New Releases by Mary Wollstonecraft

One of the first works published on feminist philosophy, in response to the theorists of the time that argued that education was not a place for women, Wollstonescraft rebukes such oppressing stances, championing the idea of empowering women in education, politics, and society rather than serving as decorative additions to their husbands.

Mary Wollstonecraft (Godwin) Shelley released her book Frankenstein in 1818. Victor Frankenstein, a young scientist who develops an obsession with creating life, is the main character of the narrative. He ultimately succeeds in constructing a creature that resembles a human, but he is appalled by how it looks and gives up on it. The monster becomes furious and tries to end Victor''s life after being abandoned by its creator and despised by society. The book examines issues including ambition, the risks associated with scientific research, the effects of seclusion, and the strength of human passion. As one of the first works of science fiction addressing the moral consequences of scientific progress, Shelley''s book was revolutionary for its day. It also questioned conventional gender norms since Shelley was a woman who wrote in a profession that was mostly male. Since then, Frankenstein has emerged as a cultural icon and has been portrayed in a wide range of movies, plays, and other media. The book still has an impact on readers today because it poses significant queries about the place of science in society and the effects of our choices.

In her groundbreaking novel, "Mary: A Fiction," Mary Wollstonecraft deftly intertwines themes of gender, individuality, and societal expectation against the backdrop of 18th-century English literature. The narrative follows Mary, a woman struggling to forge her identity in a world that imposes rigid constraints upon her. Wollstonecraft employs an introspective and poignant literary style that utilizes first-person narration to provide deep psychological insight into the protagonist''s thoughts and feelings, while also critiquing the social norms of her time. This semi-autobiographical work delves into the philosophical ideals of the Enlightenment, reflecting the author''s preoccupation with rationalism and the quest for personal liberty. Wollstonecraft, a pivotal figure in feminist literary history, wrote "Mary" during a period of intense personal and intellectual upheaval. Her own experiences as a governess, her radical ideas about education and women''s rights, and her tumultuous relationships informed this poignant narrative. In fact, Wollstonecraft''s advocacy for women''s emancipation and her lived experiences serve as catalysts that fuel the novel''s exploration of the constraints placed upon women by society. "Mary: A Fiction" is an essential read for anyone interested in feminist literature and the early formation of modern thought on gender. Wollstonecraft''s eloquent prose and profound insights challenge the reader to consider the implications of autonomy and identity, offering an engaging examination of the struggle for selfhood. This work remains a significant touchstone in understanding the evolution of women''s rights and the literary context of the period.

In her evocative work, "Letters Written During a Short Residence in Sweden, Norway, and Denmark," Mary Wollstonecraft presents a profound exploration of her travels through the Scandinavian landscape. The text is characterized by its epistolary style, allowing readers an intimate glimpse into her thoughts and experiences. Through vivid descriptions and personal reflections, Wollstonecraft traverses not only the geographical features of the regions but also the cultural dynamics and social constructs of the time. This work emerges within the context of Enlightenment thought, where the quest for knowledge and the celebration of nature were paramount, yet it also challenges contemporary notions of gender roles and societal expectations. Wollstonecraft, a pioneering feminist thinker and author of "A Vindication of the Rights of Woman," was inspired by her experiences and observations during her travels. Her acute awareness of the limitations placed on women in society may have influenced her desire to seek and articulate the beauty and autonomy experienced in foreign lands. The letters reveal her quest for individuality and her passionate advocacy for women''s rights, making her travelogue not only a personal narrative but also a broader treatise on freedom and equality. "Letters Written During a Short Residence in Sweden, Norway, and Denmark" is highly recommended for readers interested in the intersection of travel literature and feminist philosophy. Wollstonecraft''s lyrical prose and piercing insights into human nature and societal frameworks offer a rich tapestry that invites reflection and provokes discussion. This work is essential for anyone seeking to understand the historical context of women''s rights and the nuances of Enlightenment ideals through the lens of a remarkable woman.

A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects, written by the 18th-century British proto-feminist Mary Wollstonecraft, is one of the earliest works of feminist philosophy.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

First published in 1792, A Vindication of the Rights of Woman was an instant success, turning its thirty-three-year-old author into a minor celebrity. A pioneering work of early feminism that extends to women the Enlightenment principle of "the rights of man," its argument remains as relevant today as it was for Woll-stonecraft''s contemporaries. "Mary Wollstonecraft was not the first writer to call for women to receive a real, challenging education," writes Katha Pollitt in the new Introduction. "But she was the first to connect the education of women to the transformation of women''s social position, of relations between the sexes, and even of society itself. She was the first to argue that women''s intellectual equality would and should have actual consequences. The winds of change sweep through her pages."This classic work of early feminism remains as relevant and passionate today as it was for Wollstonecraft''s contemporaries. This edition includes new explanatory notes.

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Original Complete Unabridged Illustrated with book-end doodles about reading

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Complete Original Unabridged Illustrated with book-end doodles about reading

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Complete Original Unabridged Illustrated with book-end doodles about reading Beautifully laid out 6 x 9 paperback (15.24 x 22.86 cm) - reader friendly ebook version World Literature Classics is a home-based miniscule self-publisher, publishing the masterpieces of the written world. We don''t share money for advertisement, because we trust our readers'' support, and, we donate most of our income to stray animals.

A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects (1792), written by the 18th-century British proto-feminist Mary Wollstonecraft, is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the 18th century who did not believe women should receive a rational education. She argues that women ought to have an education commensurate with their position in society, claiming that women are essential to the nation because they educate its children and because they could be "companions" to their husbands, rather than mere wives. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men.Mary Wollstonecraft (27 April 1759 - 10 September 1797) was an English writer, philosopher, and advocate of women''s rights. Until the late 20th century, Wollstonecraft''s life, which encompassed several unconventional personal relationships, received more attention than her writing. Today, Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and work as important influences.

Mary Wollstonecraft''s A Vindication of the Rights of Woman is a treatise on overcoming the ways in which women in her time are oppressed and denied their potential in society, with concomitant problems for their households and society as a whole. The dedication is to Charles M. Talleyrand-Périgord, the late bishop of Autun whose views on female education were distasteful to Wollstonecraft. The introduction sets out her view that neglect of girls'' education is largely to blame for the condition of adult women. They are treated as subordinate beings who care only about being attractive, elegant, and meek, they buy into this oppression, and they do not have the tools to vindicate their fundamental rights or the awareness that they are in such a condition.In the first chapter Wollstonecraft promotes reason and rationality and discusses the deleterious effects of absolute, arbitrary political power and the vices associated with riches and hereditary honors. Chapters two and three detail the various ways in which women are rendered subordinate. They are taught that their looks are of paramount concern, and they tend to cultivate weakness and artificiality to appear pleasing to others. They are seldom independent and tend not to exercise reason. Writers like Rousseau and Dr. Gregory desire that women remain virtual slaves, enshrined in the home and concerned only with their "natural" proclivities of being modest, chaste, and beautiful. Women are taught to indulge their emotions and thus have unhappy marriages because passion cannot be sustained. Virtue should not be relative to gender; as both men and women were created by God and have souls, they have the same kind of propensity to exercise reason and develop virtue. Female dependence as seen in her day is not natural. Women''s confinement in the home and inability to participate in the public sphere results in their insipidness and pettiness. Wollstonecraft wants to inspire a "revolution in female manners."

Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft''s unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work.Wollstonecraft''s philosophical and gothic novel revolves around the story of woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine''s inability to relinquish her romantic fantasies also reveals women''s collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin''s scandalous Memoirs of Wollstonecraft''s life, made the novel unpopular at the time it was published.

Desperate in his search of the secret of life, young Dr Victor Frankenstein attempts to construct and then bring to life a previously inanimate creature. He succeeds, yet immediately finds himself horrified and repulsed by the fruit of his long-lasting labors and, as a result, abandons the creature without a word. This action begins a series of tragic events in the life of the scientist, as the enraged monster begins his quest to fill every minute of Dr. Frankenstein’s life with terror, dread and misery. First published in 1818, this novel continues to captivate the audience today. Frankenstein is not merely a horror story, but, rather, a tale that would make its readers ponder on the pursuit of knowledge and explore what monstrosity truly means.

Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a grotesque but sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London on 1 January 1818, when she was 20.[1] Her name first appeared on the second edition, published in France in 1823.Shelley travelled through Europe in 1814, journeying along the river Rhine in Germany with a stop in Gernsheim, which is 17 kilometres (11 mi) away from Frankenstein Castle, where, two centuries before, an alchemist was engaged in experiments.[2][3][4] Later, she travelled in the region of Geneva (Switzerland)-where much of the story takes place-and the topic of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her lover and future husband, Percy Shelley. Mary, Percy and Lord Byron decided to have a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made; her dream later evolved into the novel''s story.Frankenstein is infused with elements of the Gothic novel and the Romantic movement. At the same time, it is an early example of science fiction. Brian Aldiss has argued that it should be considered the first true science fiction story because, in contrast to previous stories with fantastical elements resembling those of later science fiction, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results.[5] It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays.

Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft''s unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work.[1]Wollstonecraft''s philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine''s inability to relinquish her romantic fantasies also reveals women''s collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin''s scandalous Memoirs of Wollstonecraft''s life, made the novel unpopular at the time it was published.Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft''s feminist arguments in Rights of Woman, and as autobiographical.Drafts[edit]Wollstonecraft struggled to write The Wrongs of Woman for over a year; in contrast, she had dashed off A Vindication of the Rights of Men (1790), her reply to Edmund Burke''s Reflections on the Revolution in France (1790), in under a month and A Vindication of the Rights of Woman (1792) in six weeks. Godwin comments:She was sensible how arduous a task it is to produce a truly excellent novel; and she roused her faculties to grapple with it. All her other works were produced with a rapidity, that did not give her powers time fully to expand. But this was written slowly and with mature consideration. She began it in several forms, which she successively rejected, after they were considerably advanced. She wrote many parts of the work again and again, and, when she had finished what she intended for the first part, she felt herself more urgently stimulated to revise and improve what she had written, than to proceed, with constancy of application, in the parts that were to follow.[3]She also researched the book more than her others. By assuming the responsibilities of fiction editor and reviewing almost nothing but novels, she used her editorial position at Joseph Johnson''s Analytical Review to educate herself regarding novelistic techniques. She even visited Bedlam Hospital in February 1797 to research insane asylums.[4]At Wollstonecraft''s death in 1797, the manuscript was incomplete. Godwin published all of the pieces of the manuscript in the Posthumous Works, adding several sentences and paragraphs of his own to link disjunct sections.[5]

Title: A Vindication of the Rights of Woman Title: Vindication of the Rights of WomenAuthor: Mary Wollstonecraft [Godwin]Edition: 10Language: English

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How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Maria, or the Wrongs of Woman by Mary Wollstonecraft Shelley Maria, or the Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft''s unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft''s philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine''s inability to relinquish her romantic fantasies also reveals women''s collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin''s scandalous Memoirs of Wollstonecraft''s life, made the novel unpopular at the time it was published. Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft''s feminist arguments in Rights of Woman, and as autobiographical.

Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity, and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice, and for women to become defined by their profession, not their partner. Mary Wollstonecraft''s work was received with a mixture of admiration and outrage - Walpole called her ''a hyena in petticoats'' - yet it established her as the mother of modern feminism.

Nothing can be more unpresuming than this little volume. It contains the account of some desultory visits by a party of young people to scenes which are now so familiar to our countrymen, that few facts relating to them can be expected to have escaped the many more experienced and exact observers, who have sent their journals to the press. In fact, they have done little else than arrange the few materials ivwhich an imperfect journal, and two or three letters to their friends in England afforded. They regret, since their little History is to be offered to the public, that these materials were not more copious and complete. This is a just topic of censure to those who are less inclined to be amused than to condemn. Those whose youth has been past as theirs (with what success it imports not) in pursuing, like the swallow, the inconstant summer of delight and beauty which invests this visible world, will perhaps find some entertainment in following the author, with her husband and sister, on foot, through part of France and Switzerland, and in sailing with vher down the castled Rhine, through scenes beautiful in themselves, but which, since she visited them, a great Poet has clothed with the freshness of a diviner nature. They will be interested to hear of one who has visited Mellerie, and Clarens, and Chillon, and Vevai—classic ground, peopled with tender and glorious imaginations of the present and the past. They have perhaps never talked with one who has beheld in the enthusiasm of youth the glaciers, and the lakes, and the forests, and the fountains of the mighty Alps. Such will perhaps forgive the imperfections of their narrative for the sympathy which the adventures and feelings which it recounts, viand a curiosity respecting scenes already rendered interesting and illustrious, may excite. The Poem, entitled "Mont Blanc," is written by the author of the two letters from Chamouni and Vevai.

The Classic Text in its original form.

Mary Shelley''s classic novel Frankenstein is now available as a Rollercoaster. This infamous and powerful story focuses on the protagonist as a young student of natural philosophy, who learns the secret of imparting life to a creature constructed from relics of the dead, with horrific consequences.

A monster assembled by a scientist from parts of dead bodies develops a mind of his own as he learns to loathe himself and hate his creator, in an annotated edition that offers insights into Shelley''s literary and social worlds.

''If ever there was a book calculated to make a man in love with its author, this appears to me to be the book.'' William Godwin, the author''s future husband, was not alone in admiring Letters written during a short residence in Sweden, Norway, and Denmark, Wollstonecraft''s most popular book during her lifetime. Not easy to categorize, it is both an arresting travel book and a moving exploration of her personal and political selves. Wollstonecraft set out for Scandinavia just two weeks after her first suicide attempt, on a mission from the lover whose affections she doubted, to recover his silver on a ship that had gone missing. With her baby daughter and a nursemaid, she travelled across the dramatic landscape and wrote sublime descriptions of the natural world, and the events and people she encountered. What emerges most vividly is Wollstonecraft''s courage and ability to look beyond her own suffering to the turmoil around her in revolutionary Europe, and a better future. This edition includes further material on the silver ship, Wollstonecraft''s personal letters to Imlay during her trip, an extract from Godwin''s memoir, and a selection of contemporary reviews. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Advanced. Speed Level 6 (100-110 wpm). A huge powerful monster has set out to avenge his painful and horrible life. Made from parts of dead bodies this famous but tragic character has a horrible life because of his horrible maker a crazy scientist. A legendary horror story.

"Mary Wollstonecraft was one of the most distinctive letter writers of the eighteenth century. She talked and thought on paper: her letters were a large part of the drama of her life. In them we see her grow from an awkward child of fourteen into the pioneering feminist and author of A Vindication of the Rights of Woman, and finally into the woman of thirty-eight facing death in childbirth." "This edition contains the complete correspondence of Mary Wollstonecraft, including a recently discovered interchange with the historian Catherine Macaulary and the only known fragments of letters to the Swiss artist Fuseli, with whom Wollstonecraft had a passionate friendship."--BOOK JACKET.

The California edition of the Pennyroyal Press "Frankenstein" unites the dark side of Barry Moser''s art with the classic 1818 text of Mary Shelley''s tale of moral transfiguration. In a vivid sequence of woodcuts, the reader witnesses the birth of the "monster" as Moser shapes him from darkness and gives him a form simultaneously ghastly in its malice and transfixing in its suffering.

The works of Mary Wollstonecraft (1759-1797) ranged from the early Thoughts on the Education of Daughters to The Female Reader, a selection of texts for girls, and included two novels. But her reputation is founded on A Vindication of the Rights of Woman of 1792. This treatise is the first great document of feminism—and is now accepted as a core text in western tradition. It is not widely known that the germ of Wollstonecraft’s great work came out of an earlier and much shorter vindication—A Vindication of the Rights of Men (1790), written in the context of the issues raised by the French Revolution. This edition, which follows the model of other Broadview Editions in including a range of materials that help the reader to see the work in the context of its era out of which it emerged, is arranged chronologically, opening with Wollstonecraft’s “other vindication.” It also includes a wide range of other documents in appendices, as well as a comprehensive and authoritative introduction, chronology, and full index.