New Releases by Michael Ondaatje

In The Distance of a Shout, Michael Ondaatje has assembled some of his finest poems into a singular poetic memoir that invokes the arc of his own journey over fifty years. “Michael Ondaatje remains our very best poet-turned-novelist. . . . [he] has always observed the world with a balanced mix of delight, awe, and humor, deadly serious about matters of the heart without ever taking himself too seriously.” —Lit Hub Through poems that grow out of his profound understanding of the subtle complexities of life and relationships, of how we lose and find ourselves, Michael Ondaatje navigates his own past, beginning with memories of distant landscapes, remembrances of his childhood in Sri Lanka and his eccentric family, to his life in rural southern Ontario with its beloved rivers, celebrations of admired fellow travellers and treasured friends, the close ties of children. Ondaatje is one of the great poets of love, and here we follow him through the exhilarations of youth, into that “storm of music” and the passionate swerves of longing and desire, until we reach the calm of that moment when “only a cloud’s reflection holding you up // You swim into late afternoon.” The Distance of a Shout offers us a glimpse into the life and art of one of our most cherished poets and novelists—a reminder itself of the power of great poetry to shine a light on living.

Van de auteur van Golden Booker Prize-winnaar De Engelse patiënt 1946. Londen krabbelt op uit de Blitz. De veertienjarige Nathaniel en zijn zus Rachel worden door hun moeder Rose achtergelaten bij een mysterieuze voogd, bijgenaamd De Mot. Aanvankelijk denken ze dat hij een crimineel is, maar in de chaotische naoorlogse jaren groeien ze op in de excentrieke wereld die hij om hen heen schept, vol zonderlinge vrienden die op ongewone wijze voor hen zorgen. Twintig jaar later kijkt Nathaniel terug en ontrafelt hij niet alleen de geheimzinnige rol van De Mot, maar ook het grote raadsel rond de verdwijning van zijn moeder. In deze roman weeft meesterstilist Michael Ondaatje werkelijkheid, herinnering en verbeelding tot een meeslepend geheel. 'Een meesterwerk.' De Standaard der Letteren 'Prachtige dromerige sfeer.' NRC Handelsblad 'Een betoverende leeservaring.' Het Parool

From one of the most influential writers of his generation, a gorgeously surprising poetry collection about memory, history, and the act of looking back Following several of his internationally acclaimed novels, A Year of Last Things is Michael Ondaatje’s long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed. Moving from a Sri Lankan boarding school to Molière’s chair during his last stage performance, to Bulgarian churches and their icons, to the California coast and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him. From his poem "His chair, a narrow bed, a motel room, the fox": At the Hacienda Motel in Los Angeles Sam Cooke was shot dead. ‘See that shadow on the wall . . .’ All those motels and hotels in literature and song, where X wrote this, where Y got drunk, where Z overdosed. The one Hank Williams was driven past, dead already in his car. The Slavianski Bazaar Hotel in "The Lady with a Dog," where Dmitri imagines their dark but hopeful future. The Hôtel de ville de Courtrai, where Verlaine shot Rimbaud. The Casa Verdi in Milan, where retired opera singers were welcomed along with various heteronyms of Fernando Pessoa in their afterlife.

With contributions by: William Boyd, Candice Carty-Williams, Imtiaz Dharker, Roddy Doyle, Pico Iyer, Robert Macfarlane, Andy Miller, Jackie Morris, Jan Morris, Sisonke Msimang, Dina Nayeri, Chigozie Obioma, Michael Ondaatje, David Pilling, Max Porter, Philip Pullman, Alice Pung, Jancis Robinson, S.F.Said, Madeleine Thien, Salley Vickers, John Wood and Markus Zusak 'This story, like so many stories, begins with a gift. The gift, like so many gifts, was a book...' So begins the essay by Robert Macfarlane that inspired this collection. In this cornucopia of an anthology, you will find essays by some of the world's most beloved novelists, nonfiction writers, essayists and poets. 'You will see books taking flight in flocks, migrating around the world, landing in people's hearts and changing them for a day or a year or a lifetime. 'You will see books sparking wonder or anger; throwing open windows into other languages, other cultures, other minds; causing people to fall in love or to fight for what is right. 'And more than anything, over and over again, you will see books and words being given, received and read - and in turn prompting further generosity.' Published to coincide with the 20th anniversary of global literacy non-profit, Room to Read, The Gifts of Reading forms inspiring, unforgettable, irresistible proof of the power and necessity of books and reading. Inspired by Robert Macfarlane Curated by Jennie Orchard

NATIONAL BESTSELLER • BOOKER PRIZE FINALIST • From the internationally acclaimed, Booker Prize-winning author of The English Patient: “an elegiac thriller [with] the immediate allure of a dark fairy tale” (The Washington Post) set in the decade after World War II that tells the dramatic story of two teenagers and an eccentric group of characters. In a narrative as beguiling and mysterious as memory itself—shadowed and luminous at once—we read the story of fourteen-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women joined by a shared history of unspecified service during the war, all of whom seem, in some way, determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? And what does it mean when the siblings'' mother returns after months of silence without their father, explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all that he didn''t know and understand in that time, and it is this journey—through facts, recollection, and imagination—that he narrates in this masterwork from one of the great writers of our time.

Vincitore del Man Booker Prize nel 1992, Il Paziente inglese si è aggiudicato il prestigioso premio Golden Man Booker Prize 2018. In lizza per il premio c'erano i vincitori di tutte le precedenti edizioni del Man Booker Prize, tra cui Salman Rushdie, Kazuo Ishiguro e George Saunders. Sul finire del secondo conflitto mondiale, tre uomini e una donna si rifugiano in una villa semidevastata sulle colline di Firenze. In una stanza del piano superiore giace, gravemente ustionato in un incidente d’aereo, premurosamente accudito dall’infermiera Hana, il misterioso «paziente inglese». Dai suoi racconti allucinati dalla morfina riemergono l’amore travolgente per Katharine e le avventurose peregrinazioni nel deserto. Intorno alla sua convalescenza s’intrecciano le vicende degli altri abitatori della villa: Hanam Caravaggio, un ladro che lavora per i servizi segreti, e Kip, un sikh, abile artificiere. La memoria, i miti e le leggende personali dei quattro protagonisti, lacerati e turbati dall’esperienza della guerra, ripercorrono la storia di un’epoca, e ci permettono di giudicarla. Ma Il paziente inglese è soprattutto una grande storia d’amore, un sogno emozionante, animato da una trascinante tensione lirica, ambientato in un fragile Eden, troppo vicino all’Apocalisse.

"Tumultuous, vibrant, tragic and over too soon." --Newsday Handwriting is Michael Ondaatje''s first new book of poetry since The Cinnamon Peeler. The exquisite poems collected here draw on history, mythology, landscape, and personal memories to weave a rich tapestry of images that reveal the longing for--and expose the anguish over--lost loves, homes, and language, as the poet contemplates scents and gestures and evokes a time when "handwriting occurred on waves, / on leaves, the scripts of smoke" and remembers a woman''s "laughter with its / intake of breath. Uhh huh." Crafted with lyrical delicacy and seductive power, Handwriting reminds us of Michael Ondaatje''s stature as one of the finest poets writing today.

In the Skin of a Lion is a love story and an irresistible mystery set in the turbulent, muscular new world of Toronto in the 20s and 30s. Michael Ondaatje entwines adventure, romance and history, real and invented, enmeshing us in the lives of the immigrants who built the city and those who dreamed it into being: the politically powerful, the anarchists, bridge builders and tunnellers, a vanished millionaire and his mistress, a rescued nun and a thief who leads a charmed life. This is a haunting tale of passion, privilege and biting physical labour, of men and women moved by compassion and driven by the power of dreams—sometimes even to murder.

Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje''s prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more ''experimental'' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.

Boarding a 1950s ship and sequestered to an out-of-sight dining table with other marginalized children, an 11-year-old boy shares rollicking adventures while traveling to various world regions, learning about jazz, women and a shackled prisoner along the way. By the Booker Prize-winning author of The English Patient. 100,000 first printing.

''During certain hours, at certain years in our lives, we see ourselves as remnants from the earlier generations that were destroyed... I think all of our lives have been terribly shaped by what went on before us.'' Twenty-five years after leaving his native Sri Lanka for the cool winters of Ontario, a chaotic dream of tropical heat and barking dogs pushes Michael Ondaatje to travel back home and revisit a childhood and a family he never fully understood. Along with his siblings and children, Ondaatje gathers rumours, anecdotes, poems, records and memories to piece together this fragmented portrayal of his family''s past, his father''s destructive alcoholism and the colourful stories and secrets of ancestors both disgraced and adored throughout centuries of Sri Lankan society. In an exotic, evocative portrait of the heat, wildlife, sounds and silences of the Sri Lankan landscape, Ondaatje combines vivid recreations of a privileged, eccentric older generation with a deeply personal reconciliatory journey in which he explores his own ghosts, and how his family''s extraordinary history continues to influence his life.

"No final da Segunda Guerra Mundial, numa villa abandonada na Itália, quatro pessoas vivem um encontro inusitado: uma jovem enfermeira cuja vida foi devastada pela guerra; um inglês desconhecido e moribundo, sobrevivente de um desastre de avião; um ladrão cujas "habilidades" acabaram por fazer dele um herói de guerra; e um soldado indiano especialista em desmonte de bombas, a quem três anos de guerra ensinaram que "a única segurança está em si mesmo". O livro revela os caminhos e detalhes de quatro vidas capturadas e modificadas e agora inextricavelmente ligadas pelas circunstâncias brutais e improváveis da guerra."--

With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Each is haunted by the riddle of the fourth member, an English patient -- a nameless, burned man whose memories of passion, betrayal, and rescue illuminates this book like flashes of heat lightening.

These recorded consversations between highly acclaimed author Michael Ondaatje and veteran editor Walter Murch, two giants of their respective industries, elucidate the world of film from the inside out.

With his first novel since the internationally acclaimed The English Patient, Booker Prize—winning author Michael Ondaatje gives us a work displaying all the richness of imagery and language and the piercing emotional truth that we have come to know as the hallmarks of his writing. Anil’s Ghost transports us to Sri Lanka, a country steeped in centuries of tradition, now forced into the late twentieth century by the ravages of civil war. Into this maelstrom steps Anil Tissera, a young woman born in Sri Lanka, educated in England and America, who returns to her homeland as a forensic anthropologist sent by an international human rights group to discover the source of the organized campaigns of murder engulfing the island. What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past–a story propelled by a riveting mystery. Unfolding against the deeply evocative background of Sri Lanka’s landscape and ancient civilization, Anil’s Ghost is a literary spellbinder–Michael Ondaatje’s most powerful novel yet.

Aus den Bruchstücken eines Lebens konstruiert Michael Ondaatje ein poetisches Porträt, mischt Photos, Interviews, Protokolle von Tonbandaufnahmen mit fiktiven Monologen und Gesprächen. Es entsteht der faszinierende Roman einer bewegten Epoche und eines Mannes, der auf der Suche nach sich selbst seinen Verstand verlor und von dem als Zeugnis nur ein Photo blieb - und der Mythos. Buddy Bolden war der beste, lauteste und meistgeliebte Jazzmusiker seiner Zeit.