New Releases by Kevin Hart

What is contemplation? How is it distinct from meditation? Is contemplation essentially religious or mystical? What should one contemplate, and how? Are there different styles of contemplation, and why should one practice them? Ought we try to lead more contemplative lives? This book offers a philosophical introduction to the theory and practice of contemplation. Kevin Hart examines a variety of religious, aesthetic, and philosophical notions, shedding light on the singular qualities of contemplation. This book spans topics including the spiritual exercises of the ancient Greeks, overlooked aspects of Christian spirituality, and aesthetic contemplation of nature and art. Contemplation ranges from ancient thinkers such as Aristotle, Plato, and Plotinus to Aquinas and other medieval theologians as well as modern philosophers like Kant, Husserl, and Wittgenstein. Though focused on Christianity, it also considers contemplation in other religious traditions, among them Buddhism, Hinduism, Judaism, Islam, and Paganism. Concise and comprehensive, this book provides both religious and nonreligious readers with a foundational understanding of the history and nature of contemplation as well as the benefits of practicing it.

"Put this beautiful book on your shelf between Frank Conroy's Stop-Time and Tobias Wolff's This Boy's Life."—William Giraldi, author of The Hero's Body This powerful memoir from poet Kevin Hart traces his difficult childhood as a "backward boy" in a poor part of London, a disorienting move to tropical Australia, and the secrets he and his family kept from one another. Dark-Land: Memoir of a Secret Childhood is Kevin Hart’s searing, yet at times hilarious, narrative of his first thirteen years. It is a story of survival and transformation, of deception and recovery, and it passes from a frightening childhood in the East-End of London to a new and bewildering life in sub-tropical Australia. Throughout, Hart draws on John Bunyan’s evocation of “Dark-Land” in Pilgrim’s Progress, the place Valiant-for-Truth leaves in order to seek the Celestial City. But Dark-Land is no allegory. We see Hart’s hidden inner life, his family’s penchant for keeping secrets, and their illusions about the nature of their shared past. We see Hart grow from being the despair of his teachers in a rough primary school to experiencing a “conversion” in a math class in Brisbane, Australia, which turned him into a Christian, a poet, and an academic. Written in elegant, lucid prose, without a trace of sentimentality, Dark-Land is a memoir of a working-class childhood, a narrative of a migrant, and the story of a convert to Christianity.

An original and profound exploration of contemplation from philosopher, theologian, and poet Kevin Hart. In Lands of Likeness, Kevin Hart develops a new hermeneutics of contemplation through a meditation on Christian thought and secular philosophy. Drawing on Kant, Schopenhauer, Coleridge, and Husserl, Hart first charts the emergence of contemplation in and beyond the Romantic era. Next, Hart shows this hermeneutic at work in poetry by Gerard Manley Hopkins, Marianne Moore, Wallace Stevens, and others. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world.

Blanchot and his writings on three major poets, Mallarmé, Hölderlin, and Char, provide a decisive new point of departure for English language criticism of his philosophical writings on narrative in this study by leading Blanchot scholar, Kevin Hart. Connecting his work to later leading figures of 20th-century French philosophy, including Emmanuel Levinas, Simone Weil, and Jacques Derrida, Hart highlights the importance of Jewish philosophy and political thought to his overall conception of literature. Chapters on community and negation reveal Blanchot's emphasis on the relationship between narrative and politics over the more commonly connected narrative and aesthetics. By fully discussing Blanchot's elusive concept of “the Outside” for the first time, this book progresses scholarly understandings of his entire oeuvre further. This central concept engages Franz Rosenzweig's work on Abrahamic faiths, enabling a reckoning on the role of suffering and literature in the wake of the Shoah, with significant implications for Jewish studies more generally.

Stand-up comedian and Hollywood box-office hit Kevin Hart keeps the laughs coming in an illustrated middle-grade novel about a boy who has big dreams of making a blockbuster superhero film. Perfect for readers of James Patterson's Middle School series and Lincoln Peirce's Big Nate series. Marcus is NOT happy to be stuck in after-school film class . . . until he realizes he can turn the story of the cartoon superhero he’s been drawing for years into an actual MOVIE! There’s just one problem: he has no idea what he’s doing. So he’ll need help, from his friends, his teachers, Sierra, the strong-willed classmate with creative dreams of her own, even Tyrell, the local bully who’d be a perfect movie villain if he weren’t too terrifying to talk to. Making this movie won’t be easy. But as Marcus discovers, nothing great ever is—and if you want your dream to come true, you’ve got to put in the hustle to make it happen. Comedy superstar Kevin Hart teams up with award-winning author Geoff Rodkey and lauded illustrator David Cooper for a hilarious, illustrated, and inspiring story about bringing your creative goals to life and never giving up, even when nothing’s going your way.

From celebrity author Kevin Hart comes the laugh-out-loud highly illustrated sequel to Marcus Makes a Movie about a young boy who has big Hollywood dreams--and the hustle to make it happen. "Everybody, grab a ticket and run for a front row seat to Marcus Makes a Movie!" —Judd Winick, New York Times bestselling author of the Hilo series Marcus’s movie, Toothpick vs. the Doom, is a HIT! But the only thing harder than making a movie is making a SECOND one. Marcus needs to come up with another great idea fast. Too bad his film crew (aka friends) are too preoccupied with their MeTube channels to notice. An invite to The Helen Show has Marcus thinking they’ll be back on top, but will nerves, unchecked ambition, and a rivalry between friends shut down this show before it even begins? In the laugh-out-loud sequel, actor and comedian Kevin Hart delivers a message about being creative, working hard, and learning that sometimes the best dreams are the ones you achieve with your friends.

Barefoot is Kevin Hart’s eighth collection of poems; it is rich in elegies, meditations on lost love, and celebrations of new love. The title speaks of mourning, pilgrimage, and the direct sensuous contact of flesh with earth. Harold Bloom has long extolled Hart as a “visionary of desire,” and in this collection we find that vision deepened and that desire extended. Never before has Hart stretched his range of inspiration quite so far; while continuing to draw from Christianity, he also responds to the rich heritage of American Blues, and reveals a wit as sharp as a razor’s edge. The poetry is at once religious poetry and love poetry; indeed, the “religious poetry” is itself love poetry. Always, Hart speaks to us in words that seem inevitable in their simplicity. As he himself has written, “The best conductor of mystery is clarity. The true bearer of complexity is simplicity.” Barefoot will delight poetry lovers everywhere.

New York Times bestselling author, superstar comedian, and Hollywood box office star Kevin Hart turns his immense talent to the written word in this “hilarious but also heartfelt” (Elle) memoir on survival, success, and the importance of believing in yourself. The question you’re probably asking yourself right now is: What does Kevin Hart have that a book also has? According to the three people who have seen Kevin Hart and a book in the same room, the answer is clear: A book is compact. Kevin Hart is compact. A book has a spine that holds it together. Kevin Hart has a spine that holds him together. A book has a beginning. Kevin Hart’s life uniquely qualifies him to write this book by also having a beginning. It begins in North Philadelphia. He was born an accident, unwanted by his parents. His father was a drug addict who was in and out of jail. His brother was a crack dealer and petty thief. And his mother was overwhelmingly strict, beating him with belts, frying pans, and his own toys. The odds, in short, were stacked against our young hero. But Kevin Hart, like Ernest Hemingway, J.K. Rowling, and Chocolate Droppa before him, was able to defy the odds and turn it around. In his literary debut, he takes us on a journey through what his life was, what it is today, and how he’s overcome each challenge to become the man he is today. And that man happens to be the biggest comedian in the world, with tours that sell out football stadiums and films that have collectively grossed over $3.5 billion. He achieved this not just through hard work, determination, and talent. “Hart is an incredibly magnetic storyteller, on the page as he is onstage, and that’s what shines through [in this] genial, entertaining guide to a life in comedy” (Kirkus Reviews).

Religious poetry has often been regarded as minor poetry and dismissed in large part because poetry is taken to require direct experience; whereas religious poetry is taken to be based on faith, that is, on second or third hand experience. The best methods of thinking about "experience" are given to us by phenomenology. Poetry and Revelation is the first study of religious poetry through a phenomenological lens, one that works with the distinction between manifestation (in which everything is made manifest) and revelation (in which the mystery is re-veiled as well as revealed). Providing a phenomenological investigation of a wide range of “religious poems”, some medieval, some modern; some written in English, others written in European languages; some from America, some from Britain, and some from Australia, Kevin Hart provides a unique new way of thinking about religious poetry and the nature of revelation itself.

The poems of Kevin Hart have nurtured international poetry audiences for nearly four decades. Translations of Hart's work have appeared in Chinese, French, German, Hebrew, Italian, and Vietnamese, among other languages, and bear witness to the growing interest in Hart's poetry both in the United States and abroad. This volume performs a valuable service by bringing together the best of Hart's work from seven published collections, some of them now out of print, and from his forthcoming book, Barefoot. Wild Track reveals a poet capable of articulating genuine feeling and considerable philosophical depth. This volume confirms Hart's standing as one of the most sophisticated poets writing today.

Publisher Description

Adopting the role of tour guide, award-winning writer Kevin Hart leads the reader through the pitfalls, conundrums and complexities that characterize postmodernism, while providing an overview of the many different approaches (philosophical, cultural, literary…) to the subject. All the major thinkers are introduced – from Derrida to Blanchot, Irigaray to Foucault, and more besides – while the book is unique among introductory guides in its consideration of the role of religion in a postmodern world.

Kevin Hart is not only one of Australia's most important poets but a major figure in world poetry. He is a visionary writer who has taken his bearings as much from English Romanticism and European Modernism as from the Bible, Plato and Meister Eckhart.

Kevin Hart traces the vast literary legacy and reputation of Samuel Johnson. Through detailed analyses of the biographers, critics and epigones who carefully crafted and preserved Johnson's life for posterity, Hart explores the emergence of what came to be called 'The Age of Johnson'. Hart shows how late seventeenth- and early eighteenth-century Britain experienced the emergence and consolidation of a rich and diverse culture of property. In dedicating himself to Johnson's death, Hart argues, James Boswell turned his friend into a monument, a piece of public property. Through subtle analyses of copyright, forgery and heritage in eighteenth-century life, this study traces the emergence of competing forms of cultural property: a Hanoverian politics of property engages a Jacobite politics of land. Kevin Hart places Samuel Johnson within this rich cultural context, demonstrating how Johnson came to occupy a place at the heart of the English literary canon.

Poets' Voices is an international series of books with audio CD's which present collections of poems by significant poets whose work is not available in existing publications. Their poems appear in the original language, together with an English translation on the facing page. With each book, whenever possible, there is a CD recording of the poet reading poems in the collection in the original language and when feasible, in the English translations. Poets' Voices will also feature monographs on key poets about whose lives, works, and influence little is currently available. In Kevin Hart's seventh collection of poetry he explores the lush tropics of Queensland, Australia where he grew up, the landscapes of the soul, and the rich spirituality of Eros. Harold Blom has claimed Hart as "one of the major living poets in the English language", while Charles Simic has hailed him as "an absolutely original and indispensable poet".

The Trespass of the Sign offers an account of the relations between deconstruction and theology. Kevin Hart argues that, contrary to popular thought on the topic, deconstruction does not have an antitheological agenda. Rather, deconstruction seeks to question the metaphysics of any theology. Hart pays particular attention to mystical theology as nonmetaphysical theology. --From publisher's description.