Best Selling Books by John Dos Passos

"Three Soldiers" is a novel written in 1921 by the American writer and critic John Dos Passos. It is one of the key American war novels of the First World War, and remains a classic of the realist war novel.

With his U.S.A. trilogy, comprising THE 42nd PARALLEL, 1919, and THE BIG MONEY, John Dos Passos is said by many to have written the great American novel. While Fitzgerald and Hemingway were cultivating what Edmund Wilson once called their own little corners, John Dos Passos was taking on the world. Counted as one of the best novels of the twentieth century by the Modern Library and by some of the finest writers working today, U.S.A. is a grand, kaleidoscopic portrait of a nation, buzzing with history and life on every page. The trilogy opens with THE 42nd PARALLEL, where we find a young country at the dawn of the twentieth century. Slowly, in stories artfully spliced together, the lives and fortunes of five characters unfold. Mac, Janey, Eleanor, Ward, and Charley are caught on the storm track of this parallel and blown New Yorkward. As their lives cross and double back again, the likes of Eugene Debs, Thomas Edison, and Andrew Carnegie make cameo appearances.

Manhattan Transfer is an American novel by John Dos Passos published in 1925. It focuses on the development of urban life in New York City from the Gilded Age to the Jazz Age as told through a series of overlapping individual stories. It is considered to be one of Dos Passos'' most important works. The book attacks the consumerism and social indifference of contemporary urban life, portraying a Manhattan that is merciless yet teeming with energy and restlessness. The novel tells the stories, primarily, of four people living in Manhattan from the 1890s to the late 1920s. The stories are presented in a fragmented, contrasting way, often juxtaposing them to bring out new meaning. The title of the book refers to a railway station, and the way that Manhattan itself was undergoing change.

John Roderigo Dos Passos (1896-1970) was an American novelist and artist. In 1912 he attended Harvard University. Following his graduation in 1916 he travelled to Spain to study art and architecture. With World War I raging in Europe and America not yet participating, Dos Passos volunteered in July 1917 for the S. S.U. 60 of the Norton-Harjes Ambulance Corps. He worked as a driver in Paris and in north-central Italy. By the late summer of 1918, he had completed a draft of his first novel. Considered one of the Lost Generation writers, Dos Passosa first novel, One Manas Initiation- 1917, was published in 1920. It was followed by an antiwar story, Three Soldiers (1921). His major work is the U. S.A. trilogy comprising The 42nd Parallel (1930), Nineteen Nineteen (1932), and The Big Money (1936). Between 1942 and 1945, Dos Passos worked as a journalist covering World War II. His other works include: A Pushcart at the Curb (1922), Streets of Night (1923) and Journeys Between Wars (1938).

In a novel that closely parallels author John Dos Passos''s own ideological struggles during the Spanish Civil War, protagonist Glenn Spotswood, an American, travels to Spain to fight on the Republican side. There, Spotswood joins the Communist Party to help establish a more just society, but his idealism quickly degrades under the stress of party orthodoxy and hypocrisy.

Despite sickness in the final years of his life, Dos Passos presses on for adventure. He and his wife journey to Easter Island, where they explore the history behind the famous statues—called maois. “When I was a small boy,” Dos Passos says, “some kind person took me to the British Museum. There I saw a statue, a huge, rough, dark-gray statue with [a] long, sad, dark-gray face. The statue stared back out of deep, sunken eyes. What was it trying to say? To this day I can remember the feeling it gave me of savage, brooding melancholy.”

This selective history of Portugal reflects the author’s fascination with his own Portuguese/Madeiran heritage. The work tracks the nation’s rise and fall as a world power, drawing from the author’s travels and archival research. “Dos Passos,” writes historian J. H. Plumb, “brings to his material a novelist’s acute eye for human character and a narrative skill that any historian might envy; and he has produced one of the most readable books on the subject that I know.”

Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today. We need to know what kind of firm ground other men, belonging to generations before us, have found to stand on. In spite of changing conditions of life they were not very different from us. This is a prime example of Dos Passos as an American novelist and reporter on American reality. In times of change and danger when there is fear under men''s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present. That is why, in times like ours, when old institutions are caving in and being replaced by new institutions not necessarily in accord with most men''s preconceived hopes, political thought has to look backwards as well as forwards. It is not a question of what we want; it is a question of what is. American history, the successes and failures of the men who went before us, is only alive in so far as some seeds are still stirring and growing in us today. Divided up into three major sections: The Use of the Past, Roger Williams and the Planting of the Commonwealth in America, and On the White Porch of the Republic; The Ground We Stand On traces the backgrounds and the rise of America''s early political structure, the variety of influences upon it, and the men who gave it a stable foundation. John Dos Passos (1896-1970), American novelist, was born in Chicago. During and after the Second World War, he became increasingly interested in the roots of American culture and produced a number of historical studies relating to the problems of American democracy. He wrote both fiction and nonfiction. Among his works are Manhattan Transfer, the trilogy U.S.A. and his autobiographical The Best Times.

As the "Great War" inspired much great poetry, including that of Siegfried Sassoon and Robert Graves, so did it inspire compelling prose. John Dos Passos volunteered to drive an ambulance in France during the First World War. The brutality of his experiences turned him against not only war, but capitalism and inspired him to write One Man''s Initiation: 1917. (Goodreads)

The journal of the author on a trip through Russia and the Levant (the eastern Mediterranean, including Syria and Lebanon), published in 1927.

With 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his "vigorous and sweeping panorama of twentieth-century America" (Forum), lauded on publication of the first volume not only for its scope, but also for its groundbreaking style. Again, employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of modern life with a cinematic touch and unparalleled nerve. 1919 opens to find America and the world at war, and Dos Passos''s characters, many of whom we met in the first volume, are thrown into the snarl. We follow the daughter of a Chicago minister, a wide-eyed Texas girl, a young poet, a radical Jew, and we glimpse Woodrow Wilson, Theodore Roosevelt, and the Unknown Soldier.

THE BIG MONEY completes John Dos Passos''s three-volume "fable of America''s materialistic success and moral decline" (American Heritage) and marks the end of "one of the most ambitious projects that an American novelist has ever undertaken" (Time). Here we come back to America after the war and find a nation on the upswing. Industrialism booms. The stock market surges. Lindbergh takes his solo flight. Henry Ford makes automobiles. From New York to Hollywood, love affairs to business deals, it is a country taking the turns too fast, speeding toward the crash of 1929. Ultimately, whether the novels are read together or separately, they paint a sweeping portrait of collective America and showcase the brilliance and bravery of one of its most enduring and admired writers.