's enchanting classic tale, the full panoply of his art is reproduced for the first time, presenting more than 50 illustrations to accompany Bilbo Baggins on his adventure "there and back again." Unique to this edition are two poster-size, fold-out maps revealing all the detail of Thror's Map and Wilderland, an illustrated 88-page booklet, and a printed art card reproducing Tolkien's original dustjacket painting. It is additionally quarterbound in green leather, with raised ribs on the spine, stamped in three foils on black cloth boards, and housed in a custom-built clothbound slipcase. The pages are edged in gold and include a ribbon marker.

Throughout this vast and intricate mythology, says Publishers Weekly, "one marvels anew at the depth, breadth, and persistence of J.R.R. Tolkien's labor. No one sympathetic to his aims, the invention of a secondary universe, will want to miss this chance to be present at the creation." In this capstone to that creation, we find the chronology of Middle-earth's later Ages, the Hobbit genealogies, and the Western language or Common Speech. These early essays show that Tolkien's fertile imagination was at work on Middle-earth's Second and Third Ages long before he explored them in the Appendices to The Lord of the Rings . Here too are valuable writings from Tolkien's last years: " The New Shadow," in Gondor of the Fourth Age, and" Tal-elmar," the tale of the coming of the Nsmen-rean ships.

In volumes ten and eleven of The History of Middle-earth, Christopher Tolkien recounts from the original texts the evolution of his father''s work on The Silmarillion, the legendary history of the Elder Days or First Age, from the completion of the Lord of the Rings in 1949 until J.R.R. Tolkien''s death. In volume ten, Morgoth''s Ring, the narrative was taken only as far as the natural dividing point in the work, when Morgoth destroyed the Trees of Light and fled from Valinor bearing the stolen Silmarils. In The War of the Jewels, the story returns to Middle-earth and the ruinous conflict of the High Elves and the Men who were their allies with the power of the Dark Lord. With the publication in this book of all of J.R.R. Tolkien''s later narrative writing concerned with the last centuries of the First Age, the long history of The Silmarillion, from its beginnings in The Book of Lost Tales, is completed; the enigmatic state of the work at his death can now be understood. A chief element in The War of the Jewels is a major story of Middle-earth, now published for the first time - a continuation of the great "saga" of Turin Turambar and his sister Nienor, the children of Hurin the Steadfast. This is the tale of the disaster that overtook the forest people of Brethil when Hurin came among them after his release from long years of captivity in Angband, the fortress of Morgoth. The uncompleted text of the Grey Annals, the primary record of the War of the Jewels, is given in full; the geography of Beleriand is studied in detail, with redrawings of the final state of the map; and a long essay on the names and relations of all the peoples of Middle-earth shows more clearly than any writing yet published the close connection between the language and history in Tolkien''s world. The text also provides new information, including some knowledge of the divine powers, the Valar.

The third part of The History of The Lord of the Rings, J.R.R. Tolkien's The War Of The Ring is an enthralling account of the writing of the Book of the Century, which contains many additional scenes and includes the unpublished Epilogue in its entirety. The War of the Ring takes up the story of The Lord of the Rings with the Battle of Helm’s Deep and the drowning of Isengard by the Ents, continues with the journey of Frodo, Sam and Gollum to the Pass of Cirith Ungol, describes the war in Gondor, and ends with the parley between Gandalf and the ambassador of the Dark Lord before the Black Gate of Mordor. The book is illustrated with plans and drawings of the changing conceptions of Orthanc, Dunharrow, Minas Tirith and the tunnels of Shelob’s Lair.

The first ever publication of J.R.R. Tolkien’s final writings on Middle-earth, covering a wide range of subjects and perfect for those who have read and enjoyed The Silmarillion, The Lord of the Rings, Unfinished Tales, and The History of Middle-earth, and want to learn more about Tolkien’s magnificent world. It is well known that J.R.R. Tolkien published The Hobbit in 1937 and The Lord of the Rings in 1954–5. What may be less known is that he continued to write about Middle-earth in the decades that followed, right up until the years before his death in 1973. For him, Middle-earth was part of an entire world to be explored, and the writings in The Nature of Middle-earth reveal the journeys that he took as he sought to better understand his unique creation. From sweeping themes as profound as Elvish immortality and reincarnation, and the Powers of the Valar, to the more earth-bound subjects of the lands and beasts of Númenor, the geography of the Rivers and Beacon-hills of Gondor, and even who had beards! This new collection, which has been edited by Carl F. Hostetter, one of the world’s leading Tolkien experts, is a veritable treasure-trove offering readers a chance to peer over Professor Tolkien’s shoulder at the very moment of discovery: and on every page, Middle-earth is once again brought to extraordinary life.

To celebrate its 40th anniversary, the first ever illustrated edition of this collection of tales which takes readers further into the stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings depicting scenes from the First, Second and Third Ages of Middle-earth.

Unavailable for more than seventy years, this early but important work is published for the first time with Tolkien’s "Corrigan" poems and other supporting material, including a prefatory note by Christopher Tolkien. Set ‘In Britain’s land beyond the seas’ during the Age of Chivalry, The Lay of Aotrou and Itroun tells of a childless Breton Lord and Lady (the ‘Aotrou’ and ‘Itroun’ of the title) and the tragedy that befalls them when Aotrou seeks to remedy their situation with the aid of a magic potion obtained from a corrigan, or malevolent fairy. When the potion succeeds and Itroun bears twins, the corrigan returns seeking her fee, and Aotrou is forced to choose between betraying his marriage and losing his life. Coming from the darker side of J.R.R. Tolkien’s imagination, The Lay of Aotrou and Itroun, together with the two shorter ‘Corrigan’ poems (which lead up to it and are also included in this volume), were the outcome of a comparatively short but intense period in Tolkien''s life when he was deeply engaged with Celtic, and particularly Breton, myth and legend. Originally written in 1930 and long out of print, this early but seminal work is an important addition to the non-Middle-earth portion of his canon and should be set alongside The Legend of Sigurd and Gudrún, The Fall of Arthur and The Story of Kullervo. Like these works, it belongs to a small but important corpus of his ventures into ‘real-world’ mythologies, each of which in its own way would be a formative influence on his own legendarium. Edited with notes and commentary by Verlyn Flieger and a prefatory note on the text by Christopher Tolkien.

“Shows how Finnish mythology and folk tales were instrumental to how Tolkien created his own legendarium.”—Boston Globe Kullervo, son of Kalervo, is perhaps the darkest and most tragic of all J.R.R. Tolkien’s characters. “Hapless Kullervo,” as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny. Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and tried three times to kill him when he was still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and the magical powers of the black dog Musti, who guards him. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruelest of fates. Tolkien himself said that The Story of Kullervo was “the germ of my attempt to write legends of my own,” and was “a major matter in the legends of the First Age.” Tolkien’s Kullervo is the clear ancestor of Túrin Turambar, the tragic incestuous hero of The Silmarillion. Published with the author’s drafts, notes, and lecture essays on its source work, the Kalevala, The Story of Kullervo is a foundation stone in the structure of Tolkien’s invented world. “A fascinating read.”—NPR

Bilbo’s Last Song is considered by many to be Tolkien’s epilogue to his classic work The Lord of the Rings. As Bilbo Baggins takes his final voyage to the Undying Lands, he must say goodbye to Middle-earth. Poignant and lyrical, the song is both a longing to set forth on his ultimate journey and a tender farewell to friends left behind. Pauline Baynes’s jewel-like illustrations lushly depict both this final voyage and scenes from The Hobbit, as Bilbo remembers his first journey while he prepares for his last.

Begin your journey into Middle-earth... The inspiration for the upcoming original series on Prime Video, The Lord of the Rings: The Rings of Power. The Fellowship of the Ring is the first part of J.R.R. Tolkien’s epic adventure The Lord of the Rings. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. Sauron, the Dark Lord, has gathered to him all the Rings of Power—the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring—the ring that rules them all—which has fallen into the hands of the hobbit, Bilbo Baggins. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.

The #1 New York Times Bestseller The Silmarillion is the core of J.R.R. Tolkien''s imaginative writing, a work whose origins stretch back to a time long before The Hobbit. This mythopoetic masterpiece is a must-read before you watch The Lord of the Rings on Amazon. “Majestic! ... Readers of The Hobbit and The Lord of the Rings will find in The Silmarillion a cosmology to call their own, medieval romances, fierce fairy tales, and fiercer wars that ring with heraldic fury... It overwhelms the reader.”—Time The story of the creation of the world and of the First Age, this is the ancient drama to which the characters in The Lord of the Rings look back and in whose events some of them, such as Elrond and Galadriel, took part. The three Silmarils were jewels created by Fëanor, most gifted of the Elves. Within them was imprisoned the Light of the Two Trees of Valinor before the Trees themselves were destroyed by Morgoth, the first Dark Lord. Thereafter, the unsullied Light of Valinor lived on only in the Silmarils, but they were seized by Morgoth and set in his crown, which was guarded in the impenetrable fortress of Angband in the north of Middle-earth. The Silmarillion is the history of the rebellion of Fëanor and his kindred against the gods, their exile from Valinor and return to Middle-earth, and their war, hopeless despite all their heroism, against the great Enemy. “A creation of singular beauty ... magnificent in its best moments.”—The Washington Post “Heart-lifting ... a work of power, eloquence and noble vision... Superb!”—The Wall Street Journal

Many years ago, J.R.R. Tolkien composed his own version of the great legend of Northern antiquity, recounted here in The Legend of Sigurd and Gudrún. In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir, most celebrated of dragons; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd, the suicide of Brynhild, and the despair of Gudrún. The Lay of Gudrún recounts her fate after the death of Sigurd, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers, and her hideous revenge.

Two tales of fantasy by Tolkien.