Best Selling Books by Kevin Hart

"Kevin Hart, like Ernest Hemingway, JK Rowling, and Chocolate Droppa before him, was able to defy the odds and turn [his disadvantaged childhood] around. In his literary debut, he takes the reader on a journey through what his life was, what it is today, and how he's overcome each challenge to become the man he is today"--Amazon.com.

From celebrity author Kevin Hart comes the laugh-out-loud highly illustrated sequel to Marcus Makes a Movie about a young boy who has big Hollywood dreams--and the hustle to make it happen. "Everybody, grab a ticket and run for a front row seat to Marcus Makes a Movie!" —Judd Winick, New York Times bestselling author of the Hilo series Marcus’s movie, Toothpick vs. the Doom, is a HIT! But the only thing harder than making a movie is making a SECOND one. Marcus needs to come up with another great idea fast. Too bad his film crew (aka friends) are too preoccupied with their MeTube channels to notice. An invite to The Helen Show has Marcus thinking they’ll be back on top, but will nerves, unchecked ambition, and a rivalry between friends shut down this show before it even begins? In the laugh-out-loud sequel, actor and comedian Kevin Hart delivers a message about being creative, working hard, and learning that sometimes the best dreams are the ones you achieve with your friends.

Stand-up comedian and Hollywood box-office hit Kevin Hart keeps the laughs coming in an illustrated middle-grade novel about a boy who has big dreams of making a blockbuster superhero film. Perfect for readers of James Patterson's Middle School series and Lincoln Peirce's Big Nate series. Marcus is NOT happy to be stuck in after-school film class . . . until he realizes he can turn the story of the cartoon superhero he’s been drawing for years into an actual MOVIE! There’s just one problem: he has no idea what he’s doing. So he’ll need help, from his friends, his teachers, Sierra, the strong-willed classmate with creative dreams of her own, even Tyrell, the local bully who’d be a perfect movie villain if he weren’t too terrifying to talk to. Making this movie won’t be easy. But as Marcus discovers, nothing great ever is—and if you want your dream to come true, you’ve got to put in the hustle to make it happen. Comedy superstar Kevin Hart teams up with award-winning author Geoff Rodkey and lauded illustrator David Cooper for a hilarious, illustrated, and inspiring story about bringing your creative goals to life and never giving up, even when nothing’s going your way.

The poems of Kevin Hart have nurtured international poetry audiences for nearly four decades. Translations of Hart’s work have appeared in Chinese, French, German, Hebrew, Italian, and Vietnamese, among other languages, and bear witness to the growing interest in Hart’s poetry both in the United States and abroad. This volume performs a valuable service by bringing together the best of Hart’s work from seven published collections, some of them now out of print, and from his forthcoming book, Barefoot. Wild Track reveals a poet capable of articulating genuine feeling and considerable philosophical depth. This volume confirms Hart’s standing as one of the most sophisticated poets writing today.

Adopting the role of tour guide, award-winning writer Kevin Hart leads the reader through the pitfalls, conundrums and complexities that characterize postmodernism, while providing an overview of the many different approaches (philosophical, cultural, literary…) to the subject. All the major thinkers are introduced – from Derrida to Blanchot, Irigaray to Foucault, and more besides – while the book is unique among introductory guides in its consideration of the role of religion in a postmodern world.

Religious poetry has often been regarded as minor poetry and dismissed in large part because poetry is taken to require direct experience; whereas religious poetry is taken to be based on faith, that is, on second or third hand experience. The best methods of thinking about "experience" are given to us by phenomenology. Poetry and Revelation is the first study of religious poetry through a phenomenological lens, one that works with the distinction between manifestation (in which everything is made manifest) and revelation (in which the mystery is re-veiled as well as revealed). Providing a phenomenological investigation of a wide range of "religious poems†?, some medieval, some modern; some written in English, others written in European languages; some from America, some from Britain, and some from Australia, Kevin Hart provides a unique new way of thinking about religious poetry and the nature of revelation itself.

The Trespass of the Sign offers an account of the relations between deconstruction and theology. Kevin Hart argues that, contrary to popular thought on the topic, deconstruction does not have an antitheological agenda. Rather, deconstruction seeks to question the metaphysics of any theology. Hart pays particular attention to mystical theology as nonmetaphysical theology. --From publisher's description.

Kevin Hart traces the vast literary legacy and reputation of Samuel Johnson. Through detailed analyses of the biographers, critics and epigones who carefully crafted and preserved Johnson's life for posterity, Hart explores the emergence of what came to be called 'The Age of Johnson'. Hart shows how late seventeenth- and early eighteenth-century Britain experienced the emergence and consolidation of a rich and diverse culture of property. In dedicating himself to Johnson's death, Hart argues, James Boswell turned his friend into a monument, a piece of public property. Through subtle analyses of copyright, forgery and heritage in eighteenth-century life, this study traces the emergence of competing forms of cultural property: a Hanoverian politics of property engages a Jacobite politics of land. Kevin Hart places Samuel Johnson within this rich cultural context, demonstrating how Johnson came to occupy a place at the heart of the English literary canon.

In Morning Knowledge, Kevin Hart grieves the passing of his father, while continuing his unique interlacing of the spiritual and the sensuous. A book of elegies and love poems, prayers and lullabies, a book in which poems sing about a museum of shadows and about rats and afternoons, all wrapped in quatrains, Morning Knowledge is a major book by a poet read and loved throughout the world.

What did Jesus mean by the expression, the Kingdom of God? As an answer, Kevin Hart sketches a "phenomenology of the Christ" that explores the unique way Jesus performs phenomenology. According to Hart, philosophers and theologians continually reinterpret Jesus’s teaching of the Kingdom so that there are effectively many Kingdoms of God. Working in, while also displacing, a tradition inaugurated by Husserl and continued by philosophers such as Heidegger, Marion, and Lacoste, Hart puts forward a new phenomenology of religion that claims that ethics and religion are not always unified or continuous.

Publisher Description

This book rises out of Dr. Kevin Hart's 2020 Aquinas Lecture at the University of Dallas. Contemplation and Kingdom seeks to retrieve aspects of Richard of St. Victor's treatment of contemplation, principally in De arca mystica, and does so by weighing Thomas Aquinas's reservations about this treatment in the Summa theologiæ. Is Aquinas right to object, as Augustine does in De Doctrina Christiana, that our contemplation should go directly to God and not be stalled in the consideration of the natural world? What relation is there between Jesus's preaching of the Kingdom and the contemplation of God? Is the contemplative life consistent with Jesus's injunction to love both God and neighbor? These are the principal questions considered in the book. This book is vintage Hart, erudite, well written, a treat for a wide readership. It is an example of how theology ought to be done, with a clarity and depth unsurpassed in today's scholarly world. Its blend of anglo-saxon elegance and continental insights will be praised in the Academy and outside. - Jean-Yves Lacoste, Clare Hall, Cambridge In the light of great contemporary interest in contemplation, this brilliant and erudite work is a stunning example. The focus on Richard of St. Victor and Thomas Aquinas is especially appropriate. Theologians and philosophers will be especially thankful for Kevin Hart's work on the actuality of contemplation. - David Tracy, University of Chicago Kevin Hart holds the Edwin B. Kyle Chair of Christian Theology at the University of Virginia where he is also Courtesy Professor of English and Courtesy Professor of French. In 2020 he was awarded the Aquinas Medal by the Department of Philosophy at the University of Dallas. His 2020 Étienne Gilson Lectures, given at L'Institut Catholique de Paris, offer a fresh approach to the theology of the imago dei in Augustine. His 2020 Gifford Lectures, given at Glasgow University, examine various questions to do with the theology of contemplation and propose a new "hermeneutics of contemplation." His most recent scholarly publications include Kingdoms of God and Poetry and Revelation, and his most recent collections of poetry are Wild Track: New and Selected Poems and Barefoot.

"With Young Rain Kevin Hart continues his 'transmemberment of song' into a realm all his own. . . ." --Harold Bloom "Kevin Hart is one of the finest poets writing in English today. I admire his erudition and his imagination, the way history, art, myth, literature and many things come together in his poetry. This book will be a feast for those who want poetry to be both metaphysics and song. An absolutely original and indispensable poet." --Charles Simic "Kevin Hart is one of the most sophisticated poets writing today, though the poems in Young Rain are disarmingly straightforward. They have an ease and lucidity that makes them seem almost casual, so that it is with a feeling of surprise that you realize that you have been drawn into a conversation of the utmost gravity concerning the private reaches of the self, darkness, and death, as in the powerful sequences 'Night Music' and 'Dark Retreat.' There is nothing oppressive about them, though, and the limpid rigor of the intellect they embody is leavened by the tenderness and sensuality of the poems in another sequence, 'Amo te Solo,' which possesses a lustiness that would seem at home in the Bible but has almost disappeared from contemporary poetry." --John Koethe In a 1985 interview with fellow poet John Kinsella, Kevin Hart reflected on the nature of poetry: "People sometimes think that the spiritual world is distinct from, even distant from, this world. . . . But the spiritual world is within this one: not as a secret, but as a radiance. . . . We find it through God's grace and our attention. Poetry is one form of attention, and poetry does not lead us to another world: it shows us this world, this relationship, this chair, this ivy on the outside wall." In Young Rain, Hart continues his exploration of the mysterious radiance within this world. ". . . Kevin Hart is the best Australian poet of the past 25 years." --Mark Strand

Kevin Hart is not only one of Australia's most important poets but a major figure in world poetry. He is a visionary writer who has taken his bearings as much from English Romanticism and European Modernism as from the Bible, Plato and Meister Eckhart.

Poets' Voices is an international series of books with audio CD's which present collections of poems by significant poets whose work is not available in existing publications. Their poems appear in the original language, together with an English translation on the facing page. With each book, whenever possible, there is a CD recording of the poet reading poems in the collection in the original language and when feasible, in the English translations. Poets' Voices will also feature monographs on key poets about whose lives, works, and influence little is currently available. In Kevin Hart's seventh collection of poetry he explores the lush tropics of Queensland, Australia where he grew up, the landscapes of the soul, and the rich spirituality of Eros. Harold Blom has claimed Hart as "one of the major living poets in the English language", while Charles Simic has hailed him as "an absolutely original and indispensable poet".

Blanchot and his writings on three major poets, Mallarmé, Hölderlin, and Char, provide a decisive new point of departure for English language criticism of his philosophical writings on narrative in this study by leading Blanchot scholar, Kevin Hart. Connecting his work to later leading figures of 20th-century French philosophy, including Emmanuel Levinas, Simone Weil, and Jacques Derrida, Hart highlights the importance of Jewish philosophy and political thought to his overall conception of literature. Chapters on community and negation reveal Blanchot's emphasis on the relationship between narrative and politics over the more commonly connected narrative and aesthetics. By fully discussing Blanchot's elusive concept of “the Outside” for the first time, this book progresses scholarly understandings of his entire oeuvre further. This central concept engages Franz Rosenzweig's work on Abrahamic faiths, enabling a reckoning on the role of suffering and literature in the wake of the Shoah, with significant implications for Jewish studies more generally.

Most recent collection of poetry from an award-winning Australian poet whose other works include TThe Departure', TThe Lines of the Hand' and TYour Shadow'. This collection was described by Harold Bloom, Yale University, as Tthe finest achievement to date of the most outstanding Australian poet of his generation'.

This book portrays the nativity of Christ in bold images of the Australian outback. Most of our Christmas art and verse have been inherited from English and European sources, but the Christian message is universal and other cultures commonly portray the characters and events surrounding Christ's birth in line with local custom.