New Releases by Ned Beauman

A dark and witty story of environmental collapse and runaway capitalism from the Booker-listed author of The Teleportation Accident. The near future. Tens of thousands of species are going extinct every year. And a whole industry has sprung up around their extinctions, to help us preserve the remnants, or perhaps just assuage our guilt. For instance, the biobanks: secure archives of DNA samples, from which lost organisms might someday be resurrected . . . But then, one day, it’s all gone. A mysterious cyber-attack hits every biobank simultaneously, wiping out the last traces of the perished species. Now we’re never getting them back. Karin Resaint and Mark Halyard are concerned with one species in particular: the venomous lumpsucker, a small, ugly bottom-feeder that happens to be the most intelligent fish on the planet. Resaint is an animal cognition scientist consumed with existential grief over what humans have done to nature. Halyard is an exec from the extinction industry, complicit in the mining operation that destroyed the lumpsucker’s last-known habitat. Across the dystopian landscapes of the 2030s—a nature reserve full of toxic waste; a floating city on the ocean; the hinterlands of a totalitarian state—Resaint and Halyard hunt for a surviving lumpsucker. And the further they go, the deeper they’re drawn into the mystery of the attack on the biobanks. Who was really behind it? And why would anyone do such a thing? Virtuosic and profound, witty and despairing, Venomous Lumpsucker is Ned Beauman at his very best.

Our bodies all have stories to tell - and who better to tell them than fifteen of the world''s finest writers? Buried beneath layers of flesh, our hearts pump, our lungs inflate, our kidneys filter. These organs, and others, are essential to our survival but remain largely unknown to us. In Beneath the Skin, fifteen writers each explore a different body part: Naomi Alderman unravels the intestines and our obsession with food; Thomas Lynch celebrates the womb as a miracle; AL Kennedy explores the nose''s striking ability to conjure memories; and Philip Kerr traces the remarkable history of brain surgery. The human stomach, we discover, contains as many brain cells as a cat has in its head. The lungs weigh about the same as a loaf of bread. A traumatic memory can show itself on the skin. Moving, comical and often unexpected, this is an awe-inspiring voyage through the mysterious landscape of our bodies. Based on the BBC Radio 3 series ''A Body of Essays''.

In 1938, two rival expeditions descend on an ancient temple recently discovered in the jungles of Honduras, one intending to shoot a huge Hollywood production on location there, the other to disassemble the temple and ship it back to New York. A seemingly endless stalemate ensues. Twenty years later, a rogue CIA agent sets out to exploit the temple for his own ends, unaware that it is a locus of conspiracies far grander than anyone could ever have guessed. Shot through with intrigue, ingenuity, and adventure, and showcasing Beauman’s riotous humor, spectacular imagination, and riveting prose, Madness Is Better Than Defeat is a novel without parallel: inventive, anarchic, and delightfully insane.

British artist James White (b. 1967) is renowned for his monochrome paintings that explore everyday minutiae.Working from his own photographs, an ostensibly insignificant detail or moment is prolonged, the act of painting introducing layers of time to a given moment.Seemingly quiet domestic environments have a strong psychological element, alluding to a human presence without depicting any individuals; hinting at something that has occurred or that is occurring.Comprising full colour images, details and installation shots, this publication spans the past six years of James White''s oeuvre and is published on the occasion of his exhibition, BODIES at Blain Southern, London (22 November 2017 - 20 January 2018).

South London, May 2010: foxes are behaving strangely, Burmese immigrants are going missing, and everyone is trying to get hold of a new party drug called Glow. A young man suffering from a rare sleep disorder will uncover the connections between all these anomalies in this taut, riveting new novel by a young writer hailed by The Guardian as “playful, arresting, unnerving, opulent, rude and—above all—deliciously, startlingly, exuberantly fresh.” Twenty-two-year-old Raf spends his days walking Rose, a bull terrier who guards the transmitters for a pirate radio station, and his nights at raves in warehouses and launderettes. When his friend Theo vanishes without a trace, Raf’s efforts to find him will lead straight into the heart of a global corporate conspiracy. Meanwhile, he’s falling in love with a beautiful young woman he met at one of those raves, but he’ll soon discover that there is far more to Cherish than meets the eye. Combining the pace, drama, and explosive plot twists of a thriller with his trademark intellectual, linguistic, and comedic pyrotechnics, Glow is Ned Beauman’s most compelling, virtuosic, and compulsively readable novel yet.

The second volume of Arc continues with an issue that wants to peel back the futuristic shine. So we bettered ourselves, had us a couple of revolutions - agricultural, industrial - and then before we knew it our inventions had raised the seas and fried the atmosphere, reshuffled our knowledge and commodified our pleasures; they even stole our privacy. Our lives are good, but not fair at all - and signs are we’re coming to a stormy end. Our masters tell us they’ll figure things out. With predictions and scenarios, models and forecasts, they’ll find a way through the coming storms and shortages. But what if they can’t? What if it’s all moonshine, and they’re just slapping on chromewash to cover their panic and powerlessness? In Chromewash original stories scratch and scuff the oh-so-shiny prediction business. Ned Beauman plays the markets, Jane Rogers puts a market price on identity, Tim Maughan games the art market, and Matthew De Abaitua wonders what happens when creatives get destructive. Also in this issue, Joanna Kavenna learns to mistrust Al Gore’s first-person plural, and M. John Harrison examines the special weapons and tactics of English Heritage. Medical ethicist Peter Hajek’s modest proposal tackles an ageing planet; Adam Rothstein spins a ghost story out of vapourware; Marek Kohn decides that the past has a future, too; and Brendan Byrne recalls the moment modern statecraft went cyberpunk.

Egon Loeser''s carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve the mystery of whether it was really a deal with Satan that claimed the life of his hero, Adriano Lavicini.

Basing his career on the work of disgraced 17th-century set designer Adriano Lavicini, New Expressionist stage designer Egon Loeser leaves Weimar Republic Berlin to pursue a disinterested woman and arrives in Los Angeles, where a Caltech physicist is trying to develop a teleportation device. By the author of Boxer, Beetle. 25,000 first printing.

From the "effervescent" (Washington Post) author of Madness is Better than Defeat and The Teleportation Accident, a rollicking novel about fascism, boxing, entomology, eugenics, and desire. Kevin "Fishy" Broom has his nickname for a reason: he has a rare genetic condition that makes him smell markedly like rotting fish. Consequently, he rarely ventures out of the London apartment where he deals online in Nazi memorabilia. But when Fishy stumbles upon a crime scene, he finds himself on the long-cold trail of a pair of small-time players in interwar British history. First, there''s Philip Erskine, a fascist gentleman entomologist who dreams of breeding an indomitable beetle as tribute to Reich Chancellor Hitler''s glory, all the while aspiring to arguably more sinister projects in human eugenics. And then there''s Seth "Sinner" Roach, a homosexual Jewish boxer, nine-toed, runtish, brutish--but perfect in his way--who becomes an object of obsession for Erskine, professionally and most decidedly otherwise. What became of the boxer? What became of the beetle? And what will become of anyone who dares to unearth the answers? Ned Beauman spins out a dazzling narrative across decades and continents, weaving his manic fiction through the back alleys of history. Boxer, Beetle is a remarkably assured, wildly enjoyable debut.