New Releases by Joe Sacco

From “our greatest living comics journalist” (Minneapolis Star Tribune), a revelatory investigation of deadly sectarian riots in Uttar Pradesh, India, that explores the mechanics, dynamics, mythologies, uses, and abuses of political violence everywhere Compared to other episodes of lethal Indian communal violence, the clashes in Uttar Pradesh in 2013, the Muzaffarnagar Riot, were a relatively small-scale affair—some scores of people were killed and several tens of thousands displaced. It had happened before and will probably happen again: Hindus and Muslims, armed with guns and swords, riled up by vitriolic rhetoric and a tangle of accusations, turn on one another. The truth fragments along religious lines, both in the lead-up to the rampage and in its bloody aftermath. In The Once and Future Riot, Joe Sacco immerses himself in Uttar Pradesh, speaking to government officials, political leaders, village chiefs, and especially the victims, who were mostly landless peasants, in a quest to understand this riot as an archetype of political violence. In the process, he probes the role of savagery in a democracy; the power of crowds, rather than leaders, to influence the course of events; the collision of competing narratives; and the accounts that perpetrators construct to explain away their participation in bloodshed. Hailed as “the heir to R. Crumb and Art Spiegelman” (Economist), Sacco has chronicled the urgent histories that define the world around us, from the Great War to Gaza. Here, he turns his masterful visual reportage to a story that is specific to India but with implications and resonance for all precarious multiethnic, multiracial societies everywhere.

A timely satirical broadside on Israel's genocidal campaign against Gaza by the most acclaimed comics journalist working today.

"Sacco brings the conflict down to the most human level, allowing us to imagine our way inside it, to make the desperation he discovers, in some small way, our own."—Los Angeles Times Rafah, a town at the bottommost tip of the Gaza Strip, has long been a notorious flashpoint in the bitter Middle East conflict. Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinians shot dead by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah—cold-blooded massacre or dreadful mistake—reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco immerses himself in the daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. As in Palestine and Safe Area Goražde, his unique visual journalism renders a contested landscape in brilliant, meticulous detail. Spanning fifty years, moving fluidly between one war and the next, Footnotes in Gaza—Sacco's most ambitious work to date—transforms a critical conflict of our age into intimate and immediate experience.

NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES, THE GUARDIAN, THE BROOKLYN RAIL, THE GLOBE AND MAIL, POP MATTERS, COMICS BEAT, AND PUBLISHERS WEEKLY From the “heir to R. Crumb and Art Spiegelman” (The Economist), a masterful work of comics journalism about indigenous North America, resource extraction, and our debt to the natural world The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life. In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to “remove the Indian from the child”; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture—recounted in stunning visual detail by one of the greatest cartoonists alive.

On October 7th 2001, US-led forces invaded Afghanistan, marking the start of George Bush and Tony Blair's "War on Terror." Six years on, where have the policies of Bush and Blair left us? Bringing together some of the finest contemporary writers, this wide-ranging anthology, from reportage and "faction" to fiction, explores the impact of this "long war" throughout the world, from Palestine to Iraq, Abu Ghraib, the curtailment of civil liberties and manipulation of public opinion. Published in conjunction with Stop the War coalition and United for Peace and Justice, War With No End provides an urgent, necessary reflection on the causes and consequences of the ideological War on Terror.

Tra la fine del 1991 e l'inizio del 1992 Joe Sacco ha trascorso due mesi in Israele e nei Territori Occupati, viaggiando e prendendo appunti. Ha vissuto nei campi dei palestinesi, condividendo la loro vita (o meglio, la loro sopravvivenza) in mezzo al fango, in baracche di lamiera arrugginita, tra coprifuoco e retate dell'esercito israeliano. Risultato del suo meticoloso lavoro d'inchiesta è questo volume che, combinando la tecnica del reportage di prima mano con quella della narrazione a fumetti, riesce a dare espressione a una realtà complessa ed emotivamente coinvolgente come quella del Medio Oriente. Ogni pagina racconta in modo approfondito e chiaro i molti aspetti dell'occupazione: le uccisioni, i ferimenti, le torture, le detenzioni amministrative, le confische delle terre, la distruzione delle case e degli ulivi. Senza la pretesa di dare giudizi, Palestina offre al lettore una testimonianza ricca, articolata e diretta delle reali condizioni del popolo palestinese. *********************** Questo eBook è ottimizzato per la fruizione su tablet; se ne sconsiglia pertanto la lettura sui dispositivi eReader. *********************** Questo eBook è ottimizzato per la fruizione su tablet; se ne sconsiglia pertanto la lettura sui dispositivi eReader.

Nueva edición, nueva traducción, rotulación y extras A mediados de la década de 1990, el historietista Joe Sacco finalizó su obra periodística más ambiciosa hasta la fecha, Palestina, y centró su mirada en un conflicto que todo el globo contemplaba con horror y consternación:la Guerra de los Balcanes. De todos los lugares que visitó durante su estancia en Bosnia entre 1995 y 1996, el que más pasión e interés le suscitó fue el enclave musulmán de Gorazde, duramente azotado por las tropas serbobosnias, aislado durante años del resto del mundo, y habitado por gentes que se debatían entre la desesperanza más pesimista y la ilusión de una paz cada vez más improbable. Fue a esta ciudad a la que dedicó en 2000 su segundo libro, destinado a consagrarlo como una de las voces más relevantes de la novela gráfica actual. Mediante el presente volumen, Planeta Cómic pone a disposición de sus lectores la edición publicada en EE. UU. con motivo del décimo aniversario de la obra. Además del cómic original en su totalidad, traducido y rotulado nuevamente para la ocasión, este tomo incluye una introducción a cargo del escritor y periodista Christopher Hitchens, abundante material inédito, una disertación documental en la que el propio Sacco nos pone al corriente de los detalles relativos a la gestación de su trabajo, y una extensa y certera entrevista realizada al autor por parte del prestigioso crítico y editor Gary Groth.

Joe Sacco is renowned for his non-fiction books of comics journalism like Palestine, Safe Area Gorazde and Footnotes in Gaza. Now in Bumf he returns to his early days as a satirist and underground cartoonist. In the vein of the old underground comix like ZAP or Weirdo, Bumf will be puerile, disgusting, and beyond redemption. It will go where it wants to go, and do what it wants to do. It will also be very funny.

Der 1. Juli 1916 markiert den ersten Tag der Schlacht an der Somme, die als verlustreichste Schlacht des Ersten Weltkriegs in die Geschichte einging - allein am ersten Kampftag fielen etwa 20000 Soldaten. Joe Sacco vermittelt uns in seinem sieben Meter langen Panoramabild - Stunde nach Stunde aufgezeichnet - einen Eindruck der blutigen Ereignisse, begleitet von einem Text des amerikanischen Historikers Adam Hochschild, der uns den Ablauf dieses schrecklichen Tages chronologisch schildert.

A journalistic collection in comic book format from the sid3elines of wars around the world includes articles on the American military in Iraq, the Caucasus widow trials, the dilemmas of India's "untouchables," and the smuggling tunnels of Gaza.

En parallèle de ses livres documentaires, Joe Sacco travaille régulièrement pour la presse internationale. Reportages est le premier recueil de ses différents articles. Il nous conduit en Irak, auprès des soldats américains et Irakiens, en Palestine, au tribunal pénal international pour l’ex-Yougoslavie de la Haye pour le procès d’un docteur Serbe accusé de génocide, et pour des récits plus longs, auprès des immigrés clandestins débarquant sur l’île de Malte, des intouchables en Inde, et des réfugiés Tchétchènes en Ingouchie. Ce livre est aussi pour Joe Sacco l’occasion de revenir sur son travail, d’expliquer ses méthodes d’investigation, et de replacer la bande dessinée reportage dans le contexte journalistique. Plus qu’une bande dessinée, Reportages est le reflet de notre monde après la première décennie du XXIe siècle...

En parte documental de viajes, en parte autobiografía satírica, en parte sátira pura y simple, Apuntes de un derrotista recopila, por primera vez, los trabajos de menos extensión que llevaron a Joe Sacco hacia sus dos piezas mayores, las obras maestras del cómic-periodismo Palestina, ganadora del American Book Award y la novela gráfica, éxito de ventas, Gorazde, zona protegida

Joe Sacco, born in Brooklyn, New York, currently resides in Montgomery County, Maryland with his wife, five boys and two rescue shelties. He was a science teacher and principal in Montgomery County, Maryland. Currently, he is the Associate Director of Education for Friends of the National Zoo in Washington DC. He was inspired to write this book after a trip to Churchill, Canada. During this trip, he met a large male bear, Dancer. Dancer would like to remind us all that "everyone, regardless of age, can make a difference."

Pada akhir 1991 dan awal 1992, Joe Sacco menghabiskan dua bulan bersama rakyat Palestina di Wilayah Pendudukan, melakukan perjalanan dan membuat jurnal. Sekembalinya ke Amerika Serikat pada pertengahan 1992, dia mulai menulis dan menggambar Palestina. Dia menggabungkan teknik reportasi saksi dengan penceritaan melalui media buku komik untuk menggali situasi rumit yang sangat bermuatan emosi. Komik ini meraih American Book Award pada 1996, dan semakin bergizi setelah diberikan Kata Pengantar dari Edwar Said. Selamat menikmati! [Mizan, DAR Mizan, Cerita, Komik]

A look at rock and roll culture based on author's two year visit to Germany. In comic book format.

Joe Sacco's breakthrough novel of graphic journalism has been widely hailed as one of the great graphic novels of all time, having sold over 50,000 copies. This special edition is the definitive hardcover collection of Sacco's landmark of comic journalism. In addition to the original 288-page graphic novel, introduced by the late Edward Said, this edition includes a host of unique supplemental never-before-published material, including many of Sacco's original background notes, sketches, photographic reference and a new interview with the author.

Joe Sacco's books offer both sharp insight into the complexities of global politics and extraordinary glimpses of the everyday people who live in a war zones. He has been favorably compared with Pulitzer-Prize winner Art Spiegelman for his ability to brilliantly navigate such socially and politically-sensitive subject matter within the comic book medium. Sacco's groundbreaking first book, Palestine, was based on the author's months of research in the West Bank and Gaza Strip in the early 1990s, where he conducted more than 100 interviews with Palestinians and Jews.

Previously uncollected stories from the creator of Palestine and Safe Area Goradze. The centrepiece of the book is In the Company of Long Hair, the early 90s graphic novelette Sacco created on the subject of his raucous European tour with the punk band the Miracle Workers. It appears here in an expanded version with an added 15-page section of his original sketches and notes from the time and a bound-in CD featuring an excerpt from the Miracle Workers' live show of the time - including a blasting version of the Iggy Pop classic I Got a Right.

War cartoonist Sacco visits the Bosnian conflict to uncover the stories that are often ignored or uncovered by traditional media and gives the reader an inside peek at the darkly humorous news process.

Joe Sacco ya es ampliamente conocido por sus anteriores obras, Gorazde: Zona Protegida y Palestina: En la Franja de Gaza, ambos publicadas en la Colección Trazado de Planeta DeAgostini en las que el autor mezcla hábilmente el reportaje periodístico con la forma narrativa del cómic para dar un reflejo lo más fiel posible de situaciones conflictivas. En esta ocasión, Sacco se centra en un único personaje: Neven, un mediador capaz de conseguir contactos e informaciones interesantes para los periodistas. La historia, las historias de Neven, muchas veces desafían lo creíble y su persona se nos hace compleja y ambigua en más de un caso, pero la presencia de este tipo de personajes es inherente a las zonas de conflicto, e indispensable para los periodistas en busca de contactos e información. Un retrato magistral de otro aspecto de la guerra por el inigualable Joe Sacco, ganador de varios premios por su obra.

When bombs are falling and western journalism is the only game left in town "fixers" are the people who sell war correspondents the human tragedy and moral outrage that makes news editors happy. It’s dangerous, a little amoral and a lot desperate. Award-winning comix-journalist Joe Sacco goes behind the scene of war correspondence to reveal the anatomy of the big scoop. He begins by returning us to the dying days of Balkan conflict and introduces us to his own fixer; a man looking to squeeze the last bit of profit from Bosnia before the reconstruction begins. Thanks to a complex relationship with the fixer Joe discovers the crimes of opportunistic warlords and gangsters who run the countryside in times of war. But the west is interested in a different spin on the stories coming out of Bosnia. Almost ten years later, Joe meets up with his fixer and sees how the new Bosnian government has "dealt" with these criminals and Joe ponders who is holding the reins of power these days...

Collects illustrated, satirical stories about the author's life, war, politics, and sex, including the tales "Voyage to the End of the Library" and "When Good Bombs Happen to Bad People."