Best Selling Books by Joe Sacco

Before Joe Sacco crafted his two major works of ''cartoon journalism'', Palestine and Safe Area Gorazde, he created a number of shorter pieces, ranging from one-page gags to thirty-page ''graphic novelettes''. This book finally collects the enti

Previously uncollected stories from the creator of Palestine and Safe Area Goradze. The centrepiece of the book is In the Company of Long Hair, the early 90s graphic novelette Sacco created on the subject of his raucous European tour with the punk band the Miracle Workers. It appears here in an expanded version with an added 15-page section of his original sketches and notes from the time and a bound-in CD featuring an excerpt from the Miracle Workers'' live show of the time - including a blasting version of the Iggy Pop classic I Got a Right.

Joe Sacco''s breakthrough novel of graphic journalism has been widely hailed as one of the great graphic novels of all time, having sold over 50,000 copies. This special edition is the definitive hardcover collection of Sacco''s landmark of comic journalism. In addition to the original 288-page graphic novel, introduced by the late Edward Said, this edition includes a host of unique supplemental never-before-published material, including many of Sacco''s original background notes, sketches, photographic reference and a new interview with the author.

A graphic novel based on the author''s 1995-96 visits to Gorazde, one of the U.N.-created "safe areas" in Eastern Bosnia, showing the brutality and humanity that coexisted there during the Bosnian War of 1992-95.

Two years ago, Pulitzer Prize winner Chris Hedges and award-winning cartoonist and journalist Joe Sacco set out to take a look at the sacrifice zones, those areas in America that have been offered up for exploitation in the name of profit, progress, and technological advancement. They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the searing account of their travels. The book starts in the western plains, where Native Americans were sacrificed in the giddy race for land and empire. It moves to the old manufacturing centers and coal fields that fueled the industrial revolution, but now lie depleted and in decay. It follows the steady downward spiral of American labor into the nation''s produce fields and ends in Zuccotti Park where a new generation revolts against a corporate state that has handed to the young an economic, political, cultural and environmental catastrophe.

From “our greatest living comics journalist” (Minneapolis Star Tribune), a revelatory investigation of deadly sectarian riots in Uttar Pradesh, India, that explores the mechanics, dynamics, mythologies, uses, and abuses of political violence everywhere Compared to other episodes of lethal Indian communal violence, the clashes in Uttar Pradesh in 2013, the Muzaffarnagar Riot, were a relatively small-scale affair—some scores of people were killed and several tens of thousands displaced. It had happened before and will probably happen again: Hindus and Muslims, armed with guns and swords, riled up by vitriolic rhetoric and a tangle of accusations, turn on one another. The truth fragments along religious lines, both in the lead-up to the rampage and in its bloody aftermath. In The Once and Future Riot, Joe Sacco immerses himself in Uttar Pradesh, speaking to government officials, political leaders, village chiefs, and especially the victims, who were mostly landless peasants, in a quest to understand this riot as an archetype of political violence. In the process, he probes the role of savagery in a democracy; the power of crowds, rather than leaders, to influence the course of events; the collision of competing narratives; and the accounts that perpetrators construct to explain away their participation in bloodshed. Hailed as “the heir to R. Crumb and Art Spiegelman” (Economist), Sacco has chronicled the urgent histories that define the world around us, from the Great War to Gaza. Here, he turns his masterful visual reportage to a story that is specific to India but with implications and resonance for all precarious multiethnic, multiracial societies everywhere.

NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES, THE GUARDIAN, THE BROOKLYN RAIL, THE GLOBE AND MAIL, POP MATTERS, COMICS BEAT, AND PUBLISHERS WEEKLY From the “heir to R. Crumb and Art Spiegelman” (The Economist), a masterful work of comics journalism about indigenous North America, resource extraction, and our debt to the natural world The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life. In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to “remove the Indian from the child”; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture—recounted in stunning visual detail by one of the greatest cartoonists alive.

Sacco brings the conflict down to the most human level, allowing us to imagine our way inside it, to make the desperation he discovers, in some small way, our own. Rafah, a town at the bottommost tip of the Gaza Strip, has long been a notorious flashpoint in the bitter Middle East conflict. Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinians shot dead by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah cold-blooded massacre or dreadful mistake reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco immerses himself in the daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. As in Palestine, his unique visual journalism renders a contested landscape in brilliant, meticulous detail. Spanning fifty years, moving fluidly between one war and the next, Footnotes in Gaza transforms a critical conflict of our age into intimate and immediate experience.

When bombs are falling and western journalism is the only game left in town "fixers" are the people who sell war correspondents the human tragedy and moral outrage that makes news editors happy. It’s dangerous, a little amoral and a lot desperate. Award-winning comix-journalist Joe Sacco goes behind the scene of war correspondence to reveal the anatomy of the big scoop. He begins by returning us to the dying days of Balkan conflict and introduces us to his own fixer; a man looking to squeeze the last bit of profit from Bosnia before the reconstruction begins. Thanks to a complex relationship with the fixer Joe discovers the crimes of opportunistic warlords and gangsters who run the countryside in times of war. But the west is interested in a different spin on the stories coming out of Bosnia. Almost ten years later, Joe meets up with his fixer and sees how the new Bosnian government has "dealt" with these criminals and Joe ponders who is holding the reins of power these days...

A timely satirical broadside on Israel''s genocidal campaign against Gaza by the most acclaimed comics journalist working today.

In the vein of the old underground comix like ZAP or Weirdo, author Joe Sacco promises that BUMF will go where it needs to go, and do what it needs to do.” Though world-famous for his serious, journalistic books like Palestine, Safe Area Gorazde, and Footnotes in Gaza, Bumf promises to echo back to Sacco’s earlier days as a satirist and underground cartoonist. Bumf is a project that Sacco has been working on in between larger projects like Footnotes in Gaza, indulging his love of satire and cartooning. Often puerile, disgusting, and beyond redemption, Sacco apologized in advance, saying he couldn’t help himself. “They expect better things from me. They’ll never put me on a stamp now.”

A journalistic collection in comic book format from the sid3elines of wars around the world includes articles on the American military in Iraq, the Caucasus widow trials, the dilemmas of India''s "untouchables," and the smuggling tunnels of Gaza.

War cartoonist Sacco visits the Bosnian conflict to uncover the stories that are often ignored or uncovered by traditional media and gives the reader an inside peek at the darkly humorous news process.

On October 7th 2001, US-led forces invaded Afghanistan, marking the start of George Bush and Tony Blair''s "War on Terror." Six years on, where have the policies of Bush and Blair left us? Bringing together some of the finest contemporary writers, this wide-ranging anthology, from reportage and "faction" to fiction, explores the impact of this "long war" throughout the world, from Palestine to Iraq, Abu Ghraib, the curtailment of civil liberties and manipulation of public opinion. Published in conjunction with Stop the War coalition and United for Peace and Justice, War With No End provides an urgent, necessary reflection on the causes and consequences of the ideological War on Terror.

In 1995, award-winning cartoonist Joe Sacco travelled to Sarajevo to document first-hand accounts of the Bosnian war. From this, Sacco is writing and drawing five self-contained stories that form the basis of this series. ''Stories From Bosnia'' begins with this forty-page profile of Šoba, a popular man-about-town who found himself in the trenches and later planting and searching for land mines. This is the story of how the war affected him, about his mixed feelings at its ending, and how he upheld his reputation as a hard drinking, hard fighting man.