Best Selling Books by Michael Bishop

Joshua Kampa, the illegitimate son of a mute Spanish whore and a black serviceman, has always dreamed of Africa. But his dreams are of an Africa far in the past and are so vivid and in such hallucinatory detail that he is able to question the understanding of eminent paleontologists. As a result, Joshua is invited to join a most unusual time travel project and is transported millions of years into the past of his dreams. In early Pleistocene Africa, living among the pre-human species Homo habilis, experiencing the same hardships and the same intense pleasures, Joshua finds, for the first time in his troubled life, not only contentment but real love - a love that transcends almost everything. Intelligent, thoughtful and deeply moving, No Enemy but Time brilliantly evokes the remote past and, at the same time, presents a powerful and convincing portrayal of a relationship surmounting even the most daunting barriers. It is a challenging and highly original novel exploring the nature a nd origins of humankind.

In 1989 Michael Bishop and Harold Varmus were awarded the Nobel Prize for their discovery that normal genes under certain conditions can cause cancer. In this book, Bishop tells us how he and Varmus made their momentous discovery. More than a lively account of the making of a brilliant scientist, How to Win the Nobel Prize is also a broader narrative combining two major and intertwined strands of medical history: the long and ongoing struggles to control infectious diseases and to find and attack the causes of cancer. Alongside his own story, that of a youthful humanist evolving into an ambivalent medical student, an accidental microbiologist, and finally a world-class researcher, Bishop gives us a fast-paced and engrossing tale of the microbe hunters. It is a narrative enlivened by vivid anecdotes about our deadliest microbial enemies--the Black Death, cholera, syphilis, tuberculosis, malaria, smallpox, HIV--and by biographical sketches of the scientists who led the fight against these scourges. Bishop then provides an introduction for nonscientists to the molecular underpinnings of cancer and concludes with an analysis of many of today''s most important science-related controversies--ranging from stem cell research to the attack on evolution to scientific misconduct. How to Win the Nobel Prize affords us the pleasure of hearing about science from a brilliant practitioner who is a humanist at heart. Bishop''s perspective will be valued by anyone interested in biomedical research and in the past, present, and future of the battle against cancer. Table of Contents: List of Illustrations Preface 1. The Phone Call 2. Accidental Scientist 3. People and Pestilence 4. Opening the Black Box of Cancer 5. Paradoxical Strife Notes Credits Index Reviews of this book: Despite his book''s encouraging title, Bishop--who won a Nobel Prize in Physiology and Medicine in 1989--cautions that "I have not written an instruction manual for pursuit of the prize." Instead, he has written an amiable reflection on the experience of being a Nobelist, intertwined with some history and anecdotes about the award, and balanced by a wide-ranging review of his own career as an "accidental scientist"...Along the way, Bishop reflects on the history of our knowledge of microbes, cancer, the politics of funding research and present-day disenchantment with science. His main purpose in writing this book, Bishop says, is to show that "scientists are supremely human"--which he does with grace and charm. --Publishers Weekly Reviews of this book: How to Win the Nobel Prize is typical Bishop: modest, funny, insightful and offering an extremely clear and brief explanation of the basic scientific achievement that won the 1989 Nobel Prize in physiology or medicine for himself and longtime colleague, Harold Varmus, now president of the Memorial Sloan-Kettering Cancer Center. --David Perlman, San Francisco Chronicle Reviews of this book: In these pages Bishop reveals himself as a good writer blessed with enviable clarity, someone sensible and levelheaded who likes people and is enamored of his science. --John Tyler Bonner, New York Times Book Review Reviews of this book: This is a treasure...Above all, How to Win the Nobel Prize is a civilised book and a lavishly rewarding one. --Roy Herbert, New Scientist Reviews of this book: At its heart this analysis of science and the scientific world is a jewel. How to Win the Nobel Prize is an inspirational book, full of careful analysis and judgement. --John Oxford, Times Higher Education Supplement Reviews of this book: Bishop is a gifted communicator and teacher, and he sets about his task of educating scientists and the public by describing his career in science and science politics...In the end, Bishop''s book provides a road map for scientists and the public to build a robust scientific community that serves our society well. --Andreas Trumpp and Daniel Kalman, Nature Cell Biology J. Michael Bishop has written his book ''to show that scientists are supremely human.'' The book is also a lucid explanation of how science has been harnessed to fight the human afflictions of cancer and infectious disease. And the story ends with a wide-ranging overview of today''s challenges to the scientific enterprise. Overall, a must-read for all those interested in science and scientists--even those with absolutely no interest in winning a Nobel Prize! --Bruce Alberts, President, National Academy of Sciences J. Michael Bishop is that rare scientist who is widely read in literature and poetry. Most importantly, he remembers what he reads and thinks deeply about it, as well as about all else in his rich life. The Nobel Prize he won and richly deserved, his political activism, his understanding of cancer and microbiology, his devotion to the practice of science--all these provide fodder for his writerly craft. Quite a wonderful book! --David Baltimore, Nobel Laureate and President, California Institute of Technology

Seth Latimer, a human member of a family of clones representing a far-future interstellar commercial combine, finds himself marooned on Gla Taus with no way home unless he joins a mission to a neighboring world to negotiate the transfer of a minority population from one planet to the other. The lure of trade expansion versus the grip of local custom and belief sets the story in motion. Secrets and treacherous intentions boil to the surface as diplomacy devolves into brutal expediency against a background of complex gender and religious polarization. The colorful details of alien settings and cultures are lovingly woven into this story of passionate individuals caught up in the sweep of history toward tragedy, change, and eventual renewal.

I''ll tell you what this book isn''t about. It''s not about self-help and I''m not preaching to you. It''s also not for children. " Funk to Funky" is about my life and some people and events that I encountered along the way. I had some realizations like "you can have all the funk in the world and not be funky enough" or " you can''t make this stuff up." All you can do is try to come out the other side of the experience better than you were before. I also took some photos of myself at this time of my life rather than have someone else take them. I took the photos the same day I wrote the text that corresponds to the photo, so I was "in the moment." Funk to Funky is a metaphor for "in to out," "up to down," or "here to there." We all take a journey in life, this is a little bit of mine.

A private citizen discovers compelling evidence that a decades-old murder in Nashville was not committed by the man who went to prison for the crime but was the result of a conspiracy involving elite members of Nashville society. Nashville 1964. Eighteen-year-old babysitter Paula Herring is murdered in her home while her six-year-old brother apparently sleeps through the grisly event. A few months later a judge''s son is convicted of the crime. Decades after the slaying, Michael Bishop, a private citizen, stumbles upon a secret file related to the case and with the help of some of the world''s top forensic experts--including forensic psychologist Richard Walter (aka "the living Sherlock Holmes")--he uncovers the truth. What really happened is completely different from what the public was led to believe. Now, for the very first time, Bishop reveals the true story. In this true-crime page-turner, the author lays out compelling evidence that a circle of powerful citizens were key participants in the crime and the subsequent cover-up. The ne''er-do-well judge''s son, who was falsely accused and sent to prison, proved to be the perfect setup man. The perpetrators used his checkered history to conceal the real facts for over half a century. Including interviews with the original defense attorney and a murder confession elicited from a nursing-home resident, the information presented here will change Nashville history forever.

From the reviews: "Bishop and Schroder (both, Univ. of Nebraska at Omaha) have brought together an impressive group of practitioners in the relatively new application of geographic information science to mountain geomorphology. In doing so, they have produced valuable, first, overall coverage of a high-tech approach to mountain, three-dimensional research. More than 40 contributing authors discuss a wide range of related aspects.... The book is well bound and well produced; each chapter provides an extensive source of references. The numerous line drawings are clearly reproduced, although the mediocre quality of photographic reproduction limits the value of air photographs and satellite images. As is characteristic of many edited collections, there is some variation in chapter quality. Some of the writing is so dense that it requires minute concentration--one chapter, for instance, has 14 pages of references from a total of 43 pages. Nevertheless, this is a vital compendium for a rapidly expanding field of research. Summing Up: Recommended. Upper-division undergraduates through professionals." (J. D. Ives, Choice, March 2005)

Science fiction-roman.

"Seasonal coastal currents on a continental shelf are modeled for use in Search and Rescue planning. The model considers a balance of Coriolis, pressure gradient, and frictional forces. Input parameters are the climatological wind and density fields. Comparison of results to currents depicted on climatological atlases for the New York Bight indicates the validity of the approach. In this light, one might extend this approach to other geographical regions where analogous oceanographic conditions prevail."--Author''s abstract.

This retrospective Michael Bishop collection of fifty short pieces (thirty-four stories, fifteen poems or prose-poems, and one amusing Moon-based play about writing SF, "The Grape Jelly and Mustard Method") spans the author''s entire career, from "Asytages''s Dream," written while Bishop was a college student, to "Yahweh''s Hour," an acerbic but moving work of science-fantasy political satire composed in 2020. The collection''s most distinctive attribute, however, lies in the fact that no contribution is longer than 3,000 words and most are shorter, a kind of Palm-of-the-Hand Stories for lovers of short fiction, heartfelt pieces that afford the reader as much meat as they do flash. "A Few Last Words for the Late Immortals," set on Saturn''s largest moon, Titan, embodies a requiem for the entire human species. "Philip K. Dick is dead, a lass" memorializes in verse science fiction''s preeminent bard of the reality breakdown." "Love''s Heresy" and "The Library of Babble" appear to be channeling the labyrinthine mind of Jorge Luis Borges, albeit with surprising jinks all their own. And the list of narrative explorations grows and grows . . . Humor and horror, music and whimsy, primates and pathology, mice and men, religion and rebellion: these stories and poems cover the waterfront of human experience while acknowledging the singularity of each human life.

This is a story about Brooklyn—about a young man who grew up in a neighborhood called Crown Heights. It is a story of an ordinary kid who fell in love with music; first the music he heard at home, then with the music of the streets. This street music had been bubbling up around the city for nearly 10 years before the kid discovered it at a block party one summer evening. It was loud, infectious, and alive. The crazy thing was this music was really familiar but different at the same time. This crazy new kind of music grabbed the boy’s attention and lit a fire in him that would never be put out. This music didn’t have a name but later became known as Hip Hop.

After the death of her husband, Mary Stevenson "Stevie" Crye supports her two children in their small Georgia town by becoming a freelance writer. But when her typewriter breaks, she begins receiving demonic messages through the machine and uncovers a curse over the Crye household.

Between the incessant music of the stars and the spectre of a giant squid caught inside a locket ball, it is difficult for Don Horacio to maintain a restful mind. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Sonny Peacock comes of age in this poignant tale set in the Kansas heartland of the early 1960s. ''Apartheid, Superstrings, and Mordecai Thubana'' is set in 1980s Pretoria, South Africa, where a black man''s quest for the ''Theory of Everything'' is juxtaposed against the inhumanity of apartheid. In ''Cri de Coeur'', aboard a 21st century generation wheel ship, agrogeologist and poet Dr Abel Gwiazda and his Down''s-syndrome son Dean travel on course for a new home in Epsilon Eridani. In the final novella, ''Death and Designation Among the Asadi'', reprinted here for the first time in 20 years, ethnologist Egan Chaney''s private journals of his studies of the alien Asadi are the centrepiece of the story.

Contemporary French Women Poetsoffers the first full-length study, divided into two volumes, of a wide range of women''s poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.

In Earth and Mind : Dreaming, Writing, Being Michael Bishop examines very recent work by nine major French and Francophone writers : Bonnefoy, Risset, Stétié, Khoury-Ghata, Ben Jelloun, Velter, Bancquart, Pinson and Dupin, dealing with the mind’s complex modes of relating to its experience of presence to the world.

A wide-ranging study of Prévert’s promethean imagination and creativity in the interwoven realms of theatre, film, poetry, art, photography, and song, Michael Bishop’s Jacques Prévert seeks to demonstrate the originality of a genial fabricator of image and word whose essential focus, unpretentious yet urgently felt, unintellectualised yet buoyantly and wittily intelligent, ever remains the quality of our daily being-in-the-world, the possibility of our self-transformation, the stunning availability – should we truly will it, and despite all that can weigh upon existence, above all ideologically – of joy and love and freedom.

The Endless Theory of Days: The Art and Poetry of Gérard Titus-Carmel seeks to set forth the case for the special, multiple genius of a man who, despite the experience of a biting melancholy resulting from loss, despite an ''indefectible feeling of estrangement from the world'', despite, too, the corrosive sense of art''s, of languages''s, deceptiveness, has never lost sight of a curious duty to the shadows that haunt and that, with now a strangeness that smiles, yet beckon toward ''the very place, finally clarified and recognised, of pure evidence. [The place, ] that is, where beauty is named''. This place, Gérard Titus-Carmel may feel, lies no doubt impossibly beyond the strict locus of his art and his writing, but it is a place he has struggled with dignity and unceasingly deployed energy to bring to a semblance of incarnation in a vast plastic and poetical oeuvre that has stirred, and will continue to stir, the minds and hearts of all those - from Derrida and Bonnefoy, Alain Robbe-Grillet and Pascal Quignard to Jacques Dupin and Marie-Claire Bancquart, and countless others - who have witnessed its exquisitely solemn unfolding over, today, more than forty years.

Urban warfare in a post-collapse scenario is cruel to all combatants. But when the fighters are children, their resilience and passions combine to make for a bittersweet tragedy.

Contemporary French Women Poets offers the first full-length study, divided into two volumes, of a wide range of women''s poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvrard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.

Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben Vautier’s work to the various modes of transcendence of trauma and haunting fear generated by the exceptional gestures of Niki de Saint Phalle and Louise Bourgeois, to the alyrical formalism yet imbued with irony and ludicity of François Morellet, through to the serene intensities of Alexandre Hollan’s vies silencieuses, the infinite a-signatures of Claude Viallat’s adventure in the sheer joy of a poiein of self-reflexive coloration, the powerfully elegant and muscular disarticulations of Bernard Pagès’ sculpture, the great sweep through art’s history implied by Jean-Pierre Pincemin’s chameleon-like gestures, the vast swirling programme of socio-psychological analysis the arts of Annette Messager and Sophie Calle offer in their radically distinctive manners, the obsessively serialised oeuvre of Gérard Titus-Carmel allowing a burrowing deep into the opaque logic of a real though dubious ‘presence to the world’.

Gérard Garouste, Colette Deblé, Georges Rousse, Geneviève Asse, Martial Raysse, Christian Jaccard, Joël Kermarrec, Danièle Perronne, Daniel Dezeuze, Philippe Favier, Daniel Nadaud: after the eleven essays of Contemporary French Art 1, devoted to major artists from Ben Vautier and Niki de Saint Phalle to Annette Messager and Gérard Titus-Carmel, the present volume pursues its interrogations of the what, the how and the why of contemporary plastic production of some of France’s finest practitioners. If, as ever, such production can reveal elements of an interweaving of individualized preoccupations and modes, endless specificities demarcate and affirm originalities that pure theory and its leveling anonymity may obscure. Thus is it that Gérard Garouste is alone in that obsession with ‘indianness’ and ‘classicalness’; that Colette Deblé’s gesture is drawn implacably to the unseenness of female representation; that Georges Rousse plunges photography into the realm of matter’s poetic sacredness; that Geneviève Asse traverses a pure seemingness of abstraction to attain to an intimacy of silence; that Martial Raysse’s ‘hygiene of vision’ may endlessly renew and hybridize itself. Christian Jaccard, too, will explore with uniqueness an art of materiality at the frontier of metaphysics; Joël Kermarrec will offer us the inimitable exquisite traces of surging desire and deception; Danièle Perronne’s boxes and stringings, her paintings and her sheetings will unfold a psychic infinity at the heart of form. And, if Daniel Dezeuze seeks namelessness and pure structuration, the latter yet surge forth via works that relentlessly identify a gesture so distant, we may feel, from the at once sobering and ceremonial microproliferations of a Philippe Favier or the tense but genial articulations of Daniel Nadaud’s sculptural imagination.

A multinational expedition has landed on the planet Onogoro, a cold and dour world circling one star of a binary pair. Their objective is to investigate a strange alien race, known to the human visitors as the Kybers. These aliens, dwelling in a great network of ruined palaces, are partly biological creatures and partly machines, with the ability to switch themselves off at will. Expedition scientists discover that the Kyber''s sun is soon to blaze up in a nova, yet the Kybers are not alarmed.

Beloved understand the beginning, understand the Creator and then you will know and understand creation Between the face of the deep and the face of darkness is a womb- a place and realm where physical things are nurtured While it is there it is still void and without form-reduced to infinite density

SCIENCE FICTION: The evolution of 21st century Atlanta from Utopia to tyranny through the lives of its citizens.