Best Selling Books by Michael Ondaatje

NATIONAL BESTSELLER • BOOKER PRIZE FINALIST • From the internationally acclaimed, Booker Prize-winning author of The English Patient: “an elegiac thriller [with] the immediate allure of a dark fairy tale” (The Washington Post) set in the decade after World War II that tells the dramatic story of two teenagers and an eccentric group of characters. In a narrative as beguiling and mysterious as memory itself—shadowed and luminous at once—we read the story of fourteen-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women joined by a shared history of unspecified service during the war, all of whom seem, in some way, determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? And what does it mean when the siblings'' mother returns after months of silence without their father, explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all that he didn''t know and understand in that time, and it is this journey—through facts, recollection, and imagination—that he narrates in this masterwork from one of the great writers of our time.

Not a story about me through their eyes then. Find the beginning, the slight silver key to unlock it, to dig it out. Here then is a maze to begin, be in. (p. 20) Funny yet horrifying, improvisational yet highly distilled, unflinchingly violent yet tender and elegiac, Michael Ondaatje’s ground-breaking book The Collected Works of Billy the Kid is a highly polished and self-aware lens focused on the era of one of the most mythologized anti-heroes of the American West. This revolutionary collage of poetry and prose, layered with photos, illustrations and “clippings,” astounded Canada and the world when it was first published in 1969. It earned then-little-known Ondaatje his first of several Governor General’s Awards and brazenly challenged the world’s notions of history and literature. Ondaatje’s Billy the Kid (aka William H. Bonney / Henry McCarty / Henry Antrim) is not the clichéd dimestore comicbook gunslinger later parodied within the pages of this book. Instead, he is a beautiful and dangerous chimera with a voice: driven and kinetic, he also yearns for blankness and rest. A poet and lover, possessing intelligence and sensory discernment far beyond his life’s 21 year allotment, he is also a resolute killer. His friend and nemesis is Sheriff Pat Garrett, who will go on to his own fame (or infamy) for Billy’s execution. Himself a web of contradictions, Ondaatje’s Garrett is “a sane assassin sane assassin sane assassin sane assassin sane assassin sane” (p. 29) who has taught himself a language he’ll never use and has trained himself to be immune to intoxication. As the hero and anti-hero engage in the counterpoint that will lead to Billy’s predetermined death, they are joined by figures both real and imagined, including the homesteaders John and Sallie Chisum, Billy’s lover Angela D, and a passel of outlaws and lawmakers. The voices and images meld, joined by Ondaatje’s own, in a magnificent polyphonic dream of what it means to feel and think and freely act, knowing this breath is your last and you are about to be trapped by history. I am here with the range for everything corpuscle muscle hair hands that need the rub of metal those senses that that want to crash things with an axe that listen to deep buried veins in our palms those who move in dreams over your women night near you, every paw, the invisible hooves the mind’s invisible blackout the intricate never the body’s waiting rut. (p. 72)

From one of the most influential writers of his generation, a gorgeously surprising poetry collection about memory, history, and the act of looking back Following several of his internationally acclaimed novels, A Year of Last Things is Michael Ondaatje’s long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed. Moving from a Sri Lankan boarding school to Molière’s chair during his last stage performance, to Bulgarian churches and their icons, to the California coast and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him. From his poem "His chair, a narrow bed, a motel room, the fox": At the Hacienda Motel in Los Angeles Sam Cooke was shot dead. ‘See that shadow on the wall . . .’ All those motels and hotels in literature and song, where X wrote this, where Y got drunk, where Z overdosed. The one Hank Williams was driven past, dead already in his car. The Slavianski Bazaar Hotel in "The Lady with a Dog," where Dmitri imagines their dark but hopeful future. The Hôtel de ville de Courtrai, where Verlaine shot Rimbaud. The Casa Verdi in Milan, where retired opera singers were welcomed along with various heteronyms of Fernando Pessoa in their afterlife.

In The Distance of a Shout, Michael Ondaatje has assembled some of his finest poems into a singular poetic memoir that invokes the arc of his own journey over fifty years. “Michael Ondaatje remains our very best poet-turned-novelist. . . . [he] has always observed the world with a balanced mix of delight, awe, and humor, deadly serious about matters of the heart without ever taking himself too seriously.” —Lit Hub Through poems that grow out of his profound understanding of the subtle complexities of life and relationships, of how we lose and find ourselves, Michael Ondaatje navigates his own past, beginning with memories of distant landscapes, remembrances of his childhood in Sri Lanka and his eccentric family, to his life in rural southern Ontario with its beloved rivers, celebrations of admired fellow travellers and treasured friends, the close ties of children. Ondaatje is one of the great poets of love, and here we follow him through the exhilarations of youth, into that “storm of music” and the passionate swerves of longing and desire, until we reach the calm of that moment when “only a cloud’s reflection holding you up // You swim into late afternoon.” The Distance of a Shout offers us a glimpse into the life and art of one of our most cherished poets and novelists—a reminder itself of the power of great poetry to shine a light on living.

"Tumultuous, vibrant, tragic and over too soon." --Newsday Handwriting is Michael Ondaatje''s first new book of poetry since The Cinnamon Peeler. The exquisite poems collected here draw on history, mythology, landscape, and personal memories to weave a rich tapestry of images that reveal the longing for--and expose the anguish over--lost loves, homes, and language, as the poet contemplates scents and gestures and evokes a time when "handwriting occurred on waves, / on leaves, the scripts of smoke" and remembers a woman''s "laughter with its / intake of breath. Uhh huh." Crafted with lyrical delicacy and seductive power, Handwriting reminds us of Michael Ondaatje''s stature as one of the finest poets writing today.

These recorded consversations between highly acclaimed author Michael Ondaatje and veteran editor Walter Murch, two giants of their respective industries, elucidate the world of film from the inside out.

With his first novel since the internationally acclaimed The English Patient, Booker Prize—winning author Michael Ondaatje gives us a work displaying all the richness of imagery and language and the piercing emotional truth that we have come to know as the hallmarks of his writing. Anil’s Ghost transports us to Sri Lanka, a country steeped in centuries of tradition, now forced into the late twentieth century by the ravages of civil war. Into this maelstrom steps Anil Tissera, a young woman born in Sri Lanka, educated in England and America, who returns to her homeland as a forensic anthropologist sent by an international human rights group to discover the source of the organized campaigns of murder engulfing the island. What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past–a story propelled by a riveting mystery. Unfolding against the deeply evocative background of Sri Lanka’s landscape and ancient civilization, Anil’s Ghost is a literary spellbinder–Michael Ondaatje’s most powerful novel yet.

''During certain hours, at certain years in our lives, we see ourselves as remnants from the earlier generations that were destroyed... I think all of our lives have been terribly shaped by what went on before us.'' Twenty-five years after leaving his native Sri Lanka for the cool winters of Ontario, a chaotic dream of tropical heat and barking dogs pushes Michael Ondaatje to travel back home and revisit a childhood and a family he never fully understood. Along with his siblings and children, Ondaatje gathers rumours, anecdotes, poems, records and memories to piece together this fragmented portrayal of his family''s past, his father''s destructive alcoholism and the colourful stories and secrets of ancestors both disgraced and adored throughout centuries of Sri Lankan society. In an exotic, evocative portrait of the heat, wildlife, sounds and silences of the Sri Lankan landscape, Ondaatje combines vivid recreations of a privileged, eccentric older generation with a deeply personal reconciliatory journey in which he explores his own ghosts, and how his family''s extraordinary history continues to influence his life.

In the Skin of a Lion is a love story and an irresistible mystery set in the turbulent, muscular new world of Toronto in the 20s and 30s. Michael Ondaatje entwines adventure, romance and history, real and invented, enmeshing us in the lives of the immigrants who built the city and those who dreamed it into being: the politically powerful, the anarchists, bridge builders and tunnellers, a vanished millionaire and his mistress, a rescued nun and a thief who leads a charmed life. This is a haunting tale of passion, privilege and biting physical labour, of men and women moved by compassion and driven by the power of dreams—sometimes even to murder.

Boarding a 1950s ship and sequestered to an out-of-sight dining table with other marginalized children, an 11-year-old boy shares rollicking adventures while traveling to various world regions, learning about jazz, women and a shackled prisoner along the way. By the Booker Prize-winning author of The English Patient. 100,000 first printing.

In the 1970s in Northern California, near Gold Rush country, a father and his teenage daughters, Anna and Claire, work their farm with the help of Coop, an enigmatic young man who makes his home with them. Theirs is a makeshift family, until it is riven by an incident of violence—of both hand and heart—that sets fire to the rest of their lives.

Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje''s prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more ''experimental'' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.

During the final moments of World War II, in a deserted Italian villa, four people come together: a young nurse, her will broken, all her energy focussed on her last, dying patient, a man in whom she has seen something ... the patient: an unknown Englishman, survivor of a plane crash, his mind awash with a life''s worth of secrets and passions ... a thief whose ''skills'' have made him one of the war''s heroes, and one of its casualties ... an Indian soldier in the British army, an expert at bomb disposal whose three years at war have taught him that ''the only thing safe is himself.