Best Selling Books by Mary WOLLSTONECRAFT

The letters of Mary Wollstonecraft Shelley reveal a remarkable woman living in a remarkable age. They date from October 1814 - shortly after her elopement with Percy Bysshe Shelley - through September 1850, five months before her death. Her correspondents'' names are familiar - Shelley himself, Byron, Bulwer-Lytton, Disraeli, General Lafayette, Sir Walter Scott - and the letters abound with anecdotes about such eminent figures as her parents (William Godwin and Mary Wollstonecraft), Keats, Washington Irving, and Charles and Mary Lamb. Publication of the widely acclaimed three-volume edition of Mary Shelley''s letters was completed in 1988, containing all 1,276 of her known extant letters. Now Betty T. Bennett has selected 230 of those letters to give an overview of Mary Shelley''s life as she was seeing it, living it, and recording it. Bennett also includes an introductory essay that sketches a portrait of Mary Shelley, her world, and her place in the history of literature and letters.

The California edition of the Pennyroyal Press "Frankenstein" unites the dark side of Barry Moser''s art with the classic 1818 text of Mary Shelley''s tale of moral transfiguration. In a vivid sequence of woodcuts, the reader witnesses the birth of the "monster" as Moser shapes him from darkness and gives him a form simultaneously ghastly in its malice and transfixing in its suffering.

This illustrated edition of "Frankenstein; Or, The Modern Prometheus" includes: Illustrations of objects and places mentioned in the novel. Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20.

Desperate in his search of the secret of life, young Dr Victor Frankenstein attempts to construct and then bring to life a previously inanimate creature. He succeeds, yet immediately finds himself horrified and repulsed by the fruit of his long-lasting labors and, as a result, abandons the creature without a word. This action begins a series of tragic events in the life of the scientist, as the enraged monster begins his quest to fill every minute of Dr. Frankenstein’s life with terror, dread and misery. First published in 1818, this novel continues to captivate the audience today. Frankenstein is not merely a horror story, but, rather, a tale that would make its readers ponder on the pursuit of knowledge and explore what monstrosity truly means.

Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley that tells the story of Victor Frankenstein, a young scientist who creates a hideous sapient creature in an unorthodox scientific experiment.

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Complete Original Unabridged Illustrated with book-end doodles about reading Beautifully laid out 6 x 9 paperback (15.24 x 22.86 cm) - reader friendly ebook version World Literature Classics is a home-based miniscule self-publisher, publishing the masterpieces of the written world. We don''t share money for advertisement, because we trust our readers'' support, and, we donate most of our income to stray animals.

Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft''s unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work.[1]Wollstonecraft''s philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine''s inability to relinquish her romantic fantasies also reveals women''s collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin''s scandalous Memoirs of Wollstonecraft''s life, made the novel unpopular at the time it was published.Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft''s feminist arguments in Rights of Woman, and as autobiographical.Drafts[edit]Wollstonecraft struggled to write The Wrongs of Woman for over a year; in contrast, she had dashed off A Vindication of the Rights of Men (1790), her reply to Edmund Burke''s Reflections on the Revolution in France (1790), in under a month and A Vindication of the Rights of Woman (1792) in six weeks. Godwin comments:She was sensible how arduous a task it is to produce a truly excellent novel; and she roused her faculties to grapple with it. All her other works were produced with a rapidity, that did not give her powers time fully to expand. But this was written slowly and with mature consideration. She began it in several forms, which she successively rejected, after they were considerably advanced. She wrote many parts of the work again and again, and, when she had finished what she intended for the first part, she felt herself more urgently stimulated to revise and improve what she had written, than to proceed, with constancy of application, in the parts that were to follow.[3]She also researched the book more than her others. By assuming the responsibilities of fiction editor and reviewing almost nothing but novels, she used her editorial position at Joseph Johnson''s Analytical Review to educate herself regarding novelistic techniques. She even visited Bedlam Hospital in February 1797 to research insane asylums.[4]At Wollstonecraft''s death in 1797, the manuscript was incomplete. Godwin published all of the pieces of the manuscript in the Posthumous Works, adding several sentences and paragraphs of his own to link disjunct sections.[5]

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Complete Original Unabridged Illustrated with book-end doodles about reading

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don''t buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated Maria, or the Wrongs of Woman by Mary Wollstonecraft Shelley Maria, or the Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft''s unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft''s philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine''s inability to relinquish her romantic fantasies also reveals women''s collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin''s scandalous Memoirs of Wollstonecraft''s life, made the novel unpopular at the time it was published. Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft''s feminist arguments in Rights of Woman, and as autobiographical.

Few creatures of horror have seized readers'' imaginations and held them for so long as the anguished monster of Mary Shelley''s Frankenstein. The story of Victor Frankenstein''s terrible creation and the havoc it caused has enthralled generations of readers and inspired countless writers of horror and suspense. Considering the novel''s enduring success, it is remarkable that it began merely as a whim of Lord Byron''s."We will each write a story," Byron announced to his next-door neighbors, Mary Wollstonecraft Godwin and her lover Percy Bysshe Shelley. The friends were summering on the shores of Lake Geneva in Switzerland in 1816, Shelley still unknown as a poet and Byron writing the third canto of Childe Harold. When continued rains kept them confined indoors, all agreed to Byron''s proposal.The illustrious poets failed to complete their ghost stories, but Mary Shelley rose supremely to the challenge. With Frankenstein, she succeeded admirably in the task she set for herself: to create a story that, in her own words, "would speak to the mysterious fears of our nature and awaken thrilling horror - one to make the reader dread to look round, to curdle the blood, and quicken the beatings of the heart."

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don''t buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated Mathilda by Mary Wollstonecraft Shelley Mathilda, or Matilda, is the second long work of fiction of Mary Shelley, written between August 1819 and February 1820. It deals with common Romantic themes of incest and suicide. The act of writing this novella distracted Mary Shelley from her grief after the deaths of her one-year-old daughter Clara at Venice in September 1818 and her three-year-old son William in June 1819 in Rome. These losses plunged Mary Shelley into a depression that distanced her emotionally and sexually from Percy Shelley and left her, as he put it, "on the hearth of pale despair". Narrating from her deathbed, Matilda tells the story of her unnamed father''s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Matilda''s emotional withdrawal or prevent her lonely death. Commentators have often read the text as autobiographical, the three central characters standing for William Godwin, Mary Shelley, and Percy Shelley. There is no firm evidence, however, that the storyline itself is autobiographical. Analysis of Matilda''s first draft, titled "The Fields of Fancy", reveals that Mary Shelley took as her starting point Mary Wollstonecraft''s unfinished "The Cave of Fancy", in which a small girl''s mother dies in a shipwreck. Like Mary Shelley herself, Matilda idealises her lost mother. According to editor Janet Todd, the absence of the mother from the last pages of the novella suggests that Matilda''s death renders her one with her mother, enabling a union with the dead father. Critic Pamela Clemit resists a purely autobiographical reading and argues that Mathilda is an artfully crafted novella, deploying confessional and unreliable narrations in the style of her father, as well as the device of the pursuit used by Godwin in his Caleb Williams and by Mary Shelley in Frankenstein. The novella''s 1959 editor, Elizabeth Nitchie, noted the novella''s faults of "verbosity, loose plotting, somewhat stereotyped and extravagant characterization" but praised a "feeling for character and situation and phrasing that is often vigorous and precise". The story may be seen as a metaphor for what happens when a woman, ignorant of all consequences, follows her own heart while dependent on her male benefactor.

A spine-tingling collection of terrifying classics with an introduction by horror master Stephen King. The mesmerizing story of a demented scientist''s monster creation; the horror masterpiece that has led to countless vampire novels and films; and the ultimate tale of the never-ending battle between good and evil--these frightening works continue to entrall even the boldest readers. Reissue.