New Releases by Michael BISHOP

La totalité de la population humaine a été déplacée aléatoirement sur la planète. Lawson, père de famille originaire de Virginie et ancien militaire, se retrouve ainsi à Séville, cerné par une foule en proie à la terreur. Sans explication, la ville est envahie de personnes issues de toutes nations, rassemblées par le hasard. La civilisation s’est effondrée pendant que l’humanité dormait, les familles sont déchirées, y compris celle de Lawson. Avec quelques personnes parlant la même langue, il tente de rentrer chez lui pour retrouver l’ordre anciennement établi. L’écriture subtile de Micheal Bishop résonne étrangement à l’heure où des populations entières se retrouvent déracinées par les conflits. Né en 1945 et décédé en 2023, Michael Bishop est un auteur américain de science-fiction. Enseignant, il décide de se consacrer pleinement à l’écriture dans les années 1970. Il a publié 13 romans, mais également des nouvelles, des scénarios. S’il a glané de nombreux prix au cours de sa carrière (4 prix Locus, deux Nebula dont celui de la meilleure nouvelle pour Retour à la vie...), il n’a été que peu traduit en France.

Faux Titre is a longstanding book series for state-of-the-art research in the field of French-language literature(s). Besides the more classical research in French literature, covering the field of Medieval Studies to XXIth century literature, the series offers a platform for new directions in literary studies in relation to translation studies, minority literatures, gender and queer studies, ecology, medical humanities, hemispheric studies, transatlantic studies, network studies and social sciences, as well as reflections on studies in French literature as a discipline.

Joshua Kampa, the illegitimate son of a mute Spanish whore and a black serviceman, has always dreamed of Africa. But his dreams are of an Africa far in the past and are so vivid and in such hallucinatory detail that he is able to question the understanding of eminent paleontologists. As a result, Joshua is invited to join a most unusual time travel project and is transported millions of years into the past of his dreams. In early Pleistocene Africa, living among the pre-human species Homo habilis, experiencing the same hardships and the same intense pleasures, Joshua finds, for the first time in his troubled life, not only contentment but real love - a love that transcends almost everything. Intelligent, thoughtful and deeply moving, No Enemy but Time brilliantly evokes the remote past and, at the same time, presents a powerful and convincing portrayal of a relationship surmounting even the most daunting barriers. It is a challenging and highly original novel exploring the nature a nd origins of humankind.

A wide-ranging study of Prévert’s promethean imagination and creativity in the interwoven realms of theatre, film, poetry, art, photography, and song, Michael Bishop’s Jacques Prévert seeks to demonstrate the originality of a genial fabricator of image and word whose essential focus, unpretentious yet urgently felt, unintellectualised yet buoyantly and wittily intelligent, ever remains the quality of our daily being-in-the-world, the possibility of our self-transformation, the stunning availability – should we truly will it, and despite all that can weigh upon existence, above all ideologically – of joy and love and freedom.

The Sacerdotal Owl and Three Other Long Tales gathers four of Michael Bishop''s unusual longer stories, from different stages of his almost fifty-year career, into a single remarkable volume. The title story is a deft mix of exotic Joseph Conrad and colorful 1930s pulp adventure. Next, in the early short novel And Strange at Ecbatan the Trees, Bishop imagines a far-future society on a harsh alien world facing three major calamitous challenges and turning to a fault-ridden genius to meet and overcome at least two of them. By contrast, "To the Land of Snow" follows the multi-year voyage of a 21st-century starship carrying a cargo of disaffected Buddhists colonists to a planet nearly twenty light years from Earth, all from the perspective of an unorthodox Dalai Lama born aboard the vessel itself. Finally, in the controversial "The Gospel According to Gamaliel Crucis," an evangelist for an otherworldly female redeemer-an evangelist who is also the navigator of an interstellar expeditionary force-sets out in scriptural format his testimony that this huge sentient insect represents the second coming of Christ. Discover the brave, far-ranging, unpredictable talent of Michael Bishop writing at his best at these longer lengths in four exciting subgenres of the SF and fantasy fields.

In Earth and Mind: Dreaming, Writing, Being Michael Bishop examines very recent work by nine major French and Francophone writers: Bonnefoy, Risset, Stétié, Khoury-Ghata, Ben Jelloun, Velter, Bancquart, Pinson and Dupin, dealing with the mind''s complex modes of relating to its experience of presence to the world.

This collection gathers together Michael Bishop''s mainstream stories set in Georgia or featuring characters from Georgia. Two stories, the opener and the closer, have conspicuous fantasy or science-fictional elements. The collection represents the culmination of a career-long project that Bishop did not fully realize he had embarked upon, but that he did always have in the back of his mind.

A private citizen discovers compelling evidence that a decades-old murder in Nashville was not committed by the man who went to prison for the crime but was the result of a conspiracy involving elite members of Nashville society. Nashville 1964. Eighteen-year-old babysitter Paula Herring is murdered in her home while her six-year-old brother apparently sleeps through the grisly event. A few months later a judge''s son is convicted of the crime. Decades after the slaying, Michael Bishop, a private citizen, stumbles upon a secret file related to the case and with the help of some of the world''s top forensic experts--including forensic psychologist Richard Walter (aka "the living Sherlock Holmes")--he uncovers the truth. What really happened is completely different from what the public was led to believe. Now, for the very first time, Bishop reveals the true story. In this true-crime page-turner, the author lays out compelling evidence that a circle of powerful citizens were key participants in the crime and the subsequent cover-up. The ne''er-do-well judge''s son, who was falsely accused and sent to prison, proved to be the perfect setup man. The perpetrators used his checkered history to conceal the real facts for over half a century. Including interviews with the original defense attorney and a murder confession elicited from a nursing-home resident, the information presented here will change Nashville history forever.

Seth Latimer, a human member of a family of clones representing a far-future interstellar commercial combine, finds himself marooned on Gla Taus with no way home unless he joins a mission to a neighboring world to negotiate the transfer of a minority population from one planet to the other. The lure of trade expansion versus the grip of local custom and belief sets the story in motion. Secrets and treacherous intentions boil to the surface as diplomacy devolves into brutal expediency against a background of complex gender and religious polarization. The colorful details of alien settings and cultures are lovingly woven into this story of passionate individuals caught up in the sweep of history toward tragedy, change, and eventual renewal.

After the death of her husband, Mary Stevenson "Stevie" Crye supports her two children in their small Georgia town by becoming a freelance writer. But when her typewriter breaks, she begins receiving demonic messages through the machine and uncovers a curse over the Crye household.

A prehistoric man found wandering in a Georgia pecan grove is taken in by an artist and her ex-husband and given the name of Adam. This is the story of his honesty and deep spirituality coming into conflict with the modern world and examines the question of what it means to be human.

Collects twenty-five of Michael Bishop''s stories and novellas, all newly revised, in one volume.

Gérard Garouste, Colette Deblé, Georges Rousse, Geneviève Asse, Martial Raysse, Christian Jaccard, Joël Kermarrec, Danièle Perronne, Daniel Dezeuze, Philippe Favier, Daniel Nadaud: after the eleven essays ofContemporary French Art 1, devoted to major artists from Ben Vautier and Niki de Saint Phalle to Annette Messager and Gérard Titus-Carmel, the present volume pursues its interrogations of thewhat, the how and the why of contemporary plastic production of some of France''s finest practitioners. If, as ever, such production can reveal elements of an interweaving of individualized preoccupations and modes, endless specificities demarcate and affirm originalities that pure theory and its leveling anonymity may obscure. Thus is it that Gérard Garouste is alone in that obsession with ''indianness'' and ''classicalness''; that Colette Deblé''s gesture is drawn implacably to the unseenness of female representation; that Georges Rousse plunges photography into the realm of matter''s poetic sacredness; that Geneviève Asse traverses a pure seemingness of abstraction to attain to an intimacy of silence; that Martial Raysse''s ''hygiene of vision'' may endlessly renew and hybridize itself. Christian Jaccard, too, will explore with uniqueness an art of materiality at the frontier of metaphysics; Joël Kermarrec will offer us the inimitable exquisite traces of surging desire and deception; Danièle Perronne''s boxes and stringings, her paintings and her sheetings will unfold a psychic infinity at the heart of form. And, if Daniel Dezeuze seeks namelessness and pure structuration, the latter yet surge forth via works that relentlessly identify a gesture so distant, we may feel, from the at once sobering and ceremonial microproliferations of a Philippe Favier or the tense but genial articulations of Daniel Nadaud''s sculptural imagination.

The British Land Rover 4x4 has grown from 1948 to become one of the world''s leading automotive brands. Exactly how it all came together back in the late 1940''s and early 50''s has been the topic of interest and debate for many years. This was until two Australian enthusiasts, Michael Bishop and Alex Massey quite literally stumbled across senior member of the original Land Rover development team, Arthur Goddard living in Brisbane, Australia in 2009. The discovery led to many of the myths and tales surrounding the early vehicles to be heard as it happened from Arthur''s point of view. Then to a trip by Arthur to visit his old work place in Solihull and to the vehicle that he helped bring to life back in 1948. The book contains both a technical and human side to this incredible story as well as a great reunion between Arthur and his old colleague Spen King who went onto design the Range Rover in the 1960''s. This is truly a unique story from the time of post War World two Britain to modern day Australia and how the iconic 4x4 grew up so quickly in the 1950''s to become the world leader that it is today.

In 1989 Michael Bishop and Harold Varmus were awarded the Nobel Prize for their discovery that normal genes under certain conditions can cause cancer. In this book, Bishop tells us how he and Varmus made their momentous discovery. More than a lively account of the making of a brilliant scientist, How to Win the Nobel Prize is also a broader narrative combining two major and intertwined strands of medical history: the long and ongoing struggles to control infectious diseases and to find and attack the causes of cancer. Alongside his own story, that of a youthful humanist evolving into an ambivalent medical student, an accidental microbiologist, and finally a world-class researcher, Bishop gives us a fast-paced and engrossing tale of the microbe hunters. It is a narrative enlivened by vivid anecdotes about our deadliest microbial enemies--the Black Death, cholera, syphilis, tuberculosis, malaria, smallpox, HIV--and by biographical sketches of the scientists who led the fight against these scourges. Bishop then provides an introduction for nonscientists to the molecular underpinnings of cancer and concludes with an analysis of many of today''s most important science-related controversies--ranging from stem cell research to the attack on evolution to scientific misconduct. How to Win the Nobel Prize affords us the pleasure of hearing about science from a brilliant practitioner who is a humanist at heart. Bishop''s perspective will be valued by anyone interested in biomedical research and in the past, present, and future of the battle against cancer.

Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben Vautier’s work to the various modes of transcendence of trauma and haunting fear generated by the exceptional gestures of Niki de Saint Phalle and Louise Bourgeois, to the alyrical formalism yet imbued with irony and ludicity of François Morellet, through to the serene intensities of Alexandre Hollan’s vies silencieuses, the infinite a-signatures of Claude Viallat’s adventure in the sheer joy of a poiein of self-reflexive coloration, the powerfully elegant and muscular disarticulations of Bernard Pagès’ sculpture, the great sweep through art’s history implied by Jean-Pierre Pincemin’s chameleon-like gestures, the vast swirling programme of socio-psychological analysis the arts of Annette Messager and Sophie Calle offer in their radically distinctive manners, the obsessively serialised oeuvre of Gérard Titus-Carmel allowing a burrowing deep into the opaque logic of a real though dubious ‘presence to the world’.

From Smock To Cassock tells the fascinating story of a young boy who makes his career in farming but changes mid-life into the priesthood. Born in 1927, his father's ill health brings him to London during the Second World War where he experiences the horrors of the Blitz. While he survives the bombings, the end of the war brings the death of his father. This deeply personal loss, combined with a change in family fortunes, results in Michael seeking his own way in the world. He soon finds his passion in farming. Michael gains experience working for a variety of farmers, learning different methods and skills. Ultimately, he is able to acquire his own farm. His life continues to flourish as he marries and starts a family. Sadly tragedy strikes in the form of a disabling injury, which brings an end to this career. Before long, Michael finds himself living in a caravan. Searching for a new purpose, Michael is drawn to the Church. Completing various educational requirements, he achieves ordination into the priesthood. This autobiography details this journey and provides a fascinating story about overcoming the odds, pursuing your dreams and following your heart.

From the reviews: "Bishop and Schroder (both, Univ. of Nebraska at Omaha) have brought together an impressive group of practitioners in the relatively new application of geographic information science to mountain geomorphology. In doing so, they have produced valuable, first, overall coverage of a high-tech approach to mountain, three-dimensional research. More than 40 contributing authors discuss a wide range of related aspects.... The book is well bound and well produced; each chapter provides an extensive source of references. The numerous line drawings are clearly reproduced, although the mediocre quality of photographic reproduction limits the value of air photographs and satellite images. As is characteristic of many edited collections, there is some variation in chapter quality. Some of the writing is so dense that it requires minute concentration--one chapter, for instance, has 14 pages of references from a total of 43 pages. Nevertheless, this is a vital compendium for a rapidly expanding field of research. Summing Up: Recommended. Upper-division undergraduates through professionals." (J. D. Ives, Choice, March 2005)

Seventeen of writer Michael Bishop''s favourite stories were handpicked from his previously uncollected works to create this compelling collection, providing an excellent overview of a career that includes award-winning science fiction, horror, fantasy, satire, space opera, and mystery. In ''A Tapestry of Little Murders'', a murderer attempts to escape along a literal road to self-destruction. A medical missionary, tortured by government thugs, reveals her dying wish in ''With a Little Help from Her Friends''. In ''The Procedure'', an operation to remove a tumourous growth will hopefully excise from the patient''s mind and body all tendencies toward faith and superstition. From futuristic mystery and Vietnam-era dark fantasy to theological speculation on Christ''s death, a variety of lyrical voices speak through these haunting stories. An essay by the author divulges the genesis of each story.

Contemporary French Women Poets offers the first full-length study, divided into two volumes, of a wide range of women's poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.

Science fiction-roman.

"Perhaps the most difficult task in undertaking a study of nineteenth-century French poetry would be the selection of poets to study: who among us would care to choose only one from among Mallarme, Vigny, Hugo - and literally dozens of others - who so thoroughly and powerfully interpreted, shaped, and challenged the art forever more? Author Michael Bishop, charged with that forbidding duty, has concentrated his study on ten central figures of that century: Desbordes-Valmore, Lamartine, Vigny, Baudelaire, Hugo, Mallarme, Verlaine, Rimbaud, Laforgue, and Lautreamont. And while the list of subjects is compact, Bishop's intense critical and personal analysis of th ese extraordinary giants is astounding. Not only has he delved deeply into the complex structure of each of these ten poetic oeuvres, but in so doing has introduced to the discussion a number of those poets seemingly excluded from the book. Indeed, his thoughts on Nerval, Gautier, and others are frequently as perspicacious and comprehensive as those put forth in works devoted solely to those poets." "In examining the clearest and most distinct voices of nineteenth-century French poetry, Bishop has shrewdly probed a tradition, come to terms with modern criticisms, imparted truly fresh details of coherence resulting from intimate and informed readings, and joined hands across the ages - all the while preserving (and occasionally solidifying) the exquisite, individual integrity of particular oeuvres. As he canvasses the charm and strength of Desbordes-Valmore's unaltered passion, Baudelaire's unsurpassed powers of versification, the stunning descriptive-narrative specificity of Hugo's lexicon, or the interplay of fiction and reality in Mallarme, Bishop constantly reflects the teeming fascinations and elan of the poets themselves."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved