New Releases by John Dos Passos

"Facing the Chair: Story of the Americanization of Two Foreignborn Workmen" by John Dos Passos delves into the controversial Sacco and Vanzetti case, a landmark murder trial that ignited passionate debate and exposed deep divisions within American society. Set in Massachusetts, this historical account meticulously examines the legal proceedings and the social forces at play in the prosecution of two Italian immigrants. More than just a true crime narrative, the book explores themes of Americanization, justice, and prejudice within the context of early 20th-century America. Dos Passos' work provides crucial insight into the era's social and political climate. It remains a vital resource for those interested in legal history, penology, criminology, and the enduring complexities of the Sacco and Vanzetti story. A powerful and timeless examination of a pivotal moment in American history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One of the major novelists of the post-World War I lost generation, John Dos Passos established a reputation as a social historian and radical critic of American life. His experimental novels are written in non-linear form, blending elements of biography, song lyrics and news reports to portray a vibrant tapestry landscape of early twentieth-century American culture. This eBook presents Dos Passos’ collected works (the most complete possible in the US), with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Dos Passos’ life and works * Concise introductions to the major texts * All 8 novels in the US public domain, with individual contents tables * Rare novels appearing for the first time in digital publishing, including the unfinished novel ‘Century’s Ebb’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The play ‘The Garbage Man’ and Dos Passos’ poetry — available in no other collection * Includes a wide selection of Dos Passos’ non-fiction * Features the seminal autobiography ‘The Best Times’ – discover the author’s literary life * Ordering of texts into chronological order and genres Please note: due to US copyright restrictions, seven novels (including the U.S.A. trilogy) cannot appear in this edition. When new texts become available, they will be added to the eBook as a free update. CONTENTS: The Novels One Man’s Initiation — 1917 (1920) Three Soldiers (1921) Streets of Night (1923) Manhattan Transfer (1925) Chosen Country (1951) The Great Days (1958) Midcentury (1961) Century’s Ebb (1975) The Play The Garbage Man (1926) The Poetry Poems from ‘Eight Harvard Poets’ (1917) A Pushcart at the Curb (1922) The Non-Fiction Rosinante to the Road Again (1922) Facing the Chair (1927) Orient Express (1927) The Men Who Made the Nation (1957) Mr. Wilson’s War (1962) Brazil on the Move (1963) The Portugal Story (1969) Easter Island (1970) The Autobiography The Best Times (1966)

Eight Harvard Poets, has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

In "Rosinante to the Road Again," John Dos Passos delivers a poignant exploration of the American landscape during the Great Depression, weaving together personal narrative, social commentary, and the restless spirit of travel. This semi-autobiographical work epitomizes Dos Passos's modernist style, characterized by fragmented narrative techniques and a vivid depiction of everyday life punctuated by a deep sense of disillusionment. Through the eyes of the wandering protagonist, the book captures the stark realities and diverse voices of a nation in turmoil, embodying the author's overarching themes of social justice and the quest for identity. John Dos Passos was not only a prominent novelist but also a passionate observer of socio-political movements in early 20th-century America. His experiences as a journalist and his participation in the modernist circle'Äîinteracting with figures such as Ernest Hemingway and Ezra Pound'Äîprofoundly influenced his writing. Dos Passos immersed himself in the struggles of the working class, reflecting on his travels and the people he encountered, thereby informing the vivid, gritty realism found in this work. "Rosinante to the Road Again" is a must-read for anyone interested in understanding the complexities of American identity and the socio-economic challenges of its time. Dos Passos'Äôs masterful storytelling and evocative observations invite readers to accompany him on an unforgettable journey through a pivotal era, making it an essential addition to the canon of American literature.

As the "Great War" inspired much great poetry, including that of Siegfried Sassoon and Robert Graves, so did it inspire compelling prose. John Dos Passos volunteered to drive an ambulance in France during the First World War. The brutality of his experiences turned him against not only war, but capitalism and inspired him to write One Man's Initiation: 1917. (Goodreads)

Passos' only collection of poetry, many of these poems were published in periodicals in 1921/22, though some were composed as early as 1916. George H. Doran published A Pushcart at the Curb on October 11, 1922. There was no subsequent edition.John Roderigo Dos Passos was a radical American novelist and artist active in the first half of the twentieth century. His novel, Manhattan Transfer, became a huge commercial success but he is perhaps best known for his U.S.A. trilogy which consists of the novels The 42nd Parallel, 1919, and The Big Money. In 1998, the Modern Library ranked the U.S.A. Trilogy 23rd on its list of the 100 best English-language novels of the 20th century. An artist as well as a novelist, Dos Passos created cover art for his books, was influenced by the modernist movements in 1920s Paris, and continued to paint throughout his lifetime.

In a novel that closely parallels author John Dos Passos's own ideological struggles during the Spanish Civil War, protagonist Glenn Spotswood, an American, travels to Spain to fight on the Republican side. There, Spotswood joins the Communist Party to help establish a more just society, but his idealism quickly degrades under the stress of party orthodoxy and hypocrisy.

Beginning with the assassination of McKinley and ending with the defeat of the League of Nations by the United States Senate, the twenty-year period covered by John Dos Passos in this lucid and fascinating narrative changed the whole destiny of America. This is the story of the war we won and the peace we lost, told with a clear historical perspective and a warm interest in the remarkable people who guided the United States through one of the most crucial periods. Foremost in the cast of characters is Woodrow Wilson, the shy, brilliant, revered, and misunderstood “schoolmaster,” whose administration was a complex of apparent contradictions. Wilson had almost no interest in foreign affairs when he was first elected, yet later, in proposing the League of Nations, he was to play a major role in international politics. During his first summer in office, without any previous experience in banking, he pushed through the Federal Reserve Bank Act, perhaps his most lasting contribution. Reelected in 1916 on the rallying cry, “He kept us out of war,” he shortly found himself and his country inextricably involved in the European conflict. John Dos Passos has brilliantly coordinated the political, the military, and the economic themes so that the story line never falters. First published in 1962, Mr. Wilson’s War is one of the great books and an addition of major stature to any reader’s library

This selective history of Portugal reflects the author’s fascination with his own Portuguese/Madeiran heritage. The work tracks the nation’s rise and fall as a world power, drawing from the author’s travels and archival research. “Dos Passos,” writes historian J. H. Plumb, “brings to his material a novelist’s acute eye for human character and a narrative skill that any historian might envy; and he has produced one of the most readable books on the subject that I know.”

Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today. We need to know what kind of firm ground other men, belonging to generations before us, have found to stand on. In spite of changing conditions of life they were not very different from us. This is a prime example of Dos Passos as an American novelist and reporter on American reality. In times of change and danger when there is fear under men's reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present. That is why, in times like ours, when old institutions are caving in and being replaced by new institutions not necessarily in accord with most men's preconceived hopes, political thought has to look backwards as well as forwards. It is not a question of what we want; it is a question of what is. American history, the successes and failures of the men who went before us, is only alive in so far as some seeds are still stirring and growing in us today. Divided up into three major sections: The Use of the Past, Roger Williams and the Planting of the Commonwealth in America, and On the White Porch of the Republic; The Ground We Stand On traces the backgrounds and the rise of America's early political structure, the variety of influences upon it, and the men who gave it a stable foundation. John Dos Passos (1896-1970), American novelist, was born in Chicago. During and after the Second World War, he became increasingly interested in the roots of American culture and produced a number of historical studies relating to the problems of American democracy. He wrote both fiction and nonfiction. Among his works are Manhattan Transfer, the trilogy U.S.A. and his autobiographical The Best Times.

John Roderigo Dos Passos (1896-1970) was an American novelist and artist. In 1912 he attended Harvard University. Following his graduation in 1916 he travelled to Spain to study art and architecture. With World War I raging in Europe and America not yet participating, Dos Passos volunteered in July 1917 for the S. S.U. 60 of the Norton-Harjes Ambulance Corps. He worked as a driver in Paris and in north-central Italy. By the late summer of 1918, he had completed a draft of his first novel. Considered one of the Lost Generation writers, Dos Passosa first novel, One Manas Initiation- 1917, was published in 1920. It was followed by an antiwar story, Three Soldiers (1921). His major work is the U. S.A. trilogy comprising The 42nd Parallel (1930), Nineteen Nineteen (1932), and The Big Money (1936). Between 1942 and 1945, Dos Passos worked as a journalist covering World War II. His other works include: A Pushcart at the Curb (1922), Streets of Night (1923) and Journeys Between Wars (1938).

During the years of his emergence as a major American novelist, John Dos Passos traveled widely in Europe, the Middle East, Mexico, and the United States, witnessing many of the tumultuous political, social, and cultural events of the early twentieth century and recording his changing response to them. This Library of America volume collects the vibrant and insightful travel books and essays he wrote at the same time he was publishing his fictional masterpieces Three Soldiers, Manhattan Transfer, and U.S.A. Rosinante to the Road Again (1922) is a vivid collection of essays on Spanish life, literature, and art that demonstrates Dos Passos's enduring fascination with a country he would repeatedly visit and write about. Orient Express (1927) records his 1921-1922 journey through the Middle East, and contains provocative and haunting descriptions of the effects of the Greek-Turkish War; the Caucasus in the aftermath of Soviet conquest; Persia during the rise of Reza Khan; the creation of Iraq by the British; and a winter trip by camel caravan across the desert from Baghdad to Damascus. In All Countries (1934) collects pieces on Russia in the late 1920s, Mexico in the aftermath of Zapata, the troubled Spanish Republic, and strikes and protests in the United States, while articles that appeared in Journeys Between Wars (1938) examine France under the Popular Front and the Spanish Civil War. Also included are A Pushcart at the Curb (1922), a cycle of poems inspired by his travels; nine political and literary essays written between 1916 and 1941, including his denunciation of the execution of his friend Jos Robles by Spanish Communists; and a selection of letters and diary entries from 1916 to 1920 that record his wartime service as an ambulance driver in France and Italy. Plus 8 full-color plates of watercolors by Dos Passos. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The 42nd Parallel -- Nineteen nineteen -- The Big Money.

With 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his "vigorous and sweeping panorama of twentieth-century America" (Forum), lauded on publication of the first volume not only for its scope, but also for its groundbreaking style. Again, employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of modern life with a cinematic touch and unparalleled nerve. 1919 opens to find America and the world at war, and Dos Passos's characters, many of whom we met in the first volume, are thrown into the snarl. We follow the daughter of a Chicago minister, a wide-eyed Texas girl, a young poet, a radical Jew, and we glimpse Woodrow Wilson, Theodore Roosevelt, and the Unknown Soldier.

During the war, Dos Passos visits and studies conditions in Hawaii, the Marshall Islands, the Marianas, the Caroline Islands, the Philippines, New Caledonia, New Guinea, and Australia. Of great concern to the author as he explores postwar Europe is the responsible brokering of the peace.