New Releases by Peter Watts

This ebundle includes: Blindsight, Echopraxia, and The Colonel. From Hugo, Nebula, and John W. Campbell award-nominated author Peter Watts, Firefall is a far-future, science fiction saga of first contact with an alien species at the edge of the solar system–and of the evolution of humanity into a myriad of subspecies. Blindsight: Two months since the stars fell. Now some half-derelict space probe, sparking fitfully past Neptune''s orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever''s out there isn''t talking to us. So who do you send to force introductions with unknown and unknowable alien intellect that doesn''t wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won''t be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they''ve been sent to find. Echopraxia: Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat''s-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he''s turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself trapped on a ship bound for the center of the solar system. Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself. The Colonel: Colonel Keaton is in trouble. His wife has retreated into a virtual heaven and his son remains missing after joining an extrasolar mission to track down an alien race. He is presently tasked by his superiors with the threat assessment of hived human intelligences, one of which successfully attacks a compound under his watch. Now, one of the strongest hive minds in the world approaches Keaton with an offer that could completely change his world. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Animae Mundi - Dialogues With Earth is a memoir of sorts complete with poetry, dreams, visions, metaphysical experiences, science, and ways to live more lightly on our shared planet. The original art, which is considered ''automatic'' is pen drawn and a few are colourised using pencils. The technique starts with a random shape and lines evolve from there creating intricate layers of imagery. This book does not fit neatly into any genre but illustrates how the author lives a life that treats our planet with love and respect. There are infinite ways to connect with Anima Mundi, Earth''s Soul, and every small act adds up. Change happens one mind at a time so whether you will be inspired to create a rain garden, start a compost pile for the first time, or spend more time outside singing and talking and dancing with Earth, She is begging us to begin that change. If you cannot seem to find the means of expressing deep reverence for the Soul of the World perhaps, you''ll find something that resonates on these pages and begin the process of integrating your own story. Anima Mundi has captivated imaginations for millennia though modern ''civilised'' humans seem to be in a state of natural unconsciousness. Soul Consciousness, like the colours of the visible light spectrum, is much more than ROYGBIV. Like the spectrum, our journey of discovery is gradual, consisting of infinite transitions to the next frequency. This book also uncovers the lifelong journey of healing through personal experiences of ritual, journaling, Dream Work, and Shadow Work. And there''s always more work to do. None of us are perfect yet that shouldn''t stop us from trying to better every day. Like all Souls, the beautiful Anima Mundi is immortal and whether humans can re-evolve into a species that has meaningful dialogue with Her remains to be seen. This book is written from a mystical Pagan perspective of Animism which is a spiritual knowing that natural phenomena and ''inanimate'' objects like rocks are alive and possess characteristics of consciousness such as intention, desire, and feeling. As all things are connected, the Universe is also alive and conscious. It''s ALL alive.

An unabridged collection spotlighting the best hard science fiction stories published in 2020 by current and emerging masters of the genre, edited by Allan Kaster. Aliens, who believe that observing the stars causes dark energy, freeze intelligent beings to prevent the end of the universe in "Salvage," by Andy Dudak. In "You and Whose Army?," by Greg Egan, a hive mind is disturbed when one of four neurally linked brothers unexpectedly breaks his connection. Creatures that feed on time threaten Earth in "Time''s Own Gravity," by Alexander Glass. In "Brother Rifle," by Daryl Gregory, a Marine receives a brain implant to help him deal with a brain injury that has left him void of feelings and unable to make decisions. A married couple discover that their adopted daughter had been genetically modified before birth in "Invisible People," by Nancy Kress. "Tool Use by the Humans of Danzhai County," by Derek Künsken, is an epic story of a man and his illegitimate daughter separately trying to revolutionize AI and bioengineering from rural China. In "How Quini the Squid Misplaced His Klobučar," by Rich Larson, a high-tech gene art heist in a future Spain is undertaken by a professional thief more interested in revenge than money. The obituary for an AI provides a list of advice for other advanced AIs in "50 Things Every AI Working with Humans Should Know," by Ken Liu. In "A Mastery of German," by Marian Denise Moore, a biotech company is concerned with the ethics of passing memories between people as it develops this capability. Human explorers struggle to survive in the deadly, primeval forest of an alien planet in "Eyes of the Forest," by Ray Nayler. In "Beyond the Tattered Veil of Stars," by Mercurio D. Rivera, a scientist creates a virtual world so other species can evolve and solve humankind''s problems in the real world. An ancient polymorph constructed being, fleeing a failed utopia, returns to a familiar world to find an old friend in "Bereft, I Come to a Nameless World," by Benjamin Rosenbaum. In "When God Sits in Your Lap," by Ian Tregillis, a fallen angel in a noir-like Los Angeles is hired by a man to persuade his wealthy mother to leave her new husband and keep his aerospace empire inheritance intact. An AI helps a family cope with the death of its father in "Mediation," by Cadwell Turnbull. In "Test 4 Echo," by Peter Watts, a damaged, semi-independent component on an autonomous undersea drone on Enceladus shows signs of emerging consciousness.

Prodigal Father Devotional Journal is the 12-week companion to Peter Watts, Jr.''s memoir, Prodigal Father, the story of finding his biological father on Skid Row, an impoverished community in Downtown Los Angeles. In this book, Peter draws on the deepest parts of his life to show those who have experienced fatherlessness how to offer forgiveness.

This collection highlights 20 stellar space operas published over the past 20 years by top-notch authors of the science fiction genre. A soldier fights for survival behind enemy lines, on an alien vessel, thousands of light-years from Earth in "On the Orion Line," by Stephen Baxter. A man aboard a ship in deep space wakes up from biostasis at the wrong time in "The Days Between," by Allen M. Steele. An astronaut in a damaged balloon struggles to survive 800 meters above the surface of a sea on Titan in "Slow Life" by Michael Swanwick. Two rival space-faring cultures vie for influence over the people of a forgotten human world in "The Third Party," by David Moles. One thousand people, aboard five generation starships, leave the Sol system to flee an enemy that threatens to destroy their way of life in "Mayflower II," by Stephen Baxter. Modified combat troops must deal with recalcitrant settlers on a planet being attacked by hostile aliens in "Bright Red Star," by Bud Sparhawk. Programmed military doppelgängers continue to carry out their missions long after the Quiet War''s end in "Dead Men Walking," by Paul McAuley. Mathematicians seek to learn more from a civilization, on another planet, that spent three million years doing math in "Glory," by Greg Egan. Human diplomats must deal their own cultural biases while dealing with two representatives from warring factions on a newly discovered planet in "Saving Tiamaat," by Gwyneth Jones. Space pirates haul in booty aboard a living spaceship that doesn''t quite smell right in "Boojum," by Elizabeth Bear & Sarah Monette. The constable in a settlement on a planet full of the tombs of a long-vanished alien race befriends a woman who researches dangerous hive rats in "City of the Dead," by Paul McAuley. A dying young man on a treasure hunt tries to save a world that''s devoid of gravity and lit by artificial suns in "The Hero," by Karl Schroeder. An eternal, aboard a slower than light ship, is woken to investigate an unexplained signal emanating from the area of the ship''s next stargate construction site in "The Island," by Peter Watts. An alienated teenager, in a domed iron city on a planet where a fundamentalist revolt is brewing, seeks to uncover her enigmatic tutor''s long-held secret in "The Ice Owl," by Carolyn Ives Gilman. A woman recalls a childhood train journey, on a planet with a permanent dayside and a nightside of eternal darkness, to see a captured specimen of the Nightmare race in "Weep for Day," by Indrapramit Das. Peculiar mating rituals and divergent evolution have developed on a lost colony that has been out of contact with the rest of humanity in "Someday," by James Patrick Kelly. An aristocrat''s trip to Venus, in search of her disgraced brother, is memorialized by papercuts of flora native to the planet in "Botanica Veneris: Thirteen Papercuts by Ida Countess Rathagan," by Ian McDonald. An enemy of the revolution, on a colonized planet, uploads a digital copy of himself into the body of a braindead boy in an attempt to escape off-world in "Jonas and the Fox" by Rich Larson. Set in the author''s Machineries of Empire universe, an undercover agent infiltrates a space station to recover the crew of a lost ship in "Extracurricular Activities," by Yoon Ha Lee. And finally, the captain of a dustship musters her crew to escape from a trap set by Hunter-Killers in a game of cat and mouse amid the rings of a giant planet in "By the Warmth of Their Calculus," by Tobias S. Buckell.

Ils sont trente mille. Ils voyagent depuis soixante millions d’années. Leur mission : déverrouiller la porte des étoiles... Avez-vous jamais pensé à eux ? Aux Progéniteurs, aux Précurseurs — qu’importe le nom que vous leur avez choisi cette semaine —, ces dieux anciens disparus qui ont laissé derrière eux leurs portails et leurs autoroutes galactiques pour votre plaisir ? Avez-vous jamais cessé de vous demander ce qu’ils ont vécu ? Pas d’hyperespace de seconde main pour eux. Pas d’épaules de géant sur lesquelles se dresser. Ils rampent à travers la galaxie, pareils à des fourmis, en sommeil pendant des millénaires, se réveillant juste assez longtemps pour lancer un chantier d’un système solaire à l’autre. Ils vivent au fil d’instants répartis le long des millions d’années, au service d’ancêtres morts depuis une éternité, pour des descendants n’ayant plus rien de commun avec eux. À vrai dire, ce ne sont pas des dieux mais des ouvriers, des hommes des cavernes vivant dans des astéroïdes évidés, lancés dans une mission sans fin pour étendre un empire posthumain qui ne répond même plus à leurs appels...

With over fifty unpredictable, scathing, hilarious, and more-than-occasionally moving essays about science, politics, family, pop culture, religion and more, Peter Watts — Hugo Award-winning author, former marine biologist, and “angry sentient tumor” (via Annalee Newitz, author of Autonomous) — shows why he is the savage dystopian optimist whom you can’t look away from ... even when you probably should. [STARRED REVIEW] “Irreverent, self-depreciating, profane, and funny, showcasing a Hunter S. Thompson–esque studied rage and dissatisfaction with the status quo combined with the readability and humor of John Scalzi.” —Booklist Which of the following is true? Peter Watts is banned from the U.S. Watts almost died from flesh-eating bacteria. A schizophrenic man living in Watts’s backyard almost set the house on fire. Watts was raised by Baptists who really sucked at giving presents. Peter Watts said to read this book. Or else. With Watts''s infamous penchant for blunt, honest, and deep reflection, these retrospective essays provide a view inside his head and even into his heart.

The multi-award winning Infinity Project undertakes its seventh and final voyage in the imagination of the finest science fiction authors alive… Infinity’s End Humanity has made the universe home. On the outskirts of the solar system, beyond the asteroid fields, deep in space, under the surface of planets, in the ruins of fallen civilisations, in the flush of new creation: life finds a way. From intelligent velociraptors to digital ghosts; from a crèche on an asteroid to an artist using a star system as a canvas, this is a future where Earth’s children have adapted to every nook and cranny of existence. This is life on the edge of the possible. Featuring astonishing tales from Stephen Baxter, Alastair Reynolds, Naomi Kritzer, Paul McAuley, Seanan McGuire, Linda Nagata, Hannu Rajaniemi, Justina Robson, Kelly Robson, Kristine Kathryn Rusch, Lavie Tidhar, Peter Watts, Fran Wilde and Nick Wolven.

“This—THIS—is the cutting edge of science fiction.” —Richard K. Morgan, author of Altered Carbon How do you stage a mutiny when you''re only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each job shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears, and relentlessly, honestly, only wants what''s best for you? Trapped aboard the starship Eriophora, Sunday Ahzmundin is about to discover the components of any successful revolution: conspiracy, code—and unavoidable casualties. Note from the publisher: The red letters in the print edition (highlighted letters in the e-book) indicate special bonus content.

As a follower of Jesus, you value honest and transparent relationships with others. Yet you continue to discover that these characteristics seem to be rare within Christian churches. It doesn''t help the matter that a culture of detached professionalism pervades, not only in the contemporary workforce, but within these same Christian communities. Because of this, Christians are not widely known for authenticity. You may even feel stifled in the congregation you''ve been part of for years-and you wouldn''t be the only one. When silence permeates a church, the domino effect can topple the members'' ability to truly relate to and understand one another. Yet the path of Jesus offers lessons in authenticity that are still relevant to his followers today. Authentic Christianity examines what Christ''s life tells us about living authentically and explores cultural reasons for our inability to flourish in this area. This book demonstrates that you don''t have to choose between being a Christian and being an authentic human being. Following Jesus will lead you on a risky but meaningful (even necessary) path that faces and engages with our common need for authenticity and authentic relationships with others.

An unabridged audio collection of the “best of the best” science fiction stories published in 2014 by current and emerging masters of the genre, edited by Allan Kaster. In “Marielena,” by Nina Allan, an immigrant is haunted by his past, as well as his present and future, in a disturbingly mean-spirited near-future England. A convicted serial killer is sentenced to “rightminding” to cure his neurological disorder that resulted in the sociopathic murdering of thirteen women in “Covenant,” by Elizabeth Bear. “The Magician and LaPlace’s Demon” by Tom Crosshill, follows a powerful AI that discovers the existence of magic and then prosecutes a vendetta against the magicians who grow more powerful as their numbers dwindle. In “Sadness,” by Timons Esaias, a man strikes back, as best he can, against the powerful aliens who conquered Earth long ago. In “Amicae Aeternum,” by Ellen Klages, a young girl shares her last morning on Earth with her girlfriend before boarding a generation starship. “Red Lights, and Rain,” by Gareth L. Powell, is a blend of sci-fi and vampire-hunting lore in which the vampires are made, not born. In “The Sarcophagus,” by Robert Reed, the maintenance cyborgs of the Great Ship encounter a stranded spacer in a derelict lifesuit from a long ago ship. “In Babelsberg,” by Alastair Reynolds, showcases a robot whose account of the dead colonists recently found on Titan are challenged by another AI. In “Passage of Earth,” by Michael Swanwick, a coroner gets a taste of the Earth invaders’ superior intelligence while dissecting a giant worm-like alien. Finally, in “The Colonel,” by Peter Watts, Colonel Moore tries to assess the capabilities of the hived human intelligences that have attacked a compound under his command.

A huge international corporation has developed a facility along the Juan de Fuca Ridge at the bottom of the Pacific Ocean to exploit geothermal power. They send a bio-engineered crew--people who have been altered to withstand the pressure and breathe the seawater--down to live and work in this weird, fertile undersea darkness. Unfortunately the only people suitable for long-term employment in these experimental power stations are crazy, some of them in unpleasant ways. How many of them can survive, or will be allowed to survive, while worldwide disaster approaches from below? Starfish, the first installment in Peter Watts'' Rifters Trilogy At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Prepare for a different kind of singularity in Peter Watts'' Echopraxia, the follow-up to the Hugo-nominated novel Blindsight It''s the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it''s all under surveillance by an alien presence that refuses to show itself. Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat''s-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he''s turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out. Now he''s trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn''t yet found the man she''s sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call "The Angels of the Asteroids." Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Starfish lit the fuse. Maelstrom was the explosion. But five years into the aftermath, things aren''t quite so simple as they once seemed... Lenie Clarke--rifter, avenger, amphibious deep-sea cyborg--has destroyed the world. Once exploited for her psychological addiction to dangerous environments, she emerged in the wake of a nuclear blast to serve up vendetta from the ocean floor. The horror she unleashed--an ancient, apocalyptic microbe called ßehemoth--has been free in the world for half a decade now, devouring the biosphere from the bottom up. North America lies in ruins beneath the thumb of an omnipotent psychopath. Digital monsters have taken Clarke''s name, wreaking havoc throughout the decimated remnants of something that was once called Internet. Governments have fallen across the globe; warlords and suicide cults rise from the ashes, pledging fealty to the Meltdown Madonna. All because five years ago, Lenie Clarke had a score to settle. But she has learned something in the meantime: she destroyed the world for a fallacy. Now, cowering at the bottom of the Atlantic Ocean, rifters and the technoindustrial "corpses" who created them hide from a world in its death throes. But they cannot hide forever: something is tracking them, down amongst the lightless cliffs and trenches of the Midatlantic Ridge. The consequences of past acts reach inexorably towards the very bottom of the world, and Lenie Clarke must finally confront the mess she made. Redemption doesn''t come easy with the blood of a world on your hands. But even after five years in purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds. . . . Behemoth: ß-Max is the first of two volumes. The story will conclude in ßehemoth: Seppuku. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Lenie Clarke--amphibious cyborg, Meltdown Madonna, agent of the Apocalypse--has grown sick to death of her own cowardice. For five years (since the events recounted in Maelstrom), she and her bionic brethren (modified to work in the rift valleys of the ocean floor) have hidden in the mountains of the deep Atlantic. The facility they commandeered was more than a secret station on the ocean floor. Atlantis was an exit strategy for the corporate elite, a place where the world''s Movers and Shakers had hidden from the doomsday microbe ßehemoth--and from the hordes of the moved and the shaken left behind. For five years "rifters" and "corpses" have lived in a state of uneasy truce, united by fear of the outside world. But now that world closes in. An unknown enemy hunts them through the crushing darkness of the Mid-Atlantic Ridge. ßehemoth--twisted, mutated, more virulent than ever--has found them already. The fragile armistice between the rifters and their one-time masters has exploded into all-out war, and not even the legendary Lenie Clarke can take back the body count. Billions have died since she loosed ßehemoth upon the world. Billions more are bound to. The whole biosphere came apart at the seams while Lenie Clarke hid at the bottom of the sea and did nothing. But now there is no place left to hide. The consequences of past acts reach inexorably to the very floor of the world, and Lenie Clarke must return to confront the mess she made. Redemption doesn''t come easy with the blood of a world on your hands. But even after five years in pitch-black purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds... Behemoth: Seppuku concludes the final act (begun in ßehemoth: ß-Max) of Peter Watts''s chilling and powerful Rifters series. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

From the author of Blindsight comes Peter Watts''s sci-fi adventure story "The Colonel," an action-packed Tor.com Original Colonel Keaton is in trouble. His wife has retreated into a virtual heaven and his son remains missing after joining an extrasolar mission to track down an alien race. He is presently tasked by his superiors with the threat assessment of hived human intelligences, one of which successfully attacks a compound under his watch. Now, one of the strongest hive minds in the world approaches Keaton with an offer that could completely change his world. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Better . . . Stronger . . . Faster . . . The doctors rebuilt Hugo Award-winning editor Neil Clarke and made him a cyborg. Now he has assembled this anthology of twenty-six original cyborg stories by Greg Egan, Madeline Ashby, Elizabeth Bear, Peter Watts, Ken Liu, Robert Reed, Yoon Ha Lee, and more!

Skillfully combining complex science with finely executed prose, these edgy, award-winning tales explore the always-shifting border between the known and the alien. The beauty and peril of technology and the passion and penalties of conviction merge in stories that are by turns dark, satiric, bold, and introspective. A seemingly humanized monster from John Carpenter’s The Thing reveals the true villains in an Antarctic showdown. An artificial intelligence shields a biologically-enhanced prodigy from her overwhelmed parents. A deep-sea diver discovers that her true nature lies not within the confines of her mission but in the depths of her psyche. A court psychologist analyzes a psychotic graduate student who has learned to reprogram reality itself. A father tries to hold his broken family together in the wake of an ongoing assault by sentient rainstorms. Gorgeously saturnine and exceptionally powerful, these collected fictions are both intensely thought-provoking and impossible to forget.

Since 2006, Clarkesworld Magazine has been entertaining science fiction and fantasy fans with their brand of unique science fiction and fantasy stories. Collected here are all of the stories this Hugo Award-winning magazine published during their fourth year. Included in this volume are twenty-four stories by visionary writers of short fiction, including Jay Lake, Kij Johnson, Catherynne M. Valente, Robert Reed, Lavie Tidhar, Peter Watts and more CONTENTS Introduction by Neil Clarke Between Two Dragons by Yoon Ha Lee The Cull by Robert Reed The Mermaids Singing Each to Each by Cat Rambo Of Melei, of Ulthar by Gord Sellar Night, in Dark Perfection by Richard Parks The Grandmother-Granddaughter Conspiracy by Marissa Lingen Brief Candle by Jason K. Chapman All the King''s Monsters by Megan Arkenberg Torquing Vacuum by Jay Lake The Language of the Whirlwind by Lavie Tidhar A Sweet Calling by Tony Pi Alone with Gandhari by Gord Sellar The History Within Us by Matthew Kressel January by Becca De La Rosa Messenger by J.M. Sidorova A Jar of Goodwill by Tobias S. Buckell Futures in the Memories Market by Nina Kiriki Hoffman My Father''s Singularity by Brenda Cooper Beach Blanket Spaceship by Sandra McDonald The Association of the Dead by Rahul Kanakia Spar by Kij Johnson Paper Cradle by Stephen Gaskell Thirteen Ways of Looking at Space/Time by Catherynne M. Valente The Things by Peter Watts Clarkesworld Citizens - Official Census About Clarkesworld

"Spread over more than 600 square miles, London can be a daunting city. Time Out Shortlist London 2014 is packed with inside information from the publishers of London''s definitive weekly magazine. Written by a team of contributors who revel in their city, it is the best informed, most opinionated and freshest guide available."--Publisher description.

An unabridged collection of the “best-of-the-best” science fiction stories published in 2010 by current and emerging masters of the genre. In “Under the Moons of Venus,” by Damien Broderick, a man, who has returned to a mostly deserted Earth from a terraformed Venus with Luna and Ganymede as moons, longs to go back to Venus. In “The Shipmaker,” the 2011 story winner of the British Science Fiction Association Award, by Aliette de Bodard, a maker of living spaceships has her career threatened by the birth of a sentient Mind that will come before the ship that will house it will be ready. In “Flower, Mercy, Needle, Chain” by Yoon Ha Lee, a construct meets with an assassin that is the keeper of a gun that erases a victim’s entire lineage to secure the destruction of another gun made by the same gunsmith. In “Re-Crossing the Styx,” by Ian R. MacLeod, an entertainer aboard a cruise ship falls in love with a zombie husband’s Minder and schemes to free her from her marriage. In the steampunk story “Eight Miles,” by Sean McMullen, an English lord hires a balloonist to take him and a nonhuman female to a great height in order to learn the secrets of another world. In “Elegy for a Young Elk” by Hannu Rajaniemi, the gods use a real human to retrieve something important from a city that has become sentient and surrounded by a firewall that protects against gods. In “Alone” by Robert Reed, set in the author’s Marrowuniverse, a traveler aboard the Great Ship has eschewed contact and remained alone for far longer than seems possible. In the winner of the 2010 Asimov’s Readers’ Award for best novelette “The Emperor of Mars,” by Allen M. Steele, a contract worker on Mars becomes enamored with the science fiction retrieved from NASA’s Phoenix lander that arrived on the red planet back in 2008. In “A Letter from the Emperor,” by Steve Rasnic Tem, an imperial envoy visits an outlying colony where a retiring colonel, whose memory is suspect for security reasons, claims to have fought alongside the emperor. Finally, the 2010 Shirley Jackson Award winner for best short story, “The Things,” by Peter Watts, is a retelling of John Carpenter’s classic movie, The Thing, from the perspective of the shape-shifting alien confronting a group of scientists in Antarctica.

NYC 2023. Terrifying alien invaders stalk the streets and a nightmare plague strikes down the city''s myriad inhabitants with brutal epidemic speed. The city''s systems are in chaos, its streets and skyline are smashed and in flaming ruin. The battle is on against the lethal, armoured, bipedal war machines that stalk ravaged New York. The novel ties in directly to Crysis 2 and is penned by critically-acclaimed and Hugo Award-nominated author Peter Watts.

MANHATTAN IS UNDER NEW MANAGEMENT. THEY’RE NOT FROM AROUND HERE. Welcome to the Big Apple, son. Welcome to the city that never sleeps: invaded by monstrous fusions of meat and machinery, defended by a private army that makes Blackwater look like the Red Cross, ravaged by a disfiguring plague that gifts its victims with religious rapture while it eats them alive. You’ve been thrown into this meat grinder without warning, without preparation, without a clue. Your whole squad was mowed down the moment they stepped onto the battlefield. And the chorus of voices whispering in your head keeps saying that all of this is on you: that you and you alone might be able to turn the whole thing around if you only knew what the hell was going on. You’d like to help. Really you would. But it’s not just the aliens that are gunning for you. Your own kind hunts you as a traitor, and your job might be a bit easier if you didn’t have the sneaking suspicion they could be right. . . .

Whether it''s coming up hard against the speed of light and, with it, the enormity of the universe, realising that terraforming a distant world is harder and more dangerous than you''d ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, this exciting and innovative science-fiction anthology collects together stories by some of the biggest names in the field including Stephen Baxter, Charles Stross and Greg Bear. The universe shifts and changes: suddenly you understand, you get it, and are filled with a sense of wonder. That moment of understanding drives the greatest science-fiction stories and lies at the heart of Engineering Infinity. Whether it''s coming up hard against the speed of light and, with it, the enormity of the universe, realising that terraforming a distant world is harder and more dangerous than you''d ever thought, or simply realizing that a hitchhiker on a starship consumes fuel and oxygen with tragic results, it''s hard science-fiction where sense of wonder is most often found and where science-fiction''s true heart lies. The exciting and innovative science-fiction anthology collects together stories by some of the biggest names in the field including Stephen Baxter, Charles Stross, Kristine Kathryn Rusch and Gwyneth Jones.

A collection of the “best of the best” science fiction stories published in 2009 by current and emerging masters of the genre. In “Erosion,” by Ian Creasey, a man tests the limits of his exo-suit prior to leaving a dying Earth. In “As Women Fight,” by Sara Genge, a hunter, in a society of body-switchers, has no time to train for a fight to inhabit his wife’s body. In “A Story, with Beans,” by Steven Gould, the role of religion in a dystopian future plagued with metal-eating bugs is considered. In “Events Preceding the Helvetican Renaissance,” by John Kessel, a monk, in the far future, steals the only copy of a set of plays from a repressive regime and uses this loot to free his people. In “On the Human Plan,” by Jay Lake, a mysterious alien visits a far-future, dying Earth in search of the death of Death. Set in the Jackaroo sequence, “Crimes and Glory,” by Paul McAuley, a detective chases a thief to recover alien technology that both aliens and humanity are desperate to recover. Set in the Lovecraftian “Boojum” universe, “Mongoose” by Sarah Monette and Elizabeth Bear, a vermin hunter and his tentacled assistant come on board a space station to hunt toves and raths. In “Before My Last Breath,” by Robert Reed, a geologist discovers a strange fossil in a coal mine that leads to the discovery of a peculiar graveyard. In the Hugo Award winning novelette “The Island,” by Peter Watts, a woman on a spaceship must decide whether to place a stargate near an alien society that will ultimately destroy it. Finally, “This Peaceable Land; or, The Unbearable Vision of Harriet Beecher Stowe,” by Robert Charles Wilson, is an alternate American Civil War history in which the war was never fought, slavery gradually disappeared, and Uncle Tom’s Cabin was never published.