New Releases by Jesmyn Ward

The collected creative nonfiction of a singular American writer, Jesmyn Ward, including widely shared classics, three never-before-published speeches, and an introductory essay. Respair (noun, obsolete), fresh hope after despair. From the two-time National Book Award winner and New York Times bestselling author Jesmyn Ward, this collection of essays documents more than a decade of work in the life of a singular writer often lauded as “the heir apparent to Toni Morrison” (LitHub). Beginning with her upbringing in a multigenerational household in rural Mississippi, the cradle of both her youth and her gift for storytelling, Ward brings her keen wisdom and hauntingly lyrical prose to a range of topics, following in her grandmother Dorothy’s footsteps when she promises always to “Tell it straight. Tell it all.” True to her word, in these pages Ward contemplates the writers and novels of her youth and adulthood—the transformative power of discovering Octavia Butler as a twenty-something, the mirror that Richard Wright’s novels held up to her own childhood, and of course, her lifelong love for Toni Morrison. Ward ruminates on her approach to both fiction and life, reflecting on the power of the novel, how to raise a Black son in an era of rising divisiveness and cruelty, as well as her own personal tragedies—including the titular essay of the collection, which tells the story of her partner’s sudden death on the eve of the COVID-19 epidemic. Every bit as piercing and moving as her fiction, On Witness and Respair is a testament to Ward’s powers as “one of America’s finest living writers” (San Francisco Chronicle) and is a monument to hope, beauty, and personal and collective resilience.

Après six ans d'attente, Jesmyn Ward, seule femme double lauréate du National Book Award, est de retour avec un roman puissant et lyrique qui nous plonge au cœur de la tragédie de l'esclavage. La toute première arme que j'ai tenue a été la main de ma mère. Annis est encore une enfant quand sa mère est vendue à un autre propriétaire. Et n'est guère plus âgée quand son maître, qui est aussi l'homme qui a violé sa mère, se débarrasse d'elle avec d'autres esclaves. Lors de leur terrible marche vers les plantations de La Nouvelle-Orléans, Annis tente de se raccrocher à la vie et aux enseignements de sa mère : se battre, toujours, avec les armes et les sagesses qu'elle lui a transmises. Avec la mémoire aussi, celle de ces femmes qui, avant d'être arrachées à leur terre, ont été les guerrières des rois du Dahomey. Et avec la seule force qui lui reste, sa connaissance des plantes, des abeilles, de cette nature qui semble si hostile aux yeux des Blancs et qui pourtant est nourricière pour qui l'honore. Et puis, quand Annis se sent sombrer, elle peut encore implorer Aza, l'esprit de sa grand-mère, capable de faire gronder l'orage et tomber la pluie. Celle qui, quand la faim et la douleur se font trop fortes, lui murmure qu'un jour, elle et ses frères et sœurs de malheur seront tempête...

Ny drabbande roman av en av de viktigaste rösterna i samtida amerikansk litteratur. Slavflickan Annis arbetar nära sin mor i hushållet hos slavägaren tillika hennes far. Då och då smyger de ut i skogen där modern lär henne att slåss och samla växter och förklarar att de härstammar från en stark krigarkvinna, att det en gång fanns en annan värld. När Annis säljs vidare tvingas hon ut på en lång och plågsam vandring genom den amerikanska söderns träskmarker mot nästa plantage. De hopkedjade kvinnorna försöker stötta varandra och det är som om naturen själv får liv och erbjuder sällskap. Annis hör träden tala och vattnet viska om någon sorts frihet, medan förfädernas andar visar vägen. Det hela blir en hypnotisk skildring av en mörk tid i USA:s historia.

«Com en totes les novel·les de Ward, l''escriptura és tant lírica com profundament controlada.» The Guardian Aquest és un viatge on acompanyem l''Annis des dels camps d''arròs de les Carolines fins als mercats d''esclaus de Nova Orleans i al cor d''una temible plantació de sucre de Louisiana. Venuda al sud per l''esclavista blanc que la va engendrar, lluita per sobreviure i es deixa posseir pels records de la seva mare i les històries de la seva àvia guerrera africana. Jesmyn Ward, que ha guanyat dues vegades el prestigiós National Book Award, ens ofereix una novel·la que ens empeny a enfrontar-nos a les adversitats i a reclamar el nostre propi lloc. Minuciosa, punyent i transcendent, aquesta història de renaixement i de reparació té totes les característiques convertir-se en un clàssic nord-americà. Javier Aparicio Maydeu, El País — «Torna Jesmyn Ward després de guanyar el seu segon National Book Award, convertint-se en referent majúscul de la narrativa afroamericana, i torna esmolant el llapis de la seva prosa lírica i hipnòtica.»

OPRAH’S BOOK CLUB PICK • Instant New York Times Bestseller • Named one of the best books of 2023 by The Washington Post, Vanity Fair, The Boston Globe, Time, The New Yorker, and more. “Nothing short of epic, magical, and intensely moving.” —Vogue • “A novel of triumph.” —The Washington Post • “Harrowing, immersive, and other-worldly.” —People From “one of America’s finest living writers” (San Francisco Chronicle) and “heir apparent to Toni Morrison” (LitHub)—comes a haunting masterpiece about an enslaved girl in the years before the Civil War that’s destined to become a classic. Let Us Descend describes a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. A journey that is as beautifully rendered as it is heart wrenching, the novel is “[t]he literary equivalent of an open wound from which poetry pours” (NPR). Annis, sold south by the white enslaver who fathered her, is the reader’s guide. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Annis leads readers through the descent, hers is ultimately a story of rebirth and reclamation. From one of the most singularly brilliant and beloved writers of her generation, this “[s]earing and lyrical…raw, transcendent, and ultimately hopeful” (The Atlanta Journal-Constitution) novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet.

A collection of the year’s best stories selected by celebrated two-time National Book Award winner Jesmyn Ward In her introduction to The Best American Short Stories 2021, guest editor Jesmyn Ward says that the best fiction offers the reader a “sense of repair.” The stories in this year’s collection accomplish just that, immersing the reader in powerfully imagined worlds and allowing them to bring some of that power into their own lives. From a stirring portrait of Rodney King’s final days to a surreal video game set in the Middle East, with real consequences, to an indigenous boy’s gripping escape from his captors, this collection renders profoundly empathetic depictions of the variety of human experience. These stories are poignant reminders of the possibilities of fiction: as you sink into world after world, become character after character, as Ward writes, you “forget yourself, and then, upon surfacing, know yourself and others anew." The Best American Short Stories 2021 includes GABRIEL BUMP • BRANDON HOBSON • DAVID MEANS• JANE PEK • TRACEY ROSE PEYTON • GEORGE SAUNDERS • BRYAN WASHINGTON • KEVIN WILSON • C PAM ZHANG and others

The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this “forceful, beautifully written” (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays “full of struggle, emotion, fear, resilience, hope, and triumph” (Los Angeles Review of Books) about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

Een beschrijving van de effecten van de raciale, ongelijke samenleving in de VS aan de hand van het lot van vijf jonge zwarte mannen.

A revelatory, uplifting, and gorgeously illustrated meditation on dedication, hard work, and the power of perseverance from the beloved, New York Times bestselling, and two-time National Book Award–winning Jesmyn Ward. For Tulane University’s 2018 commencement, Jesmyn Ward delivered a stirring speech about the value of hard work and the importance of respect for oneself and others. Speaking about the challenges she and her family overcame, Ward inspired everyone in the audience with her meditation on tenacity in the face of hardship. Ward’s moving words will inspire readers as they prepare for the next chapter in their lives, whether, like Ward, they are the first in their families to graduate from college or are preceded by generations, or whether they are embarking on a different kind of journey later in life. Beautifully illustrated in full color by Gina Triplett, this gorgeous and profound book will charm a generation of students—and their parents. Ward’s inimitable voice shines through as she shares her experience as a Southern black woman and addresses the themes of grit, adversity, and the importance of family bonds. Navigate Your Stars is a perfect gift for anyone in need of inspiration from the author of Salvage the Bones, Men We Reaped, and Sing, Unburied, Sing.

Di usia 13 tahun, Jojo sudah dipaksa untuk menjadi lelaki dewasa. Dia harus berperan sebagai orangtua bagi adik balitanya, karena sang ayah mendekam di penjara dan sang ibu pencandu narkoba. Seakan hidup Jojo belum cukup rumit, dia dihantui pamannya, Given, yang mati karena korban rasisme. Hantu sang paman yang terus merongrong, membuat Jojo tak bisa tenang. Karena tak tahan, Jojo akhirnya membantu arwah Given membereskan urusan duniawinya. Bukan hal yang mudah, karena tiba-tiba sang ibu menyeret Jojo dan adiknya menempuh perjalanan jauh untuk menjemput ayah mereka dari penjara. Jojo dan adiknya harus menahan lapar sepanjang jalan, karena sang ibu lebih memilih narkoba daripada beli makanan. Belum lagi gangguan arwah Given yang tak henti. Apa sebenarnya yang diinginkan arwah sang paman? Dapatkah Jojo menjaga adiknya dari ibunya yang kecanduan sehingga mereka bisa pulang dengan selamat? Pulang bukan hanya soal rumah, tapi juga keluarga yang mencintaimu tanpa syarat. Kalau begitu, di manakah Jojo dapat menemukannya? Dengan gaya penulisan yang istimewa dan sarat perasaan, Sing, Unburied, Sing mendapat banyak respons positif dari para kritikus sastra. Kisah keluarga yang tak terlupakan ini dipilih Time Magazine dan The New York Times sebagai salah satu buku terbaik tahun 2017. [Mizan, Mizan Publishing, Qanita, Fiksi, Dewasa, Indonesia]

NATIONAL BOOK AWARD 2017 «Una de les veus més poètiques i potents del país.» The Washington Post En Jojo és un nen mestís que viu amb els seus avis i la seva germana. La seva mare és una dona absent que té visions del seu germà mort i que viu perdudament enamorada del seu marit, que compleix condemna a la presó del comtat. Quan ella s''assabenta que està a punt de ser alliberat, decideix agafar els seus dos fills i emprendre un viatge introspectiu i salvatge que els obliga a relacionar-se per primera vegada com a família. A la presó, en Jojo es troba en Richie, un noi amb qui descobreix el llegat de l''esclavitud però també la importància de la reconciliació amb el passat. Amb un llenguatge ric i musical Jesmyn Ward ens ofereix una road movie literària imponent que parla des dels marges. Canteu, esperits, canteu és l''últim text de l''única autora premiada dues vegades amb el National Book Award. Pere Antoni Pons, El Temps — «En ocasions àrida i tenebrosa, en ocasions fluvial i assolellada, sovint espurnejada per un lirisme franc i primitiu, Canteu, esperits, canteu és una novel·la que mereix ocupar un lloc destacat dins la rica tradició literària afroamericana.» Pamela Miler, The Star Tribune — «Els Estats Units no perdran la seva ànima mentre tingui novel·listes com Jesmyn Ward.» Betsy Burton, American Booksellers Association — «La nova Toni Morrison.»

Jojo är tretton år och växer upp i en trasig familj i ett fattigt Mississippi. Mamman Leonie orkar inte med ansvaret för Jojo och hans lillasyster utan flyr in i knarkets dimmor. Pappan är vit och hans familj har aldrig accepterat vare sig den afroamerikanska Leonie eller barnen, så sedan han hamnade i fängelse har de bott på morföräldrarnas lilla bondgård. Men när barnens pappa ska släppas fri väcks hoppet om en bättre framtid till liv. Leonie tar med barnen på en dramatisk bilresa som är nära att sluta i katastrof. Det blir en sorts litterär roadmovie där Jesmyn Ward har inspirerats av såväl William Faulkner och Toni Morrison som Odysséen och Gamla testamentet. På ett intensivt, poetiskt språk skildrar hon en del av dagens USA som präglas av rasism, hopplöshet och såren från historiens orättvisor. Men framför allt är det en oförglömlig och drabbande berättelse om en familj som kämpar för sin överlevnad och binds samman av en kärlek som är starkare än allt annat.

The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African American reality that are rarely depicted” (The Boston Globe). Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award. Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins. Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.

Als een 13-jarige jongen met zijn zusje en moeder door het landschap van de Mississippi reist, ontmoet hij daar de geest van een 12-jarige jongen, een van de slachtoffers van racistisch geweld in het Diepe Zuiden van de VS.

The New York Times bestseller, these groundbreaking essays and poems about race—collected by National Book Award winner Jesmyn Ward and written by the most important voices of her generation—are “thoughtful, searing, and at times, hopeful. The Fire This Time is vivid proof that words are important, because of their power to both cleanse and to clarify” (USA TODAY). In this bestselling, widely lauded collection, Jesmyn Ward gathers our most original thinkers and writers to speak on contemporary racism and race, including Carol Anderson, Jericho Brown, Edwidge Danticat, Kevin Young, Claudia Rankine, and Honoree Jeffers. “An absolutely indispensable anthology” (Booklist, starred review), The Fire This Time shines a light on the darkest corners of our history, wrestles with our current predicament, and imagines a better future. Envisioned as a response to The Fire Next Time, James Baldwin’s groundbreaking 1963 essay collection, these contemporary writers reflect on the past, present, and future of race in America. We’ve made significant progress in the fifty-odd years since Baldwin’s essays were published, but America is a long and painful distance away from a “post-racial society”—a truth we must confront if we are to continue to work towards change. Baldwin’s “fire next time” is now upon us, and it needs to be talked about; The Fire This Time “seeks to place the shock of our own times into historical context and, most importantly, to move these times forward” (Vogue).

A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch''s father is growing concerned. He''s a hard drinker, largely absent, and it isn''t often he worries about the family. Esch and her three brothers are stocking up on food, but there isn''t much to save. Lately, Esch can''t keep down what food she gets; at fifteen, she has just realized that she''s pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull''s new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child''s play and short on parenting. As the twelve days that make up the novel''s framework yield to a dramatic conclusion, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day.

Two-time National Book Award winner Jesmyn Ward (Salvage the Bones, Sing, Unburied, Sing) contends with the deaths of five young men dear to her, and the risk of being a black man in the rural South. "We saw the lightning and that was the guns; and then we heard the thunder and that was the big guns; and then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped.†? -Harriet Tubman In five years, Jesmyn Ward lost five young men in her life-to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth-and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue higher education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity. A brutal world rendered beautifully, Jesmyn Ward''s memoir will sit comfortably alongside Edwidge Danticat''s Brother, I''m Dying, Tobias Wolff''s This Boy''s Life, and Maya Angelou''s I Know Why the Caged Bird Sings.

Traditional Chinese edition of the winner of the 2011 National Book Award: SALVAGE THE BONES: A Novel by Jesmyn Ward. This captivating novel has already earned numerous acclaims from the critics and the media. Using her own experiences as a motif, Ward vividly describes sacrificing, love and special bond to a rural south family for the twelve days of bitter struggles, suffering and survival during the hurricane Katrina at the coastal town of Bois Sauvage, Mississippi. In Traditional Chinese. Annotation copyright Tsai Fong Books, Inc. Distributed by Tsai Fong Books, Inc.