Most Popular Books by Paul Bowles

In the nineteenth century there flourished a peculiar breed of Englishmen—often the second sons of the aristocracy, or ambitious men from a lower class—who as soldiers, consuls and tea planters, were largely responsible for making England a great colonial power. Save for the fact that he is a staunch anticolonialist, Paul Bowles resembles these men in many respects. Like them, he appears to be happiest away from civilization as we know it; like them, he thrives when the traveling is hardest, the food ghastly or infrequent, water scarce, heat intolerable, or mosquitoes abundant. This engaging collection of eight travel essays by the author of such noted fiction as The Sheltering Sky and The Delicate Prey deals largely with places in the world that few Westerners have ever heard of, much less seen—places as yet unencumbered by the trappings, luxuries, and corruptions of modern civilization. Except for one essay on Central America, all of these pieces are concerned with remote spots in the Hindu, Buddhist, or Mohammedan worlds. The author is a sympathetic and discerning interpreter of these alien cultures, and his eyes and ears are especially alert both to what is bizarre and what is wise in the civilizations in which he settles. He is also acutely aware of the transitions occurring on the fringes of many of these regions, and he is disturbed and indignant about the corrosive effect of Western culture on the non-Christian way of life. Above all, however, Paul Bowles is a superb and observant traveler—born wanderer who finds pleasure in the inaccessible and who cheerfully endures the concomitant hardships matter-of-factly and with humor. These essays provide us with Paul Bowles’s characteristic insightfulness and bring us closer to a world we frequently hear about, but often find difficult to understand.

In Let It Come Down, Paul Bowles plots the doomed trajectory of Nelson Dyar, a New York bank teller who comes to Tangier in search of a different life and ends up giving in to his darkest impulses. Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles''s second novel is an alternately comic and horrific account of a descent into nihilism.

Paul Bowles says: Each man''s life has the quality he gives it, but you can''t say that life itself has any qualities. If we suffer, it''s because we haven''t learned how not to. The man who wrote the books didn''t exist. No Writer exists. He exists in his books, and that''s all. I write unconsciously, without knowing what I am writing.

“Bowles’s tales are at once austere, witty, violent, and sensuous. They move with the inevitability of myth. His language has a purity of line, a poise and authority entirley its own.” —Tobias Wolff An American cult figure, Paul Bowles has fascinated such disparate talents as Norman Mailer, Allen Ginsberg, Truman Capote, William S. Burroughs, Gore Vidal, and Tobias Wolff. From “The Delicate Prey” to “Too Far from Home,” this definitive collection celebrates the Bowles’s masterful artistry in short fiction.

This extraordinary collection of correspondence by Paul Bowles spans eight decades and provides an evolving portrait of an artist renowned for his privacy. From his earliest extant letter, written at the age of four, to his precocious effusions to Aaron Copeland and to Gertrude Stein; from his meditations on mescaline as relayed to Ned Rorem, to his intensely moving letters to Jane Bowles during her illness, In Touch fills in the lacunae left by previous biographers and offers a rare look at the many aspects of Bowles''s brilliant career—as composer, novelist, short-story master, travel writer, translator, ethnographer, and literary critic. Here is Bowles on the genesis of his first novel, The Sheltering Sky; on his distaste for Western melodies and his dogged attempts to record indigenous Moroccan music; on the Beats, Gore Vidal, Truman Capote, and Tennessee Williams; on the nature and craft of writing; on Bernardo Bertolucci, David Byrne, and Sting; on the decline of American and the challenges of living in North Africa. Gossipy, reflective, enlightening, and always entertaining, In Touch stands as an epistolary autobiography of one of the legendary writers of our time, and a unique chronicle of the twentieth-century avant-garde.

On the terrace of an elaborate hilltop apartment overlooking a Central American capital, four people sit making polite conversation. The American couple -- an elderly physician and his young wife -- are tourists. Their host, whom they have just met, is a young man of striking good looks and charm. The girl, his mistress, is very young and very beautiful. Sitting there, watching the sunset, the Slades seem to be enjoying the sort of fortunate chance encounter that travelers cherish. But amid the civilities and small talk, the host''s casual remark to the American woman proves prophetic: "It''s not exactly what you think." Masterfully -- with the poetic control that has always characterized his work -- Paul Bowles leads the reader beneath the surface of hospitality and luxury into a tortuous maze of human relationships and shifting moods, until what seems at first a merely casual encounter is seen to be one rooted in viciousness and horror.

The story centers on Port Moresby and his wife Kit, a married couple originally from New York who travel to the North African desert accompanied by their friend Tunner. The journey, initially an attempt by Port and Kit to resolve their marital difficulties, is quickly fraught by the travelers'' ignorance of the dangers that surround them.

Paul Bowles, the acclalmed author of The Shelterlng Sky, offers movlng, powerful, subtle, and fasclnatlng lnslghts lnto hls llfe, hls wrltlng, and hls world.

A Distant Episode contains the best of Paul Bowles''s short stories, as selected by the author. An American cult figure, Bowles has fascinated such disparate talents as Norman Mailer, Allen Ginsberg, Truman Capote, William S. Burroughs, Gore Vidal, and Jay McInerney.

In this intense and brilliant book Bowles focuses on Morocco, condensing expreience, emotion, and the whole history of a people into a series of short, insightful vignettes. He distills for us the very essence of Moroccan culture. With extraordinary immediacy, he takes the reader on a journey through the Moroccan centuries, pausing at points along the way to create resonant images of the country, it''s landscapes, and the beliefs and characteristics of its inhabitants.

"In this wonderfully engaging and informative collection we hear the voice of a different Paul Bowles. Writing on a wide range of subjects--jazz, film music, classical music, popular music, ethnic music--he is direct, opinionated, incisive, analytical, humorous, and passionate."—Millicent Dillon, author of You Are Not I: A Portrait of Paul Bowles

Paul Bowles began travelling the moment he could - leaving America as a teenager to visit Gertrude Stein in Paris. He settled in Morocco after the war, and for thirty years travelled in North Africa, Central America, Southeast Asia, Indian and Sri Lanka (where he bought an island). He wrote articles, essays and journals along the way - writing which ranks with his novels in its astute observation, dry wit and impeccable prose. Travels brings together for the first time Paul Bowles''s travel writing and journals. It includes the full text of his book Their Heads Are Green along with thirty other pieces, previously unpublished in book form. They are accompanied by fifty photos from the Bowles archive.

Paul Bowles’s classic collection of short stories, now available in a a deluxe paperback edition—part of Ecco’s Art of the Story series “All the tales are a variety of detective story,” wrote Bowles of this, his first short story collection, “in which the reader is the detective; the mystery is in the motivation for the charcters’ behavior.” In such stories as “A Distant Episode” and How Many Midnights,” Bowles pushes human character beyond socially defined limits and maps a transformed (often horribly transformed) reality. Bowles captures the duality of human frailty and cruelty in these seventeen taut and atmospheric tales, written between 1939 and 1949. Brutal and gorgeous, visceral yet profound, this timeless collection is “one of the most profound, beautifully wrought, and haunting collections in our literature. . . at once austere, witty, violent, and sensuous. . . . His language has a purity of line, a poise and authority entirely its own, capable of instantly modulating from farce to horror without a ruffle” (Tobias Wolff).

Between 1987 and 1989, Paul Bowles, at the suggestion of a friend, kept a journal to record the daily events of his life. What emerges is not only just a record of the meals, conversations, and health concerns of the author of The Sheltering Sky but also a fascinating look at an artist at work in a new medium. Characterized by a refreshing informality, clear-sightedness, and passages of exquisite prose, these pages record with equal fascination the behavior of an itinerant spider, a brutal episode of violence in a Tangier marketplace, and the pageantry and excess of Malcolm Forbes''s seventieth birthday party. In Days, a master observer of the foreign and obscure turns his attentions toward his own daily existence, giving us a startlingly candid portrait of his life in late twentieth-century Tangier.

First published in 1962, A Hundred Camels in the Courtyard by American author Paul Bowles is a book comprising four tales of contemporary life in a land where cannabis, rather than alcohol, customarily provides a way out of the phenomenological world. Thus, of the men in these stories, Salam uses suggestions supplied by smoking kif to rid himself of a possible enemy. He of the Assembly catches himself up in the mesh of his own kif-dream and begins to act it out in reality. Idir’s victory over Lahcen is the classical story of the kif-smoker’s ability to outwit the drinker. Driss the soldier, with aid of kit, proves the existence of magic to his enlightened superior officer. For all of them the kif-pipe is the means to attaining a state of communication not only with others, but above all with themselves. “His work is art. At his best Paul Bowles has no peer.”—Time

Originally published in 1955, Paul Bowles’s remarkable novel set in Fez, Morocco, during the last days of the French colonial empire, is an expansive piece of writing—vintage Bowles "With its atmosphere of sinister tension, its scenes of nationalist conspiracy and French police action, of escape and pursuit in the Arab quarter, The Spider''s House reads for stretches like a first-class political thriller." -New York Times The dilemma of the outsider in an alien society, and the gap in understanding between cultures, recurrent themes of Paul Bowles’s writings, are dramatized with brutal honesty in this novel set in Fez, Morocco, during that country’s 1954 nationalist uprising. Totally relevant to today’s political situation in the Middle East and elsewhere, richly descriptive of its setting, and uncompromising in its characterizations, The Spider’s House is perhaps Bowles’s best, most beautifully subtle novel.

Communication plays a central part in the increasing global interconnectedness of contemporary societies, nations and economies. In this book Cees J Hamelink examines the political processes and decisions which determine the global communication environment.Mass communication, telecommunication, data traffic, intellectual property and communication technology have all been regulated by agreements within the international community. Examining negotiation processes and their outcomes, the author offers an analysis of the global politics of communication and its implications for specific nations, areas and communities. Underlying the analysis is a fundamental concern with communication as an issue of human rights which raises the question: Do the standards agreed on world communication address the interests of ordinary people in their everyday lives?

Fotografier fra Marokko taget af forfatteren Paul Bowles f. 1910; disse giver en visuel oplevelse af temaer fra forfatterskabet

In these hauntingly beautiful stories of abandonment and vengeance, extreme situations lead to disturbing conclusions. A missionary is sent to a place so distant he finds his God has no power there; a husband abandons his wife as they honeymoon in the South American jungle; a splash of water triggers an explosion of violence; and a boy''s drug-induced transformation leads to cruelty enjoyed and suffered. Masterfully written, these are chilling tales from sun-drenched and brutal climes.

A stunning volume of essays, original articles & reviews, excerpts from travel journals, & images: the first book ever to focus exclusively on Paul Bowles'' career as a composer. Documents & evokes the period during which Bowles was primarily a composer, & includes an incisive new interview with Philip Ramey in which Bowles looks back on his musical career. This is the first volume of a series to be published in conjunction with music festivals organized by Eos Music Inc. in New York.

Uncorrected page proof, set 3.

Capitalism stands unrivalled as the most enduring economic system of our times. Since the collapse of the Soviet bloc the world has become a new stage for capital, and yet despite this dominance capitalism is still not widely understood. It remains a subject of enduring interest that is discovered and rediscovered over time by each successive generation of students. Exploring the life of this world-shaping system and the writings of leading thinkers, this study also now takes into account recent developments, including the impact of the Global Financial Crisis and the complexities of China’s political economy. Paul Bowles addresses these key questions: - what are the central, unchanging features of capitalism? - how does capitalism vary from place to place and over time? - does capitalism improve our lives? - is capitalism a system which is ‘natural’ and ‘free’? Or is it unjust and unstable? - what about today’s global capitalism? - will capitalism destroy or liberate us? This updated edition of a classic text is now supported by a comprehensive documents section, chronology and who’s who, as well as a new colour plate section. It offers a concise, lucid and thought-provoking introduction for undergraduate students or anyone with an interest in this most pervasive, long lasting and adaptable yet crisis-ridden of economic systems.

Paul Bowles’s classic collection of short stories, available in a deluxe paperback edition—part of Ecco’s Art of the Story series. “All the tales are a variety of detective story,” wrote Bowles of this, his first short story collection, “in which the reader is the detective; the mystery is in the motivation for the characters’’ behavior.” In such stories as “A Distant Episode” and How Many Midnights,” Bowles pushes human character beyond socially defined limits and maps a transformed (often horribly transformed) reality. Bowles captures the duality of human frailty and cruelty in these seventeen taut and atmospheric tales, written between 1939 and 1949. Brutal and gorgeous, visceral yet perceptive, this timeless collection is “one of the most profound, beautifully wrought, and haunting collections in our literature. . . at once austere, witty, violent, and sensuous. . . . His language has a purity of line, a poise and authority entirely its own, capable of instantly modulating from farce to horror without a ruffle” (Tobias Wolff).