Most Popular Books by Jon Stewart

A hilarious, mega-bestseller from the Emmy-winning, Oscar-hosting, Daily Show-anchoring Jon Stewart that finally answers the question -- what is American democracy? Jon Stewart, host of the Emmy and Peabody Award-winning The Daily Show, and his coterie of patriots deliver a hilarious look at American government . . . Termed a "political king-maker" by Newsweek, and "the Dan Rather of infotainment" by Vanity Fair, Jon Stewart, along with the writers of The Daily Show, combines his riotous wit and razor-sharp insight in this hilarious book. American-style democracy is the world''s most beloved form of government, which explains why so many other nations are eager for us to impose it on them, but what is it exactly? In America (The Book), Jon Stewart and The Daily Show writing staff offer their insights into our unique system of government, dissecting its institutions, explaining its history and processes, and exploring the reasons why concepts like "One man, one vote," "Government by the people," and "Every vote counts" have become such popular urban myths.

A rich, expansive book reaching beyond philosophy to literature and the history of ideas with strong appeal to diverse readers.

In these nineteen whip-smart essays, Jon Stewart takes on politics, religion, and celebrity with a seethingly irreverent wit, a brilliantsense of timming, and a palate for the obsurd -- and these one-of-a-kind forays into his hilarious world will expose you to all its wickedly naked truths. He''s the MTV generation''s master of modern humor, a star of film, TV, and the comedy stage. This sultan of savvy serves up a whip-smart, utterly original collection of comic essays in Naked Pictures of Famous People. And as of January 11, 1999, you can enjoy the intelligence and self-deprecating charm he brings to contemporary comedy on Comedy Central''s "The Daily Show." In his first book, he translates that unique talent to the page, with humorous forays into a vast array of subjects: fashion, urban life, fast cars, cocktail culture, modern Jewishness, politics, and dating. A seethingly irreverent wit, Stewart has a genius for language and brilliant timing that makes his up-to-the-minute collection a must-have for humor lovers in search of a Woody Allen for the 90s.He''s the MTV generation''s master of modern humor, a star of film, TV, and the comedy stage. This sultan of savvy serves up a whip-smart, utterly original collection of comic essays in Naked Pictures of Famous People. And as of January 11, 1999, you can enjoy the intelligence and self-deprecating charm he brings to contemporary comedy on Comedy Central''s "The Daily Show." In his first book, he translates that unique talent to the page, with humorous forays into a vast array of subjects: fashion, urban life, fast cars, cocktail culture, modern Jewishness, politics, and dating. A seethingly irreverent wit, Stewart has a genius for language and brilliant timing that makes his up-to-the-minute collection a must-have for humor lovers in search of a Woody Allen for the 90s.

Jon Stewart''s study is a major re-evaluation of the complex relations between the philosophies of Kierkegaard and Hegel. The standard view on the subject is that Kierkegaard defined himself as explicitly anti-Hegelian, indeed that he viewed Hegel''s philosophy with disdain. Jon Stewart shows convincingly that Kierkegaard''s criticism was not of Hegel but of a number of contemporary Danish Hegelians. Kierkegaard''s own view of Hegel was in fact much more positive to the point where he was directly influenced by some of Hegel''s work. Any scholar working in the tradition of Continental philosophy will find this an insightful and provocative book with implications for the subsequent history of philosophy in the twentieth century. The book will also appeal to scholars in religious studies and the history of ideas.

Where do we come from? Who created us? Why are we here? These questions have puzzled us since the dawn of time, but when it became apparent to Jon Stewart and the writers of The Daily Show that the world was about to end, they embarked on a massive mission to write a book that summed up the human race: What we looked like; what we accomplished; our achievements in society, government, religion, science and culture -- all in a tome of 238 pages with lots of color photos, graphs and charts. After two weeks of hard work, they had their book. EARTH (The Book) is the definitive guide to our species. With their trademark wit, irreverence, and intelligence, Stewart and his team posthumously answer all of life''s most hard-hitting questions, completely unburdened by objectivity, journalistic integrity, or even accuracy.

This work gives a basic introduction to Hegel''s religious thinking by seeing it against the backdrop of the main religious trends in his own day that he responded to.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The present volume documents this influence in the different language groups and traditions. Tome IV examines Kierkegaard’s surprisingly extensive influence in the Anglophone world of literature and art, particularly in the United States. His thought appears in the work of the novelists Walker Percy, James Baldwin, Flannery O’Connor, William Styron, Don Delillo, and Louise Erdrich. He has also been used by the famous American literary critics, George Steiner and Harold Bloom. The American composer Samuel Barber made use of Kierkegaard in his musical works. Kierkegaard has also exercised an influence on British and Irish letters. W.H. Auden sought in Kierkegaard ideas for his poetic works, and the contemporary English novelist David Lodge has written a novel Therapy, in which Kierkegaard plays an important role. Cryptic traces of Kierkegaard can also be found in the work of the famous Irish writer James Joyce.

This is the first of a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of Golden Age culture. This initial tome covers the period from the beginning of the Hegel reception in the Danish Kingdom in the 1820s until the end of 1836. The dominant figure from this period is the poet and critic Johan Ludvig Heiberg, who attended Hegel’s lectures in Berlin in 1824 and then launched a campaign to popularize Hegel’s philosophy among his fellow countrymen. Using his journal Kjøbenhavns flyvende Post as a platform, Heiberg published numerous articles containing ideas that he had borrowed from Hegel. Several readers felt provoked by Heiberg’s Hegelianism and wrote critical responses to him, many of which appeared in Kjøbenhavnsposten, the rival of Heiberg’s journal. Through these debates Hegel’s philosophy became an important part of Danish cultural life.

While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.

Jon Stewart, host of the Daily Show, and his coterie of patriots deliver a hilarious, razor-sharp look at American government.

Ground-breaking dual biography that explores pop music''s two most influential songwriters, offering new insights into their creative thinking.

The remarkable lectures that Hegel gave in Berlin in the 1820s generated an exciting intellectual atmosphere which lasted for decades. From the 1830s, many students flocked to Berlin to study with people who had studied with Hegel, and both his original students, such as Feuerbach and Bauer, and later arrivals including Kierkegaard, Engels, Bakunin, and Marx, evolved into leading nineteenth-century thinkers. Jon Stewart''s panoramic study of Hegel''s deep influence upon the nineteenth century in turn reveals what that century contributed to the wider history of philosophy. It shows how Hegel''s notions of ''alienation'' and ''recognition'' became the central motifs for the era''s thinking; how these concepts spilled over into other fields – like religion, politics, literature, and drama; and how they created a cultural phenomenon so rich and pervasive that it can truly be called ''Hegel''s century.'' This book is required reading for historians of ideas as well as of philosophy.

By examining at the microlevel the particulars of each dialectical movement, and by analyzing at the macrolevel the role of the argument in question in the context of the work as a whole, Stewart provides a detailed analysis of the Phenomenology and a significant scholarly demonstration of Hegel''s own conception of the Phenomenology as a part of a systematic philosophy.

This volume presents a philosophical analysis of the development of Western civilization from antiquity to the Middle Ages by tracing the various self-conceptions of different cultures as they developed historically, reflecting different views of what it is to be human and the rise of the concept of subjectivity.

Søren Kierkegaard: Subjectivity, Irony, and the Crisis of Modernity examines the thought of Søren Kierkegaard, a unique figure, who has freeired, provoked, fascinated, and irritated people ever since he walked the streets of Copenhagen. At the end of his life, Kierkegaard said that the only model he had for his work was the Greek philosopher Socrates. This work takes this statement as its point of departure. Jon Stewart explores what Kierkegaard meant by this and to show how different aspects of his writing and argumentative strategy can be traced back to Socrates. The main focus is The Concept of Irony, which is a key text at the beginning of Kierkegaard''s literary career. Although it was an early work, it nevertheless played a determining role in his later development and writings. Indeed, it can be said that it laid the groundwork for much of what would appear in his later famous books such as Either/Or and Fear and Trembling.

Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Acknowledgements -- Overview of Kierkegaard Research: Sources, Reception and Resources -- Index of Names, A-K

Originally published in 1976 and with second edition published in 1984. This book established itself as the first genuinely introductory text on econometric methods, assuming no formal background on the part of the reader. The second edition maintains this distinctive feature. Fundamental concepts are carefully explained and, where possible, techniques are developed by verbal reasoning rather than formal proof. It provides all the material for a basic course. and is also ideal for a student working alone. Very little knowledge of maths and statistics is assumed, and the logic of statistical method is carefully stated. There are numerous exercises, designed to help the student assess individual progress. Methods are described with computer solutions in mind and the author shows how a variety of different calculations can be performed with relatively simple programs. This new edition also includes much new material - statistical tables are now included and their use carefully explained.

The history of Continental philosophy is often conceived as being represented by two major schools: German idealism and phenomenology/existentialism. These two schools are frequently juxtaposed so as to highlight their purported radical differences. There is a commonly held view that an abrupt break occurred in the nineteenth century, resulting in a disdainful rejection of idealism in all its forms. This break is often located in the transition from Hegel to Kierkegaard. The history of philosophy in the first half of the nineteenth century has thus been read as a grand confrontation between the overambitious rationalistic system of Hegel and the devastating criticisms of it by Kierkegaard''s philosophy of existence. This work aims to undermine this popular view of the radical break between idealism and existentialism by means of a series of detailed studies in specific episodes of European thought. As a whole, this book represents an important attempt to demonstrate the long shadow cast by Kant and Hegel over the subsequent history of European philosophy.

In The Unity of Content and Form in Philosophical Writing, Jon Stewart argues that there is a close relation between content and form in philosophical writing. While this might seem obvious at first glance, it is overlooked in the current climate of Anglophone academic philosophy, which, Stewart contends, accepts only a single genre as proper for philosophical expression. Stewart demonstrates the uniformity of today''s philosophical writing by contrasting it with that of the past. Taking specific texts from the history of philosophy and literature as case studies, Stewart shows how the use of genres like dialogues, plays and short stories were an entirely suitable and effective means of presenting and arguing for philosophical positions given the concrete historical and cultural contexts in which they appeared. Now, Stewart argues, the prevailing intolerance means that the same texts are dismissed as unphilosophical merely due to their form, although their content is, in fact, profoundly philosophical. The book''s challenge to current conventions of philosophical is provocative and timely, and will be of great interest to students and scholars of philosophy, literature and history.