New Releases by John Ruskin

Lectures on Art, Delivered Before the University of Oxford in Hilary Term, 1870'' by John Ruskin is a significant collection of lectures that provides profound insights into the world of art. Ruskin, a prominent art critic and social thinker of the Victorian era, shares his knowledge, observations, and perspectives on various aspects of art. In these lectures, Ruskin explores different artistic principles, techniques, and styles, discussing the works of renowned artists from different periods. He delves into topics such as the importance of attention to detail, the relationship between art and nature, and the moral and spiritual dimensions of artistic expression. Ruskin''s lectures not only offer a comprehensive understanding of art but also connect it to broader themes of society, ethics, and culture. His eloquent and passionate delivery captivates readers, urging them to consider the profound impact of art on individual and collective consciousness. Ruskin''s deep knowledge, critical analysis, and compelling arguments make this collection a timeless exploration of the power and significance of art in human experience.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In "The King of the Golden River; or, the Black Brothers: A Legend of Stiria," John Ruskin weaves a captivating fairy tale steeped in moral allegory and rich symbolism. Written in a lyrical and ornate style, this novella presents the struggle between good and evil through the fateful encounters of three brothers over a hidden treasure. Set against an ethereal backdrop inspired by the Alpine region of Styria, Ruskin''s narrative not only entertains but also serves as a critique of moral greed and the corrupting influence of wealth, embodying the Victorian ethos of social responsibility and the reverence for nature. John Ruskin (1819-1900) was a prominent thinker, art critic, and social theorist whose passionate advocacy for beauty and moral integrity greatly influenced the cultural landscape of 19th-century England. His deep appreciation for the natural world and medieval craftsmanship profoundly informed his writing, leading him to create works that bridge art, morality, and philosophy. Inspired by his travels and his belief in the interconnectedness of humanity and nature, Ruskin crafted this tale to illuminate the consequences of avarice and the virtues of selflessness, which resonate with his broader socio-economic ideals. I highly recommend "The King of the Golden River" for readers seeking a richly allegorical narrative that transcends mere fairy tale conventions. The story offers profound reflections on virtue, love, and the balance between humanity and nature. In this timeless legend, one discovers not only a captivating story but also a moral compass that continues to guide the discussions of ethics and responsibility in modern society.

Modern Painters Volume IV From John Ruskin

John Ruskin''s Sesame and Lilies, first published in 1865, stands as a classic nineteenth-century statement on the natures and duties of men and women. Although widely popular in its time, the work in its entirety has been out of print since the early twentieth century. This volume returns Sesame and Lilies to easy availability and reunites the two halves of the work: Of Kings'' Treasuries, in which Ruskin critiques Victorian manhood, and Of Queens'' Gardens, in which he counsels women to take their places as the moral guides of men and urges the parents of girls to educate them to this end. (Goodreads)

Reproduction of the original: The Elements of Drawing by John Ruskin

Reproduction of the original: Lectures on Art by John Ruskin

Reproduction of the original: The King of the Golden River by John Ruskin

The King of the Golden River or The Black Brothers: A Legend of Stiria by John Ruskin was originally written in 1841 for the twelve-year-old Effie (Euphemia) Gray, whom Ruskin later married. It was published in book form in 1851, and became an early Victorian classic which sold out three editions. In the "Advertisement to the First Edition", which prefaces it, it is called a fairy tale,

"More than simply a survey of an ancient city''s most significant buildings, The Stones of Venice first published in three volumes between 1851 and 1853 is an expression of a philosophy of art, nature, and morality that goes beyond art history, and has inspired such thinkers as Leo Tolstoy, Marcel Proust, and Mahatma Gandhi. Volume III, which looks at Venetian buildings of the Early, Roman, and grotesque Renaissance, provides an analysis of the transitional forms of Arabian and Byzantine architecture while tracing the city s spiritual and architectural decline. Unabridged, and containing Ruskin s original drawings, this guide to the moral, spiritual, and aesthetic implications of architecture is a treasure for students and scholars alike. The preeminent art critic of his time, British writer JOHN RUSKIN (1819 1900) had a profound influence upon European painting, architecture, and aesthetics of the 19th and 20th centuries. His immense body of literary works include Modern Painters, Volume I IV (1843 1856); The Seven Lamps of Architecture (1849); Unto This Last (1862); Munera Pulveris (1862 3); The Crown of Wild Olive (1866); Time and Tide (1867); and Fors Clavigera (1871-84)."

Unto This Last is an essay on economy by John Ruskin, critical of the 18th and 19th century capitalist economists. When first published as four magazine articles in 1860 they were, in the words of Ruskin himself, "very violently criticized" and the publisher was forced to halt publication. But Ruskin persevered and released the four articles in this book form in 1862. Gandhi read Unto This Last in 1904 and it had a huge impact on his social and economic philosophy, with Gandhi making an immediate decision to live according to Ruskin''s teachings.

The Elements of Drawing was written during the winter of 1856. The First Edition was published in 1857 ; the Second followed in the same year, with some additions and slight alterations. The Third Edition consisted of sixth thousand, 1859 ; seventh thousand, 1860; and eighth thousand, 1861. The work was partly reproduced in "Our Sketching Club," by the Rev. R. St. John Tyrwhitt, M-A., 1874; with new editions in 1875, 1882, and 1886. Mr. Ruskin meant, during his tenure of the Slade Professorship at Oxford, to recast his teaching, and to write a systematic manual for the use of his Drawing School, under the title of "The Laws of Fesole." Of this only vol. L was completed, 1879; second edition, 1882. As, therefore, "The Elements of Drawing" has never been completely superseded, and as many readers of Mr, Ruskin''s works have expressed a desire to possess the book in its old form, it is now reprinted as it stood in 1859, with the addition of an Index.

First and foremost an outcry against injustice and inhumanity, Unto this Last is also a closely argued assault on the science of political economy, which dominated the Victorian period. Ruskin was a profoundly conservative man who looked back to the Middle Ages as a Utopia, yet his ideas had a considerable influence on the British socialist movement. And in making his powerful moral and aesthetic case against the dangers of unhindered industrialization he was strangely prophetic. This volume shows the astounding range and depth of Ruskin''s work, and in an illuminating introduction the editor reveals the consistency of Ruskin''s philosophy and his adamant belief that questions of economics, art and science could not be separated from questions of morality. In Ruskin''s words, ''There is no Wealth but Life.''

Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin''s writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen''s Library Edition of the Works of John Ruskin. Volume 39, general index.

Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin''s writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen''s Library Edition of the Works of John Ruskin. Volume 39, general index.

Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin''s writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen''s Library Edition of the Works of John Ruskin. Volume 39, general index.