New Releases by Peter Watts

Il était une fois un couple d’amoureux qui se promenait au crépuscule et se querellait. « Inutile, c’est ce que tu es, dit la fille. Tiens, je pourrais créer un homme en tout point aussi valable que toi à partir de deux rimes et d’une pincée de clair de lune. – Il me plairait de te voir essayer », répondit son compagnon. La fille tendit la main vers la brillante lune argentée tout juste levée au-dessus des collines. Elle recueillit une poignée de clair de lune, qu’elle entrelaça de deux rimes, et laissa le tout s’envoler. Alors un homme se tint là, vêtu d’une veste aussi pourpre que le crépuscule, avec des boutons aussi argentés que la lune. Il ne resta pas assez longtemps pour que le couple ait le temps de s’émerveiller, les précédant bientôt sur le chemin, marchant, dansant et sautillant entre les haies, loin devant, jusqu’à gagner le village... Jo Walton, Trois contes du crépuscule

Terre. 2096. Une intelligence extraterrestre s’est manifestée au genre humain. Un premier contact sans suite : si le Thésée a été envoyé dans les tréfonds obscurs du nuage d’Oort en quête de réponses, les communications avec le vaisseau sont depuis perdues. Sur Terre, la situation tient du désastre : réchauffement climatique et effondrement de la biodiversité ont mis l’humanité à genoux. Mais quelle humanité ? Certains ont fui dans des paradis numériques, d’autres explorent de nouveaux états de conscience. Et puis il y a Daniel Brüks, humain non augmenté, vrai fossile vivant, exilé dans le désert d’Oregon pour en étudier la faune et la flore altérées. Brüks, embarqué malgré lui dans une équipée folle aux côtés d’un militaire inconsolable, d’une pilote vindicative, de moines bicaméraux et d’une vampire, monstruosité ramenée du fond des âges par le génie génétique. C’est le début d’une fuite éperdue jusqu’au cœur brûlant du Système solaire, là où ce qu’il reste de cette humanité fracturée pourrait bien faire face à l’impensable...

This ebundle includes: Blindsight, Echopraxia, and The Colonel. From Hugo, Nebula, and John W. Campbell award-nominated author Peter Watts, Firefall is a far-future, science fiction saga of first contact with an alien species at the edge of the solar system–and of the evolution of humanity into a myriad of subspecies. Blindsight: Two months since the stars fell. Now some half-derelict space probe, sparking fitfully past Neptune''s orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever''s out there isn''t talking to us. So who do you send to force introductions with unknown and unknowable alien intellect that doesn''t wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won''t be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they''ve been sent to find. Echopraxia: Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat''s-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he''s turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself trapped on a ship bound for the center of the solar system. Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself. The Colonel: Colonel Keaton is in trouble. His wife has retreated into a virtual heaven and his son remains missing after joining an extrasolar mission to track down an alien race. He is presently tasked by his superiors with the threat assessment of hived human intelligences, one of which successfully attacks a compound under his watch. Now, one of the strongest hive minds in the world approaches Keaton with an offer that could completely change his world. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Animae Mundi - Dialogues With Earth is a memoir of sorts complete with poetry, dreams, visions, metaphysical experiences, science, and ways to live more lightly on our shared planet. The original art, which is considered 'automatic' is pen drawn and a few are colourised using pencils. The technique starts with a random shape and lines evolve from there creating intricate layers of imagery. This book does not fit neatly into any genre but illustrates how the author lives a life that treats our planet with love and respect. There are infinite ways to connect with Anima Mundi, Earth's Soul, and every small act adds up. Change happens one mind at a time so whether you will be inspired to create a rain garden, start a compost pile for the first time, or spend more time outside singing and talking and dancing with Earth, She is begging us to begin that change. If you cannot seem to find the means of expressing deep reverence for the Soul of the World perhaps, you'll find something that resonates on these pages and begin the process of integrating your own story. Anima Mundi has captivated imaginations for millennia though modern 'civilised' humans seem to be in a state of natural unconsciousness. Soul Consciousness, like the colours of the visible light spectrum, is much more than ROYGBIV. Like the spectrum, our journey of discovery is gradual, consisting of infinite transitions to the next frequency. This book also uncovers the lifelong journey of healing through personal experiences of ritual, journaling, Dream Work, and Shadow Work. And there's always more work to do. None of us are perfect yet that shouldn't stop us from trying to better every day. Like all Souls, the beautiful Anima Mundi is immortal and whether humans can re-evolve into a species that has meaningful dialogue with Her remains to be seen. This book is written from a mystical Pagan perspective of Animism which is a spiritual knowing that natural phenomena and 'inanimate' objects like rocks are alive and possess characteristics of consciousness such as intention, desire, and feeling. As all things are connected, the Universe is also alive and conscious. It's ALL alive.

Six jours avant qu’il n’y ait plus d’argent, Méduse se prit un bon coup de pied au cul d’Encelade. Les thermistances embarquées enregistrèrent un pic soudain — 80°, 90°, 120° —, que suivirent un soubresaut du fond marin et un violent choc latéral sur la sonde. Il y eut un flash lumineux. Un océan incroyablement bouillant. Un fond marin rocheux basculant comme une table renversée par un géant furieux. Le canal se tut. La télémétrie se propagea dans l’obscur océan alcalin. Des relais amarrés à la sous-croûte captèrent ces chuchotements, qu’ils amplifièrent et transmirent. Cent quatre-vingts kilomètres plus loin à l’horizon, Euryale — accrochée par en dessous à la glace comme une énorme balane métallique — sépara le signal du bruit et le fit remonter à Stheno par un câble qui traversait six kilomètres de croûte regelée. Les mains orientées en porte-voix vers l’horizon fracturé, Stheno cria en direction de la Terre. Peter Watts Test d’écho

An unabridged collection spotlighting the best hard science fiction stories published in 2020 by current and emerging masters of the genre, edited by Allan Kaster. Aliens, who believe that observing the stars causes dark energy, freeze intelligent beings to prevent the end of the universe in "Salvage," by Andy Dudak. In "You and Whose Army?," by Greg Egan, a hive mind is disturbed when one of four neurally linked brothers unexpectedly breaks his connection. Creatures that feed on time threaten Earth in "Time's Own Gravity," by Alexander Glass. In "Brother Rifle," by Daryl Gregory, a Marine receives a brain implant to help him deal with a brain injury that has left him void of feelings and unable to make decisions. A married couple discover that their adopted daughter had been genetically modified before birth in "Invisible People," by Nancy Kress. "Tool Use by the Humans of Danzhai County," by Derek Künsken, is an epic story of a man and his illegitimate daughter separately trying to revolutionize AI and bioengineering from rural China. In "How Quini the Squid Misplaced His Klobučar," by Rich Larson, a high-tech gene art heist in a future Spain is undertaken by a professional thief more interested in revenge than money. The obituary for an AI provides a list of advice for other advanced AIs in "50 Things Every AI Working with Humans Should Know," by Ken Liu. In "A Mastery of German," by Marian Denise Moore, a biotech company is concerned with the ethics of passing memories between people as it develops this capability. Human explorers struggle to survive in the deadly, primeval forest of an alien planet in "Eyes of the Forest," by Ray Nayler. In "Beyond the Tattered Veil of Stars," by Mercurio D. Rivera, a scientist creates a virtual world so other species can evolve and solve humankind's problems in the real world. An ancient polymorph constructed being, fleeing a failed utopia, returns to a familiar world to find an old friend in "Bereft, I Come to a Nameless World," by Benjamin Rosenbaum. In "When God Sits in Your Lap," by Ian Tregillis, a fallen angel in a noir-like Los Angeles is hired by a man to persuade his wealthy mother to leave her new husband and keep his aerospace empire inheritance intact. An AI helps a family cope with the death of its father in "Mediation," by Cadwell Turnbull. In "Test 4 Echo," by Peter Watts, a damaged, semi-independent component on an autonomous undersea drone on Enceladus shows signs of emerging consciousness.

With over fifty unpredictable, scathing, hilarious, and more-than-occasionally moving essays about science, politics, family, pop culture, religion and more, Peter Watts — Hugo Award-winning author, former marine biologist, and “angry sentient tumor” (via Annalee Newitz, author of Autonomous) — shows why he is the savage dystopian optimist whom you can’t look away from ... even when you probably should. [STARRED REVIEW] “Irreverent, self-depreciating, profane, and funny, showcasing a Hunter S. Thompson–esque studied rage and dissatisfaction with the status quo combined with the readability and humor of John Scalzi.” —Booklist Which of the following is true? Peter Watts is banned from the U.S. Watts almost died from flesh-eating bacteria. A schizophrenic man living in Watts’s backyard almost set the house on fire. Watts was raised by Baptists who really sucked at giving presents. Peter Watts said to read this book. Or else. With Watts''s infamous penchant for blunt, honest, and deep reflection, these retrospective essays provide a view inside his head and even into his heart.

“This—THIS—is the cutting edge of science fiction.” —Richard K. Morgan, author of Altered Carbon How do you stage a mutiny when you''re only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each job shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears, and relentlessly, honestly, only wants what''s best for you? Trapped aboard the starship Eriophora, Sunday Ahzmundin is about to discover the components of any successful revolution: conspiracy, code—and unavoidable casualties. Note from the publisher: The red letters in the print edition (highlighted letters in the e-book) indicate special bonus content.

As a follower of Jesus, you value honest and transparent relationships with others. Yet you continue to discover that these characteristics seem to be rare within Christian churches. It doesn't help the matter that a culture of detached professionalism pervades, not only in the contemporary workforce, but within these same Christian communities. Because of this, Christians are not widely known for authenticity. You may even feel stifled in the congregation you've been part of for years-and you wouldn't be the only one. When silence permeates a church, the domino effect can topple the members' ability to truly relate to and understand one another. Yet the path of Jesus offers lessons in authenticity that are still relevant to his followers today. Authentic Christianity examines what Christ's life tells us about living authentically and explores cultural reasons for our inability to flourish in this area. This book demonstrates that you don't have to choose between being a Christian and being an authentic human being. Following Jesus will lead you on a risky but meaningful (even necessary) path that faces and engages with our common need for authenticity and authentic relationships with others.

Firefall is the omnibus edition of the novels Blindsight and Echopraxia. February 13, 2082, First Contact. Sixty-two thousand objects of unknown origin plunge into Earth''s atmosphere - a perfect grid of falling stars screaming across the radio spectrum as they burn. Not even ashes reach the ground. Three hundred and sixty degrees of global surveillance: something just took a snapshot. And then... nothing. But from deep space, whispers. Something out there talks - but not to us. Two ships, Theseus and the Crown of Thorns, are launched to discover the origin of Earth''s visitation, one bound for the outer dark of the Kuiper Belt, the other for the heart of the Solar System. Their crews can barely be called human, what they will face certainly can''t. ''A tour de force, redefining the First Contact story for good'' Charles Stross. ''If you only read one science fiction novel this year, make it this one!... It puts the whole of the rest of the genre in the shade... It deserves to walk away with the Clarke, the Hugo, the Nebula, the BSFA, and pretty much any other genre award for which it''s eligible. It''s off the scale... F**king awesome!'' Richard Morgan. ''State-of-the-art science fiction: smart, dark and it grabs you by the throat from page one'' Neal Ascher.

Nous sommes les hommes des cavernes. Nous sommes les Anciens, les Progéniteurs, les singes qui érigent vos charpentes d’acier. Nous tissons vos toiles, construisons vos portails magiques, enfilons le chas de l’aiguille à soixante mille kilomètres/seconde. Pas question d’arrêter, ni même d’oser ralentir, de peur que la lumière de votre venue ne nous réduise en plasma. Tout cela pour que vous puissiez sauter d’une étoile à la suivante sans vous salir les pieds dans ces interstices de néant infinis...

An unabridged audio collection of the “best of the best” science fiction stories published in 2014 by current and emerging masters of the genre, edited by Allan Kaster. In “Marielena,” by Nina Allan, an immigrant is haunted by his past, as well as his present and future, in a disturbingly mean-spirited near-future England. A convicted serial killer is sentenced to “rightminding” to cure his neurological disorder that resulted in the sociopathic murdering of thirteen women in “Covenant,” by Elizabeth Bear. “The Magician and LaPlace’s Demon” by Tom Crosshill, follows a powerful AI that discovers the existence of magic and then prosecutes a vendetta against the magicians who grow more powerful as their numbers dwindle. In “Sadness,” by Timons Esaias, a man strikes back, as best he can, against the powerful aliens who conquered Earth long ago. In “Amicae Aeternum,” by Ellen Klages, a young girl shares her last morning on Earth with her girlfriend before boarding a generation starship. “Red Lights, and Rain,” by Gareth L. Powell, is a blend of sci-fi and vampire-hunting lore in which the vampires are made, not born. In “The Sarcophagus,” by Robert Reed, the maintenance cyborgs of the Great Ship encounter a stranded spacer in a derelict lifesuit from a long ago ship. “In Babelsberg,” by Alastair Reynolds, showcases a robot whose account of the dead colonists recently found on Titan are challenged by another AI. In “Passage of Earth,” by Michael Swanwick, a coroner gets a taste of the Earth invaders’ superior intelligence while dissecting a giant worm-like alien. Finally, in “The Colonel,” by Peter Watts, Colonel Moore tries to assess the capabilities of the hived human intelligences that have attacked a compound under his command.

Ich denke, also bin ich. Eines Tages werden rätselhafte Signale aus den Tiefen des Alls aufgefangen. Ein Erkundungsschiff wird losgeschickt, um der Sache auf den Grund zu gehen. Man hofft auf eine friedliche Begegnung mit den Außerirdischen, ist aber auch für andere Eventualitäten gerüstet. Doch dann stehen die Astronauten plötzlich einem Wesen gegenüber, so fremdartig, dass es mit menschlichen Maßstäben nicht zu fassen ist ...

Prepare for a different kind of singularity in Peter Watts'' Echopraxia, the follow-up to the Hugo-nominated novel Blindsight It''s the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it''s all under surveillance by an alien presence that refuses to show itself. Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat''s-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he''s turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out. Now he''s trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn''t yet found the man she''s sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call "The Angels of the Asteroids." Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

In a world ravaged by the apocalyptic microbe ßehemoth, amphibious cyborg Lenie Clarke must confront the consequences of her past and the enemies that hunt her in the crushing depths of the ocean. Lenie Clarke—amphibious cyborg, Meltdown Madonna, agent of the Apocalypse—has grown sick to death of her own cowardice. For five years (since the events recounted in Maelstrom), she and her bionic brethren have hidden in the mountains of the deep Atlantic. Atlantis, the facility they commandeered, was more than a secret station on the ocean floor. It was an exit strategy for the corporate elite, a place where the world''s Movers and Shakers had hidden from the doomsday microbe ßehemoth—and from the hordes of the moved and the shaken left behind. For five years "rifters" and "corpses" have lived in a state of uneasy truce, united by fear of the outside world. But now that world closes in. An unknown enemy hunts them through the crushing darkness of the Mid-Atlantic Ridge. ßehemoth—twisted, mutated, more virulent than ever—has found them already. The fragile armistice between the rifters and their one-time masters has exploded into all-out war, and not even the legendary Lenie Clarke can take back the body count. Billions have died since she loosed ßehemoth upon the world. Billions more are bound to. The whole biosphere came apart at the seams while Lenie Clarke hid at the bottom of the sea and did nothing. But now there is no place left to hide. The consequences of past acts reach inexorably to the very floor of the world, and Lenie Clarke must return to confront the mess she made. Redemption doesn''t come easy with the blood of a world on your hands. But even after five years in pitch-black purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way—and worse ones, perhaps, if she succeeds... Behemoth: Seppuku concludes the final act (begun in ßehemoth: ß-Max) of Peter Watts''s chilling and powerful Rifters series. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

From the author of Blindsight comes Peter Watts''s sci-fi adventure story "The Colonel," an action-packed Tor.com Original Colonel Keaton is in trouble. His wife has retreated into a virtual heaven and his son remains missing after joining an extrasolar mission to track down an alien race. He is presently tasked by his superiors with the threat assessment of hived human intelligences, one of which successfully attacks a compound under his watch. Now, one of the strongest hive minds in the world approaches Keaton with an offer that could completely change his world. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Fantascienza - racconto lungo (25 pagine) - L'altra faccia della Cosa: la vicenda del grande classico rivisitata dal punto di vista dell'Alieno. Premio Shirley Jackson, finalista premio Hugo, Locus e Sturgeon Nel grande classico di John Wood Campbell jr La cosa, dal quale sono stati tratti ben tre film, abbiamo seguito la storia degli uomini della base nell'antartico che scoprono nei ghiacci una creatura aliena, un mostro, una cosa terrificante. Ma la storia può essere vista anche da un altro punto di vista. Quello di un viaggiatore dello spazio che dopo un incidente si risveglia circondato da esseri alieni che gli danno la caccia. Esseri che a loro volta, dal suo punto di vista, sono mostri, sono cose altrettanto terrificanti. Finalista a tutti i maggiori premi del settore e vincitore del premio Shirley Jackson per il suspense psicologico, un piccolo classico che non vi farà più vedere i mostri nello stesso modo. Canadese, classe 1958, Peter Watts ha vinto il premio Hugo nel 2010 col racconto L’isola, ma c'era già arrivato vicino nel 2006 col romanzo Blindsight. Biologo specializzato nei mammiferi marini, Watts ha sfruttato le sue conoscenze scientifiche nel romanzo con cui ha esordito, Starfish, al quale ha dato finora tre seguiti.

Cinq ans après les événements de Rifteurs, le monde s'écroule. Lenie a rapporté du fond des abysses le terrible virus Béhémoth, qui détruit la biosphère terrestre et tue des millions de gens. Tout autour du globe règne le chaos. La plupart des gouvernements sont tombés ; partout, des guerres éclatent, des sectes suicidaires fleurissent et l'ancien réseau Internet est aux mains de monstres artificiels révérant Lenie comme la Madone du désastre. Dans une station au fond de l'océan, quelques privilégiés attendent un miracle. Mais Lenie est à leurs trousses...

Skillfully combining complex science with finely executed prose, these edgy, award-winning tales explore the always-shifting border between the known and the alien. The beauty and peril of technology and the passion and penalties of conviction merge in stories that are by turns dark, satiric, bold, and introspective. A seemingly humanized monster from John Carpenter’s The Thing reveals the true villains in an Antarctic showdown. An artificial intelligence shields a biologically-enhanced prodigy from her overwhelmed parents. A deep-sea diver discovers that her true nature lies not within the confines of her mission but in the depths of her psyche. A court psychologist analyzes a psychotic graduate student who has learned to reprogram reality itself. A father tries to hold his broken family together in the wake of an ongoing assault by sentient rainstorms. Gorgeously saturnine and exceptionally powerful, these collected fictions are both intensely thought-provoking and impossible to forget.

MANHATTAN IS UNDER NEW MANAGEMENT. THEY’RE NOT FROM AROUND HERE. Welcome to the Big Apple, son. Welcome to the city that never sleeps: invaded by monstrous fusions of meat and machinery, defended by a private army that makes Blackwater look like the Red Cross, ravaged by a disfiguring plague that gifts its victims with religious rapture while it eats them alive. You’ve been thrown into this meat grinder without warning, without preparation, without a clue. Your whole squad was mowed down the moment they stepped onto the battlefield. And the chorus of voices whispering in your head keeps saying that all of this is on you: that you and you alone might be able to turn the whole thing around if you only knew what the hell was going on. You’d like to help. Really you would. But it’s not just the aliens that are gunning for you. Your own kind hunts you as a traitor, and your job might be a bit easier if you didn’t have the sneaking suspicion they could be right. . . .

Whether it's coming up hard against the speed of light and, with it, the enormity of the universe, realising that terraforming a distant world is harder and more dangerous than you'd ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, this exciting and innovative science-fiction anthology collects together stories by some of the biggest names in the field including Stephen Baxter, Charles Stross and Greg Bear. The universe shifts and changes: suddenly you understand, you get it, and are filled with a sense of wonder. That moment of understanding drives the greatest science-fiction stories and lies at the heart of Engineering Infinity. Whether it's coming up hard against the speed of light and, with it, the enormity of the universe, realising that terraforming a distant world is harder and more dangerous than you'd ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, it's hard science-fiction where sense of wonder is most often found and where science-fiction's true heart lies. The exciting and innovative science-fiction anthology collects together stories by some of the biggest names in the field including Stephen Baxter, Charles Stross, Kristine Kathryn Rusch and Gwyneth Jones.

Some Background on ProbabilityIntroduction Probability Conditional probability and independence Discrete random variables Continuous random variables Mean and variance Some standard discrete probability distributions Some standard continuous probability distributions Generating functions Conditional expectationSome Gambling ProblemsGambler's ruin Probability of ruin Some numerical simulations Duration of the game Some variations of gambler's ruinRandom WalksIntroduction Unrestricted random walks The probability distribution after n steps First returns of the symmetric random walkMarkov ChainsS.

Second in the Rifters Trilogy, Hugo Award-winning author Peter Watts'' Maelstrom is a terrifying explosion of cyberpunk noir. This is the way the world ends: A nuclear strike on a deep sea vent. The target was an ancient microbe—voracious enough to drive the whole biosphere to extinction—and a handful of amphibious humans called rifters who''d inadvertently released it from three billion years of solitary confinement. The resulting tsunami killed millions. It''s not as through there was a choice: saving the world excuses almost any degree of collateral damage. Unless, of course, you miss the target. Now North America''s west coast lies in ruins. Millions of refugees rally around a mythical figure mysteriously risen from the deep sea. A world already wobbling towards collapse barely notices the spread of one more blight along its shores. And buried in the seething fast-forward jungle that use to be called Internet, something vast and inhuman reaches out to a woman with empty white eyes and machinery in her chest. A woman driven by rage, and incubating Armageddon. Her name is Lenie Clarke. She''s a rifter. She''s not nearly as dead as everyone thinks. And the whole damn world is collateral damage as far as she''s concerned. . . . At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune''s orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever''s out there isn''t talking to us. It''s talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn''t wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won''t be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they''ve been sent to find. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.